"Conservatoire" Quotes from Famous Books
... a good lesson at Paris in 1839, when I heard the orchestra of the Conservatoire rehearse the enigmatical Ninth Symphony. The scales fell from my eyes; I came to understand the value of CORRECT execution, and the secret of a good performance. The orchestra had learnt to look for Beethoven's MELODY in every bar—that melody which ... — On Conducting (Ueber das Dirigiren): - A Treatise on Style in the Execution of Classical Music • Richard Wagner (translated by Edward Dannreuther)
... a graduate of the Conservatoire, an ex-stroke, crew of '91, owned a pair of shears which he used twice a year in the vaults of a downtown bank, and breakfasted every day at twelve—but none of these ... — The Underdog • F. Hopkinson Smith
... Fursch-Madi, a dramatic singer, who, although not attractive in appearance, was one of the finest singers in her style and most conscientious artists known to her period. She was a French woman, who was graduated from the Paris Conservatoire, married M. Madier, a chef d'orchestre in the French capital, came to America to join the French company in New Orleans in 1874, and sang for three seasons (1879-'81) at Covent Garden. She spent the last years of her life in and about New York, singing in opera and concert, ... — Chapters of Opera • Henry Edward Krehbiel
... for my sister is fiancee, and when she is married I must be there to look after the old father. Lend Pixie to me, and she shall learn to speak French, the proper French, not that dreadful language of Holly House, and I will take her myself to the Conservatoire—there is no better place in the world to learn music than the Conservatoire in Paris—and she shall learn to sing and make use of that lovely voice. Voila, ma chere, at the end of a few years she comes back to you, and you will ... — Pixie O'Shaughnessy • Mrs. George de Horne Vaizey
... Musset's Les Caprices de Marianne, and his appearance in de Musset's Il faut qu'une porte soit ouverte ou fermee and Un caprice were followed by Tartuffe, Le Misanthrope and Don Juan. Bressant retired in 1875, and died on the 23rd of January 1886. During his professorship at the Conservatoire, Mounet-Sully was ... — Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... recognized. "Real acting," according to Percy Fitzgerald, "is a science, to be studied and mastered, as other sciences are studied and mastered, by long years of training." They may not have had the strenuous Conservatoire and Theatre Francais training of Sarah Bernhardt. As a matter of fact, indeed, the actor may far better learn to handle his tools by manipulating them before an audience, than by practicing with them for too long a time in the closet. The technique of violin playing can ... — The Merry-Go-Round • Carl Van Vechten
... the Poles. After 1834- 5, Chopin's activity as a public pianist began to wane. He was not always understood and was not so warmly welcomed as he deserved to be; on one occasion when he played the Larghetto of his F minor concerto in a Conservatoire concert, its frigid reception annoyed him very much. Nevertheless he appeared at a benefit concert at Habeneck's, April 26, 1835. The papers praised, but his irritability increased with every public performance. About this time he ... — Chopin: The Man and His Music • James Huneker
... thirty years: and he died"; but this did not prevent Lesueur from writing an opera on his death ten years after Haydn's oratorio had its first performance. He called it "La Mort d'Adam et son Apotheose," and it involved him in a disastrous quarrel with the directors of the Conservatoire and the Academie. Pursuing the search chronologically, the librettists next came upon Cain and Abel, who offered a more fruitful subject for dramatic and musical invention. We know very little about the sacred operas which shared the list with works based on classical fables and Roman history in ... — A Second Book of Operas • Henry Edward Krehbiel |