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Soprano   /səprˈɑnoʊ/  /səprˈænoʊ/   Listen
noun
Soprano  n.  (pl. E. sopranos, It. soprani)  (Mus.)
(a)
The treble; the highest vocal register; the highest kind of female or boy's voice; the upper part in harmony for mixed voices.
(b)
A singer, commonly a woman, with a treble voice.






Collaborative International Dictionary of English 0.48








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"Soprano" Quotes from Famous Books



... music-room. He pushes his way through the crowds, for poor Chancer has been doomed to disappointment in his wish to have this fair woman sing to him alone, for when the now full rich notes, now sweet to intoxication, of her mezzo-soprano voice fell on the air, the languid, sentimental or gay ...
— A Heart-Song of To-day • Annie Gregg Savigny

... with care, and struck no false notes. She sang her best. Her voice was the best voice of the afternoon, a mezzo-soprano, but with clear upper register and a fulness that suggested training. It was not a great performance, but it thrilled the others. Sally had triumphed. With one ...
— Coquette • Frank Swinnerton

... solitary safety-pin. He then clasped her tightly and made his explanation. He began in the softest of whispers, which increased in volume as it did in interest, so that he reached the climax at the full power of his boy soprano voice. ...
— Little Citizens • Myra Kelly

... indulge in the same Diversions and Luxuries: When Husbands are ruin'd, Children robb'd, and Tradesmen starv'd, in order to give Estates to a French Harlequin, and Italian Eunuch, for a Shrug or a Song; [Footnote: Farinelli, an eminent Italian soprano, went to England in 1734, remained there three years, sang chiefly at the Theatre of Lincoln's-Inn-Fields, then under the direction of Porpora, his old Master, became a great favorite, and made about, L5,000 a year. As The Man of Taste was ...
— The Pretentious Young Ladies • Moliere

... think of talking to emptiness instead of fulness—to people instead of plush. How can the dear Rev. SPLURGE SPLUTTER have the heart or tongue to drop his pearls of eloquence to the swine of empty pews? And how dreadful for the gifted soprano, Miss SCREECH, to tune her melodious voice to earless aisles! And then it is so easy to "set" examples by sitting in soft pews, doing to church should be a matter of conscience. Every body not a dolt admits conscience to be a good thing, though a thing every body cannot boast of possessing. ...
— Punchinello, Vol. 1, No. 9, May 28, 1870 • Various


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