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More "Calderon" Quotes from Famous Books



... gallantries of the "dramas of the Cloak and Sword," to the historical plays in which Dings and Princes figure; down to the manners and incidents of common life, all is essentially Spanish. A fourth class still represented Scriptural and sacred scenes. Calderon wrote at the height of the Spanish drama during the reign of Philip II; and after his time the drama in Spain declined until, in the eighteen century, it was at its lowest ebb. At this time plays were ...
— The Interdependence of Literature • Georgina Pell Curtis

... of Araria, the Archipelago of the Calderon islands, the island of Capiatu, and many others whose names have not yet come ...
— Eight Hundred Leagues on the Amazon • Jules Verne

... is arrayed in a sublimity which belongs to the sombre and passionate genius of the nation. Calderon's Justina resists all the temptation of the Demon, and raises her lover, with her, above the sweet lures of mere temporal happiness. Their marriage is vowed at the stake; their goals are liberated together by the martyr flame into "a purer ...
— Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. • Margaret Fuller Ossoli

... revolution of the time: we mean its awful end. There are two legends of the Middle Ages—and perhaps many more—in which the fundamental ideas are the same. The two Saints, Cyprianus, (the "Magico Prodigioso" of Calderon,) and Bishop Theophilus, (the hero of Conrad of Wuerzburg,) were both tempted by the Devil with worldly goods and worldly prosperity, and allured into the pool of sin perhaps deeper than Faustus; but repentance and penitence saved them, and secured ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various

... to originality than Terence. It is not too much to say that there is hardly anything of the least value in his plays of which the hint is not to be found elsewhere. The best scenes in the Gentleman Dancing-Master were suggested by Calderon's Maestro de Danzar, not by any means one of the happiest comedies of the great Castilian poet. The Country Wife is borrowed from the Ecole des Maris and the Ecole des Femmes. The groundwork of the Plain Dealer is taken from the Misanthrope ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay

... printed at all, the compiler has to hunt after them in libraries, in convents, and in out of the way places—whilst others, having been negligently printed, have to be revised line by line. Hartzenbusch has brought to light fourteen comedies of Calderon de la Barca, which previous editors were unable to discover. The total number of Calderon's pieces the world now possesses is therefore 122; and there is reason to believe that they are all he wrote, with the exception of two or three, ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various

... entertained the warmest affection. She, with great pleasure, agreed to do so. We set out with our dear little Henry and his nurse, and took up our quarters at the house of my brother-in-law, Don Julian Calderon, then residing in a pretty country-house on the banks of the river Pasig, half ...
— Adventures in the Philippine Islands • Paul P. de La Gironiere

... has been produced elsewhere of the highest and most cultivated description. The national genius has also shown itself in another direction, in works which, like the ancient eglogas—the contemporary zarzuelas of Lope de Vega and Calderon—and the torradillas of the last century shine brilliantly by the verve, the gaiety, the strength, and delicacy of their comic sentiment.... The works of this class are happily inspired by popular art, which ...
— Spanish Life in Town and Country • L. Higgin and Eugene E. Street

... could not present a more deplorable picture of the moral condition of the ladies of Puebla, who are celebrated for being so very devout, "but not very virtuous," than by copying the following from Madame Calderon de la Barca's ...
— Mexico and its Religion • Robert A. Wilson

... Hellenic and the Spanish dramas. Wagner's true spiritual progenitors were Sophokles and Calderon. Different as are the creations of two such widely separated epochs in their external physiognomy, they possess one vital characteristic in common. In both man is the instrument of higher powers; whether they be, as in the one case, Zeus or Ate, or, as in the other, ...
— Wagner's Tristan und Isolde • George Ainslie Hight

... Frogs, The Decameron—the trail of the translator is over them all. Messrs. Payne and Lang and Swinburne have turned poor Villon into a citizen of Bedford Park, Fitzgerald and Florence Macarthy have Englished Calderon, Messrs. Pope, Gladstone and others have done their worst with Homer. If Rossetti had not succeeded with la Vita Nuova, if Fitzgerald had not ennobled Omar, if Mr. Lang had not bettered upon Banville and Gerard de Nerval, the word 'translator' would ...
— Views and Reviews - Essays in appreciation • William Ernest Henley

... most sublime and awful that can enthrall the contemplation of man. It is an action radiating from the same source as the heroisms, the essential agonies, agoniai, conflicts, of all life. "In this theatre of a world," as Calderon avers, "all are actors, todos son representantes." There too the State enacts its tragedy. Nation, city, or empire, it too is a representante. Though the stage is of more imposing dimensions, the Force of which ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb









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