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More "Bach" Quotes from Famous Books
 ... Church. When asking the name of one of the children in his arms, he is told "Benjamin Lee." His evident deep emotion at this evokes sympathy from all present. During the trial at Belminster he has a great spiritual conflict in the cathedral while a fugue of Bach's is played on the organ, suggesting a combat between the powers of evil and good. But he feels that he cannot renounce his brilliant prospects. Coming out, he hears that Alma has declared Everard is the man who was with her father when he met his death in the struggle she heard while ...
— The World's Greatest Books, Volume V. • Arthur Mee and J.A. Hammerton, Eds.
... was evil in this movement there was also good. Thought was aroused, was stimulated, and everywhere the products of awakened genius began to appear. The marvellous development of modern music had its origin in this period with the creations of Bach.[6] The modern novel began its tremendously important career with Richardson and Fielding.[7] Inventive genius achieved the first great triumph of modern mechanicism in Watt's steam-engine.[8] Even across the ocean spread the intellectual ...
— The Great Events by Famous Historians, v. 13 • Various
... once investigate! All the white-clad, ghostly spirits turn out to be clothes on the line. I suppose there's some equally natural explanation about your way on the piano—the clear, limpid phrasing of that Bach the other day, and then the color of the Bizet afterwards. It's astonishing to hear anybody of your crude youth playing Bach at all—and then to hear it played right—and afterwards to hear a modern given his ...
— The Bent Twig • Dorothy Canfield
... the scientific line, and indulges us in rational evenings, where history is the lightest subject admitted, and geology and the sanitary condition of the metropolis form the general themes of conversation. Mrs. Brumby plays finely on the bassoon, and has evenings dedicated to Sebastian Bach, and enlivened with Handel. At Mrs. Maskleyn's they are mad for ...
— The Christmas Books • William Makepeace Thackeray
... advance much. It was necessary in order that music should be purified inside the Church that the great secular musical movement should begin with the Italian Monteverde, with the Frenchman Rameau, and with the Germans Sebastian Bach and Handel; what splendid times, Gabriel! And just think what genius followed: Gluck, Haydn, Mozart, Mehuel, Boieldieu, and, above all, ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... a thousand summers and the snows of a thousand winters have lent depth and power. The measure of greatness in a man is determined by the intellectual streams and moral tides flowing down from the ancestral hills and emptying into the human soul. The Bach family included one hundred and twenty musicians. Paganini was born with muscles in his wrists like whipcords. What was unique in Socrates was first unique in Sophroniscus. John ran before Jesus, but Zacharias foretold John. No electricity along rope wires, and no vital living truths ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... which "Nazareth" is universally popular. His list of compositions for orchestra is also very large, and includes such popular pieces as the "Saltarello," "Funeral March of a Marionette," and the Meditation, based on Bach's First Prelude, which is accompanied by a soprano solo. He was elected a member of the Institut ...
— The Standard Operas (12th edition) • George P. Upton
... he is, truth still more profound. What am I? Terrible question! Problem of predestination, of birth, of liberty, there lies the abyss. And yet one must plunge into it, and I have done so. The prelude of Bach I heard this evening predisposed me to it; it paints the soul tormented and appealing and finally seizing upon God, and possessing itself of peace and the infinite with an all-prevailing ...
— Amiel's Journal • Mrs. Humphry Ward
... Beethoven or a composition by Chopin. She knew their names vaguely. Wunsch had been a musician once, long before he wandered into Moonstone, but when Thea awoke his interest there was not much left of him. From him Thea had learned something about the works of Gluck and Bach, and he used to play her some of the compositions of Schumann. In his trunk he had a mutilated score of the F sharp minor sonata, which he had heard Clara Schumann play at a festival in Leipsic. Though his ...
— Song of the Lark • Willa Cather
... of a Bach fugue that stood on the music-rack, and she was oblivious to everything else until her fingers had found and struck the final chords. Then she looked ...
— The Quickening • Francis Lynde
... an only son, was obliged, in consequence of the large flocks she possessed, to send, under the care of her son, a portion of her cattle to graze on the Black Mountain near a small lake called Llyn-y-Van-Bach. ...
— Welsh Folk-Lore - a Collection of the Folk-Tales and Legends of North Wales • Elias Owen
... shifted from the Foreign Legion to aviation soon after Thaw, was flying a Nieuport fighting machine, and, a little later, instructing less-advanced students of the air in the Avord Training School. His particular chum in the Foreign Legion, James Bach, who also had become an aviator, had the distressing distinction soon after he reached the front of becoming the first American to fall into the hands of the enemy. Going to the assistance of a companion who had broken down in landing a spy ...
— Flying for France • James R. McConnell
... exchange greetings, a friend dropped into a vacant chair for a talk. Then the music stands were set up and the band assembled around them and for an hour we listened to selections from Wagner and Bach, varied with the martial strains of Sousa or the melodies of Foster. The stewards brought out a table, filled it with dishes, and served bouillon and biscuit, while near by a kodak ...
— A Trip to the Orient - The Story of a Mediterranean Cruise • Robert Urie Jacob
... relationship should remain unimpaired. Turner's "Carthage" is Nature transposed and wonderfully modified. Some of the passages of light and shade—those of the balustrade—are fugues, and there his art is allied to Bach in sonority and beautiful combination. Turner knew that a branch hung across the sun looked at separately was black, but he painted it light to maintain the equipoise of atmosphere. In the novel the characters are the voice, the deeds are the orchestra. ...
— Confessions of a Young Man • George Moore
... little," said Phoebe, who rather piqued herself upon her music, and who was learned in Bach and Beethoven, and had an opinion of her own about Wagner. Mrs. Tom brightened visibly, for her girls played not a ...
— Phoebe, Junior • Mrs [Margaret] Oliphant
... development of the beautiful idea which appears in 'Tannhaeuser,' of associating a certain instrument or group of instruments with one particular character. The idea itself, it may be noticed in passing, dates from the time of Bach, who used the strings of the orchestra to accompany the words of Christ in the Matthew Passion, much as the old Italian painters surrounded his head with a halo. In 'Lohengrin' Wagner used this beautiful idea more systematically than in 'Tannhaeuser'; Lohengrin's utterances are almost always accompanied ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... intellectual transport, which the trained musician feels when listening to the celestial harmonies of a great orchestra. In proportion as one conceives, or can imagine, the fineness of the musical endowment of a Bach or Beethoven, and in proportion as he can realize in his own mind the infinity of training and preparation which has contributed to the development of such a master musician—in such proportion may he comprehend and appreciate the unusual qualities and achievements of a man ...
— American Big Game in Its Haunts • Various
... song which you knew seems to sing itself, but enveloped with a richness and fulness of flowing accompaniment which is like the harping of aerial choirs. Then with others she plays the great music, concerted Bach or Beethoven, Chopin, Schumann, or Wagner, Weber or Mendelssohn; now an old gavotte, now a quaint fantasia, and why not a toccata of Galuppi Baldassero? It is more than a hint or a reminiscence, although it is not an orchestra. ...
— From the Easy Chair, vol. 1 • George William Curtis
... not an admirer of Bach," said the professor, in answer to a question from Miss Day. "Bad taste, no doubt, but I always think musical opinion is particularly difficult to follow. By the way, I suppose Mr. Henley played ...
— The Master Detective - Being Some Further Investigations of Christopher Quarles • Percy James Brebner
... description of D'Holbach is given in a little sketch, published by Mr. Watson in 1834, as taken from Grimm's "Correspondence:"—"D'Hol-bach's features were, taken separately, regular, and even handsome, yet he was not a handsome man. His forehead, large and open, like that of Diderot, indicated a vast and capacious mind; but his forehead having fewer sinuosities, less roundness than Diderot's, ...
— Ancient and Modern Celebrated Freethinkers - Reprinted From an English Work, Entitled "Half-Hours With - The Freethinkers." • Charles Bradlaugh, A. Collins, and J. Watts
... formulated ideals. To the future she has all this to bequeath and, in addition, the intellectual wealth of her present stage of development. Consider Germany's contributions to the arts, the poetical achievements of the period of Schiller and Goethe, the music of Handel, Bach, Haydn, Mozart, and Beethoven; the thought systems of Kant, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... collected some really remarkable impressionist pictures...." The names he cited were unknown to Charity. "Yes; yes; the Schaefer quartette played at Lyric Hall on Saturday evening; and on Monday I had the privilege of hearing them again at the Towers. Beautifully done... Bach and Beethoven... a lawn-party first... I saw Miss Balch several times, by the way... ...
— Summer • Edith Wharton
... other work of a like nature. All one could say with certainty about it was that it was not modern music. There was a simplicity and a severity about it which stamped it unmistakably as belonging to an age anterior even to Bach or Handel: modern writers employ more ornamentation and are not so restricted in their harmonies; modern art sanctions a greater liberty, a less simplicity of method, and a less rigid conformity ...
— The Argosy - Vol. 51, No. 3, March, 1891 • Various
... day, but who passed from earth while yet the light that shone in them was crescent. That the world should know Marlowe and Giorgione, Raphael and Mozart, only by the products of their early manhood, is indeed a cause for lamentation, when we remember what the long lives of a Bach and Titian, a Michelangelo and Goethe, held in reserve for their maturity and age. It is of no use to persuade ourselves, as some have done, that we possess the best work of men untimely slain. Had Sophocles been cut off in his prime, before the composition of "Oedipus"; had Handel never merged ...
— Percy Bysshe Shelley • John Addington Symonds
... remembered to have seen before. If there had been one seat to be filled, and, say, three candidates, I should have found out enough about one candidate at least to give a more or less independent vote; and the local party committees would have known that I and others would do so. Bach party would then have circulated a portrait and a printed account of their candidate and of his principles, and would have had a strong motive for choosing a thoroughly reputable person. But I could not give the time necessary for forming a real opinion ...
— Human Nature In Politics - Third Edition • Graham Wallas
... magic wand in more senses than one. As mentioned above it is significant that so little has been attempted in the way of alteration or improvement, and it is still more so that of that little such a small proportion is worthy of a second thought. As Bach stands in relation to the fugue, as Beethoven to the symphony and Stradivari to the violin, so is Tourte to the bow. Superior alike to his predecessors and successors, he stands high poised upon the pedestal ...
— The Bow, Its History, Manufacture and Use - 'The Strad' Library, No. III. • Henry Saint-George
... exercises that were conducive to worship. The organist was in love with the old masters and on holidays celebrated masses by Palestrina and Orlando Lasso, psalms by Marcello, oratorios by Handel, motets by Bach; he preferred to render the sweet and facile compilations of Father Lambillotte so much favored by priests, the "Laudi Spirituali" of the sixteenth century whose sacerdotal beauty had often ...
— Against The Grain • Joris-Karl Huysmans
... pick to take the old Curlew out in; but when I see through the glasses what the white thing was that's poundin' around on Razor Back Ledges, and seen the distress signal run up—why, I couldn't stay ashore. There was others would have gone, I guess, if I hadn't. But there I was, an old bach, and not much good to anybody ...
— Shorty McCabe on the Job • Sewell Ford
... structure at every turn. This, however, is rendered possible and interesting by the fact that the passages in such counterpoint are separated by episodes and are free to appear in different keys. Many fugues of Bach are written throughout in multiple counterpoint; but the possibility of this, even to composers such as Bach and Mozart, to whom difficulties seem unknown, depends upon the freedom of the musical design which allows the composer to select the most effective ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... was choirmaster and musical director at St. Thomas's Church, held at that time this important and ancient post which was afterwards occupied by Schicht, and before him by no less a person than Sebastian Bach. By education he belonged to the old Italian school of music, and had studied in Bologna under Pater Martini. He had made a name for himself in this art by his vocal compositions, in which his fine manner of treating the parts was much praised. He himself told me one day that a Leipzig ...
