"Urbanity" Quotes from Famous Books
 ... the midst of domestic intrigues, remained a man of good character and pure manners. He was welcomed in the best society, where he soon became a favorite by his piquant sallies, as much as by his good manners and urbanity, for he amused without reminding that he was ...
— The Private Life of Napoleon Bonaparte, Complete • Constant
... the officers, he turned to the women whom we had rescued from the cannibals and, glancing with half-opened eyes at one of them whom we called Catherine, he spoke to her very softly; after which, with the Admiral's permission, which he asked with great politeness and urbanity, he inspected the horses and other things he had never before ...
— De Orbe Novo, Volume 1 (of 2) - The Eight Decades of Peter Martyr D'Anghera • Trans. by Francis Augustus MacNutt
... herself and a robust contempt for ordinary humanity. All those about her were her inferiors, or persons who hastened to do her bidding, till she grew to be as haughty as a great lady, with none of the charming blandness and urbanity of a great lady. The instincts of vanity were flattered by the pride that the poor Abbe took in his pupil, the pride of an author who sees himself in his work, and for her misfortune she met no one with whom she could measure herself. ...
— Lost Illusions • Honore De Balzac
... but temerity, a quality of which the citizens of Rouen could no longer be accused as in the days of those heroic defenses by which the city had made itself famous. Above all, they said, with the unassailable urbanity of the Frenchman, it was surely permissible to be on politely familiar terms in private, provided one held aloof from the foreign soldier in public. In the street, therefore, they ignored one another's existence, but once indoors they were perfectly ready ...
— The Works of Guy de Maupassant, Vol. 1 (of 8) - Boule de Suif and Other Stories • Guy de Maupassant
... impassivity. Only on two occasions did he allow the criticisms of the press to goad him into a reply. In the prefaces to Los condenados and Alma y vida he defended those plays and explained his aims and methods with entire self-control and urbanity.[4] But he never deigned to cater to applause. The attack upon Los condenados did not deter him from employing a similar symbolism and similar motifs again; and, after the tremendous hit of Electra, he deliberately chose, for Alma y ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
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