"Decorator" Quotes from Famous Books
 ... lines. A great difference would not make the same effect of variety; it would look too much like a contrast. For example, three rods on one side and six on another would be something else than a mere variation, and variety would be lost by the use of them. The Japanese decorator will vary three in this place by two in that, and a sense of the defeat of symmetry is immediately produced. With more violent means the idea of symmetry would have been neither ...
— The Colour of Life • Alice Meynell
... Examine them separately and they were of no value; they were merely cancelled symbols of forgotten messages. View them as a whole and they formed an interesting and confusing composition." Time, and our proximity to other cancelled symbols is no guarantee of interior understanding. The Great Decorator has arranged us without regard for our individual merits or past intrinsic values, we are but points of colour in his immense and arbitrary arrangement. I was following up this thought, when the brass Canterbury Pilgrim that serves ...
— Aliens • William McFee
... for a coach, and ordered the man to drive to the Place Royale, where, under one of the arcades, was the shop of M. Fingret, an upholsterer and decorator, and who had furniture always ready ...
— The Queen's Necklace • Alexandre Dumas pere
... of Poussin, the French painter, that when he was asked why he would not stay in Venice, he replied, "If I stay here, I shall become a colourist!" A somewhat similar tale is reported of a fashionable English decorator. While on a visit to friends in Venice, he avoided every building which contains a Tintoretto, averring that the sight of Tintoretto's pictures would injure his carefully trained taste. It is probable that neither anecdote is strictly true. Yet there is a certain ...
— New Italian sketches • John Addington Symonds
... this of the earlier Renaissance is the builder more inseparably connected with the decorator. The labours of the stone-carver, who provided altars chased with Scripture histories in high relief, pulpits hung against a column of the nave, tombs with canopies and floral garlands, organ galleries enriched with bas-reliefs of singing ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
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