— My Life, Volume I • Richard Wagner
... With tales of countless cures, His teeth, I've enacted, Shall all be extracted By terrified amateurs: The music-hall singer attends a series Of masses and fugues and "ops" By Bach, interwoven With Spohr and Beethoven, At classical Monday Pops: The billiard sharp whom any one catches His doom's extremely hard - He's made to dwell In a dungeon cell On a spot that's always barred; And there he plays extravagant matches In fitless finger-stalls, ...
— Songs of a Savoyard • W. S. Gilbert
... consonant sounds can be produced, one without the aid of the voice—th (hard) as in that; the other with the aid of voice—th (soft) as in thunder. Ch is a guttural produced near the front of the mouth, e.g. in Christ, or near the back as in Bach. ...
— The Brain and the Voice in Speech and Song • F. W. Mott
... contradiction of this. Even in its heyday, though the parts were ever so independent of one another, the mass of tone forms a great melody, or melos, moving on a firm harmonic foundation in the lowest part. The great choral fugues of Bach and Handel have often in the accompaniment a bass moving independently of the bass voice part, and this instrumental bass was figured so that the harmonies could be ...
— Purcell • John F. Runciman
... is made by Bach and Mozart and Schubert. They also may be moved by suffering and sorrow. But they are never in vain rebellion against the Universe. Their sorrow is itself at one with the Universe, and therefore at one with ...
— Impressions And Comments • Havelock Ellis
... that seem right to me, arter all had come and gone. But I jest thought how James was a dretful handy man about the house, an' I knew he set by Cap'n Fuller. The Cap'n 'ain't no real home, you know, an' I thought they'd admire to bach ...
— Meadow Grass - Tales of New England Life • Alice Brown
... at the Opera have been prodigious. and a new opera by Bach(748) last night, was so crowded, that there were ladies standing behind the scenes during the whole performance. Adieu! my dear lord: as this goes by a private hand, you may possibly receive its successor ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... to the strongly marked horizontal lines of a cornice which form the termination of the height or upward progress of an architectural design. The analogy is here very close. A less close analogy may also be felt between an architectural and a musical composition regarded as a whole. A fugue of Bach's is really a built-up structure of tones (as Browning has so finely put it in his poem, "Abt Vogler"), in accordance with certain ideas of relation and proportion, just as a temple or a cathedral is a built-up structure ...
— Scientific American Supplement, No. 633, February 18, 1888 • Various
... suit, I'll throw him Weber in to boot! There's not the splitting of a splinter To chuse 'twixt him last named, and Winter. Of Doctor Pepusch old queen Dido Knew just as much, God knows, as I do. I would not go four miles to visit Sebastian Bach-or Batch-which is it? No more I would for Bononcini. As for Novello and Rossini, I shall not say a word about [to grieve] 'em, Because they're living. So ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... 1849 (Schubert died in 1828), is as modern as the masters just named. He was as boldly original as Schubert, and as great a magician in the art of arousing deep emotion by means of novel, unexpected modulations. As an originator of new harmonic progressions he has had only three equals,—Bach, Schubert, and Wagner. Harmonies as ultra-modern as those of Wagner's "Parsifal" may be found in some of the mazurkas of Chopin. He was, as Rubinstein called him, "the soul of the pianoforte." No one before or after him knew how to make that instrument speak so eloquently. By ingeniously ...
— Beacon Lights of History, Volume XIV • John Lord
... letting myself be daunted. The old fellow was crabby, and often found a good deal of fault, but he had only to play a good piece in his own powerful style, and I was at once reconciled both with him and with his art. I was then often in a curious state of mind; many pieces particularly of old Sebastian Bach were almost like a fearful ghost-story, and I yielded myself up to that feeling of pleasurable awe to which we are so prone in the days of our fantastic youth. But I entered into a veritable Eden when, as sometimes happened in winter, the bandmaster of the town ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... Bach and his fugues—emotional mathematics, all of them! Of what avail the decorative efforts of tonal fresco painters, breeders of an hour's pleasure, soon forgotten in the grave's muddy disdain! Had not the stage lowered music to the position ...
— Melomaniacs • James Huneker
... to Halle this year is of peculiar interest because of the attempt made by J. S. Bach to become acquainted with him. Forkel's biography of Bach (1802) is the only authority for this story. Bach in 1719 was in the service of the Prince of Anhalt-Coethen; hearing that Handel was in the neighbourhood, he went over to Halle, a distance ...
— Handel • Edward J. Dent
... Gwion Bach the son of Gwreang of Llanfair in Caereinion, in Powys, to stir the cauldron, and a blind man named Morda to kindle the fire beneath it, and she charged them that they should not suffer it to cease boiling for the space of a year and a day. ...
— The Mabinogion Vol. 3 (of 3) • Owen M. Edwards
... love of art and did not understand it. I went to concerts, but the only part of a sonata or symphony which took hold of me was that which was melodious. The long passages with no striking theme in them conveyed nothing to me, and as to Bach, excepting now and then, his music was like a skilful recitation of nonsense verses. The Marseillaise on a barrel-organ was intelligible, but gymnastics on strings—what did they represent? With pictures the case was somewhat different. I often left Clapton ...
— More Pages from a Journal • Mark Rutherford
... squires; there exists a Germany pharisaic and iniquitous, the Germany of all the unintelligible pedants whose empty lucubrations and microscopic researches have been so unduly vaunted. But these two Germanies are not the great Germany, that of the artists, the poets, the thinkers, that of Bach, Mozart, Beethoven, Goethe, Schiller, Heine, Leibnitz, Kant, Hegel, Liebig. This latter Germany is good, generous, humane, pacific; it finds expression in the touching phrase of Goethe, who when asked to write against us replied that he could not find it in his heart to ...
— The European Anarchy • G. Lowes Dickinson
... lights came, the piano was opened, and then, for an hour or two, the world was forgotten in a different way. It was here that the chief landmarks of music emerged from the mists in which, for Maurice, they had hitherto been enveloped; here he learned that Bach and Beethoven were giants, and made uncertain efforts at appreciation; learnt that Gluck was a great composer, Mozart a genius of many parts, Mendelssohn the direct successor in this line of kings. Sonatas, symphonies, operas, were hammered out with tremendous force and precision on the ...
— Maurice Guest • Henry Handel Richardson
... notes; he clothes anew at each playing the bare skeleton of the RAGA, often confining himself to a single melodic sequence, stressing by repetition all its subtle microtonal and rhythmic variations. Bach, among Western composers, had an understanding of the charm and power of repetitious sound slightly differentiated in a ...
— Autobiography of a YOGI • Paramhansa Yogananda
... complacently displaying his boasted knowledge of public men in minute detail, "is the Honorable Archer Converse, whose father was General Aaron Converse, the war governor of this state. Lawyer, old bach, rich, just as crisp in talk as he is in looks, just as straight in his manners and morals and honesty as he is in his back, arrives every night at the Mellicite Club for his dinner on the dot of eight"—Citizen Drew ...
— The Landloper - The Romance Of A Man On Foot • Holman Day
... a music-hall orchestra which plays ragtime all the year round that once in the year, and once only, on Good Friday, it should pull itself together to give an adequate performance of the Passion Music of Bach. ...
— The New Society • Walther Rathenau
... treason, a legal voter by the laws of Maryland. Even General Schenck's order admits him to vote, if he recants upon oath. I think that is cheap enough. My order in Missouri, which you approve, and General Scherick's order here, reach precisely the same end. Bach assures the right of voting to all loyal men, and whether a man is loyal, each allows that man to fix by his own oath. Your suggestion that nearly all the candidates are loyal, I do not think quite meets the case. In this ...
— The Papers And Writings Of Abraham Lincoln, Complete - Constitutional Edition • Abraham Lincoln
... Jefferey of Monmouth, who wrote about the Year 1152. It is alluded to by Taliessyn, who flourished about the middle of the 6th Century. A Welsh Author, already mentioned, Mr. Theophilus Evans, says, that the first Writer, who questioned the Fact, was William of Newbury, in welsh called, Gwilym bach, about the Year 1192, on this occasion. When Jefferey ab Arthur, (of Monmouth, who was Bishop of St. Asaph) died; William an English-man applied to David ab Owen to succeed him, and was refused. The refusal so mortified him, ...
— An Enquiry into the Truth of the Tradition, Concerning the - Discovery of America, by Prince Madog ab Owen Gwynedd, about the Year, 1170 • John Williams
... fine arts I am very susceptible, and I have given a great deal of time to this study. I am devoted heart and soul to music, which is more and more to me every year I live. Trivial or light music I cannot endure, but of Beethoven, Bach, Haendel, Schumann, Schubert, Brahms, Tschaikowsky, and Wagner I should never hear enough. Here, too, my sympathies, are very catholic, and I delight in McDowell, Debussy, Richard ...
— Studies in the Psychology of Sex, Volume 2 (of 6) • Havelock Ellis
... himself and his surroundings. His expression changed with the music. Tears ran down his cheeks at some beautiful adagio, and he would say, 'Tania, just give me a fresh handkerchief; I must have got a cold to-day.' I had to play generally Beethoven and Schumann to him. He did not approve of Bach, and on the other hand you could make him raving mad with Liszt, and ...
— Essays on Russian Novelists • William Lyon Phelps
... remembering the cause of it all, said, in a low, gentle voice, and with a pleasant smile: "I don't wonder you're delighted, gentlemen. It is to me the most divine of all his creations. There is only one Bach." That his hand had held the bow and that the merit of its expression lay with him, never seemed ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... peart an' fast, Si Kenton," cried Oncle Jazon, glaring truculently at his friend, but at the same time showing a dry smile that seemed to be hopelessly entangled in criss-cross wrinkles. "Who told ye I was a bach'lor? Not by a big jump. I've been married mighty nigh on to twenty times in my day. Mos'ly Injuns, o' course; but a squaw's a wife w'en ye marries her, an' I know how it hurts a gal to be dis'p'inted in sich a matter. That's w'y I put the question ...
— Alice of Old Vincennes • Maurice Thompson
... M. Wiarda, History and Explanation of the Salic Law, Bremen, 1808, asserts that what is called the Lex Antiqua, or Vetustior in which many German words are mingled with the Latin, has no claim to superior antiquity, and may be suspected to be more modern. M. Wiarda has been opposed by M. Fuer bach, who maintains the higher age of the "ancient" Code, which has been greatly corrupted by the transcribers. See Guizot, Cours de l'Histoire Moderne, vol. i. sect. 9: and the preface to the useful republication ...
— The History of The Decline and Fall of the Roman Empire - Volume 3 • Edward Gibbon
... der gesammten musikalischen Wissenschaft," Vol. IV., Stuttgart, 1841,—a work which deserves to be better known in our country. It is worthy of note, that in this work, of which Mozart fills eight pages, Handel, Bach, Haydn, and Beethoven seven to seven and a half each, Gluck six and a quarter, Meyerbeer four, and Weber four and a half, Marx, eighteen years ...
— The Atlantic Monthly, Volume V, Number 29, March, 1860 - A Magazine Of Literature, Art, And Politics • Various
... middle of the eighteenth century the musical life of Europe was in full swing. Then there came forward a man who was greater than all others, a simple organist of the Thomas Church of Leipzig, by the name of Johann Sebastian Bach. In his compositions for every known instrument, from comic songs and popular dances to the most stately of sacred hymns and oratorios, he laid the foundation for all our modern music. When he died in the ...
— The Story of Mankind • Hendrik van Loon
... the organ, and descending to the art gallery, played Bach, Palestrina, and Stainer for an hour; then suddenly she started from the console, with a sharp, impatient movement of ...
— The Pit • Frank Norris
... conclusion that everyone who loved music was not a composer. Returning from one of Mozart's grand operas, splendidly performed at the Royal Theatre, he looked over his own, played a few of the best parts, sat staring at the busts of Mendelssohn, Beethoven, and Bach, who stared benignly back again. Then suddenly he tore up his music sheets, one by one, and as the last fluttered out of his hand, he said ...
