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More "Lear" Quotes from Famous Books
 ... remained, the one reading, the other sleeping, while the hours of the warm summer afternoon slipped away, ripples on the ocean of the lovely, changeless eternity, the consciousness of God. For a time the watching sister was absorbed in King Lear; then she fell to wondering whether Cordelia was not unkindly stiff toward her old father, but perceived at length that, with such sisters listening, she could not have spoken otherwise. Then she wondered whether there could be women so bad as Goneril and Regan, concluding ...
— Heather and Snow • George MacDonald
... but he is the only example even approximating to the heroic type. Coriolanus—Caesar—Antony stand in flawed strength, and fall by their vanities;—Hamlet is indolent, and drowsily speculative; Romeo an impatient boy; the Merchant of Venice languidly submissive to adverse fortune; Kent, in King Lear, is entirely noble at heart, but too rough and unpolished to be of true use at the critical time, and he sinks into the office of a servant only. Orlando, no less noble, is yet the despairing toy of chance, followed, comforted, ...
— Sesame and Lilies • John Ruskin
... the coward who feared all but the darkest and most devious passages of crime shone high, clear brows of Caesar and Aurelius. Gray folios of Shakespeare held up to the ambitious ingrate the warning titles of "Lear" and "Hamlet" and "Macbeth." And by his side brooded ever that mystic relic of the farther past—the Mummy, from whose case had stepped a daughter of the Pharaohs ...
— The Perils of Pauline • Charles Goddard
... bield that gars the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheepen yestreen. The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light ...
— The Humourous Poetry of the English Language • James Parton
... womb, usurped its throne, and ever since the maddened old creature, with hoary crest of foam, wails and laments continually, like King Lear exposed to ...
— Glimpses of Bengal • Sir Rabindranath Tagore
... of our modern short-story for the reason that they are not constructed for one single impression, but are in reality parts of possible longer stories. They are, as it were, parts of stories not unlike Dr. Jekyll and Mr. Hyde and A Lear of the Steppes, and lack those complete and concise artistic effects found in the short-stories, Markheim and Mumu, by the same authors. Both Ruth and the Prodigal Son are exceptionally well told, possess a splendid moral tone, and are excellent prophecies of what the nineteenth ...
— Short-Stories • Various
... his conception Schiller took counsel freely of Shakspere, whose name had now become for young Germany the symbol of all things great in dramatic writing. The first soliloquy of Franz Moor reminds one at once of Edmund in 'Lear', though there is none of the kind of borrowing which makes easy prey for the philologist. Both villains covet the wealth and station of a preferred brother; both make use of a specious obstetrical argument and both operate with forged letters. In general, however, the portrait ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... tell the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy white, ...
— Poems 1817 • John Keats
... genius, but greatness like theirs is never more than the highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself have been attained by any isolated talent. No genius can dispense with experience.... ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... know it, and we know it so well and feel so much with Caesar or with Lear or with Othello or with Macbeth, that we instinctively take it all for true psychology, while it after all covers just the exceptional cases ...
— Psychology and Social Sanity • Hugo Muensterberg
... attributing the founding of all the principal cities to some ruler of this line, the historian relates the story of King Leir, the founder of Leicester. As this monarch's life has been used by Shakespeare for one of his dramas,—the tragedy of "King Lear,"—and is familiar to all students of English literature, there is no need to outline Geoffrey of ...
— Legends of the Middle Ages - Narrated with Special Reference to Literature and Art • H.A. Guerber
... varied—that the matchless prose and the not particularly lordly verse of As You Like It are by the same hand; that the master to whom we owe our Hamlet is also responsible for Gertrude and King Claudius; that he who gave us the agony of Lear and the ruin of Othello did likewise perpetrate the scene of Hector's murder, in manner so poor and in spirit so cynical and vile—is beyond all belief and patience; and we have argued the point to such an extent that we are all of us in Gotham, and a mooncalf like the ascription of whatever ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... try to make us slaves. On the contrary, he gave us a representative Constitution, which has lasted a thousand years. We might call him our Manx King Alfred, if the indirections of history did not rather tempt us to christen him our Manx King Lear. His Saga has never been written, or else it is lost. Would that we could recover it! Oh, that imagination had the authority of history to vitalise the old man and his times! I seem to see him as he lived. There are hints of his character in his laws, that are as stage ...
— The Little Manx Nation - 1891 • Hall Caine
... was summoned to Berlin, where he was for fifteen years the popular idol. He died there on the 30th of December 1832. Ludwig Devrient was equally great in comedy and tragedy. Falstaff, Franz Moor, Shylock, King Lear and Richard II. were among his best parts. Karl von Holtei in his Reminiscences has given a graphic picture of him and the "demoniac fascination" of ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... poignant kind. Browning told us that he did not know Landor very well, but that he saw him in the last years of his life under circumstances of a terribly pathetic kind. Landor played almost exactly the part of King Lear—though from a different reason—and got almost exactly King Lear's reward. Landor, it will be remembered, was originally a rich man. It will also be remembered that he was possessed of a very arbitrary and turbulent nature and quarrelled with many members of his family, ...
— The Adventure of Living • John St. Loe Strachey
... of comparing was introduced into English, both methods were often used with the same adjective; and, for a time, double comparatives and double superlatives were common; as, worser, most boldest. In "King Lear" Shakespeare uses the double comparative a dozen times.]; as, valuable, less valuable, least valuable. Most definitive and many descriptive adjectives cannot be compared, as their meaning will not admit of ...
— Higher Lessons in English • Alonzo Reed and Brainerd Kellogg
... simular man of virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... the picture—a palace, a table abundantly spread, lights and music, delight and banqueting, gladness and fulness, society and sustenance. The guests sit close and all partake. To be within means food, shelter, warmth, festivity, society; to be without, like Lear on the moor, is to stand the pelting of the storm, weary, stumbling in the dark, starving, solitary, and sad. Within is brightness and good cheer; without is ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... beauty and awe of a tempest. And all the while the worldly-wise, to whom the tempest is only a matter of the machineries of a theatre—of painted clouds, electric lights, and sheets of copper—the world-wise govern the storm as they choose and leave you in it defenceless and lonely as old Lear. To put your heart into life is the most fatal of errors; it is to give a hostage to your enemies whom you can only ransom at the price of your ruin. But what is the use of talking? To you, life will be always Alastor and Epipsychidion, and to us, it will always be ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... the effect had been lessened by the fact that nothing has been left to the imagination. On the other hand there has, since Shakespeare, been nothing so fine as the treatment of Pere Fouan, that peasant King Lear, by his ungrateful family. It has been urged that Zola overdid the horrors of the situation and that no parent would have been so treated by his children. By a singular chance a complete answer to this objection ...
— A Zola Dictionary • J. G. Patterson
... cry. "We stayed with the Southards, Mrs. Gray, Anne, Miriam and I. Anne, Miss Southard and Mr. Southard left New York City for California last week. Mr. Southard and Anne are to appear as joint stars in film productions of 'As You Like It,' 'Hamlet,' 'King Lear' and possibly other Shakespearian plays. It is their first experience in posing before the camera. Anne sent you her love. She will write you as soon as ...
— Grace Harlowe's Return to Overton Campus • Jessie Graham Flower
... it is not the suspension, but the utter destruction of the reasoning powers; it is the total imbecility which, as medical people well know, frequently follows some terrible shock to the spirits. Constance is frantic; Lear is mad; Ophelia is insane. Her sweet mind lies in fragments before us—a pitiful spectacle! Her wild, rambling fancies; her aimless, broken speeches; her quick transitions from gayety to sadness—each equally purposeless and causeless; her snatches of old ballads, such as perhaps ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... the indecent exposures of themselves made by Voltaire, La Harpe, and many billions beside of bilious people. Whereas, of all the shameful people (equally billions and not less bilious) that have presumed to quarrel with Milton, not one has thought him ludicrous, but only dull and somnolent. In 'Lear' and in 'Hamlet,' as in a human face agitated by passion, are many things that tremble on the brink of the ludicrous to an observer endowed with small range of sympathy or intellect. But no man ever found the starry heavens ludicrous, though many find them dull, and prefer a near view ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... things, however, had attracted me to him in our brief meeting at Topeka: his voice, though low, had a thrill of power in it; his hand-clasp was firm and full of meaning; and when I looked into his blue eyes I recalled the words which the Earl of Kent said to King Lear: ...
— The Price of the Prairie - A Story of Kansas • Margaret Hill McCarter
... walked, too, in the gardens of the Nymphenburg Palace where the mad king used to play. We visited the State Theatre, where Wagnerian opera still holds the patient ear, and there we heard, not Wagner, but Shakespeare's "Lear," done in a jog-trot, uninspired, later-Victorian style. One felt as if the theatre had slept for thirty years and then, awakening, had resumed in the same style as before. It is often said reproachfully in Germany that Queen Victoria would never have made the late war, and that Victorian ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham
... exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ingratitude ...
— The World I Live In • Helen Keller
... season,—to confine rivers within their channels,—and to cause all things necessary for his people to be borne by the earth.' '(They told me I was everything. But when the rain came to wet me once, when the wind would not peace at my bidding,' says Lear, 'there I found them, there I smelt them out.)' This, in connection with the preceding anecdote, to which, in the opinion of this author, it comes properly so very near, may be classed of itself among the suggestive stories above referred to; but the bearing of these ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... way and that by the chill blast of man's ingratitude, more keenly toothed (as our divine Shakespeare observed) than winter's actual storm—but this by the way; it is not mine to anticipate more stable fortune, but rather to say with Lear—" ...
— True Tilda • Arthur Thomas Quiller-Couch
... Selwyn Image delivered the first of a series of four lectures on Modern Art before a select and distinguished audience. The chief point on which he dwelt was the absolute unity of all the arts and, in order to convey this idea, he framed a definition wide enough to include Shakespeare's King Lear and Michael Angelo's Creation, Paul Veronese's picture of Alexander and Darius, and Gibbon's description of the entry of Heliogabalus into Rome. All these he regarded as so many expressions of man's thoughts and emotions on fine things, ...
— Miscellanies • Oscar Wilde
... seems blind himself, and makes every [one] else so that looks at him. They have no speculation in them, as Shakespear says; what should be white is red, and there is no sight or crystal, only a black spot. It alters his countenance, and he looks like a man in a tragedy, as in K[ing] Lear, that has had his eyes put out with ...
— George Selwyn: His Letters and His Life • E. S. Roscoe and Helen Clergue
... and will therefore be new to most readers—Lamb writes very much in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will be remembered, after hearing the "motley fool" ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... dropped to the floor in front of my bookcase. From across the room a hitburner seared the door and slashed sidewise, cutting a smoking swathe across my encyclopedia from A-AUD to CAN-DAN and then came down as I squirmed aside. It took King Lear right out of Shakespeare before the beam winked out. It went off just in time to keep me from sporting a cooked stripe down ...
— Stop Look and Dig • George O. Smith
... Like Lear's—for he had felt the sting Of all too greatly giving The kingdom of his mind to those Who for it deemed him mad. [Footnote: Cale ...
— The Poet's Poet • Elizabeth Atkins
... of its syllables, and the softening down of its terminations, and inflections of words.' Somewhere between 1180 and 1216, the majestic speech in which Shakspeare was to write 'Macbeth' and 'King Lear,' Lord Bacon his 'Advancement of Learning,' Milton his 'Paradise Lost' and 'Areopagitica,' Burke his 'Reflections,' and Sir Walter Scott the Waverley Novels, and whose rough, but manly accents were to be spoken by at least a hundred million tongues, commenced ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... edition, 1728); Theobald's, 1733; Hanmer's 1744; Warburton-Pope's, 1747; and Johnson's 1765. Meanwhile, though Shakspere's plays continued to be acted, it was mostly in doctored versions. Tate changed "Lear" to a comedy. Davenant and Dryden made over "The Tempest" into "The Enchanted Island," turning blank verse into rhyme and introducing new characters, while Shadwell altered it into an opera. Dryden rewrote "Troilus and Cressida"; Davenant, "Macbeth." Davenant patched together ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... a more polished generation immediately sympathize with them. We need no numerous notes, no antiquarian dissertations, to enable the most ignorant to recognize the sentiments and diction of the characters of Homer; we have but, as Lear says, to strip off our lendings—to set aside the factitious principles and adornments which we have received from our comparatively artificial system of society, and our natural feelings are in unison with those of the bard of Chios and the heroes who live in his ...
— The Monastery • Sir Walter Scott
... princesses drowned in them, in accidental journeys, or by the violence of rival claimants to their thrones. The pretended records contain a vast number of legends, of very little interest or value, as the reader will readily admit when we tell him that the famous story of King Lear is the most entertaining one in the whole collection. It ...
— King Alfred of England - Makers of History • Jacob Abbott
... promulgated are received with wild enthusiasm. In Italy, during the most frenzied period of Garibaldian worship, my old friend, Lear the artist, asked a patriotic inn-keeper, who was in a wild state of excitement, to give him breakfast, to which the man replied: "Colazione! Che colazione! Tutto e amore e liberta!" In the Albanian village in which Miss Durham was residing when the Young Turks proclaimed ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... the crown be given? Lord Bacon had a kingly soul, capacious great thoughts, and high designs, but no one who has read his metrical translation of the Psalms of David will be troubled again with doubts whether he was the writer also of "Macbeth," "Othello," and "Lear." Compared with these sterile, bald, and mechanical quatrains, the sacred hymns of Isaac Watts are howling and bacchanalian anacreontics, to be hiccoughed by drunkards in their most abandoned ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... choice of subjects there was a like breadth. Balakirew was inspired by "King Lear," as was Tschaikowsky. And amid a wealth of Slavic legend and of kindred Oriental lore, he would turn to the rhythms of distant ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... time I ever was present at a dramatic representation: it was the benefit of that great actor[5] who was proceeding rapidly toward the highest paths of fame, when death, dropped the oblivious curtain, and closed the scene for ever. The part which he performed was King Lear; his wife, afterward Mrs. Fisher, played Cordelia, but not with sufficient eclat to render the profession an object for her future exertions. The whole school attended, Mr. Powel's two daughters being then pupils ...
— Beaux and Belles of England • Mary Robinson
... you see! Well,—there's your property. And with what your Mother left you will buy books and writing paper! As for my property—that's going to Jack. I've got the papers for that too. Not being an idiot I've saved out enough for myself—no Lear business for mine! Well, boy—I'm sorry you're a fool. But you've got what ...
— The Forerunner, Volume 1 (1909-1910) • Charlotte Perkins Gilman
... him of his books, besides cheating and plaguing him in the economy of his house, etc., etc. His feelings on such an outrage, both as a parent and a scholar, must have been singularly painful. Hayley compares him to Lear. See part third, Life of Milton, by W. Hayley (or Hailey, as spelt in the ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... people and their enemies in many a fight, who had sought battle in their behalf and heaped them with favors. His eyes saw the depth of that resignation which gave to God the one jewel that would have atoned for the horrid sufferings of the past. If he were free! He thought of old Lear moaning over ...
— The Art of Disappearing • John Talbot Smith
... was too much of artificial tone and measured cadence, in the declamation of the theatre. The present writer well remembers being in conversation with Dr. Johnson, near the side of the scenes, during the tragedy of King Lear: when Garrick came off the stage, he said, "You two talk so loud, you destroy all my feelings." "Prithee," replied Johnson, "do not talk of feelings, Punch has no feelings." This seems to have been his settled opinion; admirable as Garrick's ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... almost forgotten the Serajevo incident. The whole tragic occurrence simply survived in the sympathy which all felt with Austria in its new trouble, and especially with its aged monarch, who, like King Lear, was "as full of grief as age, wretched in both." Never was it even hinted that Germany and Austria were about to apply in a time of peace a match to the ...
— The Evidence in the Case • James M. Beck
... difference between the writer of nonsense verses and their illustrator; the former must let himself go as much as he can, the latter must hold himself in. In Greybeards at Play, Chesterton took the bit between his teeth, and bolted faster than Edward Lear had ever done. The antitheses of such verses as ...
— G. K. Chesterton, A Critical Study • Julius West
... example of this method is the 'Pere Goriot.' The general situation may be described in two words, by saying that Goriot is the modern King Lear. Mesdames de Restaud and de Nucingen are the representatives of Regan and Goneril; but the Parisian Lear is not allowed the consolation of a Cordelia; the cup of misery is measured out to him drop by ...
— Hours in a Library, Volume I. (of III.) • Leslie Stephen
... authors has long been enrolled among the comforts of ill-nature, and the triumphs of stupidity; such let it long remain! Let me at least take care in the worst storms that may arise in public or in private life, to say with Lear, ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, I shall ...
— Life Of Johnson, Vol. 2 • Boswell
... Burbadge) was the first of the great English tragic actors, and was the original of the greater number of Shakespeare's heroes—Hamlet, Othello, Lear, Shylock, Macbeth, Richard III., Romeo, Brutus, etc. Dick Tarleton, one of the privileged scapegraces of social life, was regarded by his contemporaries as the most witty of clowns and comedians. The clown was a permitted character in the old theatres, and intruded not ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... account. The sameness of the chanson story, the almost invariable recurrence of the stock motives and frameworks—of rebellion, treason, paynim invasion, petulance of a King's son, somewhat too "coming" affection of a King's daughter, tyrannical and Lear-like impotentia of the King himself, etc.—may be exaggerated, but cannot be denied. In the greatest of all by general acknowledgment, the far-famed Roland, the economy of pure story interest is pushed to a point which in a less unsophisticated age—say ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... There man appears as he is, made up of a crowd of passions, which contend for the mastery over him, and govern him in turn. What is Hamlet's ruling passion? Or Othello's? Or Harry the Fifth's? Or Wolsey's? Or Lear's? Or Shylock's? Or Benedick's? Or Macbeth's? Or that of Cassius? Or that of Falconbridge? But we might go on for ever. Take a single example-Shylock. Is he so eager for money as to be indifferent to revenge? Or so eager for revenge as to be indifferent ...
— The Diary and Letters of Madame D'Arblay Volume 1 • Madame D'Arblay
... know that the Bible suffers by a comparison with Shakespeare. They know that there is nothing within the lids of what they call "the sacred book" that can for one moment stand side by side with "Lear" or "Hamlet" or "Julius Caesar" or "Antony and Cleopatra" or with any other play written by the immortal man. They know what a poor figure the Davids and the Abrahams and the Jeremiahs and the Lots, the Jonahs, ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll
... "King Lear." For "loving like salt," see the parallels collected by Cosquin, i. 288. The whole story is a version of the numerous class of Cinderella stories, the particular variety being the Catskin sub-species analogous to Perrault's Peau d'Ane. "Catskin" was told by Mr. Burchell to the young Primroses ...
— English Fairy Tales • Joseph Jacobs (coll. & ed.)
... find the fatality in "Hamlet," "King Lear," in "Macbeth"? Is its throne not erected in the very centre of the old king's madness, on the lowest degree of the young prince's imagination, at the very summit of the Thane's morbid cravings? Macbeth we ...
— Wisdom and Destiny • Maurice Maeterlinck
... read from childhood, in a fragmentary way. "The Tempest," and "Midsummer Night's Dream," and "King Lear," I had swallowed among my fairy tales. Now I discovered that the historical plays, notably, "Julius Caesar" and "Coriolanus," had no less attraction for me, though of a different kind. But it was easy for me to forget that I ...
— A New England Girlhood • Lucy Larcom
... Boydell petitioned Parliament to allow him to dispose of his gallery of paintings by a lottery. The petition was granted, and the whole collection was thus disposed of. One of the finest of these pictures, King Lear, by Sir Benjamin West, is now ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... dancers disappeared. The masquerade was over; and again, through the darkness, rose the plaintive "All's well!" And it kept ringing in my ears until it became a mocking sound, from which I longed to be free. It was like the voice of Lear crying over the body of Cordelia: "Never, never, never, ...
— The Judgment House • Gilbert Parker
... which he makes to Friederike Roberts (1825): "Das Ungeheuerste, das Ensetzlichste, das Schaudervollste, wenn es nicht unpoetisch werden soll, kann man auch nur in dem buntscheckigen Gewaende des Laecherlichen darstellen, gleichsam versoehnend—darum hat auch Shakespeare das Graesslichste im "Lear" durch den Narren sagen lassen, darum hat auch Goethe zu dem furchtbarsten Stoffe, zum "Faust," die Puppenspielform gewaehlt, darum hat auch der noch groessere Poet (der Urpoet, sagt Friederike), naemlich ...
— Types of Weltschmerz in German Poetry • Wilhelm Alfred Braun
... my impression is that it was condemned as a fabrication for this and other neologies. The button is not a conspicuous item of female attire as of the male, and Shakespeare has been attacked for the vulgarity of even making Lear say, 'Prithee, undo this button,' ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... fount of Castaly. The Philadelphia school board has declared itself an aggregation of asses. "Les Miserables" is the greatest poem of divine humanity that this world has known since Shakespeare wrote "Lear." But I suppose "Lear," too, is immoral. I suppose everything is immoral, from "Oedipus, the Tyrant," to Hall Caine's "Christian," that teaches that men are born of woman, and that love will have its way, even unto all bitterness. It is eminently fitting that "Les Miserables" ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... them as a new kind of drama, as a redevelopment of epic and lyric poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite ...
— Irish Plays and Playwrights • Cornelius Weygandt
... "tables, chairs, and joint stools are living, and significant things." In these passages Lamb seems to regard the comic merely as a means to an end;—"Who sees not," he asks, "that the grave-digger in Hamlet, the fool in Lear have a kind of correspondency to, and fall in with, the subjects which they seem to interrupt; while the comic stuff in 'Venice Preserved,' and the doggrel nonsense of the cook and his poisoning associates in ...
— History of English Humour, Vol. 2 (of 2) • Alfred Guy Kingan L'Estrange
... Chaucer sometimes uses iche as a dissyllable; vide his Poems passim. Ch'am, is I am, that is, ich am; ch'ill, is I will, ich will. See Shakespeare's King Lear, Act IV., Scene IV. What is very remarkable, and which confirms me greatly in the opinion which I here state, upon examining the first folio edition of Shakespeare, at the London Institution, I find that ch is printed, in one instance, with a mark of elision before it thus, 'ch, a proof ...
— The Dialect of the West of England Particularly Somersetshire • James Jennings
... arms, her fair head hanging back, her white garments streaming in the air, her golden locks floating, her witching eyes closed, and her blue lips apart and rigid on her glistening teeth—so she lay like dead Cordelia in the arms of old Lear. ...
— The Missing Bride • Mrs. E. D. E. N. Southworth
... alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as ...
— The Ascent of the Soul • Amory H. Bradford
... a man "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or Gilbert Stuart would gloat over in portraiture, and love to ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... new-cut bread, and dull as life in cells, O, scribes who dare forget how wild we are How human breasts adore alarum bells. You house us in a hive of prigs and saints Communal, frugal, clean and chaste by law. I'd rather brood in bloody Elsinore Or be Lear's fool, straw-crowned amid the straw. Promise us all our share in Agincourt Say that our clerks shall venture scorns and death, That future ant-hills will not be too good For Henry Fifth, or Hotspur, or Macbeth. Promise that through to-morrow's ...
— The Congo and Other Poems • Vachel Lindsay
... incapable of personification. Thus at one time*1* he likens men to clover-leaves and the Course-of-things to the browsing ox, which makes way with the clover-heads; while at another he addresses an old red hill of Georgia as "Thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer."*2* Like other Southern poets,*3* Lanier sometimes fails to check his imagination, and in consequence leaves his readers "bramble-tangled in a brilliant maze," as in his description of the stars in ...
— Select Poems of Sidney Lanier • Sidney Lanier
... sometimes the case that even parents in old age have had occasion to say with the forsaken King Lear, "How sharper than a serpent's tooth it is to have a thankless child!" It is right training in early life alone ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... Garrick's name was received with the greatest enthusiasm, who was proposed by J. F——. He presently superseded both Hogarth and Handel, who had been talked of, but then it was on condition that he should act in tragedy and comedy, in the play and the farce, Lear and Wildair and Abel Drugger. What a sight for sore eyes that would be! Who would not part with a year's income at least, almost with a year of his natural life, to be present at it? Besides, as he could not act alone, ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... being made ruler of the Tuatha Dea, but was later reconciled when the daughter of Bodb Dearg was given to him as his wife. On her death, he married her sister, who transformed her step-children into swans.[304] Ler is the equivalent of the Brythonic Llyr, later immortalised by Shakespeare as King Lear. ...
— The Religion of the Ancient Celts • J. A. MacCulloch
... as if he was shod with felt, Till he rushes against you with all his force, And then I needn't describe of course, While he kicks you about without remorse, How awkward it is to be groomed by a horse! Or a bullock comes, as mad as King Lear, And you never dream that the brute is near, Till he pokes his horn right into your ear, Whether you like the thing or lump it, - And all for want of ...
— Playful Poems • Henry Morley
... Lear, Othello, Macbeth, Coriolanus, Antony, Timon, these are names indeed of something more than tragic purport. Only in the sunnier distance beyond, where the sunset of Shakespeare's imagination seems to ...
— A Study of Shakespeare • Algernon Charles Swinburne
... drink of the new wine called heueriger. It is enough that, on All Saints' Day, after wandering awhile about a swampy churchyard in the suburb of Maria Hilf, to see the melancholy spot of light which glimmered at each grave-head, I went to the Burg Theatre, and witnessed Shakespeare's play of "King Lear" (and the best actor in Vienna played the Fool); and further, that I spent the evening of Christmas Day in Daum's coffee-house in reading Galignani's Messenger, in order to bring myself, in imagination at least, ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile tricks and artifices. Where is she, the unfortunate, betrayed child? With what is she clothing ...
— The Goose Man • Jacob Wassermann
... been very courteous towards the worsted gentry; had he lived in our times, they might have worsted him for a libel: he says in King Lear, "A base, proud, shallow, beggarly, three suited, hundred pound, filthy, worsted ...
— The Mirror Of Literature, Amusement, And Instruction, No. 391 - Vol. 14, No. 391, Saturday, September 26, 1829 • Various
... these parts with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on that, no being ...
— The Half-Hearted • John Buchan
... words "boy," "wood-sawyer," and "Coriolanus," which always recurred in Field's various versions of "Why I did not go on the stage." Eugene returned to St. Louis and quietly disposed of the costumes he had prepared for such characters as Hamlet, Lear, and Spartacus. ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... 272 volumes of the English translation of Balzac's "Les Contes Drolatiques" on the ground that the book was obscene. "Les Contes Drolatiques" is an acknowledged masterpiece, and is not nearly so free spoken as "Lear" or "Hamlet" or "Tom Jones" or "Anthony and Cleopatra." What would be thought of a French magistrate or a German magistrate who ordered a fair translation of "Hamlet" or of "Lear" to be burnt, because of its obscenity? He would be regarded as demented. ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... Lushington, the great Greek scholar and Professor of Greek at Glasgow University. There was in Mr Lushington's personal aspect, and noble simplicity of manner and character, something that strongly resembled Tennyson himself. Among their common friends were Lord Houghton (Monckton Milnes), Mr Lear of the Book of Nonsense ("with such a pencil, such a pen"), Mr Venables (who at school modified the profile of Thackeray), and Lord Kelvin. In town Tennyson met his friends at The Cock, which he rendered classic; among them were Thackeray, Forster, Maclise, and Dickens. The times were stirring: ...
— Alfred Tennyson • Andrew Lang
... and reading, and the culture coming of a few years' association with the primitive English stage and its hangers-on, was capable of broadening and deepening, with vital experience and vital culture, into the poet of LEAR and MACBETH. But the vital culture must come to it, like the experience: this was not a man who would go out of his way to seek the culture. A man so minded, a man who would bear hardship in order to win knowledge, would not have ...
— Montaigne and Shakspere • John M. Robertson
... no in titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest; It's no in makin muckle mair; It's no in books, it's no in lear, To make us truly blest; If happiness hae not her seat And centre in the breast, We may be wise, or rich, or great, But never can be blest: Nae treasures, nor pleasures, Could make us happy lang; The heart ay's the part ay That makes us ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham
... He may think he did his duty; oh yes, good easy man! and say so too, very, very bitterly; and the world may echo his most partial verdict, crying shame on the unnatural Goneril and Regan, bad daughters who despise the Lear in old age, or on the dissolute and graceless youth, whose education cost so much, and yields so very little. But money cannot compensate that maiden or that youth for early and habitual injustice done to their budding minds, their sensitive hearts, ...
