"Epic poetry" Quotes from Famous Books
 ... not, we think of him, not because he is witty, because he was melancholy, because he was filial; but we love him because he existed, and was himself. This is the sum total of the impression. I believe that, of every other character either in tragic or epic poetry, the story makes part of the conception; but of Hamlet, the deep and permanent interest is the conception of himself. This seems to belong, not to the character being more perfectly drawn, but to there being a more intense conception of individual human life ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... lands. There they did their work. They made their calling and election sure. Greek architecture—one birth of beauty after another—was born. Athens was crowned with marvellous temples, whose exquisite proportions amaze and charm us to-day—inimitable creations of beauty. Homer came, and then epic poetry was born. AEschylus and tragedy came; Pindar and the lyric song; Theophrastus and pastoral music; Anacreon and the strain which bears his special name. And so Phidias and his companions created sculpture, Herodotus history, Demosthenes oratory, Plato and Aristotle philosophy, Zeuxis painting, ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... Purgatory, Canto XI. His "Canzone sopra il Terreno Amore" was thought worthy of being illustrated by numerous and ample commentaries. Crescimbeni Ist. della Volg. Poes. l. v. For a playful sonnet which Dante addressed to him, and a spirited translation of it, see Hayley's Essay on Epic Poetry, ...
— The Divine Comedy • Dante
... of Pius AEneas from Ilion.' Perhaps so, but at present the dreamy spirit of Antiquity knows not one word of the story. In a thousand years' time he will have heard of it, possibly, and then he will carefully consider those two 'retirements' as subjects for epic poetry." ...
— Flint and Feather • E. Pauline Johnson
... field of literature had been so thoroughly covered by the great writers of Hellas, that it was hard for the imitative Roman to be original. As far as epic poetry was concerned, Rome had poor material with which to deal: neither her mythology—the most prosaic and business-like of all mythologies—nor her history seemed to give any real scope for the epic writer. The Greek mythology was ready to hand, but it was hard for ...
— Post-Augustan Poetry - From Seneca to Juvenal • H.E. Butler
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