"Sculpture" Quotes from Famous Books
 ... of Wisdom, containing the Occult Powers of the Angels of Astromancy in the Telesmatical Sculpture of the Persians and Aegyptians; the knowledge of the Rosie-Crucian Physick, and the Miraculous in Nature, &c., by John Heydon. 8vo. 1664. [The works of this enthusiast are extremely curious and rare. He is also the author of ...
— Notes and Queries, Number 196, July 30, 1853 • Various
... capable of transportation, like the obelisk, and the sphinx, and the Memnon's head, there they would still exist in the perfection of their beauty, and in the pride of their poetry. I opposed, and will ever oppose, the robbery of ruins from Athens, to instruct the English in sculpture; but why did I do so? The ruins are as poetical in Piccadilly as they were in the Parthenon; but the Parthenon and its rock are less so without them. Such is the poetry ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore
... these difficult works with such tools as they possessed, is truly wonderful. It was comparativeIy easy to cast and even sculpture metallic substances, both of which they did with consummate skill. But that they should have shown the like facility in cutting the hardest substances, as emeralds and other precious stones, is not easy to explain. Emeralds they obtained in considerable quantity from the barren ...
— History Of The Conquest Of Peru • William Hickling Prescott
... and sweeps across it through a magnificent canyon three thousand to five thousand feet deep, and more than a hundred miles long. The majestic cliffs and mountains forming the canyon walls display endless variety of form and sculpture, and are wonderfully adorned and enlivened with glaciers and waterfalls, while throughout almost its whole extent the floor is a flowery landscape garden, like Yosemite. The most striking features are the glaciers, hanging over the cliffs, descending the side canyons ...
— Travels in Alaska • John Muir
... wonderful marble facade, with its great central portal and round-headed windows, its historical reliefs and marvellous wealth of decorative sculpture, is Amadeo's grandest creation. We know not how far it was completed before 1499, when his labours as chief architect of the cathedrals of Milan and Pavia compelled him to give up his post at the Certosa; but in much of the ornamental detail—in the angels that adorn its branches ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
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