"Sketchbook" Quotes from Famous Books
 ... season, a solitary traveler from the North arrived at the nearest post-town to Mount Morven. A sketchbook and a color-box formed part of his luggage, and declared him to be an artist. Falling into talk over his dinner with the waiter at the hotel, he made inquiries about a picturesque house in the neighborhood, which showed that Mount Morven was well known ...
— The Evil Genius • Wilkie Collins
... plainly showed traces of a struggle between a heavy mortification and an authoritative nature; his long, gray hair hung in disorder about a face like a piece of parchment shriveling in the fire. If a painter had come upon this curious character, he would, no doubt, have transferred him to his sketchbook on his return, a thin, bony figure, clad in black, and have inscribed beneath it: "Classical poet in search of a rhyme." When he had identified the number that had been given to him, this reincarnation of Rollin knocked meekly at the door ...
— The Magic Skin • Honore de Balzac
... of great talent, who made many excellent portraits in pencil, lithography, water-colours, and miniatures. In this work, Kriehuber has introduced a portrait of himself seated at the left of the pianist, with pencil and sketchbook in hand. Behind the piano stands Berlioz, and next him is Czerny, the celebrated music teacher and composer, and ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... we could carry. There was no danger, however, for beyond the northern point of Try-again Inlet the water lay smooth all along the shore. Dr. Beauregard here called on Plinny to admire the scenery, and, borrowing her sketchbook and pencil, dashed off a bold drawing of Cape Fea as, rounding a little to the westward, we caught sight of it standing out boldly against the afternoon sun. As he drew it, he guided the talk gently back to ordinary topics—to England and English scenery, to ...
— Poison Island • Arthur Thomas Quiller-Couch (Q)
... walked the streets, and every figure in the Place de Meir, and every devotee at church, kneeling and draped in black, or entering the confessional (actually the confessional!), was a delightful subject for the new sketchbook. Had Clive drawn as much everywhere as at Antwerp, Messrs. Soap and Isaac might have made a little income ...
— The Newcomes • William Makepeace Thackeray |