— Little Women • Louisa May Alcott
... day), she cared not in the smallest degree for what anybody who passed down the road outside her house might be thinking of the roulades that poured from her open window: she was simply Emmeline Lucas, absorbed in glorious Bach or dainty Scarletti, or noble Beethoven. The latter perhaps was her favorite composer, and many were the evenings when with lights quenched and only the soft effulgence of the moon pouring in through the uncurtained windows, she sat with her profile, cameo-like ...
— Queen Lucia • E. F. Benson
... the study of folklore he has removed from our way. Those are vanities, which make men puffed up and vainglorious; and they are unsavory in the nostrils of the Big Man. And look you, the preacher asks, do they not cost money? Are they not time wasters? The capel needs your money, boys bach, that the light—the grand, religious light—shall ...
— My Neighbors - Stories of the Welsh People • Caradoc Evans
... not only at different times in one essay, but at the same time in one sentence—in one word. And must we admit it, so is everyone. If you don't believe it, there must be some true definition you haven't seen. Chopin shows a few things that Bach forgot—but he is not eclectic, they say. Brahms shows many things that Bach did remember, so he is an eclectic, they say. Leoncavallo writes pretty verses and Palestrina is a priest, and Confucius inspires Scriabin. A choice is freedom. Natural selection is but one of Nature's ...
— Essays Before a Sonata • Charles Ives
... is a thing of older ancestry; you cannot, however bursting with emotion, embody your feelings in forms like those of Phidias, of Michelangelo, of Bach, or Mozart, unless such forms have come ready to hand through the long, steady working of generations of men: Phidias and Bach in person, cut off from their precursors, would not, for all their genius, get as far as a schoolboy's caricature, ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... elegant sweetness of the Idylls of the King with the vigorous and expressive, but often ungrammatical, prose of Mallory, or compare Virgil with Homer, Horace with Sappho, a chorale by Mendelssohn with a chorale by Bach. Or compare a modern refrain dragged in for no other reason than because the poet has felt that the form requires a refrain of some kind and has tried to find one that is suitable—compare such a refrain by ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... Holywell, to Chester, was greatly improved. As forming the mail road from Dublin to Liverpool, it was considered of importance to render it as safe and level as possible. The principal new cuts on this line were those along the rugged skirts of the huge Penmaen-Mawr; around the base of Penmaen-Bach to the town of Conway; and between St. Asaph and Holywell, to ease the ascent ...
— The Life of Thomas Telford by Smiles • Samuel Smiles
... whose name was Bach, a Dane by nation, mounted guard every fourth day, and was the terror of the whole garrison; for, being a perfect master of arms, he was incessantly involved in quarrels, and generally left his marks behind him. He had served in two regiments, neither of ...
— The Life and Adventures of Baron Trenck - Vol. 1 (of 2) • Baron Trenck
... month, and the year are written in figures; the rest, in words. Bach important word begins with a capital letter, each item is set off by the comma, and the whole ...
— Higher Lessons in English • Alonzo Reed and Brainerd Kellogg
... of the best music. "When Americans," he said, "shall have learned the supreme value and glory of the orchestra, . . . then I look to see America the home of the orchestra, and to hear everywhere the profound messages of Beethoven and Bach to men." And again: "All the signs of the times seem to point to this country as the scene of the future development of music. . . . It only needs direction, artistic atmosphere, and technique in order to fill the land with ...
— Sidney Lanier • Edwin Mims
... keys gently and his sorrows and his temptations faded from him. He glided into Bach, and then into Chopin and Mendelssohn, and at last drifted into dreamy improvisation, his fingers moving almost of themselves, his eyes half ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill
... in the same key. But we find occasionally in suites, a Fugue or Fuguetta, or even an Aria or Adagio; and in name, at any rate, one dance movement has formed part of the sonata since the time of Emanuel Bach. ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... If Bach is the mathematician of music, as has been asserted, Beethoven is its philosopher. In his work the philosophic spirit comes to the fore. To the genius of the musician is added in Beethoven a wide mental grasp, an altruistic spirit, that seeks to help humanity ...
— Beethoven • George Alexander Fischer
... little. In the parlor afterwards while we was havin' coffee he strings off quite a fancy line of repartee, fin'lly allowin' himself to be pushed up to the piano, where he ripples through a few things from Bach and Beethoven and Percy Moore. It's near eleven o'clock when the Hibbs sisters get their wraps on and Merry starts to walk ...
— On With Torchy • Sewell Ford
... still one of Herne's company of players in Shore Acres, had no home to break up, but he said, "I'm going to get some sort of headquarters in New York. If you'll come on we'll hire a little apartment up town and 'bach' it. I'm sick ...
— A Son of the Middle Border • Hamlin Garland
... of Handel's "He shall feed his flock," which it suggests by similarity of subject, though not by similarity of treatment; but in a certain quality of inwardness, or religious meditativeness, it reminds one more of Mr. Paine's favourite master, Bach. The choral, like the one in the first part and the one which follows the scene of Pentecost, is taken from the Lutheran Choral Book, and arranged with original harmony and instrumentation, in accordance with the custom of Bach, Mendelssohn, and other composers, "of ...
— The Unseen World and Other Essays • John Fiske
... one of the Trois Nocturnes for orchestra. Perhaps one reason why so much has been inscribed to me is the fact that as an interpreting artist, I have never cultivated a 'specialty.' I have played everything from Bach to Debussy, for real art should ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... more idiotic? Then Cotton Mather was a greater man than Johann Sebastian Bach. Then the average college critic of the arts, with his balderdash about inspiration and moral purpose, is greater than Georg Brandes or Saint-Beuve. Then Eugene Brieux, with his Y. M. C. A. platitudinizing, is greater than Moliere, ...
— Damn! - A Book of Calumny • Henry Louis Mencken
... necessary for him to come as soon as possible to the fountainheads of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... pale — Sweet visages of all the souls of time Whose loving service to the world has been In the artist's way expressed and bodied. Oh, In arms' reach, here be Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha (sweetest masters! Let me lay These arms this once, this humble once, about Your reverend necks — the most containing clasp, For all in all, this world e'er saw!) and there, Yet further on, bright throngs unnamable Of workers ...
— The Poems of Sidney Lanier • Sidney Lanier
... contemporaries. Here is the "pathos of distance" run to sentimental seed. The music of to-day may be the music of to-morrow, but if it is not, what then? It may satisfy the emotional needs of the moment, yet to-morrow be a stale formula. But what does that prove? Though Bach and Beethoven built their work on the bases of eternity (employing this tremendous term in a limited sense), one may nevertheless enjoy the men whose music is of slighter texture and "modern." Nor is this a plea for mediocrity. Mediocrity we shall always have with us: mediocrity ...
— Ivory Apes and Peacocks • James Huneker
... musical world of the present or past. His songs are a mine of melody, surpassed in wealth only by Schubert's, and that only because there are more of Schubert's. In originality of harmony and modulation he has only six equals: Bach, Schubert, Chopin, Schumann, Wagner, and Liszt. In rythmic invention and combination he is inexhaustible, and as orchestrator he ranks among the most fascinating. To speak of such a man—seven-eighths of whose works are still music of the future—as ...
— Norwegian Life • Ethlyn T. Clough
... Welshman, who some four hundred years before that time indited immortal cowydds and odes to the wives of Cambrian chieftains—more particularly to one Morfydd, the wife of a certain hunchbacked dignitary called by the poet facetiously Bwa Bach—generally terminating with the modest request of a little private parlance beneath the green wood bough, with no other witness than the eos, or nightingale, a request which, if the poet himself may be believed—rather a doubtful point—was seldom, very ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow
... his blood by struggling to confine his turbulent spirit within the trim mould of the sonnet. Pindar, the most passionate of poets, drove and pressed his feelings through the convolutions of the ode. Bach wrote fugues. The master of St. Vitale found an equivalent for his disquieting ecstasies in severely stylistic portraits wrought in an intractable medium. Giotto expressed himself through a series of pictured legends. El Greco seems to have achieved his stupendous designs by labouring ...
— Since Cezanne • Clive Bell
... "Still an old bach." He looked at Flaxen, irresistibly drawn to her face. She dropped her eyes; she could not ...
— A Little Norsk; Or, Ol' Pap's Flaxen • Hamlin Garland
... beauty in any way. There is no Prokofiev, Stravinsky, Shostakovich, Cage, Adams and certainly no Schoenberg in Liszt's music. His music has an ideological "ceiling," and that ceiling is "beauty." It never goes beyond that. And perhaps it was never as "beautiful" as the music of Mozart, Bach or Beethoven, nor quite as rational (Are all the emotions in Liszt's music truly "controlled?"). But it certainly was original and instructive, and it certainly ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... else—there is God, and the love of beautiful things. I spent all day yesterday playing Bach's Passion Music, and the hours passed like a dream until my sisters came in from walking and began to talk about marriage and men. It made me feel sick—it was horrible; and it is such things that make me hate life—and I do hate it; it ...
— Muslin • George Moore
... sense of colour. To good music he was always susceptible. (To one breaking in upon him at certain afternoon hours in his room at South Kensington, "a whiff of the pipe" (writes Professor Howes), "and a snatch of some choice melody or a Bach's fugue, were the not infrequent welcome.") He played no instrument; as a young man, however, he used to sing a little, but his voice, though true, was never strong. But he had small leisure to devote to art. On his holidays he would sometimes sketch with a firm and rapid touch. His illustrations ...
— The Life and Letters of Thomas Henry Huxley Volume 3 • Leonard Huxley
... "There's a lot of Bach in that chest in the corner," cried Genevieve. "It's ridiculous; everything in the house is jammed ...
— Three Soldiers • John Dos Passos
... mighty power of setting the congregation in motion. The leader had a voice like the pleasant droning of a bag-pipe, and the faculty of emitting a continuous note like that instrument, without stopping to breathe. It went on and on like a Bach fugue, winding and whining its way, turning the corners of the lines of the catch without a break. The effect was soon visible in the emotional crowd: feet began to move in a regular cadence and voices to join in, with ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... prodigy, he began composing at age 5 and rapidly developed his unmistakable style; by 18 he was composing works capable of altering the mind-states of entire civilizations. Indeed, he and his predecessor Bach accomplished the Olympian feat of adding to the human concepts of civility and civilization. So these two were not just musical geniuses, but geniuses ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... of God," as he called the child. At London, old Mozart says, they were received, on April 27th, by King George III. and Queen Caroline, at the palace, and remained from six to nine o'clock. The king placed before the boy compositions of Bach and Handel, all of which he played at sight perfectly; he had also the honor of accompanying the queen in a song. "On leaving the palace," the careful father says, "we received a present ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... Popular Concerts"—Henry C. Cooper, and the "Quartett Association"—M. Sainton, Hill, Piatti; John Carrodus, Herr Molique, and the Brothers Holmes—Progress of the Violin in Germany: Graun and Benda; John Sebastian Bach as Violinist and composer; Herr Joachim—Handel, influence of his compositions on the progress of the Violin—Haydn, and his Symphonies and Quartetts; A lady's ideal thereof—Mozart, and his "Method" for the Violin; his early attachment to the instrument—Schubert, Beethoven, Mendelssohn, Fesca, ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... for the dinner-table. The Great Adventure, in short, is just this passionate pursuit of the soul of harmony in things, great and small, spiritual and material. We are all in the quest and our captains are those who lead us to the highest peaks of revelation—Bach fashioning that immortal Concerto for Two Violins that takes us out like unsullied children into fields of asphodel; Wordsworth looking out over Tintern Abbey and ...
