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More "Metre" Quotes from Famous Books
 ... (says Puttenham,) none example in English metre so well mayntayning this figure (Exargasia, or the Gorgeous) as that dittie of her Majestie Queen Elizabeth's own making, passing sweete and harmonical; which figure being, as his very original name purporteth, the most beautiful and gorgeous of all others, it asketh in reason to be reserved ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 476, Saturday, February 12, 1831 • Various
... a song without metre; And, here again, nothing is wrong; (For nothing on earth could be neater) ...
— The New Morning - Poems • Alfred Noyes
... that I have been more successful with the metre than usual," she added, "having been guided by a little poem, a favourite of mine, which, as it also inculcates kindness to the brute creation, you will do well, Harry, to commit to memory. ...
— The Adventures of Harry Revel • Sir Arthur Thomas Quiller-Couch
... studies, making fresh inventions, taking up the phonograph, filled with theories of graphic representation; reading, writing, publishing, founding sanitary associations, interested in technical education, investigating the laws of metre, drawing, acting, directing private theatricals, going a long way to see an actor - a long way to see a picture; in the very bubble of the tideway of contemporary interests. And all the while he was busied about his father and mother, his wife, and in particular his sons; anxiously ...
— Memoir of Fleeming Jenkin • Robert Louis Stevenson
... may cost his readers some trouble to convince themselves that the greater part of the book is not mere prose, written out into the form of verse, he is persuaded that its melody is more obvious and perceptible than that of our vulgar measures. "One advantage," says Mr. Southey, "this metre assuredly possesses; the dullest reader cannot distort it into discord: he may read it with a prose mouth, but its flow and fall will still be perceptible." We are afraid, there are duller readers in the world than Mr. Southey ...
— Famous Reviews • Editor: R. Brimley Johnson
... modulated by the will of the other. We call them the most remarkable boyish poems that we have ever read. We know of none that can compare with them for maturity of purpose, and a nice understanding of the effects of language and metre. Such pieces are only valuable when they display what we can only express by the contradictory phrase of innate experience. We copy one of the shorter poems, written when the author was only fourteen. There ...
— The Works of Edgar Allan Poe - Volume 1 (of 5) of the Raven Edition • Edgar Allan Poe
... period at which the English and Saxon people existed as separate tribes at all, we may be sure that they possessed battle-songs, like those common to the whole Aryan stock. But among the Teutonic races poetry was not distinguished by either of the peculiarities—rime or metre—which mark off modern verse from prose, so far as its external form is concerned. Our existing English system of versification is not derived from our old native poetry at all; it is a development of the ...
— Early Britain - Anglo-Saxon Britain • Grant Allen
... style, equally characteristic, but less obvious, are forgotten. It is almost impossible for a translator to do justice to this sententious brevity unless the stanza in which he writes is in some sort analogous to the metre of Horace. If he chooses a longer and more diffuse measure, he will be apt to spoil the proverb by expansion; not to mention that much will often depend on the very position of the sentence in the stanza. Perhaps, ...
— Odes and Carmen Saeculare of Horace • Horace
... LITERATURE AND ITS DIVISIONS.—A greater part of the Sanskrit literature, which counts its works by thousands, still remains in manuscript. It was nearly all composed in metre, even works of law, morality, and science. Every department of knowledge and every branch of inquiry is represented, with the single exception of history, and this forms the most striking general characteristic of the literature, and one which robs it of a great share of worth and ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... three proverbial examples of righteousness, shows that Ezekiel had the Deluge in his mind, and increases the significance of the underlying parallel between his argument and that of the Babylonian poet.(1) It may be added that Ezekiel has thrown his prophecy into poetical form, and the metre of the two passages in the Babylonian and Hebrew is, as Dr. Daiches points ...
— Legends Of Babylon And Egypt - In Relation To Hebrew Tradition • Leonard W. King
... of the metre is essential to the full sense of the meaning and of the beauty of all poetry. Even the rhymeless flow of blank verse is absolutely necessary to an accurate and entire perception of the effect the author intends to produce: it is in both cases ...
— The Young Lady's Mentor - A Guide to the Formation of Character. In a Series of Letters to Her Unknown Friends • A Lady
... of a metre, or 1/23400 of an English inch. The term has been formally adopted by the International Commission of Weights and Measures, representing the civilized nations of the world, and is adopted by ...
— A Color Notation - A measured color system, based on the three qualities Hue, - Value and Chroma • Albert H. Munsell
... perfumed As the sweet roadside honeysuckle. That's why, Difficult though its metre was to tackle, I'm ...
— Green Bays. Verses and Parodies • Arthur Thomas Quiller-Couch
... intrinsic impulse towards modulation of sound already explained, speech first issued from the human breast in harmonious accents and rhythmic form, and these became in their turn the causes and genesis of versification and metre. The classic experiments of Helmholtz show that each note may be regarded as a harmonic whole, owing to the complementary sounds which accompany it in its complete development. With reference to our own race, the ...
