"Gradual" Quotes from Famous Books
 ... friend—the aspect, now petulant, even childish, and now gracious and commanding beyond any other she had ever known, which he had worn at Nemi. His face, upturned beside her, as she and her horse climbed the steep path; the extraordinary significance, fulness, warmth of the nature behind it; the gradual unveiling of the man's personality, most human, faulty, self-willed, yet perpetually interesting and challenging, whether to the love or hate of the bystander:—these feelings or judgments about her host pulsed ...
— Eleanor • Mrs. Humphry Ward
... inherent in the soil of a new world, manifest in various colonial functions, and brought fully to life and supremacy at the time of separation from England. An effort is made in this narrative to find truth in a medium ground; to trace the gradual evolution of a confederated republic under the laws of necessity; to acknowledge that radical departures have been made from first ideals as a result of progress; to take into constant consideration the underlying forces of heredity and environment. It will be necessary to omit many of the details ...
— The United States of America Part I • Ediwn Erle Sparks
... came at last, after a long and gradual decay of strength. The great writer and noble-hearted man passed away peacefully at about half-past eight o'clock on the morning of Saturday, February 5, 1881, in the eighty-sixth year ...
— On the Choice of Books • Thomas Carlyle
... lies not far from the shores of the Frith of Forth, a broad and beautiful sheet of water. The castle, as has been before remarked, was on the summit of a rocky hill. There are precipitous crags on three sides of the hill, and a gradual approach by a long ascent on the fourth side. At the top of this ascent you enter the great gates of the castle, crossing a broad and deep ditch by means of a draw-bridge. You enter then a series of paved courts, with ...
— Mary Queen of Scots, Makers of History • Jacob Abbott
... better opportunity to centre his attention on turning out a good story, without having constantly to keep in mind the matter of how many reels of film it will take to tell it—which, of course, is as it should be. Thus, as has just been shown, the gradual breaking of the restrictions on footage has resulted in proper screen-publicity being ...
— Writing the Photoplay • J. Berg Esenwein and Arthur Leeds
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