— Pebbles on the Shore • Alpha of the Plough (Alfred George Gardiner)
... of the Catholic church, "O Filii et Filiae," is in the minor. "The Romanesca," a dance air of the sixteenth century, is equally in the minor, just like all the dance airs of Lully, and of Rameau, and the gavottes of Sebastian Bach. The celebrated "Funeral March" of Haendel, reproduced in many of his works, is in C Major. The delicious love duo of Acis and Galathee, which changes to a trio by the addition of the part of Polyphemus, is in A ...
— On the Execution of Music, and Principally of Ancient Music • Camille Saint-Saens
... peasants, and playing with the same enthusiasm and poetry in barns as in palaces. On hearing this our author slipped back to the garden, where he hid himself to listen to Remenyi, who, to his great disgust, was playing a concerto of Bach's. ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... enjoy it so. He's the real American. He has imagination and adaptability. It's a shame: all the petits fours and Bach recitals wasted on Jeff Saxton, when a ...
— Free Air • Sinclair Lewis
... tone or voice part with the desire to hear it, it comes out at once as plainly as if it was the highest melody. That illustrates the power of thought concentrated upon even a hidden thing. You know how in Bach even the piano works move as if all parts were to be sung by voices. It reminds one of conversation; of the story, of the question and answer, of the merry chat in a pleasant company. Some bits of sentence are tripping and full ...
— Music Talks with Children • Thomas Tapper
... had so often read and heard. The mountains and the clouds appeared to him quite alike, and he thought the special beauty of the snow peaks, of which he had so often been told, was as much an invention as Bach's music and the love of women, in which he did not believe. So he gave up looking forward to seeing the mountains. But early next morning, being awakened in his cart by the freshness of the air, he glanced carelessly to the right. The morning was perfectly clear. Suddenly he saw, ...
— The Cossacks • Leo Tolstoy
... heart would never once admit E'en wholesome rigour to thy wit; 170 Thy head, if Conscience should comply, Its kind assistance would deny, And lend thee neither force nor art To drive it onward to the heart. Oh, may thy sacred power control Bach fiercer working of my soul, Damp every spark of genuine fire, And languors, like thine own, inspire! Trite be each thought, and every line As moral and as dull as thine! 180 Poised in mid-air—(it matters not To ascertain ...
— Poetical Works • Charles Churchill
... spoken to him so rudely before. He wondered awhile and went to the piano. She had gone out of the room very rudely. Now he was free to do what he liked, and what he liked most was to play Bach. The sound of the piano would reach her bedroom! Well, if it did—he had not played Bach for four weeks and he wanted to play Bach. Yes, he was playing Bach to please himself. He knew the piano would annoy ...
— The Untilled Field • George Moore
... year gave a prize to the school, but this year it was to be finer than usual, and her Majesty had sent to Herr Bach and requested him to choose five of his best boys, each of whom was to compose a piece of his own. No one was to see it until the end of three weeks, when they were to play it at a grand concert, which the imperial family were to attend with ...
— Standard Selections • Various
... Shire- Hall furs of an old Saxon fox appear, With brotherly ruffs and beards, and a strange sight Of high monumental hats, ta'en at the fight Of 'Eighty-eight; while ev'ry burgess foots The mortal pavement in eternal boots. Hadst thou been bach'lor, I had soon divin'd Thy close retirements, and monastic mind; Perhaps some nymph had been to visit, or The beauteous churl was to be waited for, And like the Greek, ere you the sport would miss, ...
— Poems of Henry Vaughan, Silurist, Volume II • Henry Vaughan
... April 8. Mozart's Symphony Concertante for violin and viola,—Bach's Passacaglia,—and Schumann's overture to "Die Braut von Messina" given in New York City by ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... the twelve semitones of our chromatic scale, was not developed and accepted until after the acoustical reforms of Rameau, and the system of tuning keyed instruments embodied in that work called the Well-tempered Clavichord of Sebastian Bach. Both these men published their discoveries ...
— Music: An Art and a Language • Walter Raymond Spalding
... act Mr. Fluth, mistrusting his wife, makes Falstaff's acquaintance, under the assumed name of Bach, and is obliged to hear an account of the worthy Sire's gallant adventure with his wife and its disagreeable issue. Fluth persuades Falstaff to give him a rendezvous, swearing inwardly to punish the old ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... sentences are crude and halting, A grown man, having acquired the trick of language, may talk fluently and say nothing. In our endeavor to understand a work of art, a poem by Chaucer or by Tennyson, a picture by Greco or by Manet, a prelude by Bach or a symphony by Brahms, we may ask, Of that which the artist wanted to say, how much could he say with the means at his disposal? With a sense of the artist's larger motive, whether religious sentiment, or a love of sheer beauty of color and form, or insight ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... understatement, of something small in the presence of something great? That uneasy titter, caught from time to time as one turns Miss Coleridge's pages, we seem to have heard before in the Arena chapel or at the end of a Bach fugue. It is the comment of sophisticated refinement that can neither sit still nor launch out into rapturous, but ill-bred, ecstasies, of the weakling who takes refuge in slang or jocularity for fear of becoming ...
— Pot-Boilers • Clive Bell
... at Rose Feral's?" pursued the shopkeeper. Colard meditated and mentioned Bach and Bousquier, two notorious smugglers. "The rascals, they had better be on their guard," said the shopkeeper, "and you, Colard, come along with me; poor Fualdes is going to be buried, and it is not fitting to ...
— The German Classics, v. 20 - Masterpieces of German Literature • Various
... that his powers showed themselves suddenly in full splendor, and that at a single bound he placed himself at the head of the dramatic composers of his age. This was not true of Hasse, Mozart, Gluck, Cherubini, Weber, in dramatic composition; nor of Bach, Haydn, Beethoven, in other branches of the musical art. However great a man's genius may be, he must live and learn. To attain the highest excellence, long continued study is necessary; and Handel, as we believe, was no exception to the ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... that go to see a Rafael picture or to hear a Bach sonata and have an exclamation all ready, give me the sad impression of a flock of lambs. As for your sublime pedagogues of the Ruskin type, they seem to me to be the fine flower of priggishness, of pedantry, of the ...
— Caesar or Nothing • Pio Baroja Baroja
... experienced served to quiet him so much as these end-of-the-week concerts. They were not too long, an hour and a half at the utmost; and, above all, except now and then, when the conductor would take a flight into the world of Bach, he found he followed him with at least a moderate degree of intelligence; certainly with personal pleasure and ...
— A Dutch Boy Fifty Years After • Edward Bok
... good music—Mozart, Bach, Beethoven—and were almost priggish in their contempt for anything of a lighter kind; especially with a lightness English or French! It was only the musical lightness of Germany they could endure at all! But whether in Paris or London, enter Barty Josselin, idle school-boy, ...
— The Martian • George Du Maurier
... cosseted him and swep' his path afore him, carryin' his victuals and cleanin' up the house when he's out hayin' or cuttin' wood, till he thinks it ain't so bad to bach it after all. If she'd just let him alone after Hattie died, and starved him out, he'd ha'nted her place oftener'n she's been over to his, and 'twouldn't ha' been long before he learnt the taste of her apple-pies and where they ought to be made. Now he knows they're to be picked ...
— Country Neighbors • Alice Brown
... words lay a design, hardly veiled, not only against South America, but against ourselves. In a volume entitled With the Fathers, by John Bach McMaster, and also in the fifth volume of Mr. McMaster's history, chapter 41, you will find more amply what I abbreviate here. Canning understood the threat to us contained in the Holy Alliance. He made a suggestion to Richard Rush, our minister to England. ...
— A Straight Deal - or The Ancient Grudge • Owen Wister
... in education. He keenly enjoyed good music. Professor Hewes writes of him that one breaking in upon him in the afternoon at South Kensington would not infrequently be met "with a snatch of some melody of Bach's fugue." He also liked good pictures, and always had among his friends well-known artists, as Alma-Tadema, Sir Frederick Leighton, and Burne-Jones. He read poetry widely, and strongly advocated the teaching ...
— Autobiography and Selected Essays • Thomas Henry Huxley
... Parisian, adores his Paris, and never leaves it even during the summer, when Paris is insufferable. He comes very often to see me, and we play duets. He loves Bach, and we play Mendelssohn overtures and Haydn symphonies when we are through with Bach. Auber always takes the second piano, or, if a four-handed piece, he takes the base. Sometimes he says, "Je vous donne rendez-vous ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... intense hush over the listeners, the same absorbed attention, the same spell. The superficial attributed these largely to his appearance and manner; the more thoughtful looked deeper. Here was a player who was a thoroughly trained master in technic and interpretation; one who knew his Bach, Beethoven, Chopin, Schumann and Liszt. These things of themselves would not hold an audience spellbound, for there were other artists equally well equipped. In a final analysis it was doubtless Paderewski's wonderful piano tone, so full of variety and color, so vital with ...
— Piano Mastery - Talks with Master Pianists and Teachers • Harriette Brower
... Only to one friend, who clung to him with almost enthusiastic devotion, did he impart his secret. This was Johann Andreas Streicher of Stuttgart, who intended to go next year to Hamburg, and there, under Bach's guidance, study music; but declared himself ready to accompany Schiller even now, since it had become urgent. Except to this trustworthy friend, Schiller had imparted his plan to his elder Sister Christophine alone; and she had not only approved of the sad measure, but had undertaken ...
— The Life of Friedrich Schiller - Comprehending an Examination of His Works • Thomas Carlyle
... I'm mighty sorry but of course we can't do such a thing. Me and Zoeth, one of us a bach all his life, and t'other one a—a widower for twenty years, for us to take a child to bring up! My soul and body! Havin' hung on to the heft of our senses so far, course we decline! We ...
— Mary-'Gusta • Joseph C. Lincoln
... but thou, Talking this guise beneath the bough? Another husband chooses she, Whose charms deceitful captured thee. The Damsel of the neck of snow Is now another’s wife, I trow. To love another’s looks not well, The Bow Bach owns the blooming belle.” ...
— The Brother Avenged - and Other Ballads - - - Translator: George Borrow • Thomas J. Wise
... enough, Mendelssohn, Massenet, Mascagni, Mackenzie, Schumann, have both letters; Mozart but one. Haydn, Beethoven, Chopin, Saint-Saens, Sullivan, Charles Salaman, Edward Solomon, Frederic Cowen, run "n"-wards with the unanimity of publishers, while Gounod, Stanford, Audran, Sebastian Bach, Donizetti, work in the "n" otherwise, and Wagner has the librettist's "r" in addition. Would you play the piano? You must have the "n" of the piano, like Pachmann, Rubinstein, Rosenthal, Hofmann, Frederick Dawson, ...
— Without Prejudice • Israel Zangwill
... shown in the land proposal on which Shiel Crozier's fortunes hung, but with no gift for carrying them out, having neither constructive ability nor continuity of purpose. Yet he was an agreeable, humorous, sentimental soul, who at fifty years of age found himself "an old bach," as he called himself, in love at last with a middle-aged nurse with dark brown hair and set figure, keen, intelligent eyes, and a most cheerful, orderly, and ...
— The Judgment House • Gilbert Parker
... on it—no, not that fellow in the overalls with a wad of greasy waste in his hand. He 's only the engineer. I mean the artist, the man that plays on the keys. Well, he knows what the people want. He has his fingers on the public pulse. Does he give them a Bach fugue, or Guillmant's "Grand Choeur?" 'Deed, he doesn't. He goes right to the heart, with "Patrick's Day in the Morning," and "The Carnival of Venice," and "Home, Sweet Home," and "Oh, Where, Oh Where has my Little Dog Gone?" He knows his business. A shade off the key, ...
— Back Home • Eugene Wood
... church; she does not ask me to be celibate. But the fact that I have no appreciation of the celibates, I accept like the fact that I have no ear for music. The best human experience is against me, as it is on the subject of Bach. Celibacy is one flower in my father's garden, of which I have not been told the sweet or terrible name. But I may ...
