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Greco   /grˈɛkoʊ/   Listen
Greco

noun
1.
Spanish painter (born in Greece) remembered for his religious works characterized by elongated human forms and dramatic use of color (1541-1614).  Synonyms: Domenikos Theotocopoulos, El Greco.



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"Greco" Quotes from Famous Books



... were chiefly mingled together, and from this amalgamation sprang the system of Neo-Platonism. When the early teachers of Christianity at Alexandria strove to show the harmony of the Gospel with the great principles of the Greco-Jewish philosophy, it underwent new modifications, and the Neo-Platonic school, which sprang up in Alexandria three centuries B.C., was completed in the first and second centuries of the Christian era. The common characteristic ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta

... your modern edition. An entirely proper Greco-Roman academy plaster bust, with a proper nose, and proper mouth, and a round chin, and an expression of the most solemn reverence; always, of course, of a classical description. Very fine, ...
— Val d'Arno • John Ruskin

... by the beach of the Ionian Sea beyond the new town. It is littered with shells and holothurians, with antique tesserae of blue glass and marble fragments, with white mosaic pavements and potteries of every age, from the glossy Greco-Roman ware whose delicately embossed shell devices are emblematic of this sea-girt city, down to the grosser products of yesterday. Of marbles I have found cipollino, pavonazzetto, giallo and rosso antico, but no harder materials such as porphyry or serpentine. This, and ...
— Old Calabria • Norman Douglas

... his return to Madrid, Velazquez came under the influence of El Greco, who had died in 1614, and left some wonderful pictures that may be seen to-day in Toledo. This fact is important, not that the influence resulted in imitation, but because it was distinctly inspiring, and Greco is a painter who is coming ...
— Velazquez • S. L. Bensusan

... Roman Church, as Hobbes pointed out in a very wonderful passage; its humanism and polity became the common property of the European nations of to-day. Gibbon's work should have been called 'The Rise and Progress of Greco-Roman Civilisation.' That is not such a good title, but it would have been more accurate. And if you compare critically the history of any manifestation of the human intellect, religion, literature, painting, architecture, or science, you will find that ...
— Masques & Phases • Robert Ross


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