"Fabrication" Quotes from Famous Books
 ... doubt him," Effie replied. She walked to the window. Her momentary pleasure was over; she knew, just as well as if George had told her, that the whole thing was a fabrication. If he had more money, he was not getting it in his situation. His look, his attitude, joined to the few words Lawson had said to her, made Effie quite certain on that point. Burning words half rose to her lips, but she checked them. She did not doubt George. She read the truth in his ...
— A Girl in Ten Thousand • L. T. Meade
... been great receptacles for the slaves of the Sudan. Describing the slave market at Tunis, Vincent says that it is a courtyard surrounded by arcades, the pillars of which are all of the old Roman fabrication. Around the court are little chambers or cells in which the slaves are kept, the men below, the women in the ...
— The Journal of Negro History, Volume 2, 1917 • Various
... hidden by a big coloured scarf, swathed round up the man's ears and falling in front inside his jacket like a sort of fancy waistcoat. It was a scarf of strong dead colours, dark red and old gold and purple, probably of Oriental fabrication. Altogether the man had something a shade barbaric about him; more like a Hungarian squire than an ordinary French officer. His French, however, was obviously that of a native; and his French patriotism was so impulsive as to be slightly absurd. His first ...
— The Wisdom of Father Brown • G. K. Chesterton
... impression, is produced. I confess I have a weakness for the poem which this line concludes—"La fête chez Thérèse"; but admirable as it is with its picture of mediæval life, there is in it, as in all Hugo's work, a sense of fabrication that dries up emotion in my heart. He shouts and raves over poor humanity, while he is gathering coppers for himself; he goes in for an all-round patronage of the Almighty in a last stanza; but of the two immortalities he evidently considers his own the most durable; he does not, ...
— Confessions of a Young Man • George Moore
... once existed there can be no doubt, from the notice of Sir Hamon L'Estrange, which there is no reason for questioning; and there seems to be as little reason to suppose that Tradescant's stuffed specimen was a fabrication. He used to preserve his own specimens; and there could be no motive at that period for a fabrication. I had hoped to have found some notice of it in the Diary of that worthy virtuoso Zacharias Conrad von Uffenbach, who visited the Ashmolean ...
— Notes & Queries, No. 22., Saturday, March 30, 1850 • Various
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