— Orthodoxy • G. K. Chesterton
... 'beholden to him,' as you genteelly put it," Mr Sharnall said one evening, when Lord Blandamer had gone. "I can't stop his giving new bellows or a new pedal-board. And we do want the new board and the additional pipes. As it is, I can't play German music, can't touch a good deal of Bach's organ work. Who is to say this man nay, if he chooses to alter the organ? But I'm not going to truckle to anyone, and least of all to him. Do you want me to fall flat on my face because he is a lord? Pooh! we could all be ...
— The Nebuly Coat • John Meade Falkner
... s^{r} quoi le bataille se prist la surveile de seint Matheu et loiez ent soit dieux les enemys estoient desconfitz et pris le Roi et son fitz et tot plein des aut's g'ntz pris et mortz si come n're Tresch' ame bach'r Mons^{r} Neel Loereng n're chaumberlein port^{r} de cestes qu ent ad assetz pleine conisance vous sav'a plus pleinement dire a monstre come nous ne vous purroins escrire A qi voilletz pleine foi et credence doner Et n're seign^{r} vuis voille garder Donnez souz n're secre seal ...
— A Chronicle of London from 1089 to 1483 • Anonymous
... "It is cruel of you to condemn me to this ugliness. I want only to read my books and hear a few simple fugues by Bach." ...
— Droozle • Frank Banta
... it is—the less variation in tempo should there be in its rendition, for in this type of music the expression is primarily intellectual. Such instrumental works (of which certain compositions of Bach and Mozart are typical) must not be played sentimentally, as a modern English writer has remarked, and yet they must be played with sentiment. The remarks of this same author may well be quoted in ...
— Essentials in Conducting • Karl Wilson Gehrkens
... the least agreeable of all possible hues for a bedroom. She perceived she had to live now in a chromatic range between rather underdone mutton and salmon. She had said that her favourite musical composers were Bach and Beethoven; she really meant it, and a bust of Beethoven materialized that statement, but she had made Doctor Barnardo her favourite hero in real life because his name also began with a B and she had heard someone say somewhere that he was a very good man. The predominance ...
— The Wife of Sir Isaac Harman • H. G. (Herbert George) Wells
... think, and very much of the period; and at the end of it, this musette enters with the most really thrilling effect of simple beauty. O - it's first-rate. I am quite mad over it. If you find other books containing Lully, Rameau, Martini, please let me know; also you might tell me, you who know Bach, where the easiest is to be found. I write all morning, come down, and never leave the piano till about five; write letters, dine, get down again about eight, and never leave the piano till I go to bed. This is a fine life. ...
— Letters of Robert Louis Stevenson - Volume 2 • Robert Louis Stevenson
... Islands Japan Dakar [US Embassy] Senegal Daman (Damao) India Damascus [US Embassy] Syria Danger Atoll Cook Islands Danish Straits Atlantic Ocean Danzig (Gdansk) Poland Dao Bach Long Vi Vietnam Dardanelles Atlantic Ocean Dar es Salaam [US Embassy] Tanzania Davis Strait Atlantic Ocean Deception Island Antarctica Denmark Strait Atlantic Ocean D'Entrecasteaux Islands Papua New Guinea ...
— The 1992 CIA World Factbook • United States. Central Intelligence Agency.
... Alexandria were making the Natchez pilgrimage and came unwarned upon "Goat Castle." Lovely strains of music could be heard, coming from an old piano, sometimes improvised, sometimes a bit of Bach, Mozart, Chopin, played with much feeling. As the strangers approached the house they were shocked at the dilapidation—sash missing in the windows, doors off hinges, boards decayed and missing from the house and porch. Embarrassed, they ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... be dead, bach? As I am a Christian woman thee'st got the beautifullest baby that ...
— The Woman Thou Gavest Me - Being the Story of Mary O'Neill • Hall Caine
... came back six years ago, and located over there at the foot of Tailholt Mountain, and started his Four-Bar-M iron; and, one way or another, he's managed to get together quite a bunch of stock. You see, his expenses don't amount to anything, scarcely. He and Joe bach in an old shack that somebody built years ago, and they do all the riding themselves. Joe's not much force, but he's handier than you'd think, as long as there's somebody around to tell him what to do, ...
— When A Man's A Man • Harold Bell Wright
... free. There is little conventionalism, little formality, and much liberality of sentiment; very little sectarianism, and, as a general rule, a healthy, sensible tone in conversation, which I like much. But it does not do to speak about John Sebastian Bach's ...
— A First Year in Canterbury Settlement • Samuel Butler
... don't decently envy the rich. I'm an old bach. I make enough money for a stake, and then I sit around by myself, and shake hands with myself, and have a smoke, and read history, and I don't contribute to the wealth of Brother Elder ...
— Main Street • Sinclair Lewis
... Monte's been drinkin', an' allers gets stubborn in direct proportion to what licker he tucks onder his belt—'all the same, Dan, as to this yere spellin', I proposes to ask for kyards. Even if I ain't no Bach'lor of Arts, so long as the Doc don't fire nothin' at me worse'n words of one syllable, an' don't send 'em along faster than two at a clatter, your Uncle Monte'll get thar, collars creakin', chains a-rattlin', ...
— Faro Nell and Her Friends - Wolfville Stories • Alfred Henry Lewis
... was a boy, I was very fond of music, and I am so now; and it so happened that I had the opportunity of hearing much good music. Among other things, I had abundant opportunities of hearing that great old master, Sebastian Bach. I remember perfectly well—although I knew nothing about music then, and, I may add, know nothing whatever about it now—the intense satisfaction and delight which I had in listening, by the hour together, to Bach's fugues. It is a pleasure which ...
— Thomas Henry Huxley; A Sketch Of His Life And Work • P. Chalmers Mitchell
... of age, were (with one exception) themselves more or less distinguished, while the fifteen oldest, from thirty-nine to sixty years of age, were all without exception undistinguished. Among these sons are to be found much greater names (Goethe, Bach, Kant, Bismarck, Wagner, etc.) than are to be found among the sons of young and more distinguished fathers, for here there is only one name (Frederick the Great) of the same calibre. The elderly fathers belonged to large cities and were mostly married to wives very much younger than themselves. ...
— Essays in War-Time - Further Studies In The Task Of Social Hygiene • Havelock Ellis
... supply it with so-called drama. It has no organic connexion with the play. The Prologue in Heaven begins with the songs of the three Archangels—sonorous verses of majestic harmony, like some grand overture by Bach or Handel. These verses are, I think, meant to intimate the great harmonious order and procession of the natural and moral universe, as Pythagoras intimated them by his 'Music of the Spheres'—those eternal laws against which man, that ...
— The Faust-Legend and Goethe's 'Faust' • H. B. Cotterill
... of the foaming wine, but as fashioned by the potter's wheel, and flashing at the festal board. His delight in complex technicalities, in the tangled issues of the law-courts, and the intertwining harmonies of Bach, sprang from his joy in the play of mind as well as from his joy in mere intricacy as such. His mountains are gashed and cleft and carved not only because their intricacy of craggy surface or the Titanic turmoil of mountain-shattering delights ...
— Robert Browning • C. H. Herford
... year is of peculiar interest because of the attempt made by J. S. Bach to become acquainted with him. Forkel's biography of Bach (1802) is the only authority for this story. Bach in 1719 was in the service of the Prince of Anhalt-Coethen; hearing that Handel was in the neighbourhood, he went over to Halle, a distance of about twenty miles, ...
— Handel • Edward J. Dent
... him as if surprised, and then, suddenly remembering the cause of it all, said, in a low, gentle voice, and with a pleasant smile: "I don't wonder you're delighted, gentlemen. It is to me the most divine of all his creations. There is only one Bach." That his hand had held the bow and that the merit of its expression lay with him, never seemed to ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... of beautiful promenades encircles the city, on the site of its old fortifications. Following their course through walks shaded by large trees and bordered with flowering shrubs, I passed a small but chaste monument to Sebastian Bach, the composer, which was erected almost entirely at the private cost of Mendelssohn, and stands opposite the building in which Bach once directed the choirs. As I was standing beside it, a glorious choral, swelled by a hundred voices, came through the ...
— Views a-foot • J. Bayard Taylor
... in the nineteenth century, which statement another confirmed by giving his dates as 1817-1846; and, further, credited him with the composition of The Woman of Samaria, and as having transposed plain- song from tenor to bass. Bach is said to have been the founder of the 'Thames School Lipsic,' the composer of the Seasons, the celebrated writer of opera comique, born 16—, and having gone through an operation for one of his fingers, turned his attention to composition, ...
— Literary Blunders • Henry B. Wheatley
... completed whole. Music passing panorama. Not translatable into words. To follow, even anticipate composer. Bach's absolute knowledge. Fire of Prometheus. Inner sanctuary of art. Science of acoustics. Prime elements. Dr. Marx and Helmholtz. Motive. Beethoven's fifth symphony. Phrase. Period. Simple melody. "God Save the King." Our "America." Masters ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... 'Lohengrin' is the further development of the beautiful idea which appears in 'Tannhaeuser,' of associating a certain instrument or group of instruments with one particular character. The idea itself, it may be noticed in passing, dates from the time of Bach, who used the strings of the orchestra to accompany the words of Christ in the Matthew Passion, much as the old Italian painters surrounded his head with a halo. In 'Lohengrin' Wagner used this beautiful idea more systematically than in 'Tannhaeuser'; Lohengrin's ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... of general unity and elaboration of detail that he must stand as the greatest instrumental composer of the nineteenth century. The profound subjective note that pervades his best compositions lifts his music above that of his greatest predecessors: Bach, Haydn and Mozart. ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... here a characteristic of all those who are greatest among men: of Goethe, for instance, of Bach, or Kant: namely, the correspondence of intense personality and the most highly developed objectivity; for the greatest personality ceases in the end to distinguish between itself and the world, has eradicated everything ...
— The Evolution of Love • Emil Lucka
... halls were discussed. Which would Alma select? Then again the programme. Would she play the Adagio?—meaning, of course, that in Spohr's Concerto 9. No, no; not the Adagio—not on any account the Adagio! Something of Bach's?—yes; perhaps the Chaconne. And Brahms? There was the Sonata in A for violin and piano. A stiff piece, but one must not be too popular—Heaven forbid that one should catch at cheap applause! How about a trio? What was that thing of Dvorak's, at St James's Hall not long ago? Yes, the trio in ...
— The Whirlpool • George Gissing
... called out, "of that story about the fat bachelor who had washed a suit of his new underwear himself, and hung it on the clothes-line to dry; but the maid came along afterwards and finding them ready to take in hung up a suit belonging to the kid, about four years of age. When the stout bach stepped out to get his suit and saw that baby outfit hanging in its place, he rubbed his eyes and was heard to say to himself: 'Great Scott! and the clerk swore ...
— Afloat - or, Adventures on Watery Trails • Alan Douglas
... opposes such a proposal—on the ground, say, that Miss Anthony never mounted a horse in her life, or that a dozen leopards would be less useful than a gallows to hang the City Council, or that the Structural Iron Workers would spit all over the floor of Symphony Hall and knock down the busts of Bach, Beethoven and Brahms—this citizen is commonly denounced as an anarchist and a public enemy. It is not only erroneous to think thus; it has come to be immoral. And many other planes, high and low. For an ...
— In Defense of Women • H. L. Mencken
... has this. He thinks the musician's life the highest life. He says those to whom the revelations of God were committed were musicians. As David and Isaiah received inspiration to the strains of the harp, so, he says, have Bach and Mozart, Handel and Haydn, Beethoven and Mendelssohn. And where, indeed," she continued, in a musing tone, half soliloquizing, "where, indeed, can man rise so near heaven as when he listens to the inspired strains ...