— The Complete Prose Works of Martin Farquhar Tupper • Martin Farquhar Tupper
... an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a ...
— No Great Magic • Fritz Reuter Leiber
... against Tripoli to put Hamet on his throne, appears in the instructions which Commodore Barron carried to the Mediterranean. If he could use Eaton and Hamet to make a diversion, well and good; but he was at the same time to assist Colonel Tobias Lear, American Consul-General at Algiers, in negotiating terms of peace, if the Pasha showed a conciliatory spirit. The Secretary of State calculated that the moment had arrived when peace could probably be secured "without any price and pecuniary ...
— Jefferson and his Colleagues - A Chronicle of the Virginia Dynasty, Volume 15 In The - Chronicles Of America Series • Allen Johnson
... Tolstoy we gaze unrevolted upon the nethermost depths of human depravity, discerning moral beauty even there; while with Virgil, Dante and Milton, we walk unscathed in Hell itself. The terribilita of Michaelangelo, the chaos and anarchy of Shakespeare at his greatest, as in Lear—these find expression in perfect rhythms, so potent that we recognize them as proceeding from a supernal beauty, the beauty of that soul "from which also cometh the life of man and of beast, and of the birds of the air and of ...
— Four-Dimensional Vistas • Claude Fayette Bragdon
... complicated contortions of the body and the most transitory movement. His humorous illustrated poems, such as Max und Moritz, Der heilige Antonius von Padua, Die Fromme Helene, Hans Huckebein and Die Erlebnisse Knopps des Junggesellen, play, in the German nursery, the same part that Edward Lear's nonsense verses do in England. The types created by him have become household words in his country. He invented the series of comic sketches illustrating a story in scenes without words, which have inspired Caran d'Ache and ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... Constance, frantic for the loss of her son—then look at Lear, maddened by the ingratitude of his daughters: why it is the west wind bowing those aspen tops that wave before our window, compared to the tropic hurricane, when forests crash and burn, and mountains tremble ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... lightning. In those days of fast bowling, they would put a man behind the long-stop, that he might cover both long-stop and slip; the man always selected for this post was Noah. Now and then little George Lear (whom I have already described as being so fine a long-stop), would give Noah the wink to be on his guard, who would gather close behind him: then George would make a slip on purpose, and let the ball go by, when, in an instant, Noah would have it up, and into the wicket-keeper's ...
— Highways & Byways in Sussex • E.V. Lucas
... what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, ...
— Ulysses • James Joyce
... King Lear. Apple, balm, burdock, cork, corn, crab, fumiter, hemlock, harlock, nettles, cuckoo-flowers, darnel, flax, hawthorn, lily, marjoram, oak, oats, peascod, rosemary, vines, ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... last duty to the Court and come All fresh and fragrant, to the drawing-room; In hues as gay, and odours as divine, As the fair fields they sold to look so fine. "That's velvet for a king!" the flatterer swears 'Tis true, for ten days hence 'twill be King Lear's. Our Court may justly to our stage give rules, That helps it both to fools-coats and to fools. And why not players strut in courtiers' clothes? For these are actors too, as well as those: Wants reach all states; they ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... of her excitement, looked at the pictures on the walls. First of all there was Guido Reni's Aurora, while opposite it hung English etchings of pictures by Benjamin West, made by the well known aquatint process. One of the pictures was King Lear in the storm on ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... by noting that the scoring throughout tends to glutinousness, like that of the pre-war Carlsbad plum; further, that a solo on the muted viola against an accompaniment of sixteen sarrusophones is only effective if the sarrusophones are prepared to roar like sucking-doves, which, as LEAR would have said, "they seldom if ever do." Still, on the whole the ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... wonder how you made him!" exclaimed Abraham, turning up his nose at his parent, and then looking to the ceiling with emotion—"You unnatural old Lear! you bloodless piece ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various
... life and character has its inherent moral; and the business of the dramatist is so to pose the group as to bring that moral poignantly to the light of day. Such is the moral that exhales from plays like 'Lear', 'Hamlet', and 'Macbeth'. But such is not the moral to be found in the great bulk of contemporary Drama. The moral of the average play is now, and probably has always been, the triumph at all costs of a supposed immediate ethical good over ...
— Forsyte Saga • John Galsworthy
... adopted children far outnumbering those of its own blood. It absorbs at its will the slang of the street gamin, the cant of thieves and beggars; is actually creative in the baby talk of mothers and nurses; drops, forgets, and actually invents new words with no pedigree like those of Lear, Carrol, and many others.[4] ...
— Youth: Its Education, Regimen, and Hygiene • G. Stanley Hall
... once we begin in that way? As I mean to end, so I'll begin. And as for you, George, there's no end to your softness. You're that green, that the very cows would eat you." Was it not well said by Mr. Robinson in his preface to these memoirs, that the poor old commercial Lear, whose name stood at the head of the firm, was cursed with a Goneril,—and with ...
— The Struggles of Brown, Jones, and Robinson - By One of the Firm • Anthony Trollope
... leaps from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor Tom" on ...
— Serge Panine • Georges Ohnet
... the matter of length, and then print their plays with brackets or other marks to show the "passages omitted in representation." This is, however, essentially an inartistic practice, and one cannot regret that it has gone out of fashion. Another point to be considered is this: are Othello and Lear really very complex character-studies? They are extremely vivid: they are projected with enormous energy, in actions whose violence affords scope for the most vehement self-expression; but are they not, in reality, colossally ...
— Play-Making - A Manual of Craftsmanship • William Archer
... the proprietor of this hotel, was the principal manager in the unloading of the records and furniture belonging to the government when the ships bringing it from Philadelphia docked at Lear's Wharf. Abraham Bradley, who, as Assistant Postmaster General, had charge of the removal of that department, and Joseph Nourse, who was Registrar of the Treasury, may also have stopped at Crawford's ...
— A Portrait of Old George Town • Grace Dunlop Ecker
... has been blamed by some few critical asses for the raillery of Mercutio, and the humor of the nurse, in "Romeo and Juliet;" for the fool in "Lear;" for the porter in "Macbeth;" the grave-diggers in "Hamlet," etc.; because, it is said, these bits interrupt the tragic feeling. No such thing; they enhance it to an incalculable extent; they deepen its degree, though they diminish its duration. And what is the result? ...
— The Poetry of Architecture • John Ruskin
... as described by the pen of Shakspeare, has brought tears into millions of eyes. The tragedy of King Lear and his wretched daughters is known throughout the civilized world. What heart is not indignant at such treatment? Who does not abhor the ...
— The Child at Home - The Principles of Filial Duty, Familiarly Illustrated • John S.C. Abbott
... which are really fresh, abrupt and inventive in any age; and if we were asked what was the best proof of this adventurous youth in the nineteenth century we should say, with all respect to its portentous sciences and philosophies, that it was to be found in the rhymes of Mr. Edward Lear and in the literature of nonsense. 'The Dong with the Luminous Nose,' at least, is original, as the first ship and the first ...
— The Defendant • G.K. Chesterton
... him. Shakespeare, in the same manner, will derive inspiration from the national past; he will go back to the time of the Roses, to the time of the Plantagenets, to the time of Magna Charta, and, passing over the Anglo-Saxon period, he will take from the Britons the stories of Lear ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... realiz'd, the bard shall see, And his best commentator breathe in thee. She spoke: her magic powers the actor tried; Then Hamlet moraliz'd and Richard died; The dagger gleam'd before the murderer's eye, And for old Lear each bosom heav'd sigh; Then Romeo drew the sympathetic tear, With him and Cibber Love lay bleeding here. Enchanting Cibber! from that warbling throat No more pale Sorrow pours the liquid note. Her voice suppress'd, ...
— The Mirror of Taste, and Dramatic Censor - Vol I, No. 2, February 1810 • Samuel James Arnold
... death; Macbeth and Lady Macbeth, the ambitious criminals; Hamlet, the young man with a great mind and a great heart but with a feeble will which collapses under too heavy a task and comes to the verge of insanity; Cordelia, the English Antigone, the devoted daughter of the proscribed King Lear; Falstaff, glutton, coward, diverting and gay, a kind of Anglo-Saxon Panurge. A whole dramatic literature has come from Shakespeare. To France he was introduced by Voltaire and then scorned by him because he had succeeded ...
— Initiation into Literature • Emile Faguet
... with a blush, that improved the glow of youth to a deeper crimson; and I daresay set many a female heart a palpitating. When he made his first appearance, there was just such a humming and clapping of hands as you may have heard when the celebrated Garrick comes upon the stage in King Lear, or King Richard, or any other top character. But how agreeably were we disappointed, when our young gentleman made such an oration as would not have disgraced a Pitt, an Egmont, or a Murray! while he spoke, all was hushed in admiration and attention; you could have almost heard ...
— The Adventures of Sir Launcelot Greaves • Tobias Smollett
... Persephone-child of innocence and sunlight shadowed by black robes of Dis. Upon the coward who feared all but the darkest and most devious passages of crime shone high, clear brows of Caesar and Aurelius. Gray folios of Shakespeare held up to the ambitious ingrate the warning titles of "Lear" and "Hamlet" and "Macbeth." And by his side brooded ever that mystic relic of the farther past—the Mummy, from whose case had stepped a daughter of the Pharaohs ...
— The Perils of Pauline • Charles Goddard
... hardware or software limitations, behaves like a teletype or some other printing terminal, thereby combining the disadvantages of both: like a printing terminal, it can't do fancy display hacks, and like a display terminal, it doesn't produce hard copy. An example is the early 'dumb' version of Lear-Siegler ADM 3 (without cursor control). See {tube}, {tty}; compare {dumb terminal}, {smart terminal}. See "{TV Typewriters}" (Appendix A) for an interesting true story about a ...
— The Jargon File, Version 4.0.0
... to actual beauty, yet, like a great painter, he brings all Nature into sympathy with man. We feel the ghostly shudder of the November night in Hamlet, breathe the bracing Highland air in Macbeth, the air of the woods in As You Like It; the storm on the heath roars through Lear's mad outburst, the nightingale sings in the ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... impressive, he plainly showed, that he thought, there was too much of artificial tone and measured cadence, in the declamation of the theatre. The present writer well remembers being in conversation with Dr. Johnson, near the side of the scenes, during the tragedy of King Lear: when Garrick came off the stage, he said, "You two talk so loud, you destroy all my feelings." "Prithee," replied Johnson, "do not talk of feelings, Punch has no feelings." This seems to have been his settled opinion; ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... way to do it is for the artist to fill himself to the brim with the subject, and to let it burst out. I do not at all believe in the painful pinching and pulling together of a particular bit of work. That sort of process is excellent practice, but it seems to me like the receipt in one of Edwin Lear's Nonsense Books for making some noisome dish, into which all sorts of ingredients of a loathsome kind were to be put; and the directions end with the words: 'Serve up in a cloth, and throw all out of the window as soon as possible.' It is an excellent ...
— At Large • Arthur Christopher Benson
... am, alas! without Instruction in the art of fippling, Though something may be found about It in the works of LEAR ...
— Punch, or the London Charivari, Volume 159, August 11, 1920 • Various
... first husband in Tennessee, in order to be with the Mormon people); twelfth, Polly V. Young; thirteenth, Louisa Young (these two were sisters). Next, I was sealed to my fourteenth wife, Emeline Vaughn. In 1851 I was sealed to my fifteenth wife, Mary Lear Groves. In 1856 I was sealed to my sixteenth wife, Mary Ann Williams. In 1858 Brigham gave me my seventeenth wife, Emma Batchelder. I was sealed to her while a member of the Territorial Legislature. In ...
— The Mormon Menace - The Confessions of John Doyle Lee, Danite • John Doyle Lee
... long extracts from my story as descriptions of the Tanks upon British officers who had just seen them. The filiation was indeed quite traceable. They were my grandchildren—I felt a little like King Lear when first I read about them. Yet let me state at once that I was certainly not their prime originator. I took up an idea, manipulated it slightly, and handed it on. The idea was suggested to me by the contrivances of a certain Mr. Diplock, whose "ped-rail" notion, the notion of a wheel that ...
— War and the Future • H. G. Wells
... then, that I've come home to fetch to share my Paris lear. You can be very shy and bashful, you know, and leave all the knapping of ...
— The Caged Lion • Charlotte M. Yonge
... passion. It did not wrestle with the haughtily veiled problems of fate and free-will absolute. It had no dramatic movement and variety, no eccentricity and grotesqueness and unexpectedness. It was not Lear, nor Faust, nor Manfred, nor Romeo. A carnation is not a passion-flower. Indeed, no poet of so universal and sincere a popularity ever sang so little of love as a passion. None of his smaller poems are love poems; ...
— Literary and Social Essays • George William Curtis
... became more enthusiastic, and wrote: "You will be very proud of 'Le Pere Goriot.' My friends insist that nothing is comparable to it, and that it is above all my other compositions."[*] Certainly the vivid portrait of old Goriot, that ignoble King Lear, who in his extraordinary passion of paternal love rouses our sympathy, in spite of his many absurdities and shortcomings, is a striking instance of Balzac's power in ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... Priam's family and refugee from Troy,—but go on to give the history of other early kings of Britain, including Arthur. They often touch the true epic note,—as in the wrestling match between Corineus and the giant,—use similes drawn from every-day life, and supply us with legends of King Lear and of Cymbeline. ...
— The Book of the Epic • Helene A. Guerber
... Davenant, Leonardo was always proud of the mystery that surrounded his birth—it differentiated him from the mass, and placed him as one set apart. Well might he have used the language put into the mouth of Edmund in "King Lear." In one of Leonardo's manuscripts is found an interjected prayer of thankfulness for "the divinity of my birth, and the angels that have guarded my life and ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... New York," was Grace's regretful cry. "We stayed with the Southards, Mrs. Gray, Anne, Miriam and I. Anne, Miss Southard and Mr. Southard left New York City for California last week. Mr. Southard and Anne are to appear as joint stars in film productions of 'As You Like It,' 'Hamlet,' 'King Lear' and possibly other Shakespearian plays. It is their first experience in posing before the camera. Anne sent you her love. She will write you as soon ...
— Grace Harlowe's Return to Overton Campus • Jessie Graham Flower
... Here lies LEAR. Aged about 8 years. A Tom Cat killed in single combat with Tom the Templar whilst defending his hearth and home. England expects every cat to do ...
— The Junior Classics Volume 8 - Animal and Nature Stories • Selected and arranged by William Patten
... a picture not long since, in Edinburgh, copied from an engraving in Boydell's Shakspeare; subject,—"Lear (and suite) in the storm," but coloured according to the imagination and taste of the artist; its name ought assuredly to have been Redcap and the blue-devils, for the venerable and lamented monarch had fine streaming locks of the ...
— The Mirror of Literature, Amusement, and Instruction - Volume 12, No. 341, Saturday, November 15, 1828. • Various
... Screen was given as a memorial of the late Mr. Sidney Lear by his wife, to whom the cathedral is indebted for many of its modern enrichments. It is entirely of wrought metal, by Skidmore, of Coventry, and a good example of its class. It replaced the organ screen compiled by Wyatt from fragments of the Hungerford and Beauchamp chantries; to erect which ...
— Bell's Cathedrals: The Cathedral Church of Salisbury - A Description of its Fabric and a Brief History of the See of Sarum • Gleeson White
... of cases one is implored to come to the Pier Concert Hall at Flushington-on-Sea, or the like, because, "owing to your appreciative remarks about my performance as the Second Gravedigger in Hamlet, I am sure you would like to see my King Lear." These give a good deal of trouble, because it is difficult to decline without hurting feelings. Another branch lies in the simple request from people with whom one is unacquainted for introduction to managers whom one does ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... blur of these impressions her husband stood out definitely, a dominant influence. She seemed to be only now beginning to feel his dominance. Yet all the time, she could not get away from the sense of living in some fantastic dream—an Edward Lear nonsense dream. The sight of the kangaroos in the Bush brought a particular rhyme of her childhood to her mind. She half said, half sang ...
— Lady Bridget in the Never-Never Land • Rosa Praed
... existing not in the loftier conceptions of men whose genius has grappled with the enigmas which art and poetry only can foreshadow and divine,—unknown to us in the street and the market, unknown to us on the scaffold of the patriot or amidst the flames of the martyr, unknown to us in the Lear and the Hamlet, in the Agamemnon and the Prometheus. Millions upon millions, ages upon ages, are entered but as items in the vast account in which the recording angel sums up the unerring justice of God ...
— The Last Of The Barons, Complete • Edward Bulwer-Lytton
... experience at all corresponded with this, and as she had no love of language she had long ceased to attend to such remarks, although she followed them with the same kind of mechanical respect with which she heard many of Lear's speeches read aloud. Her mind was still serene and really occupied with praise of her own nature and praise of God, that is of the solemn and ...
— The Voyage Out • Virginia Woolf
... direct address to the absent as present, the inanimate as living, or the abstract as personal. It is closely allied to personification, with which it is often associated. This figure is expressive of intense emotion. The following passage from "King Lear" ...
— Elementary Guide to Literary Criticism • F. V. N. Painter
... are only used now for cheap search-lights. 2. I will only mention some of the best. 3. I only had time to read "King Lear." 4. He only spoke to me, not to you. 5. Coons are only killed with the help of dogs. The coon only comes out in the night-time. 6. Lost, a Scotch terrier, by a gentleman, with his ears cut close. 7. Canteens were issued ...
— Practical Exercises in English • Huber Gray Buehler
... spiritual realities of the soul. It purported to be the life and "clothes-philosophy" of a certain Diogenes Teufelsdroeckh, Professor der Allerlei Wissenschaft—of things in general—in the University of Weissnichtwo. "Society," said Carlyle, "is founded upon cloth," following the suggestions of Lear's speech to the naked bedlam beggar: "Thou art the thing itself: unaccommodated man is no more but such a poor, bare, forked animal as thou art;" and borrowing also, perhaps, an ironical hint from a paragraph in Swift's Tale of a Tub: "A sect was established ...
— Brief History of English and American Literature • Henry A. Beers
... enough to David. At such times his language took an exasperating Shakespearean turn. He was abominably fond of posing as Lear or Jaques—as a man much buffeted, and acquainted with all the ugly secrets of life. Purcell stood generally for 'the enemy;' and to Purcell his half-mad fancy attributed most of his misfortunes. It was Purcell who had undermined his business, taken away his character, and ...
— The History of David Grieve • Mrs. Humphry Ward
... of misery, where humanity is stripped of all external and internal advantages, and given up a prey to naked helplessness. The threefold dignity of a king, an old man, and a father, is dishonoured by the cruel ingratitude of his unnatural daughters; the old Lear, who out of a foolish tenderness has given away every thing, is driven out to the world a wandering beggar; the childish imbecility to which he was fast advancing changes into the wildest insanity, and when ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... Lear. Meane time we shal expresse our darker purpose. Giue me the Map there. Know, that we haue diuided In three our Kingdome: and 'tis our fast intent, To shake all Cares and Businesse from our Age, Conferring ...
— The First Folio [35 Plays] • William Shakespeare
... had an idea I would find you here, and—but what's the matter with you, man? Have you got the plague? or has your mysterious inamorata jilted you? or what other annoyance has happened to make you look as woebegone as old King Lear, sent adrift by his tender daughters to take ...
— The Midnight Queen • May Agnes Fleming
... Brats, those nasty Rats, That have a Lear so drowzy; With Vermin spread they look like Dead, Good Faith they're always Lousie: Pray hold you there, and do not swear, You are not half so sweet; You feed yours up with bit and sup, And give them a dirty Teat: My Girls, my Boys, my only Joys, ...
— Wit and Mirth: or Pills to Purge Melancholy, Vol. 5 of 6 • Various
... honored in the annals of English literature. Burbage was the first great actor that England ever saw, the original representative of many of Shakespeare's noblest creations, among others, of Shylock, Richard, Romeo, Hamlet, Lear, Othello, and Macbeth. We may fairly conclude Burbage's acting to have had all the best characteristics of Natural, as opposed to Artificial acting. The principles of the former are so clearly laid down by Shakespeare, in Hamlet's advice to the ...
— The Drama • Henry Irving
... Shakespeare the supreme poet. If it had not been for his excessive sensuality, and his mad passion for his "gipsy," we should never have had from him "Hamlet," "Macbeth," "Othello," "Antony and Cleopatra," or "Lear." He would still have been a poet and a dramatic writer of the first rank; but he would not have stood alone above all others: he would ...
— The Man Shakespeare • Frank Harris
... slave all through that dreadful famine year of 1606-7, when the people died of hunger in the very streets of the town, and for the space of seven months there was no rain. We know at any rate that Romeo and Juliet was brought out at Dresden in 1613, along with Hamlet and King Lear, and it was surely to none other than Willie Hughes that in 1615 the death-mask of Shakespeare was brought by the hand of one of the suite of the English ambassador, pale token of the passing away of the great ...
— Lord Arthur Savile's Crime and Other Stories • Oscar Wilde
... Humphrey of Junction City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" are ...
— Kansas Women in Literature • Nettie Garmer Barker
... parsley, bruised with the back of a ladle, and give them two or three walms on the fire in the broth; then dish the chines in thin slices of fine French bread, broth them, and lay on them some boiled beef-marrow, boil'd in strong broth, some slic't lemon, and run all over with a lear made of beaten butter, the yolk of an egg or two, the juyce of two or three oranges, ...
— The accomplisht cook - or, The art & mystery of cookery • Robert May
... own life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as he ...
— The Ascent of the Soul • Amory H. Bradford
... Minister Van de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington pulpit. They'll let ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... exceedingly were these men. At the noise of them running to battle all Ireland shook, and the illimitable Lir [Footnote: Lir was the sea-god, the Oceanns of the Celt; no doubt the same as the British Lear, the wild, white-headed old king, who had such singular daughters; two, monsters of cruelty, and one, exquisitely sweet, kind, and serene, viz.: Storm, Hurricane, and Calm.] trembled in his watery halls; the roar of their brazen chariots reverberated ...
— The Coming of Cuculain • Standish O'Grady
... gathered. I then had an opportunity of seeing a little of his thought, running as an undercurrent to his nature. Clara had been singing with such sweetness of expression and pathetic emphasis, that my eyes were filled with tears of emotion. Miss Lear, a young lady friend, followed her, and sang with such a shrill voice, such unprecedented flying about among the octaves, that it shocked me through every nerve, and I trembled visibly and uttered an involuntary exclamation of impatience. Louis caught my ...
— The Harvest of Years • Martha Lewis Beckwith Ewell
... road had a charm, however; there is something picturesque in the big, comfortable shoulders of the Cote. That delicate critic M. Emile Montegut, in a charming record of travel through this region published some years ago, praises Shakespeare for having talked (in "Lear") of "waterish Burgundy." Vinous Burgundy would surely be more to the point. I stopped at Beaune in pursuit of the picturesque, but I might almost have seen the little I discovered without stopping. It is a drowsy Burgundian town, very old ...
— A Little Tour in France • Henry James
... meagre suggestions a vital and impressive work of art. One thinks instinctively, in seeking for some adequate parallel, of what Goethe did with the materials of the Faust legend, or of what Shakespeare did with the indications offered for 'King Lear' and 'Cymbeline' by Holinshed's chronicle-history. And the two greatest names in modern literature are suggested not only by this general fact of creative power, but also more specifically by certain characters in the trilogy. ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... case that even parents in old age have had occasion to say with the forsaken King Lear, "How sharper than a serpent's tooth it is to have a thankless child!" It is right training in early life alone that will save ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... said the Colonel, "in which you tried to prove that Shakespeare never wrote 'Hamlet' and 'Macbeth' and 'Lear' and all ...
— Something of Men I Have Known - With Some Papers of a General Nature, Political, Historical, and Retrospective • Adlai E. Stevenson
... account of humanity. Whatever happens to him, we apply to ourselves, because he applies it to himself as a means of general reasoning. He is a great moralizer; and what makes him worth attending to is that he moralizes on his own feelings and experience. He is not a commonplace pedant. If Lear is distinguished by the greatest depth of passion, Hamlet is the most remarkable for the ingenuity, originality, and unstudied development of character. Shakespeare had more magnanimity than any other poet, and he has shown more of it in this play ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... And then the lonely duel in the glade, The broken swords, the stifled scream, the gore, Thy grand revengeful eyes when all is o'er,— These things are well enough,—but thou wert made For more august creation! frenzied Lear Should at thy bidding wander on the heath With the shrill fool to mock him, Romeo For thee should lure his love, and desperate fear Pluck Richard's recreant dagger from its sheath— Thou trumpet set for Shakespeare's ...
— Poems • Oscar Wilde
... to me; all his senses have but human conditions; his ceremonies laid by, in his nakedness he appears but a man; and though his appetites are higher mounted than ours, yet, when they stoop, they stoop with like wing." Such, too, was Lear in the tempest. And from the other end of the scale hear Shylock: "Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, appetites, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and ...
— Heart of Man • George Edward Woodberry
... malice, however, but answered, "That beats me, I own. Yet we shall drive, though it be upon two wheels an' behind a single horse. For Farmer Lear's driving into Tregarrick in an hour's time, an' ...
— The Delectable Duchy • Arthur Thomas Quiller-Couch
... therefore the feelings of a more polished generation immediately sympathize with them. We need no numerous notes, no antiquarian dissertations, to enable the most ignorant to recognize the sentiments and diction of the characters of Homer; we have but, as Lear says, to strip off our lendings—to set aside the factitious principles and adornments which we have received from our comparatively artificial system of society, and our natural feelings are in unison ...
— The Monastery • Sir Walter Scott
... driving a flock of geese, while a wolf carrying a staff and knapsack leads a herd of goats. There is a battle of the mice and cats, and the king of the mice, in his chariot drawn by two dogs, is seen attacking the fortress of the cats. A picture which is worthy of Edward Lear shows a ridiculous hippopotamus seated amidst the foliage of a tree, eating from a table, whilst a crow mounts a ladder to wait upon him. There are caricatures showing women of fashion rouging their faces, unshaven and really amusing old tramps, and so forth. Even ...
— The Treasury of Ancient Egypt - Miscellaneous Chapters on Ancient Egyptian History and Archaeology • Arthur E. P. B. Weigall
... much to see you, and talk over all our old stories together, and to hear you read and repeat. I am pining for my old friend Cesario, and poor Lear, and wicked Richard. How is the dear Multiplication table going on? are you still as much attached to 9 times 9 as you used ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 6 • Various
... by a profound critic of Shakespeare, and it occurs to me as very appropriate in this connection, that the spirit which held the woe of Lear and the tragedy of "Hamlet" would have broken had it not also had the humor of the "Merry Wives of Windsor" and the merriment of ...
— Lincoln's Yarns and Stories • Alexander K. McClure
... perform'd in York-Buildings a Consort of Vocal and Instrumental Musick, for the Benefit of Mr. Edward Keen, the Father of twenty Children; and that this Day the haughty George Powell hopes all the good-natur'd part of the Town will favour him, whom they Applauded in Alexander, Timon, Lear, and Orestes, with their Company this Night, when he hazards all his heroick Glory for their Approbation in the humbler ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... buoyant influences of the Muse. Shakspeare and Plato are lighter than levity; they are lifting forces, and weigh less than nothing. The novelette of the season, or any finest and flimsiest gossamer that is fabricated in our literary looms, compares with "Lear," with "Prometheus Bound," with any supreme work, only as cobwebs and thistle-down, that are easily borne by the breeze, may compare with sparrows and thrushes, that ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, ...
— Life Of Johnson, Vol. 2 • Boswell, Edited by Birkbeck Hill
... poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite sort of literature, ...
— Irish Plays and Playwrights • Cornelius Weygandt
... that these two Essays, which are as fine as anything of a similar nature in English criticism, should have been almost unnoticed (undiscovered, except by literary friends) until the year 1818, when Lamb's works were collected and published. The grand passage on "Lear" has caused the Essay on the Shakespeare Tragedies to be well known. Less known is the Essay on Hogarth, although it is more elaborate and critical; the labor being quite necessary in this case, as the pretensions of Hogarth ...
— Charles Lamb • Barry Cornwall
... than I am; but I've seen the day, as Lear says. What an odd tendency we old men have to boast of the past: we would be judged by the past, not by the present. We always speak of the strength that is withered and gone, as if we had some claim upon it still. But I am ...
— The Seaboard Parish Vol. 3 • George MacDonald
... see Lear acted—to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. We want to take him into shelter and relieve him. That is all the feeling which the acting ...
— English Critical Essays - Nineteenth Century • Various
... Then the owd man i' Lear should be shaaemed of hissen, but noaen o' the parishes goae's by ...
