"Etch" Quotes from Famous Books
 ... if you please!" Maurice announced—for Bingo's bones. Clumps of Madonna lilies had bloomed here, and died, and bloomed again, for almost a century; the yard was shaded by a silver poplar, which would gray and whiten in the wind in hot weather, or delicately etch itself against a wintry sky. A little path, with moss between the bricks and always damp in the shadow of the poplar, led from the basement door to an iron gate; through its rusty bars one could see, a block away, the slipping gleam of the river, hurrying ...
— The Vehement Flame • Margaret Wade Campbell Deland
... shallow plate, of not great wearing quality, and, as a rule, requires a great deal of work by the engraver to bring the plate up to anything like the copy. The light tints come out very soft and smooth, but the black tones etch "flat" and lose all detail. These blacks must be put in by hand. The poor wearing qualities of these plates make them undesirable in cases where a large edition has ...
— The Building of a Book • Various
... Erskine. He would speak of Paley's pleasantry and unassuming manners, and describe Porson's deep potations and long quotations at the "Cider Cellars."' Warming with his theme, Hazlitt goes on in his essay to etch one memorable evening at the 'Southampton.' A few only were left, 'like stars at break of day,' the discourse and the ale were growing sweeter; but Mouncey, Hazlitt, and a man named Wells, alone remained. The conversation turned on the ...
— Old and New London - Volume I • Walter Thornbury
... moment of contemplation. Larger establishments, though they are rarely very large, are most often installed in a room longer than it is wide, having as many windows as possible at the street end and what we would call the bar at the other. It is a bar that always makes me regret I do not etch, with its pleasing curves, its high lights of brass and porcelain striking out of deep shadow, and ...
— All About Coffee • William H. Ukers
... none even of these men appear capable of producing a large plate. They have no knowledge of the means of rendering their lines vital or valuable; cross-hatching stands for everything; and inexcusably, for though we cannot expect every engraver to etch like Rembrandt or Albert Durer, or every wood-cutter to draw like Titian, at least something of the system and power of the grand works of those men might be preserved, and some mind and meaning stolen into the reticulation of the restless ...
— Modern Painters Volume I (of V) • John Ruskin
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