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Accent   /əksˈɛnt/  /ˈæksˌɛnt/   Listen
noun
Accent  n.  
1.
A superior force of voice or of articulative effort upon some particular syllable of a word or a phrase, distinguishing it from the others. Note: Many English words have two accents, the primary and the secondary; the primary being uttered with a greater stress of voice than the secondary; as in as´pira´tion, where the chief stress is on the third syllable, and a slighter stress on the first. Some words, as an´tiap´o-plec´tic, in-com´pre-hen´si-bil´i-ty, have two secondary accents.
2.
A mark or character used in writing, and serving to regulate the pronunciation; esp.:
(a)
a mark to indicate the nature and place of the spoken accent;
(b)
a mark to indicate the quality of sound of the vowel marked; as, the French accents. Note: In the ancient Greek the acute accent (´) meant a raised tone or pitch, the grave (`), the level tone or simply the negation of accent, the circumflex ( ~ or ^) a tone raised and then depressed. In works on elocution, the first is often used to denote the rising inflection of the voice; the second, the falling inflection; and the third (^), the compound or waving inflection. In dictionaries, spelling books, and the like, the acute accent is used to designate the syllable which receives the chief stress of voice.
3.
Modulation of the voice in speaking; manner of speaking or pronouncing; peculiar or characteristic modification of the voice; tone; as, a foreign accent; a French or a German accent. "Beguiled you in a plain accent." "A perfect accent." "The tender accent of a woman's cry."
4.
A word; a significant tone; (plural) Expressions in general; speech. "Winds! on your wings to Heaven her accents bear, Such words as Heaven alone is fit to hear."
5.
(Pros.) Stress laid on certain syllables of a verse.
6.
(Mus.)
(a)
A regularly recurring stress upon the tone to mark the beginning, and, more feebly, the third part of the measure.
(b)
A special emphasis of a tone, even in the weaker part of the measure.
(c)
The rhythmical accent, which marks phrases and sections of a period.
(d)
The expressive emphasis and shading of a passage.
7.
(Math.)
(a)
A mark placed at the right hand of a letter, and a little above it, to distinguish magnitudes of a similar kind expressed by the same letter, but differing in value, as y´, y".
(b)
(Trigon.) A mark at the right hand of a number, indicating minutes of a degree, seconds, etc.; as, 12´27", i. e., twelve minutes twenty seven seconds.
(c)
(Engin.) A mark used to denote feet and inches; as, 6´ 10" is six feet ten inches.



verb
Accent  v. t.  (past & past part. accented; pres. part. accenting)  
1.
To express the accent of (either by the voice or by a mark); to utter or to mark with accent.
2.
To mark emphatically; to emphasize.






Collaborative International Dictionary of English 0.48








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"Accent" Quotes from Famous Books



... characters in these plays talk on the stage exactly as they would talk off it; they have neither aspirations nor aspirates; they are taken directly from life and reproduce its vulgarity down to the smallest detail; they present the gait, manner, costume and accent of real people; they would pass unnoticed in a third-class railway carriage. And yet how wearisome the plays are! They do not succeed in producing even that impression of reality at which they aim, and which is their only reason for existing. As ...
— Intentions • Oscar Wilde

... a wonder how Ailie Gordon came to take Walter Skirving. It may be that she felt in her heart the accent of a true man in the unbending, nonjuring elder of the Marrow kirk. Two great heart-breaks had crossed their lives: the shadow of the life story of Winsome's mother, that earlier Winsome whose name had not been heard for twenty years in the house of Craig Ronald; and the more recent death ...
— The Lilac Sunbonnet • S.R. Crockett

... these lines, the teacher spoke in a strong foreign accent. All the boys listened attentively while he spoke, though of course only Rollo and those of the boys who had studied English could ...
— Rollo in Geneva • Jacob Abbott

... involved business, was shaped by his subordinates. The smaller faults and the mannerisms of the actor did not trouble him, provided the main thought and feeling were there. He would merely laugh at a suggestion to straighten out the legs and walk, to lengthen the drawl, or to heighten the cockney accent of a prominent ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman

... a spacious drawing-room, furnished in good European style, where Meftah-es-Sultaneh—a rotund and jovial gentleman—greeted me with effusion. Although he had never been out of Persia, he spoke French, with a most perfect accent, as fluently as ...
— Across Coveted Lands - or a Journey from Flushing (Holland) to Calcutta Overland • Arnold Henry Savage Landor


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