— Becket and other plays • Alfred Lord Tennyson
... tumbledown houses "the dumb rhetoric," in which "tables, chairs, and joint stools are living, and significant things." In these passages Lamb seems to regard the comic merely as a means to an end;—"Who sees not," he asks, "that the grave-digger in Hamlet, the fool in Lear have a kind of correspondency to, and fall in with, the subjects which they seem to interrupt; while the comic stuff in 'Venice Preserved,' and the doggrel nonsense of the cook and his poisoning associates in the Rollo of Beaumont and Fletcher ...
— History of English Humour, Vol. 2 (of 2) • Alfred Guy Kingan L'Estrange
... daughter of Bodb Dearg was given to him as his wife. On her death, he married her sister, who transformed her step-children into swans.[304] Ler is the equivalent of the Brythonic Llyr, later immortalised by Shakespeare as King Lear. ...
— The Religion of the Ancient Celts • J. A. MacCulloch
... moral chaos, which they set about converting, in some of his great plays, into a cosmos; and a sad muss, if not a ridiculous muss, they made of it. Signal examples of this are the 'rifacimenti' of the Tempest by Dryden and Davenant, the King Lear by Tate, and the Antony and Cleopatra (entitled 'All for Love, or the ...
— Introduction to Robert Browning • Hiram Corson
... disbelief in Italian actors having been always a heresy with him, and the deplorable length of dialogue to the small amount of action in their plays making them sadly tiresome. The first that he saw at the principal theatre was a version of Balzac's Pere Goriot. "The domestic Lear I thought at first was going to be very clever. But he was too pitiful—perhaps the Italian reality would be. He was immensely applauded, though." He afterwards saw a version of Dumas' preposterous play of Kean, in which most of the representatives of English actors wore red hats with steeple ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... gentleman again!' he would exclaim, 'a very prepossessing old gentleman, Mr Richard—charming countenance sir—extremely calm—benevolence in every feature, sir. He quite realises my idea of King Lear, as he appeared when in possession of his kingdom, Mr Richard—the same good humour, the same white hair and partial baldness, the same liability to be imposed upon. Ah! A sweet subject for contemplation, ...
— The Old Curiosity Shop • Charles Dickens
... I tell the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy white, laughs ...
— Poems 1817 • John Keats
... gracing Caesar's triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ingratitude ...
— The World I Live In • Helen Keller
... with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on that, no being ...
— The Half-Hearted • John Buchan
... exhibited in daily, homespun dress, and stalking abroad through the centuries, the generous and brave nobility of King Lear, Caesar, Othello, and Hamlet, will be seen in marked contrast to Shylock, Brutus, Cassius, Iago, Gloster and Macbeth. His fools and wits were philosophers, while many of his kings, queens, dukes, lords and ladies were sneaks, frauds ...
— Shakspere, Personal Recollections • John A. Joyce
... from or at any rate resembling the Gregorian chant or the sequences of Notker of Tubilo), the other voices would sing songs in the vernacular, and, strangest of all, one voice would repeat some Latin word, or even a "nonsense word" (to use Edward Lear's term) but much more slowly than the other voices. Thus the needs of the Mystery were as well met by incipient counterpoint on the one hand, as, on the other, the secular song-play engendered the ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... bitter invective against St. Clair, reciting how, in that very room, he had wished the unfortunate commander success and honor and had bidden him above all things beware of a surprise. [Footnote: Tobias Lear, Washington's Private Secretary as quoted by both Custis and Rush. The report of an eyewitness. See also Lodge's "Washington," p. 94. Denny, in his journal, merely mentions that he went at once to the Secretary of War's office on the evening of the 19th, and does not speak ...
— The Winning of the West, Volume Four - Louisiana and the Northwest, 1791-1807 • Theodore Roosevelt
... duty to the Court and come All fresh and fragrant, to the drawing-room; In hues as gay, and odours as divine, As the fair fields they sold to look so fine. "That's velvet for a king!" the flatterer swears 'Tis true, for ten days hence 'twill be King Lear's. Our Court may justly to our stage give rules, That helps it both to fools-coats and to fools. And why not players strut in courtiers' clothes? For these are actors too, as well as those: Wants reach all states; they ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... distract, So should my thoughts be sever'd from my griefs, And woes by strong imagination lose The knowledge of themselves. King Lear. ...
— Tales • George Crabbe
... with her eyes cast down; flushed whenever she was addressed; stammered whenever she answered a question, and nearly died of heart failure when subjected to an examination of any sort. She delighted the committee when reading at sight from "King Lear," but somewhat discouraged them when she could not tell the capital of the United States. She admitted that her former teacher, Miss Dearborn, might have mentioned it, but if so she had ...
— New Chronicles of Rebecca • Kate Douglas Wiggin
... nothing. The highest subjects, equally well-executed (which, however, rarely happens), are the best."[75] Though each is perfect in its kind, there can be no difficulty in deciding the question of greatness between "King Lear" and "The Comedy of Errors." "The greatest strength of genius is shewn in describing the strongest passions: for the power of imagination, in works of invention, must be in proportion to the force of the ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... of the new wine called heueriger. It is enough that, on All Saints' Day, after wandering awhile about a swampy churchyard in the suburb of Maria Hilf, to see the melancholy spot of light which glimmered at each grave-head, I went to the Burg Theatre, and witnessed Shakespeare's play of "King Lear" (and the best actor in Vienna played the Fool); and further, that I spent the evening of Christmas Day in Daum's coffee-house in reading Galignani's Messenger, in order to bring myself, in imagination at least, as near ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... said, "without you cutting up crazy and making folks talk. If you want to dance, for goodness' sake hire somebody to lear—to teach you, ...
— Flowing Gold • Rex Beach
... all of you rush right by me." Then Mr. Irving opens the door to his murderers, and is borne back by the crowd of terrified monks. Five minutes afterwards, he has returned to life, and is rehearsing a scene from "King Lear," with Miss Ellen Terry's understudy, in as natural and unembarrassed a manner as if he had not been working ...
— The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various
... that of the Verona houses. There is always feud where there is not understanding. There is eternal feud between those two camps of misunderstanding, age and youth. This play, written by a young man, shows the feud from the point of view of youth. The play of King Lear shows it from the point of view of age. This play of youth is as lovely and as feverish as love itself. Youth is bright and beautiful, like the animals. Age is too tired to care for brightness, too cold to care for beauty. The bright, beautiful creatures dash themselves to ...
— William Shakespeare • John Masefield
... in other words, the difference between art and nature. It is the privilege of art to dispense with explanations and extenuations; for if it be true to itself it is sufficient in itself, and anything added to it or taken from it is an impertinence or a deformity. When we read 'Hamlet' and 'Lear,' or 'As You Like It' and 'Much Ado About Nothing,' we do not ask ourselves what Shakespeare meant by them,—why some scenes were written in verse and other scenes in prose,—for it is not of Shakespeare that we are thinking as we read, but of his characters, ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... sincere expression of the deepest and rarest passion. His object was the object attained by Shakespeare in some of his supremest moments; the bare intolerable force of the speeches after the murder of Macbeth, or of King Lear's ...
— English Literature: Modern - Home University Library Of Modern Knowledge • G. H. Mair
... "attributing sufficient importance to composition." Alas! I attribute far more importance to it than they do;—so much importance, that I should just as soon think of sitting down to teach a man how to write a Divina Commedia, or King Lear, as how to "compose," in the true sense, a single building or picture. The marvelous stupidity of this age of lecturers is, that they do not see that what they call, "principles of composition," are mere principles of common sense in everything, as well as in pictures and buildings;—A ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... want them sent home. They are for a poor woman and her suffering children, who live about a square from here in Lear's Court." Paul stood thoughtfully a moment before handing her the basket, and said—"That court has a very bad reputation; had I not better accompany you? I hope you will not consider my offer as an intrusion, but I do not think it is safe for you ...
— Sowing and Reaping • Frances Ellen Watkins Harper
... attracted me to him in our brief meeting at Topeka: his voice, though low, had a thrill of power in it; his hand-clasp was firm and full of meaning; and when I looked into his blue eyes I recalled the words which the Earl of Kent said to King Lear: ...
— The Price of the Prairie - A Story of Kansas • Margaret Hill McCarter
... width of sympathy and in the Shakespearian humour which lies beyond Hazlitt's sphere. His criticism of Hamlet is feeble; he does not do justice to Mercutio or to Jaques; but he sympathises more heartily with the tremendous passion of Lear and Othello, and finds something congenial to his taste in Coriolanus and Timon of Athens. It is characteristic, too, that he evidently understands Shakespeare better on the stage than in the closet. When he can associate Iago and Shylock ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... little life is rounded with a sleep." The easy-going persons who reluct at the idea of a pessimistic Shakespeare should turn the pages of Troilus and Cressida, Measure for Measure, and Timon of Athens. What we guessed as we read Hamlet and Lear grows a certainty as ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... saving that for a while there was a great deal of talk about the Santa Clans doings and the principal actor in them, and no end of speculations as to his inducements and purposes to be served in taking so much trouble. For Shampuashuh people were shrewd, and did not believe, any more than King Lear, that anything could come of nothing. That he was not moved by general benevolence, poured out upon the school of the white church, was generally agreed. "What's we to him?" asked pertinently one of the old ladies; and vain efforts ...
— Nobody • Susan Warner
... these resolutions, a written message was received from the President, accompanying a letter from Mr. Lear, which he said, "will inform you that it had pleased Divine Providence to remove from this life our excellent fellow citizen, GEORGE WASHINGTON, by the purity of his life, and a long series of services to his country, rendered illustrious through the world. It remains ...
— The Life of George Washington, Vol. 5 (of 5) • John Marshall
... dreamily. "But if small persons like myself," he began, "can have such frenzies, how must it be with those greater persons who have amazed the world? I have wondered in what kind of exaltation Shakespeare wrote his storm in 'Lear.' There must have been a first conception greater even than his accomplishment. Did he look from his windows at a winter tempest and see miserable old men and women running hard for shelter? Did a flash of lightning bare his soul to the misery, the betrayal and the madness of the world? His ...
— There's Pippins And Cheese To Come • Charles S. Brooks
... Swift himself. In speaking of Pudd'nhead Wilson, Anna E. Keeling has said "Humour there is in almost every scene and every page; but it is such humour as sheds a wild gleam on the greatest Shakespearian tragedies—on the deep melancholy of Hamlet, the heartbreak of Lear." The greatest ironic achievements of Mark Twain, in brief compass, are the two stories: 'The Man that Corrupted Hadleyburg' and 'Was it Heaven or Hell'? They reveal the power and subtlety of his art as an ironic humorist—or shall we rather say, ironic wit? For they range all the ...
— Mark Twain • Archibald Henderson
... of composition, and in popular estimation at least among English readers, comes, 'Le Pere Goriot.' It is certainly trite to call the book a French "Lear," but the expression emphasizes the supreme artistic power that could treat the motif of one of Shakespeare's plays in a manner that never forces a disadvantageous comparison with the great tragedy. The retired vermicelli-maker is not as grand a figure as the doting King ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... a passage from "Cymbeline," receiving the gratitude and applause of the ladies, to whose repeated entreaties he also read an extract from "King Lear," commencing with the line "No, I will be the pattern of all patience." Guy Trevelyan's voice was full, soft and musical, having the power of soothing the listener; but when required for dramatic readings, could command a versatility that was surprising. Miss Douglas archly ...
— Lady Rosamond's Secret - A Romance of Fredericton • Rebecca Agatha Armour
... he has made us laugh! A whole generation of men Smiled in the joy of his wit. But who knows whether he was not Like those deep jesters of old Who dwelt at the courts of Kings, Arthur's, Pendragon's, Lear's, Plying the wise fool's trade, Making men merry at will, Hiding their deeper thoughts Under a motley array,— Keen-eyed, serious men, Watching the sorry world, The gaudy pageant of life, With pity and wisdom ...
— Innocents abroad • Mark Twain
... the parents was that Carl should become a clergyman, but his distaste for theology did not go unexpressed. So perverse and persistent were his inclinations that they preyed on the mind of his father, who quoted King Lear and said, "How sharper than a serpent's tooth it is to ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... Shakespeare lays the mind of man bare, and strips him of his pretences, to try if he be indeed noble. And he finds that man, naked and weak, hunted by misfortune, liable to all the sins and all the evils that follow frailty, still has faith left to him, and charity. King Lear is still every inch ...
— England and the War • Walter Raleigh
... familiarity his caution vanished, and poor Cos lamentably disgraced himself at Sir Charles Mirabel's table, by premature inebriation. A carriage was called for him: the hospitable door was shut upon him. Often and sadly did he speak to his friends at the Kitchen of his resemblance to King Lear in the plee—of his having a thankless choild, bedad—of his being a pore worn-out, lonely old man, dthriven to dthrinking by ingratitude, and seeking to dthrown ...
— The History of Pendennis, Vol. 2 - His Fortunes and Misfortunes, His Friends and His Greatest Enemy • William Makepeace Thackeray
... people. Whereas, of all the shameful people (equally billions and not less bilious) that have presumed to quarrel with Milton, not one has thought him ludicrous, but only dull and somnolent. In 'Lear' and in 'Hamlet,' as in a human face agitated by passion, are many things that tremble on the brink of the ludicrous to an observer endowed with small range of sympathy or intellect. But no man ever found the starry ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... nothing better than those sudden leaps from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor ...
— Cosmopolis, Complete • Paul Bourget
... induced, without much persuasion, to join the rest of the party at dinner. In the evening, all (Fairthorn excepted) draw round the fire. Waife is entreated by George to read a scene or two out of Shakespeare. He selects the latter portion of "King Lear." Darrell, who never was a playgoer, and who, to his shame be it said, had looked very little into Shakespeare since he left college, was wonderstruck. He himself read beautifully—all great orators, I suppose, do; but his talent was not ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... gars the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheeped yestreen, The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light ...
— The Book of Humorous Verse • Various
... the burden of the accompaniment gracefully); a pleasant "Reverie" for string orchestra, harp, and organ; and two impromptus for string orchestra, a "Meditation" representing Cordelia brooding tenderly over the slumbering King Lear,—art ministering very tenderly to the mood,—and a ...
— Contemporary American Composers • Rupert Hughes
... Albert de Rutzen, ordered the destruction of 272 volumes of the English translation of Balzac's "Les Contes Drolatiques" on the ground that the book was obscene. "Les Contes Drolatiques" is an acknowledged masterpiece, and is not nearly so free spoken as "Lear" or "Hamlet" or "Tom Jones" or "Anthony and Cleopatra." What would be thought of a French magistrate or a German magistrate who ordered a fair translation of "Hamlet" or of "Lear" to be burnt, because of its obscenity? He would be regarded as demented. One can ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... four sweet-breads sliced, and as many sheep's-tongues, two shiver'd palates, two pair of lamb-stones, twenty or thirty coxcombs, with savoury-balls and oysters. Lay on butter, and close the pye. A lear. ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... shorn from a Roman head, had just begun his argument in the final trial of a great case that had been before the court for many years, and the privileged seats were filled with the highest legal talent, sitting to hear him. It was a famous will case[26], and I remember that he was quoting from "King Lear" as I entered. ...
— Strange True Stories of Louisiana • George Washington Cable
... but in a voice so harsh and bitter, and in such sardonic phrases—as when he says: "Sincerity is met with in very few people, and is usually nothing but a delicate dissimulation to attract the confidence of others"—that the more timid of his auditors shrank from him, as if he had been Hamlet or Lear. When he dared to suggest that none of these maxims were intended to refer to the reader himself, but only to all other persons, he invited the reaction which led Huet, Bishop of Avranches, to appeal against the morality of the "Maximes," as suited only to the vices of wicked persons, "improborum ...
— Three French Moralists and The Gallantry of France • Edmund Gosse
... beloved in the reading, I had the good fortune to see, I must think, in an impressionable hour, played by Mrs. Scott Siddons. Nothing has ever more moved, more delighted, more refreshed me; nor has the influence quite passed away. Kent's brief speech over the dying Lear had a great effect upon my mind, and was the burthen of my reflections for long, so profoundly, so touchingly generous did it appear in sense, so overpowering in expression. Perhaps my dearest and best friend outside of Shakespeare is ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely lies, Unconscious of the loving murderer nigh. Then through a ...
— War Poetry of the South • Various
... proclaimed. "No, I beg your pardon!" she hastily corrected herself, "King Lear! I hadn't noticed the crown." (Bruno had very cleverly provided one, which fitted him exactly, by cutting out the centre of a dandelion to make ...
— Sylvie and Bruno • Lewis Carroll
... part hidden behind the persons of his creation. Yet there are certain of his characters in which we feel that there is something of self-portraiture. And it is not so much in his grander, more subtle and ingenious creations that we feel this—in Hamlet and King Lear—as in those slighter and more spontaneously developed figures, who, while far from playing principal parts, are yet distinguished by a peculiar happiness and delicate ease in the drawing of them; figures which ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... import and adopt children from other countries, or dwindle in numbers, or both. Dynasties and aristocracies which have disregarded the laws of nature have decreased in numbers and degenerated in stature; 'mariages de convenance' leave their enfeebling stamp on the offspring of them (King Lear). The marriage of near relations, or the marrying in and in of the same family tends constantly to weakness or idiocy in the children, sometimes assuming the form as they grow older of passionate licentiousness. The common prostitute rarely has any offspring. By such unmistakable ...
— The Republic • Plato
... arrange my scattered ideas into some sort of connection and order. Mad! I clasped my aching head between my hands, and brooded on the fearful prospect looming before me, and in the words of poor King Lear, I prayed ...
— A Romance of Two Worlds • Marie Corelli
... see that he lives in a period of great poets may rest assured that he is a critic born—may rest assured that had he lived in the days of the Elizabethans he would have joined the author of ‘The Returne from Parnassus’ in despising the unacademic author of ‘Hamlet’ and ‘Lear.’ Among this band of great contemporary poets what is the special position held by him who, having set his triumphant hand to everything from the sampler up to the epic, has now, by way of recreation, or rather by way of opening a necessary ...
— Old Familiar Faces • Theodore Watts-Dunton
... best play, practically considered. The plot is simple, the handling of it direct and skilful, there is no propaganda to interfere with the characters, who are few, interesting, and admirably drawn. The contrast between the lion of Albrit (so often compared to King Lear) and the playful children is a master-stroke. Free from effectism, dealing only with inner values of the heart and morals, El abuelo can properly rank as one of the masterpieces of modern drama. Its theme is diametrically opposed to the traditional Spanish conception of family honor (cf. Realidad), ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... various dialects in the South of India, as a matter of convenience the English language is much used for personal communication by the natives of different parts of the Presidency of Madras. Mr. Edward Lear, who has travelled much in that part of the country, gives the following interesting account of a journey:—"I was in a second-class railway carriage going from Madras to Bangalore. There was only one other passenger beside myself and ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various
... literature the English had forgotten their past, and had turned to foreign sources. It is noteworthy that Shakspere, who borrowed his subjects and his heroes sometimes from authentic English history, sometimes from the legendary history of ancient Britain, Denmark, and Scotland, as in Lear, Hamlet, and Macbeth, ignores the Saxon period altogether. And Spenser, who gives in his second book of the Faerie Queene, a resume of the reigns of fabulous British kings—the supposed ancestors of Queen Elizabeth, his royal patron—has nothing to say of the real kings of early ...
— Brief History of English and American Literature • Henry A. Beers
... Club.... After tea I read Daru, and copied fair a speech I had been writing for an imaginary member of the House of Peers, on the Reform Bill. John Mason called, and they sat down to a rubber, and I came to my own room and read "King Lear." ... ...
— Records of a Girlhood • Frances Anne Kemble
... character. When, at a very youthful age, I became first acquainted with Shakespeare, I was displeased with his coldness, with his insensibility, which allows him to jest even in the most pathetic moments, to disturb the impression of the most harrowing scenes in "Hamlet," in "King Lear," and in "Macbeth," etc., by mixing with them the buffooneries of a madman. I was revolted by his insensibility, which allowed him to pause sometimes at places where my sensibility would bid me hasten and bear me along, and which sometimes ...
— The Works of Frederich Schiller in English • Frederich Schiller
... Petersburgh; and I remember well that this engraving by Sharp was one of the few ornaments in the drawing-room of Macaulay when I last saw him, shortly before his lamented death. Next to the Doctors of the Church is his LEAR IN THE STORM, after the picture by West, now in the Boston Athenaeum, and his SORTIE FROM GIBRALTAR, after the picture by Trumbull, also in the Boston Athenaeum. Thus, through at least two of his masterpieces whose ...
— The Best Portraits in Engraving • Charles Sumner
... journeys, or by the violence of rival claimants to their thrones. The pretended records contain a vast number of legends, of very little interest or value, as the reader will readily admit when we tell him that the famous story of King Lear is the most entertaining one in the whole collection. It ...
— King Alfred of England - Makers of History • Jacob Abbott
... 31st, I took Louisa, at half-past seven, to the house of Mr. Hawes, an under Secretary of State, to see a beautiful children's masque. It was an impersonation of the "Old Year" dressed a little like LEAR with snowy hair and draperies. OLD YEAR played his part inimitably, at times with great pathos, and then introducing witty hits at all the doings of his reign, such as exploding cotton, the new planet, a subject which he put at rest as "FAR BEYOND ...
— Letters from England 1846-1849 • Elizabeth Davis Bancroft (Mrs. George Bancroft)
... worthy arch and patron.'—King Lear; or from the Teutonic 'arg,' a rogue. It usually denotes roguish, ...
— The Works of John Bunyan • John Bunyan
... power of wrath, inheriting the high, hasty temper of his mother. Tobias Lear, his intimate friend and private secretary, says that in the winter of 1791, an officer brought a letter telling of General St. Clair's disastrous defeat by the Indians. It must be delivered to the President himself. He left his family and guests at ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... it is not to be criticised. Words fail when the heartstrings are thrilled to trembling and to tears. The pathos of Lear's recognition of Cordelia was past the power of words to describe. He stands at first gazing in vague bewilderment at the face of his child, then into the darkened and troubled gaze steals anew the light of reason and of recognition: unutterable sorrow, inexpressible ...
— Lippincott's Magazine of Popular Literature and Science, April, 1876. • Various
... the drift of Lethe in the darkness, but never for long together. Once he woke uneasily with a start and saw a flash. The crash followed as in one beat, and the rain was like the rain in King Lear. He was broadly awake now. Two carriers were nestling near him. He felt fearfully for his pipe, and almost mourned for it as washed away. He found it, and turned over with a happy sigh. 'Man's airy notions!' 'as in a grave,' 'mix with earth' ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps
... open E as in mere, but this with exceptions, as heather heather, wean wain, lear lair. ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 14 (of 25) • Robert Louis Stevenson
... fret of heart and soul, The loneliness and passion of King Lear; No more bewilderment and broken words Of wild ...
— The Miracle and Other Poems • Virna Sheard
... seq. Cf. King Lear. Throughout the figure of Saturn—the old man robbed of his kingdom—reminds us of Lear, and sometimes we seem to detect actual reminiscences of Shakespeare's treatment. Cf. Hyperion, i. 98; and King Lear, ...
— Keats: Poems Published in 1820 • John Keats
... of my bookcase. From across the room a hitburner seared the door and slashed sidewise, cutting a smoking swathe across my encyclopedia from A-AUD to CAN-DAN and then came down as I squirmed aside. It took King Lear right out of Shakespeare before the beam winked out. It went off just in time to keep me from sporting a cooked stripe ...
— Stop Look and Dig • George O. Smith
... etching) and by W. M. Rossetti (the verses): "Cordelia." For the belated No. 3 of "The Germ" we were much at a loss for an illustration. Mr. Brown offered to accommodate us by etching this design, one of a series from "King Lear" which he had drawn in Paris in 1844. That series, though not very sightly to the eye, is of extraordinary value for dramatic insight and energy. We gladly accepted, and he produced this etching with ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... whose limber tongue there was constantly leaping words unprintable and names of tar, deserves no soft pity at our hands. All his life he had been training his three daughters for exactly the treatment he was to receive. All his life Lear had been lubricating the chute that was to give him a quick ride out into that ...
— Love, Life & Work • Elbert Hubbard
... swaying him about in its fitful gusts, and he rather liked it. In his anguish of spirit it was a pleasure to contend with the storm. The wind, the lightning, the sudden sharp claps of thunder were on his own key. He felt in the temper of old Lear. The winds might blow and crack ...
— The End Of The World - A Love Story • Edward Eggleston
... Simile is ascribed by Dr. Whately to the fact that "all men are more gratified at catching the resemblance for themselves, than in having it pointed out to them." But after what has been said, the great economy it achieves will seem the more probable cause. Lear's exclamation— ...
— The Philosophy of Style • Herbert Spencer
... at first blush seems to us incapable of personification. Thus at one time*1* he likens men to clover-leaves and the Course-of-things to the browsing ox, which makes way with the clover-heads; while at another he addresses an old red hill of Georgia as "Thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer."*2* Like other Southern poets,*3* Lanier sometimes fails to check his imagination, and in consequence leaves his readers "bramble-tangled in a brilliant ...
— Select Poems of Sidney Lanier • Sidney Lanier
... see—a very handsome Face, inclining to round; fine wanton Eyes, with a plaguy Roguish Lear; plump, round, red Lips; not tall, nor low, and extremely well fashion'd. [Reads all this in her Tablets. —Ay, ay, ...
— The Works of Aphra Behn - Volume IV. • Aphra Behn
... Julius, downy bearded Justin, just Justus, just Kay, rejoicing Kenelm, a defender Kenneth, a leader Laban, white Lachlan, warlike Lambert, illustrious Lancelot, servant Laurence, laurel crowned Lawrence, laurel crowned Lazarus, God will help Leander, lion-hearted Lear, sea Leonard, lion-strong Leopold, bold for men Levi, adhesion Lewis, people's refuge Lionel, lion Llawellyn, lightning Lloyd, grey Lodowic, famed piety Lorenzo, laurel crowned Lot, lion Lothar, glorious warrior Lothario, great warrior ...
— Cole's Funny Picture Book No. 1 • Edward William Cole
... luvit ilk ither weel, 'Twas then we twa did part; Sweet time—sad time! twa bairns at schule, Twa bairns, and but ae heart! 'Twas then we sat on ae laigh bink, To leir ilk ither lear; And tones, and looks, and smiles were ...
— The Modern Scottish Minstrel, Volume III - The Songs of Scotland of the Past Half Century • Various
... are said to have robbed him of his books, besides cheating and plaguing him in the economy of his house, etc., etc. His feelings on such an outrage, both as a parent and a scholar, must have been singularly painful. Hayley compares him to Lear. See part third, Life of Milton, by W. Hayley (or Hailey, as spelt in the ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... open vengeance for an open slight, attended with displeasure at the same, the slight being put upon self, or upon some dear one, unbefittingly. The vengeance that the angry man craves is a vengeance that all shall see. "No, ye unnatural hags," cries Lear in his fury, "I will do such things,—what they shall be yet I know not, but they shall be the terror of the earth." When we are angry, we talk of "making an example" of the offender. The idea is that, as ...
— Moral Philosophy • Joseph Rickaby, S. J.
... can be traced back to his childhood and adolescence. But it is surprising to learn, as one does from his commentary, that other scenes in these very plays (Hamlet and King Lear, and in Macbeth, too) leave him unmoved, if one can so interpret the absence of any but an explanatory note on, say, Lear's speech beginning "Pray, do not mock me;/I am a very foolish fond old man." Besides this negative evidence there is also the positive evidence of many notes which display the dispassionate editorial mind at work where one might expect from Johnson an outburst of personal feeling. ...
— Notes to Shakespeare, Volume III: The Tragedies • Samuel Johnson
... 'Hamlet, Othello, and Lear were roles in which he [Burbage] gained especial renown. But Burbage and Shakespeare were popularly credited with co-operation in less solemn enterprises. They were reputed to be companions in many sportive adventures. The sole ...
— Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems • Jesse Johnson
... caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... which followed, were written by both Charles Lamb and his sister: indeed the work seems at first to have been intended for Mary's hand alone, but her brother undertook the telling of the stories of the tragedies, and to use his own words, out of the twenty tales he was "responsible for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail-piece or correction of grammar, for none of the cuts, and for all of the spelling." When the work was originally produced it had illustrations to which Lamb objected. His reference to tail-pieces is possibly an indication that ...
