"Max" Quotes from Famous Books
 ... wider point of view than was formerly possible. In making a few typical selections from the mass of this new material, none perhaps are more worthy of note than some of the love-songs which have been translated into German from Egyptian in "Die Liebespoesie der Alten AEgypten," by W. Max Muller. This is a very careful edition of the love-songs on the recto (or upper surface) of the Harris Papyrus 500, and of similar lyrics from Turin, Gizeh, and Paris. The introduction contains an account of Egyptian notions ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 12 (of 12) • S. Rappoport
... body, which long before the time of Cicero largely consisted of enfranchised slaves or their descendants; it was to this that Scipio Aemilianus alluded in his famous words to the contio he was addressing after his return from Numantia, "Silence, ye to whom Italy is but a stepmother" (Val. Max. 6. 2. 3). Had manumission been held in check or in some way superintended by the State, there would have been more good than harm in it. Many men of note, who had an influence on Roman culture, were libertini, such as Livius Andronicus and Caecilius the poets; ...
— Social life at Rome in the Age of Cicero • W. Warde Fowler
... accordance with this statement it appears, from the researches of philologists, that language in its earliest state was entirely, or almost entirely limited to words denoting sensible objects and actions. It seems probable that these names were derived from radicals expressing general ideas [Footnote: Max Muller's Lectures on the Science of Language, First Series Lect. viii. ix.]; but there is reason to doubt whether these radicals ever had a formal existence as words—they seem rather to have been the mental stock out of which words were produced. But the human ...
— The Story of Creation as told by Theology and by Science • T. S. Ackland
... found no difficulty in making the best of a bad bargain. We were obliged to open the theatre before the company was complete. To make this possible, we gave a performance of a short comic opera by C. Blum, called Marie, Max und Michel. For this work I composed an additional air for a song which Holtei had written for the bass singer, Gunther; it consisted of a sentimental introduction and a gay military rondo, and was very much appreciated. Later on, I introduced another additional ...
— My Life, Volume I • Richard Wagner
... use of tobacco—passing strange, that, in a German college!—was forbidden by our rules; so also was a departure, after the usual hour of rest, from the college buildings, except for good reason shown. Thus Max and Fritz Taxis (so the youths were called) had become offenders, amenable ...
— The Atlantic Monthly, Volume 15, No. 91, May, 1865 • Various
|
