"Imitator" Quotes from Famous Books
 ... horrified at this allusion to the Divine Master, and the fear of seeming a presumptuous imitator. At that moment he ceased to feel his illness—the fever, the thirst, ...
— The Saint • Antonio Fogazzaro
... my head that there is perhaps a morality peculiar to artists or to art, and that this morality might well be the very reverse of the common morality. Yes, my friend, I am much afraid that man marches straight to misery by the very path that leads the imitator of nature to the sublime. To plunge into extremes—that is the rule for poets. To keep in all things the just mean—there is the rule for happiness. One must not make poetry in real life. The heroes, the romantic lovers, the great patriots, the inflexible ...
— Diderot and the Encyclopaedists - Volume II. • John Morley
... inclines towards Richardson, though I dare say I am one in a hundred in thinking so. First of all, beyond anything I may have already urged, he had the supreme credit of having been the first. Surely the originator should have a higher place than the imitator, even if in imitating he should also improve and amplify. It is Richardson and not Fielding who is the father of the English novel, the man who first saw that without romantic gallantry, and without bizarre imaginings, enthralling stories may be made from everyday life, told in ...
— Through the Magic Door • Arthur Conan Doyle
... flights of the imagination, and confine themselves to what they call facts. Critics deprecate idealism as something fit only for children, and extol the courage of seeing and representing things as they are. Sculpture is either a stern student of modern trousers and coat-tails or a vapid imitator of classic prototypes. Painters try all manner of experiments, and shrink from painting beneath the surface of their canvas. Much of recent effort in the different branches of art comes to us in the form of "studies," but the complete work still delays to be born. We would not so much mind having ...
— Confessions and Criticisms • Julian Hawthorne
... it, was the fashion of the Court. Further, it was the fashion of poetry, which he inherited; and he was not the man to break through the strong bands of custom and authority. In very much he was an imitator. He took what he found; what was his own was his treatment of it. He did not trouble himself with inconsistencies, or see absurdities and incongruities. Habit and familiar language made it not strange that in the Court of Elizabeth, the most high-flown sentiments should be in every one's ...
— Spenser - (English Men of Letters Series) • R. W. Church
|
