"Studio" Quotes from Famous Books
 ... were loose and drooping. Between dances she sat in the largest chair, waving her cigarette, summoning her callow admirers to come and talk to her. ("She thinks she's a blooming queen!" growled Babbitt.) She chanted to Miss Sonntag, "Isn't my little studio sweet?" ("Studio, rats! It's a plain old-maid-and-chow-dog flat! Oh, God, I wish I was home! I wonder if I ...
— Babbitt • Sinclair Lewis
... kinds, the most precious of which were the linen-cambrics and India mulls. The use of the former still survives in the finest of French embroidered pocket handkerchiefs, but the latter is seldom seen except in the veils and vests of Oriental women, or in the studio ...
— The Development of Embroidery in America • Candace Wheeler
... he did some breathing of the air which stirs the heather. But however desirous to enlarge on his genius as an artist, I would rather speak of him now as a friend who has gone from amongst us. There is his deserted studio—the empty easel lying idly by—the unfinished picture with its face turned to the wall, and there is that bereaved sister, who loved him with an affection which death cannot quench. He has left a name in fame clear as the bright sky; he has filled our minds with ...
— Speeches: Literary and Social • Charles Dickens
... few years being known the wide world over. The penmaker was a great patron of the artists, gathering a famous collection which at his death realised L170,000. His first interview with Turner was described in an American journal a few years back. Gillott having rudely pushed his way into the studio and turning the pictures about without the artist deigning to notice the intruder, tried to attract attention by asking the prices of three paintings. Turner carelessly answered "4,000 guineas," "L3,000," and "1,500 guineas." "I'll take the three," said Gillott. ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... as they learn conveyancing: they should go into a painter's studio and paint on his pictures. I am told that half the conveyances in the country are drawn by pupils; there is no more mystery about painting than about conveyancing—not half in fact, I should think, so much. One may ask, How can the beginner ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
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