"Epos" Quotes from Famous Books
 ... through action—is impossible; to a method thus reticent and severe drama—the expression of emotion in action—is improper. 'Not here, O Apollo!' It is written that none shall bind his brows with the twin laurels of epos and drama. Shakespeare did not, nor could Homer; and ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
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... imperceptible. So, indeed, say Shakespeare's admirers. Gervinus says distinctly that besides Shakespeare's significance in the sphere of dramatic poetry in which, according to his opinion, Shakespeare equals "Homer in the sphere of Epos, Shakespeare being the very greatest judge of the human soul, represents a teacher of most indisputable ethical authority and the most select leader in the world ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy
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... work themselves out in effecting their greatness. The reason is that their great products overshadow all later production, and prevent all competition by their very greatness. When once a nation has worked up its mythic element into an epos, it contains in itself no further materials out of which an epos can be elaborated. So Italian literature has always been overshadowed by Latin literature. Italian writers, especially in the Middle Ages and the Renaissance, ...
— The Palace of Pleasure, Volume 1 • William Painter
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... against Robert Guiscard. On one occasion (Alexiad, lib. iv. p. 93) she represents her as thus recalling the fugitive soldiery of her husband to their duty,—[Greek: Hae de ge Taita Aeallas allae, kan mae Athaenae kat auton megisaen apheisa phonaen, monon ou to Homaerikon epos tae idia dialektio legein eokei. Mechri posou pheuxesthou; ataete aneres ese. Hos de eti pheugontas toutous eora, dory makron enagkalisamenae, holous rhytaeras endousa kata ton pheugonton ietai].—That is, exhorting them, in all but Homeric language, at ...
— Waverley Volume XII • Sir Walter Scott
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... symbolism of play but in its objective reality, must now thoroughly penetrate the conceptions of the youth so that it shall prepare him to seize hold of the machinery of active life. Instead of the all-embracing Epos they should now read Tragedy, whose purifying process, through the alternation of fear and pity, unfolds to the youth the secret of all human destiny, sin and its expiation. The works best adapted to lead to history ...
— Pedagogics as a System • Karl Rosenkranz
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