— Charles Lamb • Walter Jerrold
... us in any kind of literature. One might say, to be sure, that he knows Hotspur a good deal more intimately than he knows Mr. Henry Esmond, and that he has a pretty definite idea of Iago, Othello, Macbeth, King Lear, as definite as he has (to follow Mr. Austin) of Tito Melema. But we cannot reckon Othello, or Macbeth, or King Lear as FRIENDS; nay, we would rather drink with the honest ancient. All heroes and the heroines are usually too august, and also too ...
— Old Friends - Essays in Epistolary Parody • Andrew Lang
... good-wives, with knitting in hand, were gathering to greet Mistress Lear. Some fifteen or more, including the children, were soon settled about the Tozer fireplace, eager to learn of ...
— Some Three Hundred Years Ago • Edith Gilman Brewster
... Be comforted, good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... Shakspeare had never written them," giving us, as they do, and as perhaps nothing else could do, such proof of a power of loving, of an amount of attendrissement, which is not less wonderful than the bodying forth of that myriad-mind which gave us Hamlet, and Lear, Cordelia, and Puck, and all the rest, and indeed explaining to us how he could give us all these;—while we hardly go so far, we agree with his other wise words:—"There is a weakness and folly in all ...
— Spare Hours • John Brown
... letters with which I had aimed at giving it an air of distinction had already been compared by one of my teachers to Persian hieroglyphics. In this composition I had constructed a drama in which I had drawn largely upon Shakespeare's Hamlet, King Lear, and Macbeth, and Goethe's Gotz van Berlichingen. The plot was really based on a modification of Hamlet, the difference consisting in the fact that my hero is so completely carried away by the appearance of the ghost of his father, who has been murdered under ...
— My Life, Volume I • Richard Wagner
... think of nothing," answered Mr. Lear, and then repeated his opinion that he was not so near ...
— From Farm House to the White House • William M. Thayer
... childhood's days I took delight In LEAR'S immortal Dong, Whose nose was luminously bright, Who sang a silvery song. He did not terrify the birds With strange and unpropitious words Of double-edged ontong; I'm sure he ...
— Punch, or the London Charivari, Vol. 153, Sept. 19, 1917 • Various
... itself a true metre, helps a writer, for he could pass without incongruity from some unforeseen swift stroke of wit to elaborate reverie. I heard him say a few nights later: 'Give me "The Winter's Tale," "Daffodils that come before the swallow dare" but not "King Lear." What is "King Lear" but poor life staggering in the fog?' and the slow cadence, modulated with so great precision, sounded natural to my ears. That first night he praised Walter Pater's 'Essays on the Renaissance:' 'It is my golden book; I never travel anywhere without it; but ...
— Four Years • William Butler Yeats
... story, the almost invariable recurrence of the stock motives and frameworks—of rebellion, treason, paynim invasion, petulance of a King's son, somewhat too "coming" affection of a King's daughter, tyrannical and Lear-like impotentia of the King himself, etc.—may be exaggerated, but cannot be denied. In the greatest of all by general acknowledgment, the far-famed Roland, the economy of pure story interest is pushed to a point which in a less ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... glow of youth to a deeper crimson; and I daresay set many a female heart a palpitating. When he made his first appearance, there was just such a humming and clapping of hands as you may have heard when the celebrated Garrick comes upon the stage in King Lear, or King Richard, or any other top character. But how agreeably were we disappointed, when our young gentleman made such an oration as would not have disgraced a Pitt, an Egmont, or a Murray! while he spoke, all was hushed in admiration and attention; you could have almost heard a feather ...
— The Adventures of Sir Launcelot Greaves • Tobias Smollett
... before I looked at one of the plays, beyond the names of them, which shows that Saintsbury was right, and I do care more for life than for poetry. No—I take it back. Do you know one of the tragedies—a Bible tragedy too—David—was written in his third period—much about the same time as Lear? The comedy, April Rain, is also a late work. Beckett is a fine ranting piece, like Richard II., but very fine for the stage. Irving is to play it this autumn when I'm in town; the part rather suits him—but who is to play Henry—a tremendous creation, sir. Betterton in his private journal ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... outbreaks, which a sense of the wicked injustice of their fate, and seeing their own offspring brought up in evidence against them, through the most detestable acts, and by the basest subornation, would naturally extort from minds even of iron mould. If ever Lear's or Timon's power of malediction could be justifiably called into exercise, it would be against such a tribunal and such witnesses as they had generally ...
— Discovery of Witches - The Wonderfull Discoverie of Witches in the Countie of Lancaster • Thomas Potts
... "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... worldly-wise, to whom the tempest is only a matter of the machineries of a theatre—of painted clouds, electric lights, and sheets of copper—the world-wise govern the storm as they choose and leave you in it defenceless and lonely as old Lear. To put your heart into life is the most fatal of errors; it is to give a hostage to your enemies whom you can only ransom at the price of your ruin. But what is the use of talking? To you, life will be always Alastor and Epipsychidion, ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... follow Dr. Prior on this word: "Harlock, as usually printed in 'King Lear' and in Drayton, ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... the duke was, and he soon struck it. He dressed Jim up in King Lear's outfit—it was a long curtain-calico gown, and a white horse-hair wig and whiskers; and then he took his theater paint and painted Jim's face and hands and ears and neck all over a dead, dull, solid blue, like a man that's been drownded nine days. Blamed ...
— Innocents abroad • Mark Twain
... tragic gesture with which she took a pinch of snuff, I was sure it must be Mrs. Siddons. Her brother, John Kemble, sat behind,—a broken-down figure, but still with a kingly majesty about him. In lieu of all former achievements, Nature enables him to look the part of Lear far better than in the meridian of his genius. Charles Matthews was likewise there; but a paralytic affection has distorted his once mobile countenance into a most disagreeable one-sidedness, from which he could no more wrench it into proper form than he could rearrange the face ...
— P.'s Correspondence (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... to whose limber tongue there was constantly leaping words unprintable and names of tar, deserves no soft pity at our hands. All his life he had been training his three daughters for exactly the treatment he was to receive. All his life Lear had been lubricating the chute that was to give him a quick ride out into that black ...
— Love, Life & Work • Elbert Hubbard
... paper here published was prepared from a collection of original letters from General Washington on matters, for the most part, purely domestic and personal, addressed to Colonel Tobias Lear, his private Secretary for a part of the time he was President; and then, and during periods much longer, his confidential friend. They came into my hands through the voluntary kindness of Mrs. Lear, of the city of Washington, the estimable relict of Colonel ...
— Washington in Domestic Life • Richard Rush
... poverty of guarantees at Stanhope Gardens there had been least of all, it appeared, a proviso that she shouldn't resentfully revert again from Goneril to Regan. She came down to the goose-green like Lear himself, with fewer knights, or at least baronets, and the joint household was at last patched up. It fell to pieces and was put together on various occasions before Ray Limbert died. He was ridden to the end by the ...
— Embarrassments • Henry James
... window, "old as mankind; not therefore less bitter—the tragedy of ingratitude. At stupendous cost I have supported, educated, clothed you. You turn upon me for more. How sharper than a serpent's tooth it is to have a thankless child! I am Lear." ...
— Once Aboard The Lugger • Arthur Stuart-Menteth Hutchinson
... to a perfectly simple step—the sale of an estate. She cannot do this, is ruined, and thrown out into the unsympathetic world. Chekhov is the dramatist, not of action, but of inaction. The tragedy of inaction is as overwhelming, when we understand it, as the tragedy of an Othello, or a Lear, crushed by the wickedness of others. The former is being enacted daily, but we do not stage it, we do not know how. But who shall deny that the base of almost all human unhappiness is just this inaction, manifesting itself in slovenliness of thought and execution, ...
— Plays by Chekhov, Second Series • Anton Chekhov
... heresy with him, and the deplorable length of dialogue to the small amount of action in their plays making them sadly tiresome. The first that he saw at the principal theatre was a version of Balzac's Pere Goriot. "The domestic Lear I thought at first was going to be very clever. But he was too pitiful—perhaps the Italian reality would be. He was immensely applauded, though." He afterwards saw a version of Dumas' preposterous play of Kean, in which most ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... plays of Shakespeare. There man appears as he is, made up of a crowd of passions, which contend for the mastery over him, and govern him in turn. What is Hamlet's ruling passion? Or Othello's? Or Harry the Fifth's? Or Wolsey's? Or Lear's? Or Shylock's? Or Benedick's? Or Macbeth's? Or that of Cassius? Or that of Falconbridge? But we might go on for ever. Take a single example—Shylock. Is he so eager for money as to be indifferent ...
— Famous Reviews • Editor: R. Brimley Johnson
... said, has found an asylum in Persia. The Shah allows him a palace, but he is shorn already of half his hareem. Perhaps the fate of Lear may be before him yet, though ...
— 1931: A Glance at the Twentieth Century • Henry Hartshorne
... an intense power of invention and expression in domestic drama; (King Lear and Hamlet being essentially domestic in their strongest motives of interest). There is a tendency at this moment towards a noble development of our art in this direction, checked by many adverse conditions, which may be summed in ...
— Selections From the Works of John Ruskin • John Ruskin
... lips, hesitating to reply. He wished to keep back as much of the dread truth as possible. He feared the effect upon his daughter of the startling announcement that young Massetti was wandering about amid the ruins of the Colosseum like a second King Lear on the blasted heath. But Maximilian came quickly ...
— Monte-Cristo's Daughter • Edmund Flagg
... had married Pleyel. In a wild state of frenzy he would go to Paris at once and seek revenge. He started, got as far as Nice, grew calmer, remained at Nice for a month, during which time the Overture to "King Lear" was written, then returned to Rome by the ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... it was invented by old people trying to prove their first childhood, and sometimes succeeding only in proving their second. But whatever else the thing was, it was English and it was individual. Lewis Carroll gave mathematics a holiday: he carried logic into the wild lands of illogicality. Edward Lear, a richer, more romantic and therefore more truly Victorian buffoon, improved the experiment. But the more we study it, the more we shall, I think, conclude that it reposed on something more real and profound in the Victorians than even their ...
— The Victorian Age in Literature • G. K. Chesterton
... old rake, the Marquis de Noriolis, feeble in his folly and wandering in helplessness, but irresistible when aroused, is a striking figure; and still more striking is the portrait of his wife, now the Marquise de Noriolis, but once Fanny Lear the adventuress—a woman who has youth, beauty, wealth, everything before her, if it were not for the shame which is behind her: gay and witty, and even good-humored, she is inflexible when she is determined; hers is a velvet manner and an iron ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XXVI., December, 1880. • Various
... Himself has given us. Here is the picture—a palace, a table abundantly spread, lights and music, delight and banqueting, gladness and fulness, society and sustenance. The guests sit close and all partake. To be within means food, shelter, warmth, festivity, society; to be without, like Lear on the moor, is to stand the pelting of the storm, weary, stumbling in the dark, starving, solitary, and sad. Within is brightness and good cheer; ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... was the most wonderful mixture of fun and tears. Great Will was extremely youthful, but everybody in the park called him, 'Father William'; and when he wanted to know which way the deer had gone, King Lear (or else my memory deceives me) punned, and Lady Macbeth waved a handkerchief for it to be steeped in the blood of the deer; Shylock ordered one pound of the carcase; Hamlet (the fact was impressed on me) offered him a three-legged stool; and a number ...
— The Shaving of Shagpat • George Meredith
... about the Santa Clans doings and the principal actor in them, and no end of speculations as to his inducements and purposes to be served in taking so much trouble. For Shampuashuh people were shrewd, and did not believe, any more than King Lear, that anything could come of nothing. That he was not moved by general benevolence, poured out upon the school of the white church, was generally agreed. "What's we to him?" asked pertinently one of the old ...
— Nobody • Susan Warner
... was formerly a favourite pickle; hence the "dangerous trade" of the samphire gatherer ("King Lear," act iv. sc. 6) who supplied the demand. It was sold in the streets, and one of the old London cries was "I ha' Rock Samphier, ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
... bear Affliction till it do cry out itself, Enough, enough, and die. King Lear, Act iv. Sc. ...
— The World's Best Poetry — Volume 10 • Various
... us talk: about dramatists; you have read Shakespeare?" "Yes, every play again and again." "Which do you like best?" "I like them all, the historical and the imaginative; I have never seen one acted, but to me King Lear is his masterpiece." ...
— London's Underworld • Thomas Holmes
... in one act, but always brief, and almost always gay, if not farcical. Audiences, which in the early days assembled before seven o'clock, had to be sent home happy. After the tragedy, the slap-stick or the loud guffaw; after "Romeo and Juliet," Cibber's "Hob in the Well"; after "King Lear," "The Irish Widow." (These two illustrations are taken at random from the programs of the Charleston theatre in 1773.) This custom persisted until comparatively recent times. The fathers and mothers of the ...
— Washington Square Plays - Volume XX, The Drama League Series of Plays • Various
... Shakespeare, Milton, and Virgil. Lamb got exceedingly merry, and exquisitely witty, and his fun, in the midst of Wordsworth's solemn intonations of oratory, was like the sarcasm and wit of the fool in the intervals of Lear's passion.' Although the specimens of wit recorded no longer seem inspired, we can well believe Haydon's statement that it was an immortal evening, and that in all his life he never passed a more delightful time. We have abundant testimony to the fact that the artist-host was ...
— Little Memoirs of the Nineteenth Century • George Paston
... would get The stumps with balls that broke astray? And Mann, whose balls would ricochet In almost an unholy way (So do baseballers "pitch" to-day) George Lear, that seldom let a bye, And Richard Nyren, grave and gray? Beneath the daisies, there ...
— New Collected Rhymes • Andrew Lang
... cast down; flushed whenever she was addressed; stammered whenever she answered a question, and nearly died of heart failure when subjected to an examination of any sort. She delighted the committee when reading at sight from "King Lear," but somewhat discouraged them when she could not tell the capital of the United States. She admitted that her former teacher, Miss Dearborn, might have mentioned it, but if so she had not ...
— New Chronicles of Rebecca • Kate Douglas Wiggin
... Troy,—but go on to give the history of other early kings of Britain, including Arthur. They often touch the true epic note,—as in the wrestling match between Corineus and the giant,—use similes drawn from every-day life, and supply us with legends of King Lear and of Cymbeline. ...
— The Book of the Epic • Helene A. Guerber
... fortnight, until he was able to settle down comfortably in lodgings, in Dove Court, Mansion House. He was soon hard at work upon 'The Death of Rizzio,' adorning his walls with pictures he had brought with him or sent for afterwards from Kendal, such as 'King Lear,' 'Elfrida,' 'The Death of Lefevre,' and a few portraits of friends. The Rizzio picture has been represented as 'a work of extraordinary merit, combining energetic action with strong expression.' Its fate was sad enough; attracting no notice, producing no ...
— Art in England - Notes and Studies • Dutton Cook
... the present day to find the true reply—to draw back the veil from the "bitter close of all," and to show that the hardest part of her work began when she laid down her sword, and the ending years of her life were the saddest and weariest portion. Never since the days of Lear has such a tale been told of a parent's sacrifice and of a child's ingratitude. In the royal home of the Duke of Bretagne, there was no room for her but for whose love and care he would have been a homeless fugitive. The discarded mother ...
— The White Lady of Hazelwood - A Tale of the Fourteenth Century • Emily Sarah Holt
... speculation in them, as Shakespear says; what should be white is red, and there is no sight or crystal, only a black spot. It alters his countenance, and he looks like a man in a tragedy, as in K[ing] Lear, that has had his eyes put out with ...
— George Selwyn: His Letters and His Life • E. S. Roscoe and Helen Clergue
... if we may judge from the accounts which we have of their poor commons, would have used far different words, in addressing the Faculty, from King Lear, who, speaking ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... of these resolutions, a written message was received from the President, accompanying a letter from Mr. Lear, which he said, "will inform you that it had pleased Divine Providence to remove from this life our excellent fellow citizen, GEORGE WASHINGTON, by the purity of his life, and a long series of services to his country, rendered illustrious through the world. It remains for ...
— The Life of George Washington, Vol. 5 (of 5) • John Marshall
... appear extravagant praise, but for its justice we confidentially appeal to the record. The plays which have most severely tried the sagacity of Shakspeare's critics, are Hamlet, Macbeth, Lear, and Othello. We do not hesitate to say that Mr. Hudson's analysis and representation of these are the most thorough, accurate, and comprehensive which exist at present either in English or German. Compare him or these tragedies with Goethe, with Schlegel, with Coleridge, with Hazlitt, with ...
— Graham's Magazine Vol XXXII No. 6 June 1848 • Various
... 'Lear, Macbeth, Mercutio—they live on their own, as it were. The newspapers are full of them, if we were only the Shakespeares to see it. Have you ever been in a Police Court? Have you ever WATCHED tradesmen behind their counters? My soul, the secrets ...
— The Return • Walter de la Mare
... that death is most miserable, not to say ignominious! Stupid pride is one of the symptoms of madness. Of the two madmen mentioned in Don Quixote, one thought himself NEPTUNE, and the other JUPITER. Shakspeare agrees with CERVANTES; for, Mad Tom, in King Lear, being asked who he is, answers, 'I am a tailor run mad with pride.' How many have we heard of, who claimed relationship with noblemen and kings; while of not a few each has thought himself the Son of God! To the public journals, and ...
— Advice to Young Men • William Cobbett
... fairly on English ground now; of course, it is wet weather. The phenomena of the British climate have not changed much since the time when the rains "let fall their horrible pleasure" upon the head of the poor, drenched outcast, Lear. Thunder and lightning, however, which belonged to that particular war of the elements, are rare in England. The rain is quiet, fine, insinuating, constant as a lover,—not wasting its resources in sudden, ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... is ascribed by Dr. Whately to the fact that "all men are more gratified at catching the resemblance for themselves, than in having it pointed out to them." But after what has been said, the great economy it achieves will seem the more probable cause. Lear's exclamation— ...
— The Philosophy of Style • Herbert Spencer
... of the parents was that Carl should become a clergyman, but his distaste for theology did not go unexpressed. So perverse and persistent were his inclinations that they preyed on the mind of his father, who quoted King Lear and said, "How sharper than a serpent's tooth it is to have a ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... very definitely mapped-out and circumscribed. But he is far too good a craftsman to do no more than give a mere panorama of that daily Bath programme which King Nash and his dynasty ordained and established. He goes back to the origins; to the legend of King Lear's leper-father; to the Diary of the too-much-neglected Celia Fiennes; to Pepys[55] and Grammont's Memoirs; to the days when hapless Catherine of Braganza, with the baleful "belle Stewart" in her train, made fruitless pilgrimage ...
— De Libris: Prose and Verse • Austin Dobson
... feeling that Pindar's Isle of the Blest, whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses their golden hair with its reddening ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... When, at a very youthful age, I became first acquainted with Shakespeare, I was displeased with his coldness, with his insensibility, which allows him to jest even in the most pathetic moments, to disturb the impression of the most harrowing scenes in "Hamlet," in "King Lear," and in "Macbeth," etc., by mixing with them the buffooneries of a madman. I was revolted by his insensibility, which allowed him to pause sometimes at places where my sensibility would bid me hasten and bear me along, and which sometimes carried him away ...
— The Works of Frederich Schiller in English • Frederich Schiller
... Hamilton and Madison about it. They thought it desirable; and on the morning of Thursday, the fifteenth of October, he set out in his carriage drawn by four horses, and accompanied by Major Jackson, his aid-de-camp, and Tobias Lear, his private secretary, with six servants. All papers appertaining to foreign affairs he left under the temporary control ...
— Washington and the American Republic, Vol. 3. • Benson J. Lossing
... highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... call the most universal genius that ever existed. He has a truly wonderful variety. It is almost impossible to pronounce in which he has done best, his Hamlet, Macbeth, Lear, or Othello. He is equally excellent in his comic vein as his tragic. Falstaff is in his degree to the full as admirable and astonishing, as what he achieved that is noblest under the auspices of the graver muse. His poetry and the fruits of ...
— Thoughts on Man - His Nature, Productions and Discoveries, Interspersed with - Some Particulars Respecting the Author • William Godwin
... reflectors are only used now for cheap search-lights. 2. I will only mention some of the best. 3. I only had time to read "King Lear." 4. He only spoke to me, not to you. 5. Coons are only killed with the help of dogs. The coon only comes out in the night-time. 6. Lost, a Scotch terrier, by a gentleman, with his ears cut close. ...
— Practical Exercises in English • Huber Gray Buehler
... want to know what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, ...
— Ulysses • James Joyce
... succeeded in that office Thomas Shadwell, the Whig substitute for Dryden. Besides his version of the Psalms produced in concert with his friend Dr. Nicholas Brady, Tate produced his own notion of an improvement upon Shakespeare's King Lear and nine dramatic pieces, with other poetry, of which the above lines are a specimen. Tate was in his younger days the writer of the second part of Dryden's 'Absalom and Achithophel,' to which Dryden himself contributed only ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. We want to take him into shelter and relieve him. That is all the feeling which the acting of Lear ever produced in me. But the Lear of Shakespeare cannot be acted. The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be to represent Lear: they might more easily propose ...
— English Critical Essays - Nineteenth Century • Various
... and Instrumental Musick, for the Benefit of Mr. Edward Keen, the Father of twenty Children; and that this Day the haughty George Powell hopes all the good-natur'd part of the Town will favour him, whom they Applauded in Alexander, Timon, Lear, and Orestes, with their Company this Night, when he hazards all his heroick Glory for their Approbation in the humbler Condition of honest ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... angel ever since my blindness. She does all my writing, reads the plays and my notes to refresh my memory. She was reading King Lear this afternoon, and I was much stirred by the sad trials of the poor old king. I mentally compared my lot with his and found that the advantage is mine. He had no home, two ungrateful daughters, and, as far as I can learn, no 'shadow ...
— The Unknown Wrestler • H. A. (Hiram Alfred) Cody
... World, who with three hundred untrained militia conquered for you that vast domain of the Northwest, which Virginia, in her devotion to the Union gave, a free donation with magnanimity surpassing that of Lear. She divided her possession with her associates, and let me add, it has not been requited with the ingratitude of Lear's daughters, for the disposition and the policy of this Government toward Virginia at the end of the war, and toward the people of the South ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... concert in the afternoon two very interesting things were performed. One was a fantasia, King Lear; the other was a quartette dedicated to the memory of Bach. Both were new and in the new style, and Levin was eager to form an opinion of them. After escorting his sister-in-law to her stall, he stood against a column and tried to ...
— Anna Karenina • Leo Tolstoy
... was anciently believed that this bird (the king-fisher), if hung up, would vary with the wind, and by that means shew from what quarter it blew." STEEVENS (apud Dodsley's O. P.),—who refers to the note on the following passage of Shakespeare's KING LEAR, act ...
— The Jew of Malta • Christopher Marlowe
... hordes of brutal soldiery had invaded the fertile soil, the tempest of war had swept the land and left it desolate. The South lay battered and bruised, and pros trate in blood, the "Niobe of nations," as sad a victim of ingratitude as King Lear. ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... how often do we imitate those Dumb Beasts in our own degree! fondling them indeed when they are Kittens and Puppies, but fighting Tooth and Nail with them when they be full grown. But there is as much to be said on the one side as on the other; and for every poor old Lear wandering up and down, pursued by the spite of Goneril and Regan, shall you find a Cordelia whose heart is ...
— The Strange Adventures of Captain Dangerous, Vol. 2 of 3 • George Augustus Sala
... an accent much broader than the provincial dialect—"na, my faither was owre puir for giein me ony buke lear." This seemed to satisfy the damsel, and she intrusted him with the letter in its unclosed state, only enjoining him to show it to nobody, and give it into the hands ...
— Wilson's Tales of the Borders and of Scotland, Volume III • Various
... execution is everything, and the class or subject nothing. The highest subjects, equally well-executed (which, however, rarely happens), are the best."[75] Though each is perfect in its kind, there can be no difficulty in deciding the question of greatness between "King Lear" and "The Comedy of Errors." "The greatest strength of genius is shewn in describing the strongest passions: for the power of imagination, in works of invention, must be in proportion to the force of the natural impressions, which are the subject of them."[76] ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... limitations, behaves like a teletype or some other printing terminal, thereby combining the disadvantages of both: like a printing terminal, it can't do fancy display hacks, and like a display terminal, it doesn't produce hard copy. An example is the early 'dumb' version of Lear-Siegler ADM 3 (without cursor control). See {tube}, {tty}; compare {dumb terminal}, {smart terminal}. See "{TV Typewriters}" (Appendix A) for an interesting true story ...
— The Jargon File, Version 4.0.0
... of Letourneur. Before that translation began to appear, JEAN-FRANCOIS DUCIS (1733-1816), the patron of whose imagination was his "Saint Guillaume" of Stratford, though he knew no English, had in a fashion presented Hamlet (1769) and Romeo and Juliet to his countrymen; King Lear, Macbeth, King John, Othello (1792) followed. But Ducis came a generation too soon for a true Shakespearian rendering; simple and heroic in his character as a man, he belonged to an age of philosophers and sentimentalists, ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... these in date of composition, and in popular estimation at least among English readers, comes, 'Le Pere Goriot.' It is certainly trite to call the book a French "Lear," but the expression emphasizes the supreme artistic power that could treat the motif of one of Shakespeare's plays in a manner that never forces a disadvantageous comparison with the great tragedy. The retired vermicelli-maker ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... For mighty exceedingly were these men. At the noise of them running to battle all Ireland shook, and the illimitable Lir [Footnote: Lir was the sea-god, the Oceanns of the Celt; no doubt the same as the British Lear, the wild, white-headed old king, who had such singular daughters; two, monsters of cruelty, and one, exquisitely sweet, kind, and serene, viz.: Storm, Hurricane, and Calm.] trembled in his watery halls; the roar of their brazen chariots reverberated from the solid canopy ...
— The Coming of Cuculain • Standish O'Grady
... ask Sanin to sing something in his mother tongue. "The ladies praised his voice and the music, but were more struck with the softness and sonorousness of the Russian language." I remember being similarly affected years ago when I heard "King Lear" read aloud in Russian. Baron von der Bruggen says,* "there is the wonderful wealth of the language, which, as a popular tongue, is more flexible, more expressive of thought than any other living tongue I know of." No one has paid a better tribute ...
— Essays on Russian Novelists • William Lyon Phelps
... REWARD. Ran away from the subscriber, on Sunday night, 27th inst., my NEGRO GIRL, Lear Green, about 18 years of age, black complexion, round-featured, good-looking and ordinary size; she had on and with her when she left, a tan-colored silk bonnet, a dark plaid silk dress, a light mouslin delaine, also one watered ...
— The Underground Railroad • William Still
... well are these parts played by Miss ADA DYAS and Miss MAUD MILTON. The audience can have no sympathy with the two wicked Princesses, and except in Goneril's brief Lady-Macbethian scene with her husband, neither of the Misses LEAR has much dramatic chance. Pity that Mrs. LEAR—his Queen and their mother, wasn't alive! Let us hope she resembled her youngest daughter Cordelia, otherwise poor Lear must have had a hard life of it ...
— Punch, Or The London Charivari, Vol. 103, November 19, 1892 • Various
... our own time, Garrick's name was received with the greatest enthusiasm. He presently superseded both Hogarth and Handel, who had been talked of, but then it was on condition that he should sit in tragedy and comedy, in the play and the farce,—Lear and ...
— Old and New London - Volume I • Walter Thornbury
... recites the text (of King Lear) as though it were all prose, and not occasionally written in poetic measure; whereas, blank verse can, and always should, be distinguishable from prose by proper modulations of the voice, which a listener with a nice ear and a cultivated taste could not mistake, nor, if confounded, ...
— Continental Monthly, Vol. III, No IV, April 1863 - Devoted to Literature and National Policy • Various
... History of the Life and Death of King Lear, and his three Daughters, with the unfortunate Life of Edgar, Sonne and Heire to the Earl of Glocester, and his sullen and assumed Humour of Tom of Bedlam, by his Majestie's servants. First Edit. 4to. ib. 1608. 28 ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... worked out the math for the interplanetary ships? I did! Without me they would never have been built!" He turned dramatically, as though he were playing King Lear. "And what do I get for it?" He pointed an accusing finger at Arcot. "What do I get? He is called 'Earth's most brilliant physicist', and I, who did all the hard work, am referred to as 'his mathematical assistant'." He shook his head solemnly. ...
— Islands of Space • John W Campbell
... the sacred lore;" This fancy realiz'd, the bard shall see, And his best commentator breathe in thee. She spoke: her magic powers the actor tried; Then Hamlet moraliz'd and Richard died; The dagger gleam'd before the murderer's eye, And for old Lear each bosom heav'd sigh; Then Romeo drew the sympathetic tear, With him and Cibber Love lay bleeding here. Enchanting Cibber! from that warbling throat No more pale Sorrow pours the liquid note. Her voice ...
