"Ade" Quotes from Famous Books
 ... genius shows nothing characteristically American; but among those who are distinctively American I should class nearly all the writers who are best known to-day, Mr. Clemens (Mark Twain), Mr. Dunne, Mr. Lewis, Mr. Lorimer, Mr. Ade]—this distinctively American humour, then, stands in something the same relation to other forms of spirituellisme as the work of the poster artist occupies to other forms of pictorial art. Poster designing may demand a very high quality of art, ...
— The Twentieth Century American - Being a Comparative Study of the Peoples of the Two Great - Anglo-Saxon Nations • H. Perry Robinson
... survive the shrinking and the warping that comes with time, they will still be, in a certain sense, classic, and ten years hence or two years hence will still be better remembered than any films of the current releases, which come on like newspapers, and as George Ade says:—"Nothing is so dead as yesterday's newspaper." But the first newspapers, and the first imprints of Addison's Spectator, and the first Almanacs of Benjamin Franklin, and the first broadside ballads and the like, are ever collected and remembered. And the lists of films given in books two ...
— The Art Of The Moving Picture • Vachel Lindsay
... is not BOSCH's strong point. Shall come here again—alone. We go on to the Municipal Museum, where he shows me what he considers the treasures of the collection—a glass goblet, engraved "mit dails of tobaggo bipes," and the pipes themselves; a painting of a rose "mit ade beople's faces in de leafs;" and a drawing of "two pirts mit ...
— Punch, or the London Charivari, Vol. 102, June 18, 1892 • Various
... guitar, like the jeering laugh of Till Eulenspiegel. Then slinging his guitar over his shoulder, he took off his green cap, and made a leg to the ladies, in the style of Gil Blas; waved his hand in the air, and walked quickly down the valley, singing "Ade! Ade! Ade!" ...
— Hyperion • Henry Wadsworth Longfellow
... had come to an end. They had been very considerable. Several houses that hid the north faade had been destroyed. Before the great entrance, still scarred by the ravages of the Revolutionists, there had been set up a decoration of painted wood, representing a vast Gothic porch with three arches upholding the statues of the thirty-six good cities, the mayors of which were ...
— The Court of the Empress Josephine • Imbert de Saint-Amand |
