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Bronze   /brɑnz/   Listen
noun
Bronze  n.  
1.
An alloy of copper and tin, to which small proportions of other metals, especially zinc, are sometimes added. It is hard and sonorous, and is used for statues, bells, cannon, etc., the proportions of the ingredients being varied to suit the particular purposes. The varieties containing the higher proportions of tin are brittle, as in bell metal and speculum metal.
2.
A statue, bust, etc., cast in bronze. "A print, a bronze, a flower, a root."
3.
A yellowish or reddish brown, the color of bronze; also, a pigment or powder for imitating bronze.
4.
Boldness; impudence; "brass." "Imbrowned with native bronze, lo! Henley stands."
Aluminium bronze. See under Aluminium.
Bronze age, an age of the world which followed the stone age, and was characterized by the use of implements and ornaments of copper or bronze.
Bronze powder, a metallic powder, used with size or in combination with painting, to give the appearance of bronze, gold, or other metal, to any surface.
Phosphor bronze and Silicious bronze or Silicium bronze are made by adding phosphorus and silicon respectively to ordinary bronze, and are characterized by great tenacity.



verb
Bronze  v. t.  (past & past part. bronzed; pres. part. bronzing)  
1.
To give an appearance of bronze to, by a coating of bronze powder, or by other means; to make of the color of bronze; as, to bronze plaster casts; to bronze coins or medals. "The tall bronzed black-eyed stranger."
2.
To make hard or unfeeling; to brazen. "The lawer who bronzes his bosom instead of his forehead."
Bronzed skin disease. (Pathol.) See Addison's disease.






Collaborative International Dictionary of English 0.48








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"Bronze" Quotes from Famous Books



... consciousness of the individual and separate SELF arose. This second order of consciousness seems to have germinated at or about the same period as the discovery of the use of Tools (tools of stone, copper, bronze, &c.), the adoption of picture-writing and the use of reflective words (like "I" and "Thou"); and it led on to the appreciation of gold and of iron with their ornamental and practical values, the accumulation of Property, the establishment of slavery of various kinds, the subjection of Women, the ...
— Pagan & Christian Creeds - Their Origin and Meaning • Edward Carpenter

... to restrain the rushing steeds, freed the poor broken body—so mangled that not one of all his friends would have known whose it was. They built a pyre and burned it; and now they bear hither, in a poor urn of bronze, the sad ashes of that mighty form—that so Orestes may have his ...
— Eighth Reader • James Baldwin

... supper. It proved so in this instance; for just as the chorus was hushed, the Sultan of Bintang, as he styles himself, sent off to the head boat (the one I happened to be in) a superb supper for seven people, consisting of seven bronze trays, each tray containing about a dozen small plates, in which were many varieties of flesh and fowl cooked in a very superior manner. To each tray was a spoon, made of the yellow leaf of some tree unknown; but, as specimens of primitive elegance and utility combined, they were matchless. We ...
— Borneo and the Indian Archipelago - with drawings of costume and scenery • Frank S. Marryat

... moving-picture cowboy. He held the eye, even of Hereford, but only because they liked to gaze upon a good man on a good horse. His body responded to every shift of Pronto, jigging impatiently, showing off, pretending to be afraid of the panting locomotive, body shining like metal of bronze and aluminum, his nostrils pink as the inside of a shell, ears twitching, rider and mount one in every movement. Grit stood with plumy tail erect and waving gently, ears up, red tongue playing between white teeth, his eyes like jewels; braced on his ...
— Rimrock Trail • J. Allan Dunn

... visible at a great distance, and is said to be strikingly noble from every point of view. The idea is not original, however well it may have been carried out, for the Lion of Lucerne by Thorwaldsen is its prototype on a smaller scale and commemorates an event of somewhat similar character. The bronze equestrian statue of Vercingetorix, the fiery Gallic chieftain, in the Clermont museum, is full of violent action. The horse is flying along with his legs in positions which set all the science of Mr. Muybridge at defiance; the ...
— The Bay State Monthly - Volume 2, Issue 3, December, 1884 • Various


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