— The Mirror of Taste, and Dramatic Censor - Vol I, No. 2, February 1810 • Samuel James Arnold
... like a great painter, he brings all Nature into sympathy with man. We feel the ghostly shudder of the November night in Hamlet, breathe the bracing Highland air in Macbeth, the air of the woods in As You Like It; the storm on the heath roars through Lear's mad outburst, the nightingale sings in the pomegranate outside ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor Tom" ...
— Cosmopolis, Complete • Paul Bourget
... Hamlet, Richard, Lear, Macbeth, &c. were star height above what we see now, he lost by a comparison with Garrick. Here the latter showed the master in an uncommon degree; as he did in all the quick animated parts of tragedy. In the spritely, light kind of gentlemen, Garrick had likewise the ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 4, April 1810 • Various
... agreed to accept that story as a great and tragic study of passion and sorrow, a wild picture of storm and moorland, of outraged goodness and ingratitude. The world which has crowned 'King Lear' with immortality, keeps a lesser wreath for 'Wuthering Heights.' But in 1848, the peals of triumph which acclaimed the success of 'Jane Eyre' had no echo for the work of Ellis Bell. That strange genius, brooding and foreboding, intense and narrow, was passed over, disregarded. One author, indeed, ...
— Emily Bront • A. Mary F. (Agnes Mary Frances) Robinson
... according to your taste or rank, in the cricket-field, or at the Opera, and you will soon find thoughts of the evening hazards and bets intrude themselves on the sermon, and that recollections of the popular melodies interfere with the psalms. Religion is thus treated like Lear, to whom his ungrateful daughters first denied one half of his stipulated attendance, and then made it a question whether they should grant him any share of what ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 13, No. 355., Saturday, February 7, 1829 • Various
... was to sustain a prolonged expedition by land against Tripoli to put Hamet on his throne, appears in the instructions which Commodore Barron carried to the Mediterranean. If he could use Eaton and Hamet to make a diversion, well and good; but he was at the same time to assist Colonel Tobias Lear, American Consul-General at Algiers, in negotiating terms of peace, if the Pasha showed a conciliatory spirit. The Secretary of State calculated that the moment had arrived when peace could probably be secured "without any price and ...
— Jefferson and his Colleagues - A Chronicle of the Virginia Dynasty, Volume 15 In The - Chronicles Of America Series • Allen Johnson
... saved him from the expulsion, penury, and wanderings he has undergone, had deserted his cause—had looked with indifferent eyes on his awful woes—had joined with Creon to expel him from the Theban land. They are the Goneril and Regan of the classic Lear, as Antigone is the Cordelia on whom he leans—a Cordelia he has never thrust from him. "When," says Oedipus, in stern bitterness ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... was monotonous to the Pierian colonists, and the people distasteful. The clipped hair and penitential scowl of the men made heavy the hearts of the Muses; their daughters and wives had a sharp, harsh, pert "tang" in their speech, that grated upon the ears of Apollo, who held with King Lear as to the excellence of a low, soft voice in woman. Each native seemed to the strangers sadly alike in looks, dress, manners, and pursuits, to every other native. Of Art they were absolutely ignorant. They built their temples on the same model as their barns. Poetry meant Psalms sung through ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... vice are exhibited in daily, homespun dress, and stalking abroad through the centuries, the generous and brave nobility of King Lear, Caesar, Othello, and Hamlet, will be seen in marked contrast to Shylock, Brutus, Cassius, Iago, Gloster and Macbeth. His fools and wits were philosophers, while many of his kings, queens, dukes, lords and ladies were sneaks, frauds ...
— Shakspere, Personal Recollections • John A. Joyce
... is just such moods that transform and elevate what otherwise would be absurd to the nobly serious; that changes the impossible into the possible; just as an exalted mood or mind is, or was, the primary difference between Hamlet, or Macbeth, or Lear, and any of the forgotten Bowery melodramas ...
— Children of the Whirlwind • Leroy Scott
... the stage, minutely from some living model? Surely observation and natural originality is more than the photographic copying of your "conscientious" artist! Worse feebleness still it is when an artist has to paint a well-known character, say King Lear or Mary Queen of Scots, and goes about hunting for a living person as near as possible in appearance to the original, and then costumes and slavishly reproduces him or her, without any show of judgment or insight after the model is once selected. ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... readers—Lamb writes very much in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will be ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... little weaknesses of his which Mr. Jones's biography, all unconsciously, reveals. Butler, it is clear, was morbidly vain. Many writers are so, but few let their vanity take them so far. Learn from Mr. Jones. In 1879 he and Butler met Edward Lear in an inn at Varese. He told them a little tale about a tipsy man from Manchester—rather a good little tale. "I do not remember that Edward Lear told us anything else particularly amusing, but then ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... rounded with a sleep." The easy-going persons who reluct at the idea of a pessimistic Shakespeare should turn the pages of Troilus and Cressida, Measure for Measure, and Timon of Athens. What we guessed as we read Hamlet and Lear grows a certainty as ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... that gars the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheepen yestreen. The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light as ...
— The Humourous Poetry of the English Language • James Parton
... used to kneel once, and who was cast lower than the poorest—dead whom millions prayed for in vain. Driven off his throne, buffeted by rude hands, with his children in revolt, the darling of his old age killed before him untimely—our Lear hangs over her breathless lips and cries, Cordelia! ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873 • Various
... Elizabeth should have so treated her, and as I didn't sleep any more than she did, though, owing to very different feelings about Elizabeth, I made up my mind as to some things I would say to her when she got back. And if she has never read "King Lear" I will see that she hears it read before very long with a glossary, and comments of my own on ingratitude and things of that sort. Also she may hear ...
— Kitty Canary • Kate Langley Bosher
... Drinking Cup, in Dutton, The Tortoise and the Geese; The Lark and her Young Ones, in Scudder, Book of Fables and Folk-Stories; The Monk and the Bird, in Scudder, Book of legends; The Owl and his School, in Ramaswami Raju, Indian Fables; The Owl and the Pussy-Cat, Lear (poem), in Story-Telling Poems; The Partridge and the Crow, in Dutton, The Tortoise and the Geese; The Pious Robin, in Brown, Curious Book of Birds; The Rustic and the Nightingale, in Dutton, The Tortoise and the Geese; The Sparrows, Thaxter (poem), in Story-Telling Poems; ...
— Good Stories For Great Holidays - Arranged for Story-Telling and Reading Aloud and for the - Children's Own Reading • Frances Jenkins Olcott
... we find the fatality in "Hamlet," "King Lear," in "Macbeth"? Is its throne not erected in the very centre of the old king's madness, on the lowest degree of the young prince's imagination, at the very summit of the Thane's morbid cravings? Macbeth ...
— Wisdom and Destiny • Maurice Maeterlinck
... "See how she bullies a poor old man, Jim. I'm worse than that Lear fellow in the play—most henpecked father ...
— Oh, You Tex! • William Macleod Raine
... of a second term, in the concrete, was duped by men who hate liberty every way. He is the cat's-paw. By much dragging of chestnuts from the fire for others to eat, his claws are burnt off to the gristle, and he is thrown aside as unfit for further use. As the fool said of King Lear, when his daughters had turned him out of doors, ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... with entire sincerity,—I said,—always feels himself in danger of two things, namely,—an affectation of bluntness, like that of which Cornwall accuses Kent in "Lear," and actual rudeness. What a man wants to do, in talking with a stranger, is to get and to give as much of the best and most real life that belongs to the two talkers as the time will let him. Life is short, and conversation apt to run to mere words. Mr. Hue I think ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... imaginative. They abandon themselves without reserve to every illusion. Every image which is strongly presented to their mental eye produces on them the effect of reality. No man, whatever his sensibility may be, is ever affected by Hamlet or Lear as a little girl is affected by the story of poor Red Ridinghood. She knows that it is all false, that wolves cannot speak, that there are no wolves in England. Yet, in spite of the knowledge, she believes; she weeps; she trembles; she dares not go ...
— Mushrooms on the Moor • Frank Boreham
... styles—the first containing such lighter, friendlier work, as "Life's Little Ironies," "Under a Greenwood Tree," and "The Trumpet Major"—the second being the period of the great tragedies which assume the place, in his work, of "Hamlet," "Lear," "Macbeth" and "Othello," in the work of Shakespeare—the third, of curious and imaginative interest, expresses in quite a particular way, Mr. Hardy's own peculiar point of view. The Well-Beloved, Jude the Obscure, and the later poems would ...
— One Hundred Best Books • John Cowper Powys
... dogges, and then thei would haue peace and concorde with theim, the Shepeherdes gaue ouer their Dogges, their Dogges deliuered and murdered, the shepe were immediat- ly deuoured: So saieth he, if ye shall ones deliuer to Philip, the king of the Macedonians your Oratours, by whose lear- nyng, knowlege and wisedome, the whole bodie of your do- minions is saued, for thei as Bandogges, doe repell all mis- cheuous enterprises and chaunses, no doubte, but that raue- nyng Wolfe Philip, will eate and consume your people, by this Fable he made an Oracion, he altered ...
— A booke called the Foundacion of Rhetorike • Richard Rainolde
... City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" are ...
— Kansas Women in Literature • Nettie Garmer Barker
... And, like a scurvy politician, seem To see the things thou dost not. King Lear, ...
— The World's Best Poetry — Volume 10 • Various
... moon's Cloud-hurrying glimmer,—to the startled ear, Crazed, madman snatches of old, perished tunes, The witless wit of outcast Edgar there In the wild night; or, wan with all despair, The mirthless laughter of the Fool in Lear. ...
— Weeds by the Wall - Verses • Madison J. Cawein
... the growing number of his years expressly as these constitute a deduction from the unknown sum total of those which have been appointed him; and when the utmost bravery of their affection must breathe, not Serus, but CITO in cadum redeas! O royal Lear of our literature, who have spurned from your love the dearest daughter of your thought, is it only left us to say, "How friendly is Death,—Death, who restores us to free relations with the whole, when our own fierce partialities ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... wrecking of a vessel in ice and snow off Prince's Bay on Staten Island. A long, bright column told of the doings in the theatrical world—the plays produced, the actors appearing, the managers making announcements. Fannie Davenport was just opening at the Fifth Avenue. Daly was producing "King Lear." He read of the early departure for the season of a party composed of the Vanderbilts and their friends for Florida. An interesting shooting affray was on in the mountains of Kentucky. So he read, read, read, rocking in the warm room near the radiator and waiting for dinner ...
— Sister Carrie • Theodore Dreiser
... usurped its throne, and ever since the maddened old creature, with hoary crest of foam, wails and laments continually, like King Lear exposed to the ...
— Glimpses of Bengal • Sir Rabindranath Tagore
... stage, in L'Allegro, for comedy, and the buskin, in Il Penseroso, for tragedy. Milton seems to think the comic drama in England needs no apology, but he hesitates at the tragic. The poet of King Lear is named for his sweetness and his ...
— Flower of the Mind • Alice Meynell
... poems are his Sonnets, in which he chronicles many of the various moods of his mind. The plays consist of tragedies, historical plays, and comedies. The greatest of his tragedies are probably Hamlet and King Lear; the best of his historical plays, Richard III. and Julius Csar; and his finest comedies, Midsummer Night's Dream and As You Like It. He wrote in the reign of Elizabeth as well as in that of James; but his greatest works belong to the ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... handwriting was beautifully neat, almost like copper-plate, in its precision and elegance, we shall understand what a task it must have been for him to keep up his correspondence. A little later he employed a young New Hampshire graduate of Harvard, Tobias Lear, who graduated in 1783, who served him as secretary until his death, and undoubtedly lightened the epistolary cares of the General. But Washington continued to carry on much of the letter-writing, especially the intimate, himself; and, like the Adamses and other statesmen ...
— George Washington • William Roscoe Thayer
... has resolved itself into a begging of the question. Shakespeare made Hamlet comprehensible to the groundlings by diluting that half of him which was Shakespeare with a half which was a college sophomore. In the same way he saved Lear by making him, in large part, a tedious and obscene old donkey—the blood brother of any average ancient of any average English tap-room. Tackling Caesar, he was rescued by Brutus' knife. George Bernard Shaw, facing the same difficulty, resolved ...
— A Book of Prefaces • H. L. Mencken
... actor as his only possible successor. On Iffland's death Devrient was summoned to Berlin, where he was for fifteen years the popular idol. He died there on the 30th of December 1832. Ludwig Devrient was equally great in comedy and tragedy. Falstaff, Franz Moor, Shylock, King Lear and Richard II. were among his best parts. Karl von Holtei in his Reminiscences has given a graphic picture of him and the "demoniac fascination" ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... play is caused always by the folly or fault of a man; the redemption, if there be any, is by the wisdom and virtue of a woman, and, failing that, there is none. The catastrophe of King Lear is owing to his own want of judgment, his impatient vanity, his misunderstanding of his children; the virtue of his one true daughter would have saved him from all the injuries of the others, unless he had cast her away from him; as it is, she all but saves him. Of Othello, I need not trace the ...
— Composition-Rhetoric • Stratton D. Brooks
... come under my notice. On December 7, 1834, at the third and last of a series of concerts given by Berlioz at the Conservatoire, Chopin played an "Andante" for the piano with orchestral accompaniments of his own composition, which, placed as it was among the overtures to "Les Francs-Juges" and "King Lear," the "Harold" Symphony, and other works of Berlioz, no doubt sounded at the concert as strange as it looks on the programme. The "Andante" played by Chopin was of course the middle movement of one of his concertos. [Footnote: ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel McClung, Mississippi regiment, Major Lear, 3d Infantry, ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... because he starts from within. He reaches, as it were, the central fire, in the heat of which every separate faculty, every animal want, every fortuitous incident is melted down and lost. We never could observe in actual experience passion such as Lear's, or meditation such as Hamlet's, fusing everything else into itself. Facts at every step would interfere to prevent such a possibility. But let us place ourselves, by the poet's help, within the soul of Lear or Hamlet, and ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... Hotspur, mark the class of characters I mean. But he fails where a ready and pliable yielding to the events and passions of life makes what may be termed a more natural personage. Accordingly I think his Macbeth, Lear, and especially his Richard, inferior in spirit and truth. In Hamlet, the natural fixed melancholy of the prince places him within Kemble's range;—yet many delicate and sudden turns of passion slip through his fingers. He is {p.155} a lordly vessel, goodly ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart
... courteous towards the worsted gentry; had he lived in our times, they might have worsted him for a libel: he says in King Lear, "A base, proud, shallow, beggarly, three suited, hundred pound, ...
— The Mirror Of Literature, Amusement, And Instruction, No. 391 - Vol. 14, No. 391, Saturday, September 26, 1829 • Various
... epic and lyric poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite sort of literature, and the success of a new sort of drama, whether ...
— Irish Plays and Playwrights • Cornelius Weygandt
... wonderfully rich, vivid, balanced, but almost a unit in itself. On the theory that the true dramatic form is logical progress, dramatic—as contrasted with literary—power would have to be denied to "Hamlet." The aesthetic meaning of "Lear" is not in the terrible retribution of pride and self-will, but in the cruel confrontation ...
— The Psychology of Beauty • Ethel D. Puffer
... at home and abroad; and after attributing the founding of all the principal cities to some ruler of this line, the historian relates the story of King Leir, the founder of Leicester. As this monarch's life has been used by Shakespeare for one of his dramas,—the tragedy of "King Lear,"—and is familiar to all students of English literature, there is no need to outline Geoffrey of Monmouth's version of ...
— Legends of the Middle Ages - Narrated with Special Reference to Literature and Art • H.A. Guerber
... he became more enthusiastic, and wrote: "You will be very proud of 'Le Pere Goriot.' My friends insist that nothing is comparable to it, and that it is above all my other compositions."[*] Certainly the vivid portrait of old Goriot, that ignoble King Lear, who in his extraordinary passion of paternal love rouses our sympathy, in spite of his many absurdities and shortcomings, is a striking instance of Balzac's power ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... of Romeo and Juliet, by the inherent fault of stage representation, sullied and turned from their very nature by being exposed to a large assembly! How can the profound sorrows of Hamlet be depicted by a gesticulating actor? So, to see Lear acted, to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. The contemptible machinery by which they ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various
... paid merely as a retainer. Forty or fifty years ago a jockey would not have dreamed of facing his employer otherwise than cap in hand, but the value of stable-boys has gone up in the market, and Lear's fool might now say, "Handy-Dandy! Who is your jockey now and who is your master?" The little men gradually gather a kind of veneer of good manners, and some of them can behave very much like pocket editions of gentlemen, but the scent of the stable remains, and, whether the ...
— The Ethics of Drink and Other Social Questions - Joints In Our Social Armour • James Runciman
... paw, capered limpingly after its own shadow flung by the moonlight on the greensward, and attempted in its own playful way to attract the attention of its new master and wile him away from his mood of utter misery. Involuntarily he thought of the frenzied cry of Shakespeare's "Lear" over the dead body ...
— The Treasure of Heaven - A Romance of Riches • Marie Corelli
... now within a foot Of the extreme verge; for all beneath the moon Would I not leap upright! KING LEAR. ...
— An Old Sailor's Yarns • Nathaniel Ames
... thin disguise much of his own life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as he ...
— The Ascent of the Soul • Amory H. Bradford
... open slight, attended with displeasure at the same, the slight being put upon self, or upon some dear one, unbefittingly. The vengeance that the angry man craves is a vengeance that all shall see. "No, ye unnatural hags," cries Lear in his fury, "I will do such things,—what they shall be yet I know not, but they shall be the terror of the earth." When we are angry, we talk of "making an example" of the offender. The idea is that, as all the world has seen us slighted and set at naught, so all the world, witnessing the ...
— Moral Philosophy • Joseph Rickaby, S. J.
... reason that they are not constructed for one single impression, but are in reality parts of possible longer stories. They are, as it were, parts of stories not unlike Dr. Jekyll and Mr. Hyde and A Lear of the Steppes, and lack those complete and concise artistic effects found in the short-stories, Markheim and Mumu, by the same authors. Both Ruth and the Prodigal Son are exceptionally well ...
— Short-Stories • Various
... the worldly-wise, to whom the tempest is only a matter of the machineries of a theatre—of painted clouds, electric lights, and sheets of copper—the world-wise govern the storm as they choose and leave you in it defenceless and lonely as old Lear. To put your heart into life is the most fatal of errors; it is to give a hostage to your enemies whom you can only ransom at the price of your ruin. But what is the use of talking? To you, life will be always Alastor and Epipsychidion, and to us, it ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... horse that comes full pelt, But as quiet as if he was shod with felt, Till he rushes against you with all his force, And then I needn't describe of course, While he kicks you about without remorse, How awkward it is to be groomed by a horse! Or a bullock comes, as mad as King Lear, And you never dream that the brute is near, Till he pokes his horn right into your ear, Whether you like the thing or lump it, - And all for ...
— Playful Poems • Henry Morley
... savory, parsley, bruised with the back of a ladle, and give them two or three walms on the fire in the broth; then dish the chines in thin slices of fine French bread, broth them, and lay on them some boiled beef-marrow, boil'd in strong broth, some slic't lemon, and run all over with a lear made of beaten butter, the yolk of an egg or two, the juyce of two or three ...
— The accomplisht cook - or, The art & mystery of cookery • Robert May
... to have robbed him of his books, besides cheating and plaguing him in the economy of his house, etc., etc. His feelings on such an outrage, both as a parent and a scholar, must have been singularly painful. Hayley compares him to Lear. See part third, Life of Milton, by W. Hayley (or Hailey, as spelt in the edition ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... selecting plays that could offend neither morality nor delicacy. There are many things upon the stage which are sinful, vicious, and vulgar, but there are hundreds of books quite as bad and dangerous. As we choose only the best volumes to read, so be sure to select only pure plays and operas. 'Lear' would teach you the awful results of filial disobedience; 'Merchant of Venice,' the sin of avarice; 'Julius Caesar' that of unsanctified ambition. There are threads of wisdom, patience, charity, and heroism which might be gathered from the ...
— Infelice • Augusta Jane Evans Wilson
... him into an anteroom, where she sat down and, in spite of her excitement, looked at the pictures on the walls. First of all there was Guido Reni's Aurora, while opposite it hung English etchings of pictures by Benjamin West, made by the well known aquatint process. One of the pictures was King Lear in the ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... the word in the modern meaning I have found. Richardson has it in both its modern meanings, "vigorous," or "sensitive in nerves, and consequently weak, diseased." Hysteria is not in the Bible, and is found once in Shakespeare; as, "Hysterica passio, down," Lear ii. 4. It was common in Sydenham's day,—i.e., Charles II. and Cromwell's time,—but he classified under hysteria many disorders no longer considered as ...
— Doctor and Patient • S. Weir Mitchell
... burden of the accompaniment gracefully); a pleasant "Reverie" for string orchestra, harp, and organ; and two impromptus for string orchestra, a "Meditation" representing Cordelia brooding tenderly over the slumbering King Lear,—art ministering very tenderly to the mood,—and a cleverly woven ...
— Contemporary American Composers • Rupert Hughes
... of his which Mr. Jones's biography, all unconsciously, reveals. Butler, it is clear, was morbidly vain. Many writers are so, but few let their vanity take them so far. Learn from Mr. Jones. In 1879 he and Butler met Edward Lear in an inn at Varese. He told them a little tale about a tipsy man from Manchester—rather a good little tale. "I do not remember that Edward Lear told us anything else particularly amusing, but then neither did we tell him anything particularly amusing. Butler was ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... in the Civil War as captain in the 28th Massachusetts infantry regiment. From 1867 to 1870, with John McCullough, he managed the California theatre, San Francisco. Among his many and varied parts may be mentioned Hamlet, Lear, Macbeth, Shylock, Richard III., Wolsey, Benedick, Richelieu, David Garrick, Hernani, Alfred Evelyn, Lanciotto in George Henry Boker's (1823-1890) Francesca da Rimini, and James Harebell in The Man o' Airlie. He played Othello to Booth's Iago and Cassius to his Brutus. He acted ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... be ye gaun, ye broken men?' Quo' fause Sakelde; 'come tell to me!' Now Dickie of Dryhope led that band, And the nevir a word o' lear ...
— Ballads of Scottish Tradition and Romance - Popular Ballads of the Olden Times - Third Series • Various
... mediaeval chronicle, and to create from a few meagre suggestions a vital and impressive work of art. One thinks instinctively, in seeking for some adequate parallel, of what Goethe did with the materials of the Faust legend, or of what Shakespeare did with the indications offered for 'King Lear' and 'Cymbeline' by Holinshed's chronicle-history. And the two greatest names in modern literature are suggested not only by this general fact of creative power, but also more specifically by certain characters in the trilogy. Audhild, ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... the matchless prose and the not particularly lordly verse of As You Like It are by the same hand; that the master to whom we owe our Hamlet is also responsible for Gertrude and King Claudius; that he who gave us the agony of Lear and the ruin of Othello did likewise perpetrate the scene of Hector's murder, in manner so poor and in spirit so cynical and vile—is beyond all belief and patience; and we have argued the point to such an extent that we are all of us in Gotham, and a mooncalf like the ascription ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... when there arises in their hearts a pleasure in the growing number of his years expressly as these constitute a deduction from the unknown sum total of those which have been appointed him; and when the utmost bravery of their affection must breathe, not Serus, but CITO in cadum redeas! O royal Lear of our literature, who have spurned from your love the dearest daughter of your thought, is it only left us to say, "How friendly is Death,—Death, who restores us to free relations with the whole, when our own fierce partialities have imprisoned ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... troublesome, Lear to whose limber tongue there was constantly leaping words unprintable and names of tar, deserves no soft pity at our hands. All his life he had been training his three daughters for exactly the ...
— Love, Life & Work • Elbert Hubbard
... likeness to all this in the early days of the history of London. Apart from all legends of the Troy Novant, of Lud and Lear and that King Lucius who sanctified Cornhill, legends which have their counterpart in all the old histories of Rouen, there are almost as few relics of the fortified barrack on the Thames, or of the more pretentious ...
— The Story of Rouen • Sir Theodore Andrea Cook
... His humorous illustrated poems, such as Max und Moritz, Der heilige Antonius von Padua, Die Fromme Helene, Hans Huckebein and Die Erlebnisse Knopps des Junggesellen, play, in the German nursery, the same part that Edward Lear's nonsense verses do in England. The types created by him have become household words in his country. He invented the series of comic sketches illustrating a story in scenes without words, which have inspired Caran ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... "manners" or styles—the first containing such lighter, friendlier work, as "Life's Little Ironies," "Under a Greenwood Tree," and "The Trumpet Major"—the second being the period of the great tragedies which assume the place, in his work, of "Hamlet," "Lear," "Macbeth" and "Othello," in the work of Shakespeare—the third, of curious and imaginative interest, expresses in quite a particular way, Mr. Hardy's own peculiar point of view. The Well-Beloved, Jude the Obscure, and the later poems would ...
— One Hundred Best Books • John Cowper Powys
... intellectual material of a rakish Stratford lad's schooling and reading, and the culture coming of a few years' association with the primitive English stage and its hangers-on, was capable of broadening and deepening, with vital experience and vital culture, into the poet of LEAR and MACBETH. But the vital culture must come to it, like the experience: this was not a man who would go out of his way to seek the culture. A man so minded, a man who would bear hardship in order to win knowledge, ...
— Montaigne and Shakspere • John M. Robertson
... man paused, drawn up to his fullest height, imposing as a new King Lear, his deep, dark eyes ...
— The Baronet's Bride • May Agnes Fleming
... everybody groping about and catching the wrong person, was the most wonderful mixture of fun and tears. Great Will was extremely youthful, but everybody in the park called him, 'Father William'; and when he wanted to know which way the deer had gone, King Lear (or else my memory deceives me) punned, and Lady Macbeth waved a handkerchief for it to be steeped in the blood of the deer; Shylock ordered one pound of the carcase; Hamlet (the fact was impressed on me) ...
— The Shaving of Shagpat • George Meredith
... written by both Charles Lamb and his sister: indeed the work seems at first to have been intended for Mary's hand alone, but her brother undertook the telling of the stories of the tragedies, and to use his own words, out of the twenty tales he was "responsible for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail-piece or correction of grammar, for none of the cuts, and for all of the spelling." When the work was originally produced it had illustrations ...
— Charles Lamb • Walter Jerrold
... of September the Constitution frigate, Captain Preble, with Mr. Lear on board, was within two days' sail of Gibraltar, where the Philadelphia would then be arrived with her prize, and such explanations would probably be instituted as the state of things required, and as might perhaps ...
— A Compilation of the Messages and Papers of the Presidents - Section 3 (of 4) of Volume 1: Thomas Jefferson • Edited by James D. Richardson
... waiting to get rid of. He told a pitiful story of himself and his old wife, who made the paper horrors in her bed, and how they needed everything, but didn't wish to beg. I was much touched, and flew home to look up the coat and some shoes, and when my old Lear came creeping in the back way, I ordered cook to give him a warm dinner and something nice ...
— A Garland for Girls • Louisa May Alcott
... He executed his infamous functions throughout Flanders, Douay, and Tournay, the most thriving and populous portions of the Netherlands, with a swiftness, precision, and even with a jocularity which hardly seemed human. There was a kind of grim humor about the man. The woman who, according to Lear's fool, was wont to thrust her live eels into the hot paste, "rapping them o' the coxcombs with a stick and crying reproachfully, Wantons, lie down!" had the spirit of a true inquisitor. Even so ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... by Dr. Whately to the fact that "all men are more gratified at catching the resemblance for themselves, than in having it pointed out to them." But after what has been said, the great economy it achieves will seem the more probable cause. Lear's exclamation— ...
— The Philosophy of Style • Herbert Spencer
... limbs shook like those of a palsied old man. I sank upon a stone to rest, to try and arrange my scattered ideas into some sort of connection and order. Mad! I clasped my aching head between my hands, and brooded on the fearful prospect looming before me, and in the words of poor King Lear, I prayed in ...
