"Undramatic" Quotes from Famous Books
 ... critic, reviewing the book in 1861, said: 'We should have conceived it hardly possible to make the crimes of Catherine de' Medici dull, however they were presented. Swinburne, however, has done so.' It seems to me, on the contrary, that the whole action, undramatic as it is in the strict sense of the theatre, is breathlessly interesting. The two great speeches of the play, the one beginning 'That God that made high things,' and the one beginning 'I would fain see rain,' are ...
— Figures of Several Centuries • Arthur Symons
... dramatist—the power to describe situation. One cannot deny the appeal of his girl-Francesca, nor the beauty of many of his haunting lines; but no warm impression of the situation is gained, and the characters are peculiarly inactive at inopportune times. Mr. Phillips's talent was predominantly undramatic; he was too much the poet to allow his feeling to be guided by historical material. Yet, as acted, the ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... thought its irradiating property, while the artistic purpose running through and combining the endless variety of scene and character will alone account for his power of dramatic effect. Goethe affirmed, that, without Schroeder's prunings and adaptations, Shakespeare was too undramatic for the German theatre,—that, if the theory that his plays should be represented textually should prevail, he would be driven from the boards. The theory has prevailed, and he not only holds his own, but is acted ...
— Among My Books - First Series • James Russell Lowell
... the expedition would be tame. The journey into the interior would consist of undramatic drudgeries and discomforts, of association with a primitive folk whom he had never failed to make his friends, of precautions that would confound the reptiles, the fevers, and the disease-bearing insects. As for the wild ...
— Sacrifice • Stephen French Whitman
... obliterated features of too many of his heroes have already wearied two generations of readers. At times his characters will speak with something far beyond propriety with a true heroic note; but on the next page they will he wading wearily forward with an ungrammatical and undramatic rigmarole of words. The man who could conceive and write the character of Elspeth of the Craigburnfoot, as Scott has conceived and written it, had not only splendid romantic, but splendid tragic gifts. How comes it, then, that he could ...
— Memories and Portraits • Robert Louis Stevenson
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