— Cord and Creese • James de Mille
... works and interpreters. The day is still far distant, but it will come. The opera of Germany was still Italian more than a century and a half after the invention of the art form, though in the meanwhile the country had produced a Bach and a Handel. The Palmo venture (at the bottom of which there seems to have been a desire to popularize or democratize a form of entertainment which has ever been the possession of wealth and fashion) revived the social sentiment upon which Da Ponte had built his hopes. In the opinion of ...
— Chapters of Opera • Henry Edward Krehbiel
... who was choirmaster and musical director at St. Thomas's Church, held at that time this important and ancient post which was afterwards occupied by Schicht, and before him by no less a person than Sebastian Bach. By education he belonged to the old Italian school of music, and had studied in Bologna under Pater Martini. He had made a name for himself in this art by his vocal compositions, in which his fine manner of treating the parts was much praised. He himself told me one day that ...
— My Life, Volume I • Richard Wagner
... being shocked." At the end of the hall was a little partitioned-off room. Few enough personal goods could be taken along, but she had made this place hers, a painting, a battered Shakespeare, the works of Anker, a microplayer. Her tapes ran to Bach, late Beethoven and Strauss, music which could be studied endlessly. She took hold of a stanchion and nodded, all at ...
— The Burning Bridge • Poul William Anderson
... musician, was born in Kothen in 1725, and died on the 20th of June 1787 in London. He was a great player on the viola da gamba, and composed much music of importance in its day for that instrument. He studied under Johann Sebastian Bach at the Leipzig Thomasschule; played for ten years (1748-1758) under A. Hasse in the band formed at Dresden by the elector of Saxony; and then, going to England, became (in 1759) chamber-musician to Queen Charlotte. He gave a concert of his own compositions in London, performing on various ...
— Project Gutenberg Encyclopedia
... is what I didn't tell you nor nobody else in this part of the state: I stayed single till I got to be past forty. Everybody set me down as an old bach. Then I met a woman; yes, sir, ...
— The Woman-Haters • Joseph C. Lincoln
... unspeakable monster, Jahweh, the Father of Christ? Is he the God who inspired Buddha, and Shakespeare, and Herschel, and Beethoven, and Darwin, and Plato, and Bach? No; not he. But in warfare and massacre, in rapine and in rape, in black revenge and deadly malice, in slavery, and polygamy, and the debasement of women; and in the pomps, vanities, and greeds of royalty, of clericalism, and ...
— God and my Neighbour • Robert Blatchford
... entirely to him that the inhabitants of Bonn, on the Rhine, owe their beautiful Beethoven Monument, and during the last years Liszt has been untiring in giving concerts and collecting money for a monument for the greatest of the great, Johann Sebastian Bach. ...
— Scientific American Supplement, No. 312, December 24, 1881 • Various
... music-hall orchestra which plays ragtime all the year round that once in the year, and once only, on Good Friday, it should pull itself together to give an adequate performance of the Passion Music of Bach. ...
— The New Society • Walther Rathenau
... dings from Mozart, Beethoven, und Méhul Mit chorals of Sebastian Bach Soopline und peaudiful. Der Breitmann feel like holy saints, De tears roon down his fuss; Und he sopped out, "got verdammich - dis Ist ...
— The Breitmann Ballads • Charles G. Leland
... of things—with a certain wild Welshman, who some four hundred years before that time indited immortal cowydds or odes to the wives of Cambrian chieftains—more particularly to one Morfydd, the wife of a certain hunch-backed dignitary called by the poet facetiously Bwa Bach—generally terminating with the modest request of a little private parlance beneath the greenwood bough, with no other witness than the eos, or nightingale; a request which, if the poet may be believed, rather a doubtful point, was seldom, very seldom, denied. And by what strange ...
— George Borrow in East Anglia • William A. Dutt
... of Germany. He remembered—none better—the debt we owe to her learning and her art; to Bach and Beethoven, to Handel, the "dear Saxon" who adopted our citizenship; to Mendelssohn, who regarded England as his second home; to her fairy tales and folk-lore; to the Brothers Grimm and the Struwwelpeter; to the old kindly Germany which has been driven mad by War Lords and Pan-Germans. ...
— Mr. Punch's History of the Great War • Punch
... America a few, a very few, float on it. In Germany everybody sings, almost everybody plays some instrument, and from the youngest to the oldest everybody understands music; at least that is the impression you carry away with you from the land of Bach, Handel, Haydn, Mozart, and Brahms, and Beethoven, and Wagner, and I might fill ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier
... eighteenth century the musical life of Europe was in full swing. Then there came forward a man who was greater than all others, a simple organist of the Thomas Church of Leipzig, by the name of Johann Sebastian Bach. In his compositions for every known instrument, from comic songs and popular dances to the most stately of sacred hymns and oratorios, he laid the foundation for all our modern music. When he died in the year ...
— The Story of Mankind • Hendrik van Loon
... me. German I continued to read with a master, and music, under the marvellously able teaching of Mr. John Farmer, musical director of Harrow School, took up much of my time. My dear mother had a passion for music, and Beethoven and Bach were her favorite composers. There was scarcely a sonata of Beethoven's that I did not learn, scarcely a fugue of Bach's that I did not master. Mendelssohn's "Lieder" gave a lighter recreation, and many a happy evening ...
— Autobiographical Sketches • Annie Besant
... as the masters just named. He was as boldly original as Schubert, and as great a magician in the art of arousing deep emotion by means of novel, unexpected modulations. As an originator of new harmonic progressions he has had only three equals,—Bach, Schubert, and Wagner. Harmonies as ultra-modern as those of Wagner's "Parsifal" may be found in some of the mazurkas of Chopin. He was, as Rubinstein called him, "the soul of the pianoforte." No one before or after him ...
— Beacon Lights of History, Volume XIV • John Lord
... with no tune, and not many more words, but with a catchiness in the two or three bars that gives you the sensation of a ship rolling and pitching under your feet— but Sara won't let me, so"—laughing mischievously—"I suppose I'll have to come down to Bach and Wagner!" ...
— Sara, a Princess • Fannie E. Newberry
... astonishing nobles and peasants, and playing with the same enthusiasm and poetry in barns as in palaces. On hearing this our author slipped back to the garden, where he hid himself to listen to Remenyi, who, to his great disgust, was playing a concerto of Bach's. ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... oral tradition of the Apostles." Recent Catholic accounts of the history of dogma are Klee, Lehrbuch der D.G. 2 vols, 1837, (Speculative). Schwane, Dogmengesch. der Vornicaenischen Zeit, 1862, der patrist Zeit, 1869; der Mittleren Zeit, 1882. Bach, Die D.G. des MA. 1873. There is a wealth of material for the history of dogma in Kuhn's Dogmatik, as well as in the great controversial writings occasioned by the celebrated work of Bellarmin; Disputationes de controversiis Christianae fidei adversus ...
— History of Dogma, Volume 1 (of 7) • Adolph Harnack
... of the present or past. His songs are a mine of melody, surpassed in wealth only by Schubert's, and that only because there are more of Schubert's. In originality of harmony and modulation he has only six equals: Bach, Schubert, Chopin, Schumann, Wagner, and Liszt. In rythmic invention and combination he is inexhaustible, and as orchestrator he ranks among the most fascinating. To speak of such a man—seven-eighths of whose works are still music of the future—as a writer of 'dialect,' is surely the acme ...
— Norwegian Life • Ethlyn T. Clough
... latter is identical in some ingredients with the others. And even the elementary feelings may have common aspects of intensity and tempo, of strain and excitement. Some musical compositions, like the fugues of Bach, seem to express nothing more than such extremely abstract modes of feeling, without arousing any associations that would impel the mind to make a more concrete interpretation. To express feelings of this kind in language is, of course, impossible, ...
— The Principles Of Aesthetics • Dewitt H. Parker
... The notion of swallowing a hostile person, who has been changed by magic into a conveniently small bulk, is very common. It occurs in the story of Taliesin.(2) Caridwen, in the shape of a hen, swallows Gwion Bach, in the form of a grain of wheat. In the same manner the princess in the Arabian Nights swallowed the Geni. Here then we have in the Hesiodic myth an old marchen pressed into the service of the higher mythology. The apprehension which Zeus (like Herod and ...
— Myth, Ritual, and Religion, Vol. 1 • Andrew Lang
... said Fani, "singing again, if you please—always light-hearted! always happy! I don't think its quite right, Jos bach, do you? You are a deacon at Penmorien and you ought to know. If it was a hymn now! but you hear it's all nonsense about the swallows. Ach y fi! she is learning them from Sara ''spridion';[1] some song of the 'old fathers' in ...
— Garthowen - A Story of a Welsh Homestead • Allen Raine
... Noemi wished to follow her, but Jeanne herself begged her to remain. She stayed behind to tell Carlino that he was unworthy of such a sister. Carlino went to the music portfolio to search for a small volume of Bach, grumbling the while that she knew nothing—absolutely nothing. They kept up their skirmish for some time, Bach himself failing to soothe their ruffled feelings, and even while playing they continued ...
— The Saint • Antonio Fogazzaro
... Mildred played it!—followed by the slight crescendo, and then the return of the soul upon itself, bewailing its weakness, confessing its follies in elegant, lovely language, seemingly speaking in a casual way, yet saying such profound things, profound even as Bach. The form is different, more light, more graceful, apparently more superficial, but just as deep; for when we go to the bottom of things all things are deep, one as deep as another, just as all things are shallow, one as shallow as another; ...
— Memoirs of My Dead Life • George Moore
... of Assembly nights. Many years ago, there was here given a morning concert to which I found my way, mainly for the purpose of calling up ghostly memories of the Thrales, and Doctor Johnson, and Miss Burney, and, above all, of Mr. Pickwick. Though the music was the immortal "Passion" of Bach, my eyes were travelling all the while from one piece of faded rococo work and decoration. Boz never fails to secure the tone of any strange place he is describing. We all, for instance, have that pleased, elated ...
— Pickwickian Studies • Percy Fitzgerald
... necessary in order that music should be purified inside the Church that the great secular musical movement should begin with the Italian Monteverde, with the Frenchman Rameau, and with the Germans Sebastian Bach and Handel; what splendid times, Gabriel! And just think what genius followed: Gluck, Haydn, Mozart, Mehuel, Boieldieu, and, above all, ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... flourished about the middle of the 6th Century. A Welsh Author, already mentioned, Mr. Theophilus Evans, says, that the first Writer, who questioned the Fact, was William of Newbury, in welsh called, Gwilym bach, about the Year 1192, on this occasion. When Jefferey ab Arthur, (of Monmouth, who was Bishop of St. Asaph) died; William an English-man applied to David ab Owen to succeed him, and was refused. The refusal so mortified him, that he immediately set ...
— An Enquiry into the Truth of the Tradition, Concerning the - Discovery of America, by Prince Madog ab Owen Gwynedd, about the Year, 1170 • John Williams
... sir! Knight of the Spur!" I said not a word; but during supper it became really too bad. "What may it have cost? three ducats? must you have permission to wear it? Do you pay extra for leave to do so? We really must get one just like it." An officer there of the name of Bach, said, "For shame! what would you do with the cross?" That young ass, Kurzen Mantl, winked at him, but I saw him, and he knew that I did. A pause ensued, and then he offered me snuff, saying, "There, show that you don't care a pinch of snuff for it." I still said nothing. At length he began once ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... they may prove valuable to musical readers of all ages. Students of piano, violin or other instruments need to know how the great composers lived their lives. In every musical career described in this book, from the old masters represented by Bach and Beethoven to the musical prophets of our own day, there is a wealth of inspiration and practical guidance for the artist in any field. Through their struggles, sorrows and triumphs, divine ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... chromatic scale, was not developed and accepted until after the acoustical reforms of Rameau, and the system of tuning keyed instruments embodied in that work called the Well-tempered Clavichord of Sebastian Bach. Both these men published their discoveries about ...