— A Romance of Two Worlds • Marie Corelli
... with its spirit of caste; with its spirit of hatred, and tell me whether it was written by a good God. Why, if you will read the maledictions and curses of that book, you would think that God, like Lear, had divided heaven among his daughters, and then, in the insanity of despair, had launched his curses upon ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... till his vanity and his fancied security have wholly encased him round, and then coming and boring with a little pin through his castle wall. And these feelings, though their predominance is subdued in the mightiest tragedies, remain powerful there. In the figure of the maddened Lear ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... together in the large, luxurious living room. Only one evening found them away from this temporary home. That was on Thanksgiving night, when Miriam gave a theatre party in honor of her guests to see Everett Southard and Anne in "King Lear," and after the play Mr. and Miss Southard entertained their friends at supper in one of New York's most exclusive restaurants. Thanksgiving morning they spent in the church of which Eric Burroughs the actor-minister was ...
— Grace Harlowe's Problem • Jessie Graham Flower
... went through the Forest, sometimes by green rides, enchanted still, such as those down which Lancelot rode with Guinevere, talking of love, sometimes over heaths wild and desolate such as that which knew the bitterness of Lear, sometimes through the greenwood, ancient British woodland, silent now, where the hart was once at home in the shade, and where at every turn one might expect to come upon Rosalind in her boy's dress, and think to hear from some glade the words ...
— England of My Heart—Spring • Edward Hutton
... familiar Chester. About the second case, that of Leicester, there is a slight difficulty, for it assumes in the Chronicle the form of Laegra ceaster, with an apparently intrusive letter; and the later Welsh writers seized upon the form to fit in with their own ancient legend of King Lear. Nennius calls it Cair Lerion; and that unblushing romancer, Geoffrey of Monmouth, makes it at once into Cair Leir, the city of Leir. More probably the name is a mixture of Legionis and Ratae, Leg-rat ceaster, the ...
— Science in Arcady • Grant Allen
... simple, the handling of it direct and skilful, there is no propaganda to interfere with the characters, who are few, interesting, and admirably drawn. The contrast between the lion of Albrit (so often compared to King Lear) and the playful children is a master-stroke. Free from effectism, dealing only with inner values of the heart and morals, El abuelo can properly rank as one of the masterpieces of modern drama. Its theme is diametrically opposed to the traditional Spanish conception ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... or Mr. Philip Gibbs. My friend M. Joseph Reinach has successfully passed off long extracts from my story as descriptions of the Tanks upon British officers who had just seen them. The filiation was indeed quite traceable. They were my grandchildren—I felt a little like King Lear when first I read about them. Yet let me state at once that I was certainly not their prime originator. I took up an idea, manipulated it slightly, and handed it on. The idea was suggested to me by the contrivances of a certain Mr. Diplock, whose "ped-rail" notion, the notion ...
— War and the Future • H. G. Wells
... is actually fixed for the Christmas holidays, when his cousin undertakes to die for positively the last time, and his uncle will play in the most natural manner conceivable, the last act of "King Lear."' In fact, this family calamity was rather a cheerful subject among Devereux's friends; and certainly Devereux had no reason to love that vicious, selfish old lunatic, Lord Athenry, who in his prodigal and heartless reign, before ...
— The House by the Church-Yard • J. Sheridan Le Fanu
... the road had a charm, however; there is something picturesque in the big, comfortable shoulders of the Cote. That delicate critic M. Emile Montegut, in a charming record of travel through this region published some years ago, praises Shakespeare for having talked (in "Lear") of "waterish Burgundy." Vinous Burgundy would surely be more to the point. I stopped at Beaune in pursuit of the picturesque, but I might almost have seen the little I discovered without stopping. It is a drowsy Burgundian town, very old and ripe, with crooked streets, ...
— A Little Tour in France • Henry James
... Van de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington pulpit. They'll let ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... almost hopeless task now to discover the causes of his insomnia. He wrote a marvellous body of literature, and it might be thought this labor itself would suffice as an explanation: that the furnace heat in which the conceptions of Hamlet and Macbeth and Lear were wrought in the crucible of his brain would be fatal to repose. But his contemporaries speak of him as an easy and rapid writer; one whose imagination is only paralleled by the ease, the force and beauty of the phrase in which it is embodied. We are told, too, by Dr. H.A. Johnson, ...
— Shakespeare's Insomnia, And the Causes Thereof • Franklin H. Head
... not been very courteous towards the worsted gentry; had he lived in our times, they might have worsted him for a libel: he says in King Lear, "A base, proud, shallow, beggarly, three suited, hundred ...
— The Mirror Of Literature, Amusement, And Instruction, No. 391 - Vol. 14, No. 391, Saturday, September 26, 1829 • Various
... reached the second reading of this play by the way which I have pointed out to him. And why, indeed, should Ulysses not speak for Shakespeare, or how could it be other than that he should? The man who had written "Hamlet," "King Lear," "Othello," and "Macbeth," if he wished to find Ulysses, had only to turn his mind's eye inward; and thus we have in this drama Shakespeare's ...
— The Galaxy, Volume 23, No. 2, February, 1877 • Various
... has made us laugh! A whole generation of men Smiled in the joy of his wit. But who knows whether he was not Like those deep jesters of old Who dwelt at the courts of Kings, Arthur's, Pendragon's, Lear's, Plying the wise fool's trade, Making men merry at will, Hiding their deeper thoughts Under a motley array,— Keen-eyed, serious men, Watching the sorry world, The gaudy pageant of life, With pity and ...
— Innocents abroad • Mark Twain
... was powerfully accentuated in America by the very conditions of its colonization. The good yeomen of England who journeyed to America went in the spirit of the noble and intrepid Kent, when, turning his back upon King Lear's temporary injustice, he said that he would "shape his old course in a country new." Was it strange that the early colonists, as they braved the hardships and perils of a dangerous voyage, only to be confronted in the wilderness by disease, famine and massacre, ...
— The Constitution of the United States - A Brief Study of the Genesis, Formulation and Political Philosophy of the Constitution • James M. Beck
... life with the irresponsible ardour of the discoverer of a new continent; shaped and re-shaped it as he chose; carved from it now the cynicism of Measure for Measure, now the despair of Hamlet and of Lear, now the radiant magnanimity of the Tempest, and departed leaving behind him not a map or chart, but a series of mutually ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... conceded, had not triumphed here. For hordes of brutal soldiery had invaded the fertile soil, the tempest of war had swept the land and left it desolate. The South lay battered and bruised, and pros trate in blood, the "Niobe of nations," as sad a victim of ingratitude as King Lear. ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... The King, the Falcon, and the Drinking Cup, in Dutton, The Tortoise and the Geese; The Lark and her Young Ones, in Scudder, Book of Fables and Folk-Stories; The Monk and the Bird, in Scudder, Book of legends; The Owl and his School, in Ramaswami Raju, Indian Fables; The Owl and the Pussy-Cat, Lear (poem), in Story-Telling Poems; The Partridge and the Crow, in Dutton, The Tortoise and the Geese; The Pious Robin, in Brown, Curious Book of Birds; The Rustic and the Nightingale, in Dutton, The Tortoise and the Geese; The Sparrows, Thaxter ...
— Good Stories For Great Holidays - Arranged for Story-Telling and Reading Aloud and for the - Children's Own Reading • Frances Jenkins Olcott
... We walked, too, in the gardens of the Nymphenburg Palace where the mad king used to play. We visited the State Theatre, where Wagnerian opera still holds the patient ear, and there we heard, not Wagner, but Shakespeare's "Lear," done in a jog-trot, uninspired, later-Victorian style. One felt as if the theatre had slept for thirty years and then, awakening, had resumed in the same style as before. It is often said reproachfully in Germany that Queen Victoria would never have made ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham
... cares of even the greatest leaders of men and the brave outward show of their reception by the masses. And the other scene of which I thought, was the appearance of Mr. Irving on a first night in some big play, say, like "Lear." All the public know is that the actor is there, on the stage, to pronounce his kingly speech; but, before he has got there, Mr. Irving, perhaps, has had the sleepless nights which are required in thinking out the smallest details ...
— Sketches In The House (1893) • T. P. O'Connor
... proprietor of this hotel, was the principal manager in the unloading of the records and furniture belonging to the government when the ships bringing it from Philadelphia docked at Lear's Wharf. Abraham Bradley, who, as Assistant Postmaster General, had charge of the removal of that department, and Joseph Nourse, who was Registrar of the Treasury, may also have stopped at Crawford's until settled in ...
— A Portrait of Old George Town • Grace Dunlop Ecker
... Praetor, Consul, Proconsul, and Imperator, so as to get what he could of power and wealth and dignity in the scramble, was, I think, Caesar's purpose. The rest grew upon him. As Shakspeare, sitting down to write a play that might serve his theatre, composed some Lear or Tempest—that has lived and will live forever, because of the genius which was unknown to himself—so did Caesar, by his genius, find his way to a power which he had not premeditated. A much longer time is necessary for eradicating an idea from men's minds than a fact from their practice. ...
— Life of Cicero - Volume One • Anthony Trollope
... DUCIS (1733-1816), the patron of whose imagination was his "Saint Guillaume" of Stratford, though he knew no English, had in a fashion presented Hamlet (1769) and Romeo and Juliet to his countrymen; King Lear, Macbeth, King John, Othello (1792) followed. But Ducis came a generation too soon for a true Shakespearian rendering; simple and heroic in his character as a man, he belonged to an age of philosophers ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... and the crown be given? Lord Bacon had a kingly soul, capacious great thoughts, and high designs, but no one who has read his metrical translation of the Psalms of David will be troubled again with doubts whether he was the writer also of "Macbeth," "Othello," and "Lear." Compared with these sterile, bald, and mechanical quatrains, the sacred hymns of Isaac Watts are howling and bacchanalian anacreontics, to be hiccoughed by drunkards in their ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... manse of Dullarg, with a sedate and old-fashioned reverence which sat strangely on one of his years. "Be faithful with the young man," continued the letter; "he is well grounded on the fundamentals; his head is filled with godly lear, and he has sound views on the Headship; but he has always been a little cold and distant even to me, his father according to the flesh. With his companions he is apt to be distant and reserved. I am to blame for the solitude of our life here in James's Court, but to ...
— The Lilac Sunbonnet • S.R. Crockett
... in "King Lear." Avarice closes the palace doors against the white-haired King. Greed pushes him into the night to wander o'er the wasted moor, an exiled king, uncrowned and uncared for. In such hours garden becomes desert. This is the drama of man's life. The soul thirsts for sympathy. ...
— The Investment of Influence - A Study of Social Sympathy and Service • Newell Dwight Hillis
... Charles Mirabel's table, by premature inebriation. A carriage was called for him: the hospitable door was shut upon him. Often and sadly did he speak to his friends at the Kitchen of his resemblance to King Lear in the plee—of his having a thankless choild, bedad—of his being a pore worn-out lonely old man, dthriven to dthrinking by ingratitude, and seeking to dthrown his sorrows ...
— The History of Pendennis • William Makepeace Thackeray
... for Booth's playing. A farce or a comedy is best played; a tragedy is best read at home." He was much pleased one night with Mr. McCullough's delineation of the character of "Edgar," which the actor played in support of Edwin Forrest's "Lear." He wished to convey his approval to the young actor, and asked Mr. Brooks, his companion at the moment, with characteristic simplicity, "Do you suppose he would come to the box if we sent word?" ...
— The Every-day Life of Abraham Lincoln • Francis Fisher Browne
... feature of the forest primeval presents itself, not less striking and unfamiliar. From the dead branches of those skeleton pines and hemlocks, these rampikes, hang masses of white moss, snow-white, amid the dark verdure. An actor might wear such a beard in the play of King Lear. Acadian children wore such to imitate "grandpere," centuries ago; Cowley's trees are "Patricians," these ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... York-Buildings a Consort of Vocal and Instrumental Musick, for the Benefit of Mr. Edward Keen, the Father of twenty Children; and that this Day the haughty George Powell hopes all the good-natur'd part of the Town will favour him, whom they Applauded in Alexander, Timon, Lear, and Orestes, with their Company this Night, when he hazards all his heroick Glory for their Approbation in the humbler Condition of ...
— The Spectator, Volume 2. • Addison and Steele
... youthful days:—"An honest countryman came one day to Mr. Linton (head master of the grammar school) with a halflin[807:A], a long, empty chap, who had taken it into his head that he would have some little learning. Said the father, 'Mr. Linton, ye see, my laddie's fond o' lear'[807:B], and I'm thinking o' makin' a scholar o' him.' 'But,' said Mr. Linton, looking at the youth, and not seeing any sign that there was much in him, 'What are you to make of him?' 'You see, Mr. Linton,' rejoined the father—and it showed how sound the old Scotchman ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson
... office. You may think I have not seen Paris and Helen, but I have. And I have seen Orestes and Agamemnon and Clytemnestra and Oedipus. Do you suppose I have not met Tarquin and Virginia and Lucretia and Shylock—to come down to nearer times—and seen Lear and studied Macbeth in the flesh? I knew Juliet once, and behind locked doors I have talked with Romeo. They are all here in any American commonwealth at the close of our century: the great tragedies are numbered—the oldest are the newest. ...
— The Mettle of the Pasture • James Lane Allen
... Archbishop of Rheims, who was himself present in the scenes that he describes. It was—like Geoffrey of Monmouth's nearly contemporary "History of British Kings," from which were drawn tales of Gorboduc, Lear and King Arthur—romance itself, and the source of romance in others. It is at the root of many tales of Charlemagne and Roland that reached afterwards their highest artistic expression in Ariosto's "Orlando Furioso." The tale ascribed to Turpin is of earlier date ...
— Mediaeval Tales • Various
... the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy white, laughs the ...
— Poems 1817 • John Keats
... the 31st, I took Louisa, at half-past seven, to the house of Mr. Hawes, an under Secretary of State, to see a beautiful children's masque. It was an impersonation of the "Old Year" dressed a little like LEAR with snowy hair and draperies. OLD YEAR played his part inimitably, at times with great pathos, and then introducing witty hits at all the doings of his reign, such as exploding cotton, the new planet, a subject which he put at rest as "FAR BEYOND OUR REACH," etc., etc. He then introduced ...
— Letters from England 1846-1849 • Elizabeth Davis Bancroft (Mrs. George Bancroft)
... There was a mixture of novelty, of joy, of patriotic enthusiasm, felt by every heart. A committee of twelve was appointed in town-meeting to superintend the reception. The president left his carriage at Greenland, at the residence of Colonel Tobias Lear, and mounted his favorite white horse; he was there met by Colonel Wentworth's troop, and on Portsmouth plains the president was saluted by Major General Cilly, and other officers in attendance. From the west end of the State House, on both sides ...
— Home Pastimes; or Tableaux Vivants • James H. Head
... Garrick Club.... After tea I read Daru, and copied fair a speech I had been writing for an imaginary member of the House of Peers, on the Reform Bill. John Mason called, and they sat down to a rubber, and I came to my own room and read "King Lear." ... ...
— Records of a Girlhood • Frances Anne Kemble
... comfortably in lodgings, in Dove Court, Mansion House. He was soon hard at work upon 'The Death of Rizzio,' adorning his walls with pictures he had brought with him or sent for afterwards from Kendal, such as 'King Lear,' 'Elfrida,' 'The Death of Lefevre,' and a few portraits of friends. The Rizzio picture has been represented as 'a work of extraordinary merit, combining energetic action with strong expression.' Its fate was sad enough; attracting no notice, producing ...
— Art in England - Notes and Studies • Dutton Cook
... hide a blush? He looks delighted; and I almost fancy I see a proud colour on his brow. As I gaze, these young people make for me a perfect idyl. The generous, ungrudging sun, the melancholy ruin, decked, like mad Lear, with the flowers and ivies of forgetfulness and grief, and between them, sweet and evanescent, human truth ...
— Dreamthorp - A Book of Essays Written in the Country • Alexander Smith
... true one, the effect had been lessened by the fact that nothing has been left to the imagination. On the other hand there has, since Shakespeare, been nothing so fine as the treatment of Pere Fouan, that peasant King Lear, by his ungrateful family. It has been urged that Zola overdid the horrors of the situation and that no parent would have been so treated by his children. By a singular chance a complete answer to this objection may be found in a paragraph which appeared ...
— A Zola Dictionary • J. G. Patterson
... be tragic in the view of life which it presents, but it must show no sign of the succumbing of the spirit to the appalling facts with which it deals; even in those cases in which, as in the tragedy of "King Lear," blind fate seems relentlessly sovereign over human affairs, the artist must disclose in his attitude and method a sustained energy of spirit. Nothing shows so clearly a decline in creative force as a loss of interest on the part of the artist in the subject or material ...
— Books and Culture • Hamilton Wright Mabie
... universal, and therefore so is his interest. He sees the like in the unlike, the differences in things which are similar. Every little bird and every little flower are known to him. He contemplates Falstaff and Poor Tom with as much interest as though they were Hamlet and King Lear. In all original minds the power of observation is great. It is the chief source of our earliest knowledge, of that which touches us most nearly and most deeply colors the imagination. When the boy is wandering through fields, sitting in the shade of trees, or ...
— Education and the Higher Life • J. L. Spalding
... She, if King Lear had had his last desire, might have sung the merry and strange tune of Bedlam, like the slighter Ophelia and the maid ...
— Essays • Alice Meynell
... glutinousness, like that of the pre-war Carlsbad plum; further, that a solo on the muted viola against an accompaniment of sixteen sarrusophones is only effective if the sarrusophones are prepared to roar like sucking-doves, which, as LEAR would have said, "they seldom if ever do." Still, on the whole the ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... leans her cheek upon her hand, And prattles to the night. Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely lies, Unconscious of the loving murderer ...
— War Poetry of the South • Various
... remains of this time are the death of Byrhtnoth, The Fight of Finsborough, and the Chronicle of King Lear and his Daughters, the last of which is the foundation of an old play, upon which Shakspeare's tragedy of Lear ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee
... and to let it burst out. I do not at all believe in the painful pinching and pulling together of a particular bit of work. That sort of process is excellent practice, but it seems to me like the receipt in one of Edwin Lear's Nonsense Books for making some noisome dish, into which all sorts of ingredients of a loathsome kind were to be put; and the directions end with the words: 'Serve up in a cloth, and throw all out of the window as soon as possible.' It is an excellent thing to take ...
— At Large • Arthur Christopher Benson
... threatened with the humiliation of gracing Caesar's triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ...
— The World I Live In • Helen Keller
... society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor ...
— Cosmopolis, Complete • Paul Bourget
... Falstaff, all Shakespeare's characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run. Even Iago had a wife, and, what is far stranger, he was jealous. People like Jacques and the Fool in LEAR, although we can hardly imagine they would ever marry, kept single out of a cynical humour or for a broken heart, and not, as we do nowadays, from a spirit of incredulity and preference for the single state. For that matter, if you turn to George Sand's French ...
— Virginibus Puerisque • Robert Louis Stevenson
... best of his rhymed poems are his Sonnets, in which he chronicles many of the various moods of his mind. The plays consist of tragedies, historical plays, and comedies. The greatest of his tragedies are probably Hamlet and King Lear; the best of his historical plays, Richard III. and Julius Csar; and his finest comedies, Midsummer Night's Dream and As You Like It. He wrote in the reign of Elizabeth as well as in that of James; but his greatest works belong to the ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... from faults, major or minor, juvenile or non-juvenile; wondrous, inasmuch as the author is still very young, not many years, indeed, in advance of his majority. There is exaggeration, we grant, in passages, but it is exaggeration as essential to the circumstances and the characters as Lear's insane language is to his madness, or Othello's turbid tide of figures to his jealousy. The hero—an enthusiast—speaks always in enthusiastic terms; but of extravagance we find little, and of absurdity or affectation none. Diffusion ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various
... Rutzen, ordered the destruction of 272 volumes of the English translation of Balzac's "Les Contes Drolatiques" on the ground that the book was obscene. "Les Contes Drolatiques" is an acknowledged masterpiece, and is not nearly so free spoken as "Lear" or "Hamlet" or "Tom Jones" or "Anthony and Cleopatra." What would be thought of a French magistrate or a German magistrate who ordered a fair translation of "Hamlet" or of "Lear" to be burnt, because of its obscenity? He would be regarded ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... described, employing it in an impersonal acceptation, without a Nominative to it expressed. One or two examples will serve to exhibit the use and effect of this anomalous Tense:—Shuidh an ['o]g bhean air sgeir, is a s['u]il air an lear. Chunnaic i long a' teachd air barraibh nan tonn. Dh' aithnich i aogas a leannain, is chlisg a cridhe 'n a com. Gun mhoille gun tamh, buailear dh' fhios na traighe; agus faighear an laoch, 's a dhaoine m' a thimchioll. In English ...
— Elements of Gaelic Grammar • Alexander Stewart
... other printing terminal, thereby combining the disadvantages of both: like a printing terminal, it can't do fancy display hacks, and like a display terminal, it doesn't produce hard copy. An example is the early 'dumb' version of Lear-Siegler ADM 3 (without cursor control). See {tube}, {tty}; compare {dumb terminal}, {smart terminal}. See "{TV Typewriters}" (Appendix A) for an interesting true ...
— The Jargon File, Version 4.0.0
... iche as a dissyllable; vide his Poems passim. Ch'am, is I am, that is, ich am; ch'ill, is I will, ich will. See Shakespeare's King Lear, Act IV., Scene IV. What is very remarkable, and which confirms me greatly in the opinion which I here state, upon examining the first folio edition of Shakespeare, at the London Institution, I find that ch is printed, in one instance, with a mark of elision before it thus, ...
— The Dialect of the West of England Particularly Somersetshire • James Jennings
... was as dear to the excellent Mrs. Garrick as to her brilliant husband. The friendship of David Garrick was also one of the most delightful features in the life of the admirable Hannah More. A letter written by Hannah on seeing him play Lear, greatly pleased him, and led to their acquaintance. Acquaintance soon ripened into a warm esteem, and produced a friendship of the most cordial—and intimate character, which lasted until death. He declared ...
— The Friendships of Women • William Rounseville Alger
... suffered card-playing to take place, raffles, or St Leger sweeps to be held in his house. "You have seen a farmer's dog bark at a beggar, and the creature run from the cur. There thou might'st behold the great image of authority: a dog's obeyed in office." You have—very well. Take crazy King Lear's words as a text for a sermon against legislative inconsistencies, and come back ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz
... disproportion'd cage, } Mourn'd his contracted strengths and crippled rage. } He who could tame his vast ambition down To please some scatter'd gleanings of a town, And, if some hundred auditors supplied Their meagre meed of claps, was satisfied, How had he felt, when that dread curse of Lear's Had burst tremendous on a thousand ears, While deep-struck wonder from applauding bands Return'd the tribute of as many hands! Rude were his guests; he never made his bow To such an audience as salutes us now. He lack'd the ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb
... Worked off the police evidence and the doctor, d'you see? Then—'Mr. Bright!' Old man comes up into the box. Stands there massive, bowed with grief, chest heaving, voice coming out of it like an organ in the Dead March. Stands there like Lear over the body of Cordelia. Stands there like the father of Virginia thinking ...
— If Winter Comes • A.S.M. Hutchinson
... Macaulay, who, like the still more ignorant Doctor Samuel Johnson, knew nothing of the venerable language of the first inhabitants of the British Isles, and of all Western Europe, resolve themselves into Li! Li Beur! Lear-a! Buille na la, which signify, "Light! Light! on the sea, beyond the promontory! 'Tis the stroke (or dawn) of the day!" Like all the choruses previously cited, these words are part of a hymn to the sun, and entirely ...
— The Celtic Magazine, Vol. 1, No. 2, December 1875 • Various
... Parallels.—The beginning recalls "King Lear." For "loving like salt," see the parallels collected by Cosquin, i. 288. The whole story is a version of the numerous class of Cinderella stories, the particular variety being the Catskin sub-species analogous to Perrault's Peau d'Ane. "Catskin" was told by ...
— English Fairy Tales • Joseph Jacobs (coll. & ed.)
... noted, a student of Bergson at the Ecole Normale—found his ideal in the great story of the young girl of Domremy who saved France when all the pomp and wisdom of generals had broken down. And in our own poetry has not Mr. Bottomley rewritten the Lear story, with the focus of power and interest transferred from the old king—left with not an inch of king in him—to ...
— Recent Developments in European Thought • Various
... not sleep. The wind poured in my ear Immortal names—Lear, Hamlet, Hal, Macbeth, And thro the night I heard the rushing breath Of ghost and witch and fool go whirling by. I followed them, under the phantom sphere Of the pale moon, along the Avon's near And nimbused ...
— Nirvana Days • Cale Young Rice
... are accustomed to call the most universal genius that ever existed. He has a truly wonderful variety. It is almost impossible to pronounce in which he has done best, his Hamlet, Macbeth, Lear, or Othello. He is equally excellent in his comic vein as his tragic. Falstaff is in his degree to the full as admirable and astonishing, as what he achieved that is noblest under the auspices of the graver muse. His poetry and the fruits of his imagination are unrivalled. His language, ...
— Thoughts on Man - His Nature, Productions and Discoveries, Interspersed with - Some Particulars Respecting the Author • William Godwin
... of heart and soul, The loneliness and passion of King Lear; No more bewilderment and broken words Of wild ...
— The Miracle and Other Poems • Virna Sheard
... most valuable works of an author are published in the course of the last seventeen years of his life. I will rapidly enumerate a few, and but a few, of the great works of English writers to which my plan is more favourable than my noble friend's plan. To Lear, to Macbeth, to Othello, to the Fairy Queen, to the Paradise Lost, to Bacon's Novum Organum and De Augmentis, to Locke's Essay on the Human Understanding, to Clarendon's History, to Hume's History, to ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay
... not above broad farce when the fancy seized him. At the time when a certain kind of nonsense verse was popular, he, with Sir Noel Paton and others, added not a few facetious sonnets to Edward Lear's book, which lay on Madame Novikoff's table. His authorship is betrayed by the introduction of familiar Somersetshire names, Taunton, Wellington, Curry ...
— Biographical Study of A. W. Kinglake • Rev. W. Tuckwell
... A ghastly parody of real Spring Shaped out of snow and breathed with eastern wind; Or if, o'er-confident, she trust the date, And, with her handful of anemones, Herself as shivery, steal into the sun, The season need but turn his hour-glass round, And Winter suddenly, like crazy Lear, Reels back, and brings the dead May in his arms, Her budding breasts and wan dislustred front 30 With frosty streaks and drifts of his white beard All overblown. Then, warmly walled with books, While ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... personification. Thus at one time*1* he likens men to clover-leaves and the Course-of-things to the browsing ox, which makes way with the clover-heads; while at another he addresses an old red hill of Georgia as "Thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer."*2* Like other Southern poets,*3* Lanier sometimes fails to check his imagination, and in consequence leaves his readers "bramble-tangled ...
— Select Poems of Sidney Lanier • Sidney Lanier
... comparing was introduced into English, both methods were often used with the same adjective; and, for a time, double comparatives and double superlatives were common; as, worser, most boldest. In "King Lear" Shakespeare uses the double comparative a dozen times.]; as, valuable, less valuable, least valuable. Most definitive and many descriptive adjectives cannot be compared, as their meaning will not admit ...
— Higher Lessons in English • Alonzo Reed and Brainerd Kellogg
... cities to some ruler of this line, the historian relates the story of King Leir, the founder of Leicester. As this monarch's life has been used by Shakespeare for one of his dramas,—the tragedy of "King Lear,"—and is familiar to all students of English literature, there is no need to outline Geoffrey of Monmouth's version ...
— Legends of the Middle Ages - Narrated with Special Reference to Literature and Art • H.A. Guerber
... in the South of India, as a matter of convenience the English language is much used for personal communication by the natives of different parts of the Presidency of Madras. Mr. Edward Lear, who has travelled much in that part of the country, gives the following interesting account of a journey:—"I was in a second-class railway carriage going from Madras to Bangalore. There was only one other passenger beside myself and servant, and he was a Brahmin, dressed all ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various
... meaning in the tumbledown houses "the dumb rhetoric," in which "tables, chairs, and joint stools are living, and significant things." In these passages Lamb seems to regard the comic merely as a means to an end;—"Who sees not," he asks, "that the grave-digger in Hamlet, the fool in Lear have a kind of correspondency to, and fall in with, the subjects which they seem to interrupt; while the comic stuff in 'Venice Preserved,' and the doggrel nonsense of the cook and his poisoning associates in the Rollo of ...
— History of English Humour, Vol. 2 (of 2) • Alfred Guy Kingan L'Estrange
... kind. Browning told us that he did not know Landor very well, but that he saw him in the last years of his life under circumstances of a terribly pathetic kind. Landor played almost exactly the part of King Lear—though from a different reason—and got almost exactly King Lear's reward. Landor, it will be remembered, was originally a rich man. It will also be remembered that he was possessed of a very arbitrary and ...
