"Mannerism" Quotes from Famous Books
 ... clever man, Mason. I noted at dinner that in some manner you had destroyed Haggerty's photograph of your finger-tips. But I recognize you, and know you—your gestures, the turn of your head, every little mannerism. And if you do not do as I bid, I'll take my oath in court as to your identity. Besides,"—with a nod toward the suitcases—"if you're not the man, why this hurry? An hour. I see, fortunately, you have already changed your ...
— The Voice in the Fog • Harold MacGrath
... most agreeably with the absence of mannerism in Miss Nichols' work, as well as with the pronounced artistic treatment of her subjects. Her sketches of sea and river scenery are attractive; the views from her home county, Norfolk, have a delightful feeling about them. "Norwich River at Evening" is not only ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... stateliness, Wordsworth's in depth and delicacy. But Cowper's unites with an exquisiteness in the turn of thought which the ancients would have called Irony, an intensity of pathetic tenderness peculiar to his loving and ingenuous nature. There is much mannerism, much that is unimportant or of now exhausted interest in his poems: but where he is great, it is with that elementary greatness which rests on the most universal human feelings. Cowper is our highest master in ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... But the stiff mannerism of the patriarchal system which survived until recently from the early Roman times gave him that formal tone and authoritative manner which are so characteristic of his conversation in private. His deliberate but unhesitating speech makes one think of Goethe's 'without haste, ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... quite hostile in his case to simplicity. In his very frank appeal to one's susceptibility he is a little careless of sculptural considerations, which he is prone to sacrifice to pictorial ends. The result is a mannerism that in the end ceases to impress, and even becomes disagreeable. As nearly as may be in a French sculptor it borders on sentimentality, and finally the swaying attitudes of his figures become limp, ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
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