"Violinist" Quotes from Famous Books
... foot in length, and rather whitish than of a dark color (it is seen better), which he holds in his right hand, to make clearly distinct his mode of marking the commencement, the interior division, and the close of each bar. The bow, employed by some violinist conductors (leaders), is less suitable than the stick. It is somewhat flexible, and this want of rigidity, together with the slight resistance it offers to the air, on account of its appendage of hair, renders its indications ... — The Orchestral Conductor - Theory of His Art • Hector Berlioz
... successful at its first performance that a strange-looking man rushed to the platform, saluted the composer, and sent him a more substantial token in the shape of twenty thousand francs. The stranger proved to be Paganini, but that famous violinist was such a miser that the story has been doubted. It is said that he acted in behalf of an unknown benefactor, but his enthusiasm at the performance seems to disprove this, and the work possesses just the dark and sinister character ... — Woman's Work in Music • Arthur Elson
... and there will be no speeches by the candidates. Esther has prepared to celebrate the evening by a gathering of a half-dozen intimate friends to hear an eminent violinist, whose performances are the delight of Chicago. The violinist is doubly eminent because he has a wife who is ... — David Lockwin--The People's Idol • John McGovern
... well, but somewhat out of tune, a collateral fiddler and a violoncello brace up their respective nerves, compare notes, and when their drawlings and crookings are in unison, a third piece of music of indefinite duration, and as it seems to us all about nothing, begins. Our violinist is evidently not long come out, and has little to recommend him—he employs but a second-rate tailor, wears no collar, dirty mustaches, and a tight coat; he is ill at ease, poor man, wincing, pulling down his coat-sleeves, or pulling ... — Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... now in the National Museum at Florence, added to his reputation; and the little world of art, whose orbit was the Vatican, anxiously awaited a more serious attempt, just as we crane our necks when the great violinist about to play awakens expectation by a few ... — Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard
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