— The Adventure of Living • John St. Loe Strachey
... man grinned. "See how she bullies a poor old man, Jim. I'm worse than that Lear fellow in the play—most henpecked father ...
— Oh, You Tex! • William Macleod Raine
... great power of wrath, inheriting the high, hasty temper of his mother. Tobias Lear, his intimate friend and private secretary, says that in the winter of 1791, an officer brought a letter telling of General St. Clair's disastrous defeat by the Indians. It must be delivered to the President himself. ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... much about Shakespere. Weren't you perfectly astonished when you found out how many other plays there were of his? I always thought there was nothing but "Hamlet," and "Romeo and Juliet," and "Macbeth," and "Richard III.," and "King Lear," and that one that Robson and Crane have—oh, yes, ...
— Letters to a Daughter and A Little Sermon to School Girls • Helen Ekin Starrett
... about in its fitful gusts, and he rather liked it. In his anguish of spirit it was a pleasure to contend with the storm. The wind, the lightning, the sudden sharp claps of thunder were on his own key. He felt in the temper of old Lear. The winds might blow and ...
— The End Of The World - A Love Story • Edward Eggleston
... children of Rury, huge offspring of the gods and giants of the dawn of time. For mighty exceedingly were these men. At the noise of them running to battle all Ireland shook, and the illimitable Lir [Footnote: Lir was the sea-god, the Oceanns of the Celt; no doubt the same as the British Lear, the wild, white-headed old king, who had such singular daughters; two, monsters of cruelty, and one, exquisitely sweet, kind, and serene, viz.: Storm, Hurricane, and Calm.] trembled in his watery halls; the roar of their brazen chariots reverberated from the solid ...
— The Coming of Cuculain • Standish O'Grady
... completion in a dreamy guess. Now Time grants night the more and day the less: The gray decides; and brown Dim golds and drabs in dulling green express Themselves and redden as the year goes down. Sadder the fields where, thrusting hoary high Their tasseled heads, the Lear-like corn-stocks die, And, Falstaff-like, buff-bellied pumpkins lie.— Deepening with tenderness, Sadder the blue of hills that lounge along The lonesome west; sadder the song Of the wild redbird in the leafage yellow.— Deeper and dreamier, aye! Than ...
— Poems • Madison Cawein
... translation, to be sure; but the bold descriptions, the heroic incidents, witches, and ghosts were exactly to my taste. I immediately acted Shakspeare's plays on my little puppet theatre. I saw Hamlet's ghost, and lived upon the heath with Lear. The more persons died in a play, the more interesting I thought it. At this time I wrote my first piece: it was nothing less than a tragedy, wherein, as a matter of course, everybody died. The subject of it I borrowed from an old ...
— The True Story of My Life • Hans Christian Andersen
... them. A maid shewed us up stairs into a room damp and dirty, with bare walls, a variety of bad smells, a coarse black greasy fir table, and forms of the same kind; and out of a wretched bed started a fellow from his sleep, like Edgar in King Lear, 'Poor Tom's a-cold'. [Footnote: It is amusing to observe the different images which this being presented to Dr Johnson and me. The Doctor, in his Journey, compares ...
— The Journal of a Tour to the Hebrides with Samuel Johnson, LL.D. • James Boswell
... revising my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, ...
— Life Of Johnson, Vol. 2 • Boswell, Edited by Birkbeck Hill
... a bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile tricks and artifices. Where is she, the unfortunate, ...
— The Goose Man • Jacob Wassermann
... was inflamed. Every nerve in her was alive. All she had ever felt for Dyck Calhoun came rushing to the surface, demanding recognition, reasserting itself. As she used the words, "ever and ever and ever," it was like a Cordelia bidding farewell to Lear, her father, for ever, for there was that in her voice which said: "It is final separation, it is the judgment of Jehovah, and I must submit. ...
— The Judgment House • Gilbert Parker
... utter ruin, and migrates to the West. Your second landscape is turned into a vegetable person [the cornstalk is Lanier's symbol of the poet], and you give its poetry with many touches of marvel and mystery in vegetable life. Your third landscape takes for an instant the form and tragic state of King Lear; you thus make it seize on our sympathies as if it were a real person, and you then restore it to the inanimate, and contemplate its possible beneficence in ...
— Sidney Lanier • Edwin Mims
... is a cliff, whose high and bending head Looks fearfully on the confined deep; Bring me but to the very brim of it, And I'll repair the misery thou dost bear. King Lear. ...
— The Antiquary, Complete • Sir Walter Scott
... guardian angel ever since my blindness. She does all my writing, reads the plays and my notes to refresh my memory. She was reading King Lear this afternoon, and I was much stirred by the sad trials of the poor old king. I mentally compared my lot with his and found that the advantage is mine. He had no home, two ungrateful daughters, and, as far as I can learn, no 'shadow ...
— The Unknown Wrestler • H. A. (Hiram Alfred) Cody
... to keep her father stimulated with frequent cups of coffee. The whiskey flask appeared to be quite forgotten. After supper, at his suggestion, Elsie brought out an old dog-eared set of Shakespeare. In the flaring light of a homemade tallow candle he read parts of "King Lear" and "Hamlet," with his rapt eyes frequently off the page for a dozen ...
— Bloom of Cactus • Robert Ames Bennet
... (vociferous) 411 stentorian, stentorophonic|. Adv. loudly &c. adj. aloud; at the top of one's voice, at the top of one's lungs, lustily, in full cry. Phr. the air rings with; "the deep dread-bolted thunder" [Lear]. ...
— Roget's Thesaurus
... cannot help feeling that Pindar's Isle of the Blest, whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses their golden hair with its reddening rays. Helen ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... Nature? What were the elements, the invisible backgrounds and eidolons of it, to Homer's heroes, voyagers, gods? What all through the wanderings of Virgil's Aeneas? Then to Shakspere's characters—Hamlet, Lear, the English-Norman kings, the Romans? What was Nature to Rousseau, to Voltaire, to the German Goethe in his little classical court gardens? In those presentments in Tennyson (see the "Idylls of the King"—what sumptuous, perfumed, arras-and-gold Nature, inimitably ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... the ass's head, sitting in a ring of elves, is excellent moving comedy, but also excellent still life. Falstaff with his huge body, Bardolph with his burning nose, are masterpieces of the pen; but they would be fine sketches even for the pencil. King Lear, in the storm, is a landscape as well as a character study. There is something decorative even about the insistence on the swarthiness of Othello, or the deformity of Richard III. Shakespeare's work is much more than picturesque; ...
— Appreciations and Criticisms of the Works of Charles Dickens • G. K. Chesterton
... Shakespearian width of sympathy and in the Shakespearian humour which lies beyond Hazlitt's sphere. His criticism of Hamlet is feeble; he does not do justice to Mercutio or to Jaques; but he sympathises more heartily with the tremendous passion of Lear and Othello, and finds something congenial to his taste in Coriolanus and Timon of Athens. It is characteristic, too, that he evidently understands Shakespeare better on the stage than in the closet. When he can associate ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... bad, eh? [Quickly] Wait, now, here's something from King Lear. The sky is black, see? Rain is pouring down, thunder roars, lightning—zzz zzz zzz—splits the ...
— Swan Song • Anton Checkov
... who with three hundred untrained militia conquered for you that vast domain of the Northwest, which Virginia, in her devotion to the Union gave, a free donation with magnanimity surpassing that of Lear. She divided her possession with her associates, and let me add, it has not been requited with the ingratitude of Lear's daughters, for the disposition and the policy of this Government toward Virginia at the end ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... which shows it to have been a decided hit on the stage. And indeed there is no resisting the delectable humour of it: but then the thing is utterly inimitable; Shakespeare being no less unapproachable in this vein than in such delineations as Shylock and Lear ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... tragedian, born in London, associate of Shakespeare, took the chief role in "Hamlet," "King Lear," ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... Like old Lear, Sophocles was cursed with ungrateful children. Shakspeare's imagination went no further than TWO ungrateful daughters: Sophocles had in reality four sons, all as ungrateful as those monsters of Shakspeare's brain. The extreme ...
— The Mirror of Taste, and Dramatic Censor - Vol. I. No. 3. March 1810 • Various
... concerts given by Berlioz at the Conservatoire, Chopin played an "Andante" for the piano with orchestral accompaniments of his own composition, which, placed as it was among the overtures to "Les Francs-Juges" and "King Lear," the "Harold" Symphony, and other works of Berlioz, no doubt sounded at the concert as strange as it looks on the programme. The "Andante" played by Chopin was of course the middle movement of one of his concertos. [Footnote: Probably the "Larghetto" ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. We want to take him into shelter and relieve him. That is all the feeling which the acting of Lear ever produced in me. But the Lear of Shakespeare cannot be acted. The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be ...
— English Critical Essays - Nineteenth Century • Various
... kind of drama, as a redevelopment of epic and lyric poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite sort of literature, and the ...
— Irish Plays and Playwrights • Cornelius Weygandt
... deliver his poor captive countrymen at the edge of the sword, when suddenly his successful career was brought to an end in rather a mortifying way. Yusef, frightened out of his defiance, consented to come to terms with Colonel Lear, American Consul-General at Algiers. If Colonel Lear had not been too hasty in concluding a treaty which forced the United States to pay sixty thousand dollars ransom money, when not a cent should have been given, and left the cruel Yusef safe on his throne, General Eaton might have marched ...
— Harper's Young People, June 22, 1880 - An Illustrated Weekly • Various
... are repeated or read at many of the library story hours. Lear's nonsense rhymes and certain rhythmical story poems are especially enjoyed by the children. Outlines of stories or selections from books designed to lead to the reading of an entire book are mentioned in connection with ...
— Library Work with Children • Alice I. Hazeltine
... Perhaps the best compliment I can pay is to say, as I truly can, I am very anxious to see it again. Some of Shakespeare's plays I have never read, while others I have gone over perhaps as frequently as any un-professional reader. Among the latter are Lear, Richard III., Henry VIII., Hamlet, and especially Macbeth. I think nothing equals ...
— The Papers And Writings Of Abraham Lincoln, Complete - Constitutional Edition • Abraham Lincoln
... much persuasion, to join the rest of the party at dinner. In the evening, all (Fairthorn excepted) draw round the fire. Waife is entreated by George to read a scene or two out of Shakespeare. He selects the latter portion of "King Lear." Darrell, who never was a playgoer, and who, to his shame be it said, had looked very little into Shakespeare since he left college, was wonderstruck. He himself read beautifully—all great orators, I suppose, do; but ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... and well know that J. K. is an eminent actor, and one whom we have not niggardly praised. Yet we will not disparage departed excellence for any person existing; and therefore cannot avoid wishing our young author had seen Garrick, and bearing in his "mind's eye" his natural acting of Lear, Hamlet, Macbeth, Richard, &c.—he might then go and witness the performances of Mr. ...
— The Mirror of Taste, and Dramatic Censor - Volume I, Number 1 • Stephen Cullen Carpenter
... Angelo is that the observer feels his whole frame enlarged." It is creation, it is representing beings and things different from our nature, but true to their own. In this self-consistency is the only nature requisite in works purely imaginative. Lear is true to his nature, and so are Mephistopheles, and Prometheus, and Achilles; but they are not true to human nature; they are beings created by the poets' minds, and true to their laws of being. There is no commoner blunder in men, who are themselves mere critics, ...
— Thomas Davis, Selections from his Prose and Poetry • Thomas Davis
... Edward Lear, an English writer, began the popularization of the limerick in his nonsense books about 1850 and since his time it has been experimented with by many of the cleverest writers ...
— Rhymes and Meters - A Practical Manual for Versifiers • Horatio Winslow
... don't want them sent home. They are for a poor woman and her suffering children, who live about a square from here in Lear's Court." Paul stood thoughtfully a moment before handing her the basket, and said—"That court has a very bad reputation; had I not better accompany you? I hope you will not consider my offer as an intrusion, but I do not think it is safe for you ...
— Sowing and Reaping • Frances Ellen Watkins Harper
... desire of open vengeance for an open slight, attended with displeasure at the same, the slight being put upon self, or upon some dear one, unbefittingly. The vengeance that the angry man craves is a vengeance that all shall see. "No, ye unnatural hags," cries Lear in his fury, "I will do such things,—what they shall be yet I know not, but they shall be the terror of the earth." When we are angry, we talk of "making an example" of the offender. The idea is that, as all the world ...
— Moral Philosophy • Joseph Rickaby, S. J.
... triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ingratitude and cruelty! Gloster's ...
— The World I Live In • Helen Keller
... brigades in General Butler's division; Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... in these parts with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on that, no being ...
— The Half-Hearted • John Buchan
... laws, having practised in the same," and his experience and sagacity in all public affairs—he was a scholar and loved all the arts. "He founded," says Pitscottie, "ane triumphant college in Sanct Androis, called Sanct Salvatore's College, wherein he made his lear (library) very curiouslie and coastlie; and also he biggit ane ship, called the Bishop's Barge, and when all three were complete, to wit, the college, the lear, and the barge, he knew not which of the three was the costliest; for it was reckoned ...
— Royal Edinburgh - Her Saints, Kings, Prophets and Poets • Margaret Oliphant
... In the choice of subjects there was a like breadth. Balakirew was inspired by "King Lear," as was Tschaikowsky. And amid a wealth of Slavic legend and of kindred Oriental lore, he would turn to the rhythms of distant Spain ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... reason, but by faith. And he too repeats that Shakespeare was a great artist, and he buys the complete works of Shakespeare and puts them on his shelves, and he goes to see the marvellous stage-effects which accompany *King Lear* or *Hamlet*, and comes back religiously convinced that Shakespeare was a great artist. All because the passionate few could not keep their admiration of Shakespeare to themselves. This is not cynicism; but truth. And it is important that those who ...
— LITERARY TASTE • ARNOLD BENNETT
... such as support vigorously the action of his group. We say vigorously; for Mr. Rothermel, in his Italian pictures, revealed an artistic nature related to humanity in its most agitated moods, as in the "Lear," and in the "Saint Agnese,"—this beautiful picture being, however, a higher conception, inasmuch as in it the spirit might find some rest in the stillness of the maiden Agnese, already saint and about to be martyr, and in the deep blue sky, on whose field ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... man to watch them. A maid shewed us up stairs into a room damp and dirty, with bare walls, a variety of bad smells, a coarse black greasy fir table, and forms of the same kind; and out of a wretched bed started a fellow from his sleep, like Edgar in King Lear, 'Poor Tom's a-cold'. [Footnote: It is amusing to observe the different images which this being presented to Dr Johnson and me. The Doctor, in his Journey, ...
— The Journal of a Tour to the Hebrides with Samuel Johnson, LL.D. • James Boswell
... field of recreation, and put up signs: "all church members are warned against trespassing on these grounds, under penalty of the law," instead of trying to teach Christians how to avail themselves, with profit and safety, of any part of the field. We are cut off from Hamlet, and Lear, and Othello and Macbeth. We cannot avail ourselves of the interpretation of these by the best histrionic talent, because the theater has been suffered to fall so completely into the Devil's hands, that a Christian cannot countenance ...
— Amusement: A Force in Christian Training • Rev. Marvin R. Vincent.
... of their fate, and seeing their own offspring brought up in evidence against them, through the most detestable acts, and by the basest subornation, would naturally extort from minds even of iron mould. If ever Lear's or Timon's power of malediction could be justifiably called into exercise, it would be against such a tribunal and such witnesses as they had ...
— Discovery of Witches - The Wonderfull Discoverie of Witches in the Countie of Lancaster • Thomas Potts
... his brethren was not simply an historian, he was one of the great dramatic geniuses of the world, master of a vivid minuteness like Defoe's, and able to touch the springs of tears by a pathetic simplicity like his who painted the death of Lear. Surely theories of legend and of ...
— Expositions of Holy Scripture - Genesis, Exodus, Leviticus and Numbers • Alexander Maclaren
... wrung his hands. "I see you are resolved to drive me to distraction. This is the final stroke. My daughter wishes to desert me. Lear," he added, piteously, "was only a touch to me. You are Goneril ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... Young's 'Night Thoughts', where the phrase occurs three times. See also 'Lear', act IV. scene vi. ...
— The Poetical Works of William Wordsworth, Vol. II. • William Wordsworth
... Cutts, applying himself diligently to the decanter; "but you don't drink. Do you know you put me a good deal in mind of Macready? Did you ever hear him in Lear, ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 366, April, 1846 • Various
... the case that even parents in old age have had occasion to say with the forsaken King Lear, "How sharper than a serpent's tooth it is to have a thankless child!" It is right training in early life alone that ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... in flawed strength, and fall by their vanities;—Hamlet is indolent, and drowsily speculative; Romeo an impatient boy; the Merchant of Venice languidly submissive to adverse fortune; Kent, in King Lear, is entirely noble at heart, but too rough and unpolished to be of true use at the critical time, and he sinks into the office of a servant only. Orlando, no less noble, is yet the despairing toy of chance, ...
— Harvard Classics Volume 28 - Essays English and American • Various
... its adopted children far outnumbering those of its own blood. It absorbs at its will the slang of the street gamin, the cant of thieves and beggars; is actually creative in the baby talk of mothers and nurses; drops, forgets, and actually invents new words with no pedigree like those of Lear, Carrol, and many others.[4] ...
— Youth: Its Education, Regimen, and Hygiene • G. Stanley Hall
... have a letter in my pocket from a young friend in a country company, the ladies of which have their sensibility strung up to so fine a tone that he cannot take the tragedy of King Lear for his benefit, because not one of them will play either Regan or Goneril. If their feelings are so exquisite in the country, where our wise laws treat players as vagabonds, what must they be when loaded with all the legal, tragic, ...
— The Adventures of Hugh Trevor • Thomas Holcroft
... triumphed here. For hordes of brutal soldiery had invaded the fertile soil, the tempest of war had swept the land and left it desolate. The South lay battered and bruised, and pros trate in blood, the "Niobe of nations," as sad a victim of ingratitude as King Lear. ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... the Reliques had indirectly preferred a claim to the praise of invention, by not concealing that his supplementary labours were considerable! how selfish his conduct, contrasted with that of the disinterested Gael, who, like Lear, gives his kingdom away, and is content to become a pensioner upon his own issue for a beggarly pittance!—Open this far-famed Book!—I have done so at random, and the beginning of the Epic Poem Temora, in eight Books, presents itself. 'The blue waves ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... George Rogers Clark, as he was called, the Hannibal of the New World, who with three hundred untrained militia conquered for you that vast domain of the Northwest, which Virginia, in her devotion to the Union gave, a free donation with magnanimity surpassing that of Lear. She divided her possession with her associates, and let me add, it has not been requited with the ingratitude of Lear's daughters, for the disposition and the policy of this Government toward Virginia at the end of the war, and toward the people ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... you know, wanted to alter Shakespeare. The French king, in "Lear," was to be got rid of; Cordelia was to marry Edgar, and Lear himself was to be rewarded for his sufferings by a golden old age. They could not bear that Hamlet should suffer for the sins of Claudius. The wicked king was to die, and the wicked mother; and Hamlet ...
— Prose Masterpieces from Modern Essayists • James Anthony Froude, Edward A. Freeman, William Ewart Gladstone, John Henry Newman and Leslie Steph
... recalls "King Lear." For "loving like salt," see the parallels collected by Cosquin, i. 288. The whole story is a version of the numerous class of Cinderella stories, the particular variety being the Catskin sub-species analogous to Perrault's Peau d'Ane. "Catskin" ...
— English Fairy Tales • Joseph Jacobs (coll. & ed.)
... out into the unsympathetic world. Chekhov is the dramatist, not of action, but of inaction. The tragedy of inaction is as overwhelming, when we understand it, as the tragedy of an Othello, or a Lear, crushed by the wickedness of others. The former is being enacted daily, but we do not stage it, we do not know how. But who shall deny that the base of almost all human unhappiness is just this inaction, manifesting ...
— Plays by Chekhov, Second Series • Anton Chekhov
... days later he became more enthusiastic, and wrote: "You will be very proud of 'Le Pere Goriot.' My friends insist that nothing is comparable to it, and that it is above all my other compositions."[*] Certainly the vivid portrait of old Goriot, that ignoble King Lear, who in his extraordinary passion of paternal love rouses our sympathy, in spite of his many absurdities and shortcomings, is a striking instance of Balzac's power in the ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... the latter class, who have been branded as traitors and villains, were single-minded, earnest, valiant men; and, as for even O'Flynn, and those worse than him, what was really the matter with them was, that they were too honest—they spoke out too much of their whole minds. Bewildered, like Lear, amid the social storm, they had determined, like him, to become "unsophisticated," "to owe the worm no silk, the cat no perfume"—seeing, indeed, that if they had, they could not have paid for them; so they tore off, of their own will, the peacock's feathers of gentility, the sheep's ...
— Alton Locke, Tailor And Poet • Rev. Charles Kingsley et al
... ye broken men?" Quo' fause Sakelde; "come tell to me!" Now Dickie of Dryhope led that band, And the nevir a word of lear had he. ...
— Ballad Book • Katherine Lee Bates (ed.)
... finds each contribution well worth the setting. For a leading article we have something that is well nigh unique in literature, either amateur or professional, an attempted reconstruction of a scene supposedly excised from "King Lear." This is so unusual, in fact, that it might well be called a "stunt," but certainly it is a successful stunt. In the not overly long scene presented, which pictures the ruthless hanging of Cordelia and the Fool before the eyes of the aged Lear, we can ...
— Writings in the United Amateur, 1915-1922 • Howard Phillips Lovecraft
... dialects in the South of India, as a matter of convenience the English language is much used for personal communication by the natives of different parts of the Presidency of Madras. Mr. Edward Lear, who has travelled much in that part of the country, gives the following interesting account of a journey:—"I was in a second-class railway carriage going from Madras to Bangalore. There was only one other passenger ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various
... does not describe persons, it presents them in action; and a description, where it occurs, is often designed merely to throw light on the character and feelings of the speaker. "Her voice was ever soft, gentle, and low" is a description rather of Lear, as he hangs over the dead body of Cordelia, refusing to believe that she is dead, than of Cordelia herself. "An excellent thing in woman" is not a doctrine, but a last heartbreaking movement of defiance, as if to refute any stander-by who dares ...
— Milton • Sir Walter Alexander Raleigh
... pleasures in which the soul of man most delights that of sympathy is surely the chief. It can unite and mingle not only two but ten millions of spirits as one. Could a world be spectators of the sorrows of Lear, a world would with one consent participate in them: so omnipotent is the power of sympathy. It is the consolation of poverty, it is the cordial of friendship, it is the essence of love. Pride and suspicion are its chief enemies; and they are ...
— The Adventures of Hugh Trevor • Thomas Holcroft
... offspring of the gods and giants of the dawn of time. For mighty exceedingly were these men. At the noise of them running to battle all Ireland shook, and the illimitable Lir [Footnote: Lir was the sea-god, the Oceanns of the Celt; no doubt the same as the British Lear, the wild, white-headed old king, who had such singular daughters; two, monsters of cruelty, and one, exquisitely sweet, kind, and serene, viz.: Storm, Hurricane, and Calm.] trembled in his watery halls; the roar of their brazen chariots reverberated from the solid canopy of heaven, ...
— The Coming of Cuculain • Standish O'Grady
... rags Do make their children blind; But fathers that wear bags Do make their children kind. —Shakespeare (King Lear, ii. 4). ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... Philoctetes, the other play of Sophocles' old age, closes in peace. The old fiery passions still burn fiercely in Oedipus, as they did in Lear; yet both were "every inch a king" and "more sinned against than sinning". Oedipus' miraculous return to strength before he departs is curiously like the famous end of Colonel Newcome. There are subtle but unmistakable marks of the Euripidean influence on this drama; such ...
— Authors of Greece • T. W. Lumb
... children of Lir or Lear forms one of those three tales of the old Irish Bards which are known traditionally in Ireland as "The Three Sorrows of Story Telling." It has been told in verse by Aubrey de Vere ("The Foray of Queen Meave, and Other Legends," London, 1882), ...
— Tales of the Enchanted Islands of the Atlantic • Thomas Wentworth Higginson
... bows her face down over it almost to her knees. What did the flower say? Is it to hide a blush? He looks delighted; and I almost fancy I see a proud colour on his brow. As I gaze, these young people make for me a perfect idyl. The generous, ungrudging sun, the melancholy ruin, decked, like mad Lear, with the flowers and ivies of forgetfulness and grief, and between them, sweet and evanescent, ...
— Dreamthorp - A Book of Essays Written in the Country • Alexander Smith
... Colombano. "If I were to permit myself to dwell in detail on the exquisite variety and charm of the drive, especially after quitting the route forestiere a little E. of the hamlet of Palasca, I should wander far from the main purpose of this paper. Valery, Gregorovius, Lear and others have done justice to its wonderful beauty, and the last truly remarks that 'those who visit Corsica without going through upper Balagne remain ignorant of one of its finest divisions,' adding, 'no description can ...
— Itinerary through Corsica - by its Rail, Carriage & Forest Roads • Charles Bertram Black
... Coriolanus. Titus Andronicus. Romeo and Juliet. Timon of Athens. The Life and death of Julius Caesar. The Tragedy of Macbeth. The Tragedy of Hamlet. King Lear. Othello, the Moore of Venice. Anthony and Cleopater. ...
— The First Folio [35 Plays] • William Shakespeare
... poets and handed down from generation to generation, like the poetical traditions of every people in primitive times. There can be no doubt that Geoffrey collected a number of these old stories and wove them into his narrative. Thus, the story of King Lear and his daughters has the ring of a genuine popular tradition about it, though the dates and pseudo-historical setting were probably supplied by Geoffrey. Again, there were certainly prophecies attributed to Merlin current in Geoffrey's time. But ...
— Mediaeval Wales - Chiefly in the Twelfth and Thirteenth Centuries: Six Popular Lectures • A. G. Little
... that day, if we may judge from the accounts which we have of their poor commons, would have used far different words, in addressing the Faculty, from King Lear, who, speaking to his daughter ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... disappeared. The masquerade was over; and again, through the darkness, rose the plaintive "All's well!" And it kept ringing in my ears until it became a mocking sound, from which I longed to be free. It was like the voice of Lear crying over the body of Cordelia: "Never, never, never, ...
— The Judgment House • Gilbert Parker
... good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... of the above is, that he wanted to 'stint me of my sizings,' as Lear says,—that is to say, not to propose an extravagant price for an extravagant poem, as is becoming. Pray take his guineas, by all means—I taught him that. He made me a filthy offer of pounds once, but I told him that, like ...
— Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron
... intelligence and a great beauty in her time. She was once taken out to dinner by General Washington when he was President. Madam Hancock, whose husband had been President of the Continental Congress and Governor of Massachusetts, complained to General Washington's Secretary, Mr. Lear, that that honor belonged to her. The Secretary told General Washington, the next day, what she said. The General answered that it was his privilege to give his arm to the handsomest woman in the room. Whether the reply was communicated to Mrs. ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... the Preterite Tenses, he adopts the Part of the Verb now described, employing it in an impersonal acceptation, without a Nominative to it expressed. One or two examples will serve to exhibit the use and effect of this anomalous Tense:—Shuidh an ['o]g bhean air sgeir, is a s['u]il air an lear. Chunnaic i long a' teachd air barraibh nan tonn. Dh' aithnich i aogas a leannain, is chlisg a cridhe 'n a com. Gun mhoille gun tamh, buailear dh' fhios na traighe; agus faighear an laoch, 's a dhaoine m' a thimchioll. In English thus: The young woman sat on a rock, and her eye on the sea. She ...
— Elements of Gaelic Grammar • Alexander Stewart
... affectionately called Kittie Clive, was as dear to the excellent Mrs. Garrick as to her brilliant husband. The friendship of David Garrick was also one of the most delightful features in the life of the admirable Hannah More. A letter written by Hannah on seeing him play Lear, greatly pleased him, and led to their acquaintance. Acquaintance soon ripened into a warm esteem, and produced a friendship of the most cordial—and intimate character, which lasted until death. He declared that the nine muses had taken up their residence in her mind; ...
— The Friendships of Women • William Rounseville Alger
... awhile about a swampy churchyard in the suburb of Maria Hilf, to see the melancholy spot of light which glimmered at each grave-head, I went to the Burg Theatre, and witnessed Shakespeare's play of "King Lear" (and the best actor in Vienna played the Fool); and further, that I spent the evening of Christmas Day in Daum's coffee-house in reading Galignani's Messenger, in order to bring myself, in imagination at least, ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... principal actor in them, and no end of speculations as to his inducements and purposes to be served in taking so much trouble. For Shampuashuh people were shrewd, and did not believe, any more than King Lear, that anything could come of nothing. That he was not moved by general benevolence, poured out upon the school of the white church, was generally agreed. "What's we to him?" asked pertinently one of the ...
