"Letterpress" Quotes from Famous Books
 ... supporting his family by trade, but devoting most of his time to the pursuit of his favorite study. In 1826 he went to England, and commenced the publication of the "Birds of America," which consists of ten volumes—five of engravings of birds, natural size, and five of letterpress. Cuvier declares this work to be "the most magnificent monument that art has ever erected to ornithology." In 1830 Audubon returned to America, and soon afterwards made excursions into nearly every section of the United States and Canada. ...
— McGuffey's Fifth Eclectic Reader • William Holmes McGuffey
... furtherance in the knowledge of psalmody." The History of Music, by Hawkins, describes him as "an honest and friendly man, a good judge of music, with some skill in composition. He contributed not a little to the art of printing music from letterpress types. He is looked upon as the father of modern psalmody, and it does not appear that the practice has much improved." The account which Playford gives of the clerks of his day is not very satisfactory, and their sorry condition is attributed ...
— The Parish Clerk (1907) • Peter Hampson Ditchfield
... of Sir Walter Scott, Vedder published a memoir of that illustrious person, which commanded a ready and wide circulation. In 1842, he gave to the world an edition of his collected poems, in an elegant duodecimo volume. In 1848, he supplied the letterpress for a splendid volume, entitled "Lays and Lithographs," published by his son-in-law, Mr Frederick Schenck of Edinburgh, the distinguished lithographer. His last work was a new English version of the quaint old story of "Reynard the Fox," which was published with elegant illustrations. To ...
— The Modern Scottish Minstrel, Volume III - The Songs of Scotland of the Past Half Century • Various
... him up to wrinkles not a few. Richard was surprised to see how, with a penknife, on a bit of glass, he would pare the edge of a scrap of paper to half the thickness, in order to place two such edges together, and join them without a scar. He taught him how to clean letterpress and engravings from ferruginous, fungous, and other kinds of spots. He made him acquainted with a process which considerably strengthened paper that had become weak in its cohesion; and when Richard would make further experiment, he supplied him with valueless letterpress to work upon. ...
— There & Back • George MacDonald
... the subject must now be looked at from a somewhat different point of view from what was formerly the case, it is not on that account rendered less interesting." This is mused forth as a general gnome, and may mean anything or nothing: the writer of the letterpress under the hieroglyph in Old Moore's Almanac could not be more guarded; but I think I know what ...
— Luck or Cunning? • Samuel Butler
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