— Music: An Art and a Language • Walter Raymond Spalding
... the piano and appeared to have complete command of the instrument; she could read anything at sight, no matter how it bristled with sharps and accidentals; her repertoire ranged from Beethoven, Bach, Grieg, Chopin, to the latest ragtime, and her playing had a crisp ringing ...
— The Road to Mandalay - A Tale of Burma • B. M. Croker
... test of greatness in art. The instantly popular tune is unendurable in six months, the instantly popular novel or poem is totally forgotten in a year or two. No one perceives the whole greatness of St. Paul's Cathedral, or Sansovino's Library at Venice, or the music of Bach, or the poetry of Milton, at the first sight or hearing. No competent eye, ear or mind fails to perceive more and more of it at each renewed experience. Whatever be the art, a picture, a piece of ...
— Milton • John Bailey
... be. He'd enjoy it so. He's the real American. He has imagination and adaptability. It's a shame: all the petits fours and Bach recitals wasted on Jeff Saxton, ...
— Free Air • Sinclair Lewis
... cannot understand or win emotions from such things as classical music or the "advanced" drama. Pray, in pity's name, what is to be said against the commonplace man who hears an accomplished musician play Beethoven, Bach, or Chopin in his—the commonplace one's—drawing-room, and who says in agony, "Very fine! Very deep! Very profound—profound indeed, sir! Full of breadth and symmetry and that sort of thing! Now do you think we might ...
— Side Lights • James Runciman
... this book will become a favorite with our people. It contains sketches, legends, and traditions of many of the great musicians. Bach, Gluck, Mozart, Mendelssohn, Pergolesi, Schubert, Scarlatti, Weber, Paganini, Gretry, Catalani, Malibran, Handel, Anderle, Haydn, Boieldieu, Cimarosa, Beethoven, Lully, Berger, etc., float pleasantly through ...
— Continental Monthly, Volume 5, Issue 4 • Various
... get the ablest lawyers in the state to defend him. Will Young, matchless orator of Rowan County, was not able to clear Beach on the first trial. On the second, however, aided by the legal skill of Governor William O. Bradley, D. B. Redwine, J. J. C. Bach, Sam H. Kash, and Thomas L. Cope, Beach was sentenced to the penitentiary for ...
— Blue Ridge Country • Jean Thomas
... last three centuries from the perception of the individual parts to the perception of the whole. We find the same phenomena in the case of historical painters, and no less in that of the poets, musicians, and scholars. A Bach suite, just like a Breughel landscape, has been, as it were, worked out under the microscope, and nowadays it is easier to find a hundred philosophers of history who are capable of constructing history as a "work of art"—exceedingly well on the whole—than one individual chronicler who ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... of the musical taste and cultivation of Boston. The old Odeon is replaced by the stately Music Hall. The Journal of Music, which sprang from the impulse of those days, now, after a generation, is suspended; nor need we speculate why musical Boston, which demands the Passion music of Bach, permits a journal of such character to expire. Amid all these changes and disappearances two things have steadily increased—the higher musical taste of the country, and the good name of the critic whose work has most contributed to direct ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... neurolinguistic programmers, biokinesiologists, iridologists, psychic healers, laying on of handsers, past life readers, crystal therapists, toning therapists in the person of Patricia Sun, color therapy with lamps and different colored lenses a la Stanley Bourroughs, Bach Flower therapists, aroma therapists, herbalists, homeopaths, Tai Chi classes, yoga classes, Arica classes, Guergieff and Ouspensky fourth-way study groups, EST workshops, Zen Meditation classes. Refugee Lamas from Tibet gave lectures on The Book of the Dead and led meditation and chanting ...
— How and When to Be Your Own Doctor • Dr. Isabelle A. Moser with Steve Solomon
... divinely; he generally extemporised before the service, and played a simple piece at the end; but he never strained the resources of the little organ, and it was all simple and formal music, principally Bach or Handel. ...
— Father Payne • Arthur Christopher Benson
... that instead of causing the strings to vibrate by means of a plectrum held in the hand, the plectrum was set in motion by the mechanism of the claves or keys. The system of fingering employed in playing the harpsichord, up to 1700, did not make use of the thumb. J.S. Bach, F. Couperin, and J.P. Rameau were the pioneers in this matter. The first published work on piano technique and fingering was that by C.P.E. ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... listen, and the song which you knew seems to sing itself, but enveloped with a richness and fulness of flowing accompaniment which is like the harping of aerial choirs. Then with others she plays the great music, concerted Bach or Beethoven, Chopin, Schumann, or Wagner, Weber or Mendelssohn; now an old gavotte, now a quaint fantasia, and why not a toccata of Galuppi Baldassero? It is more than a hint or a reminiscence, although it is not an orchestra. But when those fingers kindred with Cecilia's sweep the keys ...
— From the Easy Chair, vol. 1 • George William Curtis
... wearies With tales of countless cures, His teeth, I've enacted, Shall all be extracted By terrified amateurs: The music-hall singer attends a series Of masses and fugues and "ops" By Bach, interwoven With Spohr and Beethoven, At classical Monday Pops: The billiard sharp whom any one catches His doom's extremely hard - He's made to dwell In a dungeon cell On a spot that's always barred; ...
— Songs of a Savoyard • W. S. Gilbert
... dem Bach alleine Badet sich die schoene Elfe; 10 Arm und Nacken, weiss und lieblich, Schimmern ...
— A Book Of German Lyrics • Various
... to divide simultaneously upon two attributes, as 'Musicians' upon 'nationality' and 'method,' we get what is called a Cross-division, thus 'German Musicians.' 'Not-German,' 'Classical,' 'Not-Classical;' for these classes may overlap, the same men sometimes appearing in two groups—Bach in 'German' and 'Classical,' Pergolesi in 'Not-German' and 'Classical.' If, however, we divide Musicians upon these attributes successively, cross division will be ...
— Logic - Deductive and Inductive • Carveth Read
... deck, Rachel was indignant with the prosperous matrons, who made her feel outside their world and motherless, and turning back, she left them abruptly. She slammed the door of her room, and pulled out her music. It was all old music—Bach and Beethoven, Mozart and Purcell—the pages yellow, the engraving rough to the finger. In three minutes she was deep in a very difficult, very classical fugue in A, and over her face came a queer remote impersonal expression ...
— The Voyage Out • Virginia Woolf
... of travellin' round over this world, and I'm goin' to settle down. And that school-house is the only real estate I've got to settle down in. I'll keep bach' hall there." ...
— The Skipper and the Skipped - Being the Shore Log of Cap'n Aaron Sproul • Holman Day
... dried-up old bach heart jumps at the thought of having the kiddies in the house. ...
— The Precipice • Elia Wilkinson Peattie
... rise of modern German literature there was a unique development in music, beginning with Sebastian Bach and continuing through the great classical school, the leading names in which are Glueck, Haydn, Mozart, Beethoven, Mendelssohn, Schubert, etc. The middle period of the nineteenth century showed a further development in prose literature, ...
— German Culture Past and Present • Ernest Belfort Bax
... Dakar [US Embassy] Senegal Daman (Damao) India Damascus [US Embassy] Syria Danger Atoll Cook Islands Danish Straits Atlantic Ocean Danzig (Gdansk) Poland Dao Bach Long Vi Vietnam Dardanelles Atlantic Ocean Dar es Salaam [US Embassy] Tanzania Davis Strait Atlantic Ocean Deception Island Antarctica Denmark Strait Atlantic Ocean D'Entrecasteaux Islands Papua ...
— The 1991 CIA World Factbook • United States. Central Intelligence Agency.
... in the old country from which people here are free. There is little conventionalism, little formality, and much liberality of sentiment; very little sectarianism, and, as a general rule, a healthy, sensible tone in conversation, which I like much. But it does not do to speak about John Sebastian Bach's Fugues, ...
— A First Year in Canterbury Settlement • Samuel Butler
... the classical stuff may do for those who like it well enough to stand it, but the domestic article suits me. I like the kind of beer that this man Bach turned out in the spring of the year, but I don't seem to be able to care much for his music. And so far as Chopin is concerned, I hope you'll all do ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... in this movement there was also good. Thought was aroused, was stimulated, and everywhere the products of awakened genius began to appear. The marvellous development of modern music had its origin in this period with the creations of Bach.[6] The modern novel began its tremendously important career with Richardson and Fielding.[7] Inventive genius achieved the first great triumph of modern mechanicism in Watt's steam-engine.[8] Even across the ocean spread the intellectual impulse, and the New World ...
— The Great Events by Famous Historians, v. 13 • Various
... harmonic structure at every turn. This, however, is rendered possible and interesting by the fact that the passages in such counterpoint are separated by episodes and are free to appear in different keys. Many fugues of Bach are written throughout in multiple counterpoint; but the possibility of this, even to composers such as Bach and Mozart, to whom difficulties seem unknown, depends upon the freedom of the musical design which allows ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... an ideal. It plasters its walls with busts of Walt Whitman and Blake; it hangs bad reproductions of Botticelli round the walls; it sings songs to Freedom; it rhapsodises about Beethoven and Bach. The children of the Crank Schools are, I rejoice to say, not cranks. They leave the boredom of Bach and seek the jazz record on the gramophone; they ignore the pictures of Whitman and Blake and study The Picture Show or Funny Bits. ...
— A Dominie in Doubt • A. S. Neill
... man, woman, or child in this part of the country that doesn't. I guess it won't be Fisbee or Sherwood either very long. She can easy get a new name, that lady! And if she took a fancy to Boswell, why, I'm a bach——" ...
— The Gentleman From Indiana • Booth Tarkington
... in Mr. Robert. "It can't be done. That sort of thing is all well enough for a foot-loose old bach such as you, but with me ...
— Torchy and Vee • Sewell Ford
... often in an evening, after we had seen him wending his way across the garden with his lantern from la grande maison, where he had been spending the evening with Madame, did we hear Monsieur playing on his organ glorious "bits" of Cherubini and Bach. ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... he considered his worst enemies, when a sudden thrill shot through him at the sound of the rich organ tones. They came from his father's wareroom. Evidently a master hand was there. Jonas sat up and listened. It was the portion of a prelude by Sebastian Bach, and the marvelous harmonies seemed to speak to Jonas as the voice of a spirit. He rose upon his feet, and his whole soul trembled with the wonderful words it spoke to him, though as yet he hardly understood their meaning. He went to the door and gently ...
— Choice Readings for the Home Circle • Anonymous
... care, may take Beethoven; And, if the bargain does not suit, I'll throw him Weber in to boot! There's not the splitting of a splinter To chuse 'twixt him last named, and Winter. Of Doctor Pepusch old queen Dido Knew just as much, God knows, as I do. I would not go four miles to visit Sebastian Bach-or Batch-which is it? No more I would for Bononcini. As for Novello and Rossini, I shall not say a word about [to grieve] 'em, Because they're ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... personæ and the deeds in which they are involved must correspond, and their relationship should remain unimpaired. Turner's "Carthage" is Nature transposed and wonderfully modified. Some of the passages of light and shade—those of the balustrade—are fugues, and there his art is allied to Bach in sonority and beautiful combination. Turner knew that a branch hung across the sun looked at separately was black, but he painted it light to maintain the equipoise of atmosphere. In the novel the characters are the ...
— Confessions of a Young Man • George Moore
... itself, contains more beauty, suggests more thought, works more miracles than anyone of us has faculties to appreciate fully. So that, in some of Titian's pictures and Michael Angelo's frescoes, the great Greek sculptures, certain cantos of Dante and plays of Shakespeare, fugues of Bach, scenes of Mozart and quartets of Beethoven, we can each of us, looking our closest, feeling our uttermost, see and feel perhaps but a trifling portion of what there is to be seen and felt, leaving other sides, other perfections, to be appreciated ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... variety, for Althea had come to feel change as monotonous; or there was spinsterhood in England established near her friend, Miss Buckston, who raised poultry in the country, and went up to London for Bach choir practices and Woman's Suffrage meetings. Althea couldn't see herself as taking an interest in poultry or in Woman's Suffrage, nor did she feel herself fitted for patriotic duties in Boston. There was nothing for it, then, but to continue ...