— Nobody • Susan Warner
... the poet in addressing so composite an audience are enormous: cuteness, coyness, archness and condescension are only the most obvious ones. Some great writers of children's verse—Lewis Carroll and Edward Lear—have successfully hedged themselves against these dangers by insistent comedy and parody (Carroll's "serious" children's verse is maudlin and embarrassing). By this means they have contrived what the child will take as lovely, unintimidating, mysterious, rational nonsense, and what the adult will ...
— Songs of Childhood • Walter de la Mare
... whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses their golden hair with its reddening rays. ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest. It's no in makin' muckle mair; It's no in books; it's no in lear; To make us ...
— The End of the Rainbow • Marian Keith
... software limitations, behaves like a teletype or some other printing terminal, thereby combining the disadvantages of both: like a printing terminal, it can't do fancy display hacks, and like a display terminal, it doesn't produce hard copy. An example is the early 'dumb' version of Lear-Siegler ADM 3 (without cursor control). See {tube}, {tty}; compare {dumb terminal}, {smart terminal}. See "{TV Typewriters}" (Appendix A) for an interesting true story about ...
— The Jargon File, Version 4.0.0
... paper lightly sold, Which few pence had made too dear On its blank to have enscrolled Beatrice, Lucifer, or Lear! ...
— An Anthology of Australian Verse • Bertram Stevens
... Just fancy a horse that comes full pelt, But as quiet as if he was shod with felt, Till he rushes against you with all his force, And then I needn't describe of course, While he kicks you about without remorse, How awkward it is to be groomed by a horse! Or a bullock comes, as mad as King Lear, And you never dream that the brute is near, Till he pokes his horn right into your ear, Whether you like the thing or lump it, - And all for want of ...
— Playful Poems • Henry Morley
... Shakespeare's 'King Lear' and 'Cymbeline' came from Geoffrey's 'Historia Britonum,' as did also the story of 'Gorboduc,' the first tragedy in the English language. Milton intended at one time that the subject of the great poem for which he was "pluming his wings" should be King Arthur, as may ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... greatness like theirs is never more than the highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself have been attained by any isolated ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... Beethoven concert, in the morning there was an extra seance of the orchestra for the performance of the Overtures to "King Lear" (Berlioz) and to the "Meistersinger," my march "Vom Fels zum Meer," the "Ideales," and Brahms' Variations on a theme of Haydn. Always the same and complete understanding in the ensemble and the details of the scores,—the same vigor, energy, refinement, accuracy, relief, vitality and superior characteristics ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... lendings!' That is how Shakespeare lays the mind of man bare, and strips him of his pretences, to try if he be indeed noble. And he finds that man, naked and weak, hunted by misfortune, liable to all the sins and all the evils that follow frailty, still has faith left to him, and charity. King Lear is ...
— England and the War • Walter Raleigh
... gabs[21] a lesson lear: Wad they to labouring lend an eident[22]hand, They'd rax fell strang upo' the simplest fare, Nor find their stamacks ever at a stand. Fu' hale an' healthy wad they pass the day; At night, in calmest slumbers dose fu' sound; Nor doctor need their weary life ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... door of the house behind him. In the barn he threw himself, face downward, on a heap of loose straw, and there lay motionless. His wife wept alone in her bed, and hardly missed him: it required of her no reflection to understand whither he had gone, or what he was doing. He was crying, like King Lear from the bitterness of an outraged father's heart, to the Father ...
— Salted With Fire • George MacDonald
... I mean to end, so I'll begin. And as for you, George, there's no end to your softness. You're that green, that the very cows would eat you." Was it not well said by Mr. Robinson in his preface to these memoirs, that the poor old commercial Lear, whose name stood at the head of the firm, was cursed with ...
— The Struggles of Brown, Jones, and Robinson - By One of the Firm • Anthony Trollope
... answered Mr. Lear, rather surprised by these words. "The doctor will give you relief, I trust, ...
— From Farm House to the White House • William M. Thayer
... many Mr. Irvings? When a man can act "The Two Roses" and "The Dead Heart" with equal effect, when he can at will be as vulgar as Robert Macaire, or as dignified as Cardinal Wolsey; when he can be either as young as Hamlet or as old as Lear, the inquiry as to his plurality becomes natural and pertinent. For my part, I rank Mr. Irving the comedian above Mr. Irving the tragedian, just as I rank Nature above Art: each may be highest in its own way, yet the one may have a charm which the other cannot boast. Mr. Irving's ...
— The Idler, Volume III., Issue XIII., February 1893 - An Illustrated Monthly. Edited By Jerome K. Jerome & Robert Barr • Various
... shifts the crown to the head of his son with the intention of still pulling the wires behind the scenes, but, finding that Charles means to rule as well as reign, clutches angrily at his surrendered crown,—this King Victor has something in him of Lear, something of the dying Henry IV. But history provided more sober issues, and Browning's temperament habitually inclined him to stave off the violence of tragic passion which disturbs the subtle eddyings of thought and feeling. Charles is no Regan, hardly even an Albany, no weakling ...
— Robert Browning • C. H. Herford
... elevate what otherwise would be absurd to the nobly serious; that changes the impossible into the possible; just as an exalted mood or mind is, or was, the primary difference between Hamlet, or Macbeth, or Lear, and any of the forgotten Bowery melodramas of ...
— Children of the Whirlwind • Leroy Scott
... table, with some vile jest tacked to it "like a tin kettle to a dog's tail," he awoke to the full measure of his misery—the cup was full. Fate had done her worst, and he might have exclaimed with Lear, "spit, fire-spout, rain," there was nothing in store for ...
— The Confessions of Harry Lorrequer, Vol. 1 • Charles James Lever
... short-story for the reason that they are not constructed for one single impression, but are in reality parts of possible longer stories. They are, as it were, parts of stories not unlike Dr. Jekyll and Mr. Hyde and A Lear of the Steppes, and lack those complete and concise artistic effects found in the short-stories, Markheim and Mumu, by the same authors. Both Ruth and the Prodigal Son are exceptionally well told, possess a splendid moral tone, and are excellent prophecies of what the nineteenth ...
— Short-Stories • Various
... on, "My prologue an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a seacoast. Go ...
— No Great Magic • Fritz Reuter Leiber
... be perform'd in York-Buildings a Consort of Vocal and Instrumental Musick, for the Benefit of Mr. Edward Keen, the Father of twenty Children; and that this Day the haughty George Powell hopes all the good-natur'd part of the Town will favour him, whom they Applauded in Alexander, Timon, Lear, and Orestes, with their Company this Night, when he hazards all his heroick Glory for their Approbation in the humbler ...
— The Spectator, Volume 2. • Addison and Steele
... and we know it so well and feel so much with Caesar or with Lear or with Othello or with Macbeth, that we instinctively take it all for true psychology, while it after all covers just the exceptional cases ...
— Psychology and Social Sanity • Hugo Muensterberg
... its womb, usurped its throne, and ever since the maddened old creature, with hoary crest of foam, wails and laments continually, like King Lear exposed to the fury ...
— Glimpses of Bengal • Sir Rabindranath Tagore
... the Court and come All fresh and fragrant, to the drawing-room; In hues as gay, and odours as divine, As the fair fields they sold to look so fine. "That's velvet for a king!" the flatterer swears 'Tis true, for ten days hence 'twill be King Lear's. Our Court may justly to our stage give rules, That helps it both to fools-coats and to fools. And why not players strut in courtiers' clothes? For these are actors too, as well as those: Wants reach all states; they beg ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... death Devrient was summoned to Berlin, where he was for fifteen years the popular idol. He died there on the 30th of December 1832. Ludwig Devrient was equally great in comedy and tragedy. Falstaff, Franz Moor, Shylock, King Lear and Richard II. were among his best parts. Karl von Holtei in his Reminiscences has given a graphic picture of him and the ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... smell of the forest as it is borne down from the mountains and carried seaward, to gladden, it may be, the heart of some hard-worked, broken-spirited sailor, who, in a passing ship, sees from aloft this fair, fair island with its smiling green of lear, and soft, heaving valleys, above the long lines of curving beach, showing white and bright in the morning sun! And, as you walk, the surf upon the reef for ever calls and calk; sometimes loudly ...
— "Martin Of Nitendi"; and The River Of Dreams - 1901 • Louis Becke
... December 7, 1834, at the third and last of a series of concerts given by Berlioz at the Conservatoire, Chopin played an "Andante" for the piano with orchestral accompaniments of his own composition, which, placed as it was among the overtures to "Les Francs-Juges" and "King Lear," the "Harold" Symphony, and other works of Berlioz, no doubt sounded at the concert as strange as it looks on the programme. The "Andante" played by Chopin was of course the middle movement of one of his concertos. [Footnote: Probably the "Larghetto" from the F minor Concerto. ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... remember well that this engraving by Sharp was one of the few ornaments in the drawing-room of Macaulay when I last saw him, shortly before his lamented death. Next to the Doctors of the Church is his LEAR IN THE STORM, after the picture by West, now in the Boston Athenaeum, and his SORTIE FROM GIBRALTAR, after the picture by Trumbull, also in the Boston Athenaeum. Thus, through at least two of his masterpieces whose originals ...
— The Best Portraits in Engraving • Charles Sumner
... capable of instantaneous abandonment to his part, and of as instantaneous withdrawal from it,—like the elder Booth, joking one minute at a side-scene and in the next having the big tears of a realized Lear running down his cheeks. An eminent critic says,—"Genius always lights its own fire,"—and this constant double process of mind,—one of self-direction and self-control, the other of absolute abandonment and identification,—each the more complete for the other,—the dramatic poet, the impassioned ...
— Atlantic Monthly Vol. 6, No. 33, July, 1860 • Various
... ouer their Dogges, their Dogges deliuered and murdered, the shepe were immediat- ly deuoured: So saieth he, if ye shall ones deliuer to Philip, the king of the Macedonians your Oratours, by whose lear- nyng, knowlege and wisedome, the whole bodie of your do- minions is saued, for thei as Bandogges, doe repell all mis- cheuous enterprises and chaunses, no doubte, but that raue- nyng Wolfe Philip, will eate and consume your ...
— A booke called the Foundacion of Rhetorike • Richard Rainolde
... much in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will be remembered, ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... the small annoyances, the squalid cares of even the greatest leaders of men and the brave outward show of their reception by the masses. And the other scene of which I thought, was the appearance of Mr. Irving on a first night in some big play, say, like "Lear." All the public know is that the actor is there, on the stage, to pronounce his kingly speech; but, before he has got there, Mr. Irving, perhaps, has had the sleepless nights which are required in thinking out the smallest details of his business; perchance, ...
— Sketches In The House (1893) • T. P. O'Connor
... to the testimony of the father. I find myself incapable of speaking of him or his testimony with severity. Unfortunate old man! Another Lear, in the conduct of his children; another Lear, I apprehend, in the effect of his distress upon his mind and understanding. He is brought here to testify, under circumstances that disarm severity, and call ...
— The Great Speeches and Orations of Daniel Webster • Daniel Webster
... draw back the veil from the "bitter close of all," and to show that the hardest part of her work began when she laid down her sword, and the ending years of her life were the saddest and weariest portion. Never since the days of Lear has such a tale been told of a parent's sacrifice and of a child's ingratitude. In the royal home of the Duke of Bretagne, there was no room for her but for whose love and care he would have been a homeless fugitive. ...
— The White Lady of Hazelwood - A Tale of the Fourteenth Century • Emily Sarah Holt
... had been urging Tobias Lear, Washington's secretary, to get out of Washington's papers remarks injurious to himself, was greatly exercised at the publication of Marshall's book about as much as the better element dudes are at ...
— Brave Men and Women - Their Struggles, Failures, And Triumphs • O.E. Fuller
... characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run. Even Iago had a wife, and, what is far stranger, he was jealous. People like Jacques and the Fool in LEAR, although we can hardly imagine they would ever marry, kept single out of a cynical humour or for a broken heart, and not, as we do nowadays, from a spirit of incredulity and preference for the single state. For that matter, if you turn to ...
— Virginibus Puerisque • Robert Louis Stevenson
... was more depressing than ever. During the lonely days, and still more lonely nights, he thought much about the past. He knew that he had made a failure of life, and that he had nothing to live for now. At times he would endeavor to fan the coals of rebellion by reading "King Lear," "Timon of Athens," and the story of Old Aeneas. But the effect was never lasting, and when the artificial stimulation subsided he ...
— The King's Arrow - A Tale of the United Empire Loyalists • H. A. Cody
... brilliant novel after another, steadily accomplishing for Devon what Mr. Hardy did for Wessex. This is another of Mr. Phillpotts' Dartmoor novels, and one that will rank with his best.... Something of kinship with 'King Lear' ...
— Margarita's Soul - The Romantic Recollections of a Man of Fifty • Ingraham Lovell
... to show those at home how easy it was to get there; how easy to get home again. Moreover, though going to sea in the Shannon was not quite the same 'as going to sea in a sieve,' our stay-at-home friends were of the same mind as those of the dear little Jumblies, whom Mr. Lear has made immortal in his New Book of Nonsense; and we were bound to come back as soon as possible, and not 'in twenty years or more,' if we ...
— At Last • Charles Kingsley
... Junction City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" ...
— Kansas Women in Literature • Nettie Garmer Barker
... "sufficiencies" was, by an inarticulate speaker, or inattentive hearer, confounded with "sufficiency as", and how "abled", a word very unusual, was changed into "able". For "abled", however, an authority is not wanting. Lear uses it in the same sense, or nearly the same, with the Duke. As for "sufficiencies", D. Hamilton, in his dying speech, prays that "Charles II. may exceed both the VIRTUES and ...
— Preface to Shakespeare • Samuel Johnson
... attributes save piety, are upon his pages as real, and as mysterious withal, as they are in the great historical society. For an ordinary reader, these states and attributes are more real in Hamlet or Lear than in his own direct experience, because in Hamlet and Lear he can see them with the eye and intelligence of genius. But Shakespeare is the world all over again, and there is loss as well as gain in such realism. Here is human life, no ...
— The Approach to Philosophy • Ralph Barton Perry
... this scene, as described by the pen of Shakspeare, has brought tears into millions of eyes. The tragedy of King Lear and his wretched daughters is known throughout the civilized world. What heart is not indignant at such treatment? Who does not abhor the conduct of ...
— The Child at Home - The Principles of Filial Duty, Familiarly Illustrated • John S.C. Abbott
... divined—he could not tell why—that these girls were motherless. His eyes fell on the open book which the elder sister laid on the chair as she rose. The firelight enabled him to read its page-heading, printed in thick, blunt type—"King Lear"! These girls, the one of them about to visit unknown England, were reading ...
— Major Vigoureux • A. T. Quiller-Couch
... Gaul. For the converse task, to-day not equally difficult but once almost impossible, of presenting England to the French intelligence—or, indeed, to any other alien intelligence—you may choose the play "King Lear." ...
— First and Last • H. Belloc
... sympathy is universal, and therefore so is his interest. He sees the like in the unlike, the differences in things which are similar. Every little bird and every little flower are known to him. He contemplates Falstaff and Poor Tom with as much interest as though they were Hamlet and King Lear. In all original minds the power of observation is great. It is the chief source of our earliest knowledge, of that which touches us most nearly and most deeply colors the imagination. When the boy is wandering through fields, sitting in the shade of trees, or lying on the banks of ...
— Education and the Higher Life • J. L. Spalding
... best played; a tragedy is best read at home." He was much pleased one night with Mr. McCullough's delineation of the character of "Edgar," which the actor played in support of Edwin Forrest's "Lear." He wished to convey his approval to the young actor, and asked Mr. Brooks, his companion at the moment, with characteristic simplicity, "Do you suppose he would come to the box if we sent word?" Mr. McCullough was summoned, and, standing at the door of the box ...
— The Every-day Life of Abraham Lincoln • Francis Fisher Browne
... from childhood, in a fragmentary way. "The Tempest," and "Midsummer Night's Dream," and "King Lear," I had swallowed among my fairy tales. Now I discovered that the historical plays, notably, "Julius Caesar" and "Coriolanus," had no less attraction for me, though of a different kind. But it was easy for me to forget that I was trying to be a literary student, and slip off ...
— A New England Girlhood • Lucy Larcom
... a period of poverty with the Strick family, and Loveday was sent to fetch the evening milk from the farm at the crest of the hill. On the way, she came upon Cherry Cotton and Primrose Lear, seated upon a granite stile, their heads together over something Cherry held in her lap. Cherry heard approaching footsteps, and whipped her apron over the object she and her friend had been so busily discussing. Loveday was hurt rather than angered by the unkind ...
— The White Riband - A Young Female's Folly • Fryniwyd Tennyson Jesse
... for the loss of her son—then look at Lear, maddened by the ingratitude of his daughters: why it is the west wind bowing those aspen tops that wave before our window, compared to the tropic hurricane, when forests crash and burn, and ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... Prince's Bay on Staten Island. A long, bright column told of the doings in the theatrical world—the plays produced, the actors appearing, the managers making announcements. Fannie Davenport was just opening at the Fifth Avenue. Daly was producing "King Lear." He read of the early departure for the season of a party composed of the Vanderbilts and their friends for Florida. An interesting shooting affray was on in the mountains of Kentucky. So he read, read, read, rocking in the warm ...
— Sister Carrie • Theodore Dreiser
... to know what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, ...
— Ulysses • James Joyce
... habits of receiving a prompt obedience. Any addition of individualisation would have been unnecessary and painful; for the relation of others to him, of wondrous fidelity and of frightful ingratitude, alone sufficiently distinguish him. Thus Lear becomes the open and ample playroom of ...
— English Men of Letters: Coleridge • H. D. Traill
... her lover knows the hysterica passio of poor Lear, but "I had scarce given vent to my feelings in this paroxysm ere I ...
— Rob Roy, Complete, Illustrated • Sir Walter Scott
... old Minister Van de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington pulpit. ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... play, practically considered. The plot is simple, the handling of it direct and skilful, there is no propaganda to interfere with the characters, who are few, interesting, and admirably drawn. The contrast between the lion of Albrit (so often compared to King Lear) and the playful children is a master-stroke. Free from effectism, dealing only with inner values of the heart and morals, El abuelo can properly rank as one of the masterpieces of modern drama. Its theme is ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... theatre; and he promised in return to furnish them with a play every year, if his health would permit. Two years passed, however, before he produced the Mourning Bride, a play which, paltry as it is when compared, we do not say, with Lear or Macbeth, but with the best dramas of Massinger and Ford, stands very high among the tragedies of the age in which it was written. To find anything so good we must go twelve years back to Venice Preserved, ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... the fret of heart and soul, The loneliness and passion of King Lear; No more bewilderment and broken words Of wild despair ...
— The Miracle and Other Poems • Virna Sheard
... less striking and unfamiliar. From the dead branches of those skeleton pines and hemlocks, these rampikes, hang masses of white moss, snow-white, amid the dark verdure. An actor might wear such a beard in the play of King Lear. Acadian children wore such to imitate "grandpere," centuries ago; Cowley's trees are ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... resembling the Gregorian chant or the sequences of Notker of Tubilo), the other voices would sing songs in the vernacular, and, strangest of all, one voice would repeat some Latin word, or even a "nonsense word" (to use Edward Lear's term) but much more slowly than the other voices. Thus the needs of the Mystery were as well met by incipient counterpoint on the one hand, as, on the other, the secular song-play engendered ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... been sight-seeing in Boston all day, was to dine and go to the theatre with us afterwards. The talk naturally turned upon the stage. Longfellow said he thought Mr. Charles Mathews was entirely unjust in his criticisms upon Mr. Forrest's King Lear. He considered Mr. Forrest's rendering of the part as very fine and close to nature. He could not understand why Mr. Mathews should underrate it as he did. Longfellow showed us a book given him by Charles Sumner. In it was an old engraving (from a painting ...
— Authors and Friends • Annie Fields
... our thought And in his fellowship our pain is healed; And we are likest God when we are brought Most near to all men. Bring us near to him, The gentle, human soul whose calm might wrought Imperious Lear and made our eyes grow dim For Imogen,—who, though he heard the spheres "Still choiring to the young-eyed cherubim," Could laugh with Falstaff and his loose compeers And love the rascal with the same big heart That o'er Cordelia could ...
— More Songs From Vagabondia • Bliss Carman and Richard Hovey
... pictures on the walls. First of all there was Guido Reni's Aurora, while opposite it hung English etchings of pictures by Benjamin West, made by the well known aquatint process. One of the pictures was King Lear in the storm on ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... rhymed poems are his Sonnets, in which he chronicles many of the various moods of his mind. The plays consist of tragedies, historical plays, and comedies. The greatest of his tragedies are probably Hamlet and King Lear; the best of his historical plays, Richard III. and Julius Csar; and his finest comedies, Midsummer Night's Dream and As You Like It. He wrote in the reign of Elizabeth as well as in that of James; but his greatest works belong ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... He found us free men, and did not try to make us slaves. On the contrary, he gave us a representative Constitution, which has lasted a thousand years. We might call him our Manx King Alfred, if the indirections of history did not rather tempt us to christen him our Manx King Lear. His Saga has never been written, or else it is lost. Would that we could recover it! Oh, that imagination had the authority of history to vitalise the old man and his times! I seem to see him as he lived. There are hints of his ...
— The Little Manx Nation - 1891 • Hall Caine
... reaches, as it were, the central fire, in the heat of which every separate faculty, every animal want, every fortuitous incident is melted down and lost. We never could observe in actual experience passion such as Lear's, or meditation such as Hamlet's, fusing everything else into itself. Facts at every step would interfere to prevent such a possibility. But let us place ourselves, by the poet's help, within the soul of Lear or Hamlet, ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... language, but it lacked the wealth of expression and the flexibility necessary to respond to the most delicate touches of the master-musicians who were to come. When Shakespeare has Lear say ...
— Halleck's New English Literature • Reuben P. Halleck
... found imitators, abbreviators and continuators. Among its early admirers it had that indefatigable reader of novels, William Shakespeare, who took from it several hints, especially from the story of the "Paphlagonian unkind king," which he made use of in his "King Lear."[219] Books were published under cover of Sidney's name, as "Sir Philip Sydney's Ourania";[220] others were given away bearing as an epigraph an adaptation ...
— The English Novel in the Time of Shakespeare • J. J. Jusserand
... out the math for the interplanetary ships? I did! Without me they would never have been built!" He turned dramatically, as though he were playing King Lear. "And what do I get for it?" He pointed an accusing finger at Arcot. "What do I get? He is called 'Earth's most brilliant physicist', and I, who did all the hard work, am referred to as 'his mathematical assistant'." He shook his head solemnly. ...
— Islands of Space • John W Campbell
... monk wore out his days in copying the treasures of antiquity, and used his imagination in embellishing the lives of saints and martyrs. When the manuscript is found which settles the exact date of King Lear's reign, I cannot doubt that it will give all particulars about ...
— Holidays at the Grange or A Week's Delight - Games and Stories for Parlor and Fireside • Emily Mayer Higgins
... than those sudden leaps from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets ...
— Cosmopolis, Complete • Paul Bourget
... uses iche as a dissyllable; vide his Poems passim. Ch'am, is I am, that is, ich am; ch'ill, is I will, ich will. See Shakespeare's King Lear, Act IV., Scene IV. What is very remarkable, and which confirms me greatly in the opinion which I here state, upon examining the first folio edition of Shakespeare, at the London Institution, I find that ch is printed, ...
— The Dialect of the West of England Particularly Somersetshire • James Jennings
... copied my mother's letters as they were written, omitting only the purely family matter which is of no interest to the public. Edward Lear's drawing of Luxor was printed in 'Three Generations of Englishwomen,' edited by Mrs. Ross, but the other illustrations are now reproduced for the ...
— Letters from Egypt • Lucie Duff Gordon
... Marquis de Noriolis, feeble in his folly and wandering in helplessness, but irresistible when aroused, is a striking figure; and still more striking is the portrait of his wife, now the Marquise de Noriolis, but once Fanny Lear the adventuress—a woman who has youth, beauty, wealth, everything before her, if it were not for the shame which is behind her: gay and witty, and even good-humored, she is inflexible when she is determined; hers is a velvet manner and an iron will. The name of Fanny ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XXVI., December, 1880. • Various
... when expression becomes an act of memory, instead of an unconscious necessity, that diction takes the place of warm and hearty speech. It is not safe to attribute special virtues (as Bosworth, for example, does to the Saxon) to words of whatever derivation, at least in poetry. Because Lear's "oak-cleaving thunderbolts," and "the all-dreaded thunder-stone" in "Cymbeline" are so fine, we would not give up Wilton's Virgilian "fulmined over Greece," where the verb in English conveys at once the idea of flash and reverberation, but avoids that ...
— Atlantic Monthly, Volume 3, Issue 15, January, 1859 • Various
... true Antonio on the stage than to see the true moonlight shimmering on the trees in Belmont Park. But sometimes the play will transcend the limits of stage expression by being too purely and perfectly dramatic, as in "Lear." For not only is it, as Lamb points out,[3] impossible for the actor to give the convulsions of the father's grief, and yet preserve the dignity of the king, but the sustained intensity of passion fatigues both ...
— The Contemporary Review, January 1883 - Vol 43, No. 1 • Various
... the following terms: "How little Shakspeare was once read, may be understood from Tate, who, in his dedication to the altered play of King Lear, speaks of the original as an obscure piece, recommended to his notice by a friend; and the author of the Tatler, having occasion to quote a few lines out of Macbeth, was content to receive them from Davenant's ...
— Biographical Essays • Thomas de Quincey
... spectacles thoughtfully, and, as he resumed his work, a sounding flood of tragic utterance came out of him—the great soliloquies of Hamlet and Macbeth and Richard III and Lear and Antony, all said with spirit and appreciation. The job finished, they bade ...
— Darrel of the Blessed Isles • Irving Bacheller
... Shakespearian humour which lies beyond Hazlitt's sphere. His criticism of Hamlet is feeble; he does not do justice to Mercutio or to Jaques; but he sympathises more heartily with the tremendous passion of Lear and Othello, and finds something congenial to his taste in Coriolanus and Timon of Athens. It is characteristic, too, that he evidently understands Shakespeare better on the stage than in the closet. When he can associate Iago and Shylock with the visible presence of Kean, ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... said Will to himself; "ye little ken that the Laird o' Gilnockie, whom ye tried to deprive of his birthright, sits afore ye; and will a' the lear 'neath that big wig tell ye that that same Laird o' Gilnockie sits here contriving a plan to run awa wi' ye? Faith, an' it's a bauld project; but the baulder the bonnier, as we say in Liddesdale. I only wish I could tak her wig and gown wi' her—for, if the lurdon were seen looking ...
— Wilson's Tales of the Borders and of Scotland, Volume 2 - Historical, Traditional, and Imaginative • Alexander Leighton
... proposed measure, but the Court had considered it as being nos poma natamus. I kept our friends quiet by declining to move in a matter which was to expose us to the insult of a certain refusal. Clerk, with his usual felicity of quotation, said they should have remembered the Clown's exhortation to Lear, "Good nuncle, tarry and take ...
— The Journal of Sir Walter Scott - From the Original Manuscript at Abbotsford • Walter Scott
... the King, is, like Agamemnon, a warrior-king. But, unlike Agamemnon, he is blameless with regard to Gertrude. Yet Gertrude, like Clytemnestra, is the potential murderer of her husband, as Lady Macbeth is murderess, as the daughters of Lear. The women murder the supreme male, the ideal Self, the King ...
— Twilight in Italy • D.H. Lawrence
... hanging back, her white garments streaming in the air, her golden locks floating, her witching eyes closed, and her blue lips apart and rigid on her glistening teeth—so she lay like dead Cordelia in the arms of old Lear. ...
— The Missing Bride • Mrs. E. D. E. N. Southworth
... his mother tongue. "The ladies praised his voice and the music, but were more struck with the softness and sonorousness of the Russian language." I remember being similarly affected years ago when I heard "King Lear" read aloud in Russian. Baron von der Bruggen says,* "there is the wonderful wealth of the language, which, as a popular tongue, is more flexible, more expressive of thought than any other living tongue I know of." No one has paid a ...
— Essays on Russian Novelists • William Lyon Phelps
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