"Edify" Quotes from Famous Books
 ... holy, I lack. They are contemptuous. They fail in sympathy with humanity. The voice of nature they bring me to hear is not divine, but ghastly, hard, and ironical. They do not illuminate me: they do not edify me." Is not this the German of to-day? If Emerson were with us now he would see, as we all see, how the age of idealism and spiritual power in Germany that gave the world the great composers and the great poets and philosophers—Bach, Beethoven, Wagner, Goethe, ...
— The Last Harvest • John Burroughs
... it. She read me a very clever scene about a weak young parson bent on pleasing himself; and offered to lend me the book, but I thought it would not edify Will Walker. But, no doubt, you have ...
— The Clever Woman of the Family • Charlotte M. Yonge
... great actions. Strenuous as ought to be the objection to that tone in speaking of Lincoln which seems to proceed from beneath the sounding-board of the pulpit, and which uses him as a Sunday-school figure to edify a piously admiring world, yet it certainly seems a plain fact that his day-dreams at this period foreshadowed the acts of his later years, and that what he pleased himself with imagining was not the acquirement of official ...
— Abraham Lincoln, Vol. I. • John T. Morse
... to read; and nothing in the shape of cheap literature was provided to meet their new craving, except mischievous broadsheets and worthless doggerel. Hannah More set to work to supply something healthy to amuse, instruct, and edify the new order of readers. She produced regularly every month for three years, three tracts—simple, pithy, vivacious, consisting of stories, ballads, homilies, and prayers. She was sometimes assisted by one of her sisters and two or three friends; but the ...
— Excellent Women • Various
... of these plays is the most characteristic and important. It takes up the old story of patient Grizzel which the Clerk of Oxford told Chaucer's pilgrims on the way to Canterbury. But a new motive animates the fable. Not to try her patience, not to edify womankind, does the count rob Griselda of her child. His burning and exclusive love is jealous of the pangs and triumphs of her motherhood in which he has no share. It is passion desiring the utter absorption of its object that gives rise to the tragic element ...
— The Dramatic Works of Gerhart Hauptmann - Volume I • Gerhart Hauptmann
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