— Franklin Kane • Anne Douglas Sedgwick
... in limpid water. His music and his melodies which were so great a part of him now constitute his real self, besides being for ever inscribed upon the roll of eternal remembrance. So the great musicians still live on, and when we claim that such-and-such an interpreter gives us the spirit of Bach, we may be saying more truly than we realise. There is no limit to the range of thought save the intrinsic nature of the thought itself. All thoughts seek their own, by the law of sympathy: like to like, fine to fine, and gross to gross. "Not all of us give due ...
— Spirit and Music • H. Ernest Hunt
... general line in order to furnish the necessary detachments. While these divisions are with the army, they may be attached to that part which is to receive or give the heaviest blows; or they may be employed on the flanks of the main body, or to increase the strength of the reserve. Bach of the four great parts of the army may be a single corps of three or four divisions, or two corps of two divisions each. In this last case there would be seven corps, allowing one for the reserve; but this last corps should contain three divisions, to give ...
— The Art of War • Baron Henri de Jomini
... places of entertainment Mrs. Pallinson cherished a shuddering aversion. But there were occasional morning and evening "recitals," or concerts, where the music for the most part was of a classical and recondite character—feasts of melody, at which long-buried and forgotten sonatas of Gluck, or Bach, or Chembini were introduced to a discriminating public for the first time; and to these Mrs. Pallinson and Theobald conducted poor Adela Branston, whose musical proclivities had never yet soared into higher regions than those occupied by the sparkling joyous genius of Rossini, and to whom ...
— Fenton's Quest • M. E. Braddon
... another appeal which is made by Bach and Mozart and Schubert. They also may be moved by suffering and sorrow. But they are never in vain rebellion against the Universe. Their sorrow is itself at one with the Universe, and therefore at ...
— Impressions And Comments • Havelock Ellis
... the death-day of John Sebastian Bach—the 28th of July—are this week to be held at Leipsic, (where an assemblage of two thousand executants is to be convened for the display of some of the masters greatest works,) at Berlin, at Magdeburg, at Hamburg, and at ...
— International Weekly Miscellany, Vol. 1, No. 5, July 29, 1850 • Various
... is neither a classic or romantic but both—and both not only at different times in one essay, but at the same time in one sentence—in one word. And must we admit it, so is everyone. If you don't believe it, there must be some true definition you haven't seen. Chopin shows a few things that Bach forgot—but he is not eclectic, they say. Brahms shows many things that Bach did remember, so he is an eclectic, they say. Leoncavallo writes pretty verses and Palestrina is a priest, and Confucius inspires ...
— Essays Before a Sonata • Charles Ives
... afternoon two very interesting things were performed. One was a fantasia, King Lear; the other was a quartette dedicated to the memory of Bach. Both were new and in the new style, and Levin was eager to form an opinion of them. After escorting his sister-in-law to her stall, he stood against a column and tried to listen as attentively and conscientiously as possible. He tried not to let his attention be distracted, ...
— Anna Karenina • Leo Tolstoy
... correspondents in Paris, among whom the rolls were being collected, under Chaumart's direction. The Orpheus already had a large musical library of its own—renderings by some of the finest artists of some of the noblest music. Beethoven, Bach, Liszt, Chopin, Brahms, Schumann—all Otto's favourite things, as far as Connie had been able to discover them, were ...
— Lady Connie • Mrs. Humphry Ward
... that English Purcell (whose glorious memory our musicians mean to honor in a few months), that German Bach ought to be considerably touched up to suit the altered requirements of the day, and that the rich hues of romantic Weber—nay, even of his giantship the great Beethoven himself—are fading visibly and rapidly. Far be it from the academics to undervalue the ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... end of December Daniel found himself with not a cent of cash, so that he was obliged to sell his sole remaining treasure, the score of the Bach mass in B-minor. Spindler had presented it to him when he left, and now he had to take it to the second-hand dealer and part with it ...
— The Goose Man • Jacob Wassermann
... examination shall be marked under regulations made by the Commission. Bach competitor shall be graded on a scale of 100, according to the general average determined ...
— A Compilation of the Messages and Papers of the Presidents, Volume IX. • Benjamin Harrison
... and study the marvellous effects of sound in the building. Listen, if possible, from the Lady Chapel, to an anthem by some old composer; listen to Bach's G minor fugue from the triforium of the choir, and hear the echoes rolling from pier to pier; listen to the Hallelujah Chorus sung on some great festival service in the nave, or some simple well-known hymn sung by close upon 3000 people, and the listener ...
— Bell's Cathedrals: The Cathedral Church of Gloucester [2nd ed.] • H. J. L. J. Masse
... good masters, above all, those by J. Seb. Bach. Let his "Well-tempered Harpsichord" be your daily bread. By these means you will certainly become ...
— Advice to Young Musicians. Musikalische Haus- und Lebens-Regeln • Robert Schumann
... of the fingers and suppleness of the wrist, and, by easy stages, adds the weight of the forearm and of the whole arm. But in our day it has become the practice to begin at the end. We learn the elements of the fugue from Sebastian Bach's Wohltemperirte Klavier, the piano from the works of Schumann and Liszt, and harmony and instrumentation from Richard Wagner. All too often we waste our efforts, just as singers who learn roles and rush on the ...
— Musical Memories • Camille Saint-Saens
... Sarabande, Gigue) all in the same key. But we find occasionally in suites, a Fugue or Fuguetta, or even an Aria or Adagio; and in name, at any rate, one dance movement has formed part of the sonata since the time of Emanuel Bach. ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... as the so-called "superior person," without demanding unpopular classics or asking for the performance of serious chamber music or severe symphonies, or expressing a desire for Bach—a holiday might very well be given to the Bach-Gounod "Ave Maria"—we merely pray for greater variety and also for more careful consideration of the congruity between the play and the character of the ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... scientific line, and indulges us in rational evenings, where history is the lightest subject admitted, and geology and the sanitary condition of the metropolis form the general themes of conversation. Mrs. Brumby plays finely on the bassoon, and has evenings dedicated to Sebastian Bach, and enlivened with Handel. At Mrs. Maskleyn's they are mad for ...
— The Christmas Books • William Makepeace Thackeray
... their union, and the growing tendency on the part of large corporations, factories, and business houses to take a decided stand against drinking, are having a marked effect in reducing drunkenness where it does most harm. This practice has been declared by John Bach McMasters, the noted American historian, to have exerted a stronger influence in promoting temperance and total abstinence than all the temperance crusades from Hartley's time to the prohibition wave ...
— Civics and Health • William H. Allen
... firms to return home, leaving very junior partners or senior clerks here, who receive their instructions from England. Consequently, in some of these large family dwellings there are only young men "keeping bach." There are a pretty English church, a club bungalow, a book club, lawn tennis and croquet grounds, and a small hall used for dancing, lectures and amateur theatricals. No wheeled vehicle larger than a perambulator ever ...
— The Golden Chersonese and the Way Thither • Isabella L. Bird (Mrs. Bishop)
... You should have seen her eyes shine, her fingers actually tremble while she turned over the pages. Seems odd to think of her worshipping at the shrine of Bach as odd as to think of a wild colt running of its free will into the shafts; but that's just it with her you can never tell. "Heavenly!" she ...
— Forsyte Saga • John Galsworthy
... who was still one of Herne's company of players in Shore Acres, had no home to break up, but he said, "I'm going to get some sort of headquarters in New York. If you'll come on we'll hire a little apartment up town and 'bach' it. I'm sick ...
— A Son of the Middle Border • Hamlin Garland
... at the Gewandhaus in Leipzig the innovation caused a sensation, and there were loud cries of sacrilege and even proposals of police action. One indignant classicist, in token of his ire, hung a wreath of Knackwuerste around the neck of the bust of Johann Sebastian Bach in the Thomaskirche, and appended to it a card bearing the legend, Schweinehund! But the exquisite beauty of the effect soon won acceptance for the means employed to attain it, and the phonograph has so far made its way with German composers that Prof. Ludwig ...
— A Book of Burlesques • H. L. Mencken
... was similar to someone dropping a handful of broken glass into an electric meat grinder right in the middle of a Bach cantata. ...
— The Penal Cluster • Ivar Jorgensen (AKA Randall Garrett)
... sacred Rome, Where one of the Medici gave me a home. Leo—great Leo!—he worshipped me, And the Vatican stairs for my feet were free. And, now I am come to your glorious land, Give me good greeting with open hand. Remember Beethoven,—I gave him his art,— And Sebastian Bach, and superb Mozart: Join those in my worship; and, when you go Wherever their mighty organs blow, Hear in them heaven's trumpets to ...
— Music and Some Highly Musical People • James M. Trotter
... wooden-head, Bach's aria," whispered Waller. "Don't you know that is the best thing ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... in 1845. When seven years of age he entered Westminster Abbey choir. Afterwards he became solo tenor at the Chapel Royal, St. James's. Mr. Lloyd sang in Novello's Concerts in 1867, and at the Gloucester Festival in 1871, where he attracted much attention by his part in Bach's "Passion." In 1888 he went on tour in America, and sang in the Cincinnati Festival. In the same year he sang also in the Handel Festival; and was principal tenor in the Leeds Musical Festival in 1889. Mr. Edward ...
— The Strand Magazine, Volume V, Issue 29, May 1893 - An Illustrated Monthly • Various
... unlike any previously experienced. A true child prodigy, he began composing at age 5 and rapidly developed his unmistakable style; by 18 he was composing works capable of altering the mind-states of entire civilizations. Indeed, he and his predecessor Bach accomplished the Olympian feat of adding to the human concepts of civility and civilization. So these two were not just musical geniuses, ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... put our thoughts upon any tone or voice part with the desire to hear it, it comes out at once as plainly as if it was the highest melody. That illustrates the power of thought concentrated upon even a hidden thing. You know how in Bach even the piano works move as if all parts were to be sung by voices. It reminds one of conversation; of the story, of the question and answer, of the merry chat in a pleasant company. Some bits of sentence are tripping ...
— Music Talks with Children • Thomas Tapper
... them was crescent. That the world should know Marlowe and Giorgione, Raphael and Mozart, only by the products of their early manhood, is indeed a cause for lamentation, when we remember what the long lives of a Bach and Titian, a Michelangelo and Goethe, held in reserve for their maturity and age. It is of no use to persuade ourselves, as some have done, that we possess the best work of men untimely slain. Had Sophocles been cut off in his prime, before ...
— Percy Bysshe Shelley • John Addington Symonds
... fixed," said Smoky, "and an old bach. He wants a live young man to take aholt with his ranch, and a live young woman to run the shebang. If ...
— Bunch Grass - A Chronicle of Life on a Cattle Ranch • Horace Annesley Vachell
... Russian Socialists, representing all the Socialist factions and groups except the Bolsheviki. Among the names were those of George Plechanov, Leo Deutsch, Gregory Alexinsky, N. Avksentiev, B. Vorovonov, I. Bunakov, and A. Bach—representing the best thought of the movement in practically all its phases. This document is of the greatest historical importance, not merely because it expressed the sentiments of Socialists of so many shades, but even more because of its carefully reasoned arguments why ...
— Bolshevism - The Enemy of Political and Industrial Democracy • John Spargo
... the other Hun soldiers)—Prussianism has destroyed the Germany of Bach and Beethoven and you fellows know ...
— A Parody Outline of History • Donald Ogden Stewart
... possibly imagine in Schubert's time the sway he holds to-day. Our minds reel to think that by a mere accident were recovered the Passion of Bach and the symphonies of Schubert. Or must we prayerfully believe that a Providence will make the best prevail? And, by the way, the serious nature of this appreciation appears when we see how it was ever by the greatest of his time that the ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
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