"Iteration" Quotes from Famous Books
 ... Lord Randolph in the future is a matter which, I believe, depends entirely upon the state of his physical health. I have written elsewhere, with perhaps tiresome iteration through the six years he has been wilfully trying to lose himself in the wilderness, that he might win or regain any prize in public life to the attainment of which he chose seriously to devote himself. His indispensability to the ...
— The Strand Magazine, Volume V, Issue 29, May 1893 - An Illustrated Monthly • Various
... sun rose and drank up the clouds: an hour of silence in the ship, an hour of agony beyond narration for the sufferers. Brown's gabbling prayers, the cries of the sailors in the rigging, strains of the dead Hemstead's minstrelsy, ran together in Carthew's mind with sickening iteration. He neither acquitted nor condemned himself: he did not think he suffered. In the bright water into which he stared, the pictures changed and were repeated: the baresark rage of Goddedaal; the blood-red ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 13 (of 25) • Robert Louis Stevenson
... chiefly, and usually endeavoured by asseveration and iteration to impress his hearers with the truth of facts said to have been experienced by himself, which, if true, would certainly have consigned him to a premature grave long ago. Briant, on the other hand, dealt largely in ghost stories, which he did not ...
— The Red Eric • R.M. Ballantyne
... expresses himself. Each selects his own method. The school of Meissonier is not content with a few grand truths simply expressed. They want a multitude of facts; they must tell the story in their own way. They are the Dickens and Walter Scott of art. It is iteration and reiteration. My cardinal must not only have red stockings, says Vibert, but they must be silk; every detail must be elaborated. Very well, what of it? you say. What do you criticise, the drawing? No. The color? No. The composition? No. Does ...
— Outdoor Sketching - Four Talks Given before the Art Institute of Chicago; The Scammon Lectures, 1914 • Francis Hopkinson Smith
... is known as the wrestling or struggle for truth. The story, as he tells it in the Pitakas, gives no dates, but is impressive in its intensity and insistent iteration[318]. Fire, he thought to himself, cannot be produced from damp wood by friction, but it can from dry wood. Even so must the body be purged of its humours to make it a fit receptacle for illumination and knowledge. So he began a series of terrible fasts and sat "with set teeth and tongue pressed ...
— Hinduism and Buddhism, Vol I. (of 3) - An Historical Sketch • Charles Eliot
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