"Facade" Quotes from Famous Books
 ... its will. Its houses, set in open lawns, illustrated all the phases of the national taste in architecture as manifested throughout the nineteenth century, from the wooden Greek temple with a pillared facade of the early decades to the bizarre compositions, painted generally in dark red and yellow, with many gables and long sweeps of slanting roof, which marked that era's close. In most cases additions had ...
— The Street Called Straight • Basil King
... kind of silence which seems to be peopled with whispering spirits we strode forward along the elm avenue. It was very dark where the moon failed to penetrate. The house, low and rambling, came into view, its facade bathed in silver light. Two of the visible windows were illuminated. A sort of loggia ran along ...
— The Quest of the Sacred Slipper • Sax Rohmer
... with those of the home farm. On the left was an ornamental water sailed in by many swans. On the right extended a flower garden, laid in the old manner, and at this season of the year, as brilliant as stained glass. The front of the house presented a facade of more than sixty windows, surmounted by a formal pediment and raised upon a terrace. A wide avenue, part in gravel, part in turf, and bordered by triple alleys, ran to the great double gateways. It was impossible to look without surprise on ...
— The Wrecker • Robert Louis Stevenson and Lloyd Osbourne
... great building, in which the two queens, Catherine de' Medici and Mary Stuart, held their sumptuous court, is divided in the centre by a hexagon tower, in the empty well of which winds up a spiral staircase,—a Moorish caprice, designed by giants, made by dwarfs, which gives to this wonderful facade the effect of a dream. The baluster of this staircase forms a spiral connecting itself by a square landing to five of the six sides of the tower, requiring at each landing transversal corbels which are decorated ...
— Catherine de' Medici • Honore de Balzac
... can there be a more beautiful thing than that facade, well named Plateresque because of its resemblance to the workmanship of silversmiths; and inside the museum we found a collection of carved wooden figures marvellous enough, as Dick said, to "beat the world." There were ...
— The Car of Destiny • C. N. Williamson and A. M. Williamson
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