— Myth and Science - An Essay • Tito Vignoli
... And justly Caesar scorns the poet's lays: It is to history he trusts for praise. F. Better be Cibber, I'll maintain it still, Than ridicule all taste, blaspheme quadrille, Abuse the city's best good men in metre, And laugh at peers that put their trust in Peter. Even those you touch not, hate you. P. What should ail 'em? F. A hundred smart in Timon and in Balaam: The fewer still you name, you wound the more; Bond is but one, but Harpax is a score. P. ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... Scotch Reviewers./ A Satire./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ London:/ Printed for James Cawthorn, British Library,/ No. 24, Cockspur ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... later autograph in B. Taken by Dean Beeching into 'A Book of Christmas Verse' 1895 and thence, incorrectly, by Orby Shipley in 'Carmina Mariana'. Stated in a letter to R. W. D. June 25, '83, to have been written to 'hang up among the verse com- positions in the tongues. ... I did a piece in the same metre as Blue in the mists all day.' Note Chaucer's account of the physical properties of the air, 'House of Fame', ii. ...
— Poems of Gerard Manley Hopkins - Now First Published • Gerard Manley Hopkins
... described the dangers of Alpine travelling, both from weather and other foes. In those days the difficulties of the road excluded all interest in mountain beauty. There is a tender and expressive poem in Sapphic metre, in which, homesick and cold in winter, he sang his longing for beautiful Reichenau. But even he, like most of his predecessors and all his followers, wielded his pen with labour, expression often failing ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... bubbling over with excitement, "I've discovered the measurements in the document. Why Old Barbe Rouge was a Frenchman, and of course used French measure,—the metre! Hurrah!" and I made the rocks echo with my excited hurrahs ...
— Jethou - or Crusoe Life in the Channel Isles • E. R. Suffling
... translator in the way of duty. And the son of Philip himself, though he bade 'spare the house of Pindarus,' we vehemently suspect, never read the works of Pindarus; that labour he left to some future Hercules. So much for his subjects: but a second objection is—his metre: The hexameter, or heroic metre of the ancient Greeks, is delightful to our modern ears; so is the Iambic metre fortunately of the stage: but the Lyric metres generally, and those of Pindar without one ...
— The Uncollected Writings of Thomas de Quincey—Vol. 1 - With a Preface and Annotations by James Hogg • Thomas de Quincey
... composition, why and wherein essentially different from that of prose—Origin and elements of metre —Its necessary consequences, and the conditions thereby imposed on the metrical writer in the ...
— Biographia Literaria • Samuel Taylor Coleridge
... of the stanzas written by him in this metre at the time of the Union, (beginning "Zooks, Harry! zooks, Harry!") he entitled them, "An admirable new ballad, which goes excellently well to the ...
— Memoirs of the Life of Rt. Hon. Richard Brinsley Sheridan Vol 2 • Thomas Moore
... have written the numerals in letters, else the metre would not have come clear: they were really in figures thus, "II C. et XX," "XIII C. moins XII". I quote the inscription from M. l'Abbe Roze's admirable little book, "Visite a la Cathedrale d'Amiens,"—Sup. Lib. de ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin
... "What proof? Metre and rhyme, I grant you—long and short—but show me the afflatus! They make verse with a penknife, like their wooden nutmegs. They are perfect Chinese for ingenuity and imitation, and the resemblance to the real Simon-pure is very perfect—externally. But when it comes to grating the ...
— Miriam Monfort - A Novel • Catherine A. Warfield
... at Rochester, a gentleman of very considerable learning, whom Dr. Johnson met there, he said, "My heart warms towards him. I was surprised to find in him such a nice acquaintance with the metre in the learned languages; though I was somewhat mortified that I had it not so much to myself, as ...
— Life Of Johnson, Volume 4 (of 6) • Boswell
... brown stones and float the sight up away through the fissure of the rocks. The rhythm (to touch one of the various things) the rhythm of that 'Duchess' does more and more strike me as a new thing; something like (if like anything) what the Greeks called pedestrian-metre, ... between metre and prose ... the difficult rhymes combining too quite curiously with the easy looseness of the general measure. Then 'The Ride'—with that touch of natural feeling at the end, to prove that it was not in brutal carelessness that the poor horse was driven through ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... life! Besides this, a chorus for a concert! I have no longer any feeling for that kind of thing, and could not produce it at any price. I should not know where to take my inspiration. One other thing: my musical position towards verse and metre has undergone an enormous change. I could not at any price write a melody to Schiller's verses, which are entirely intended for reading. These verses must be treated musically in a certain arbitrary manner, and that arbitrary manner, as ...
— Correspondence of Wagner and Liszt, Volume 2 • Francis Hueffer (translator)
... to the prayers in Cato's book, to which I referred just now when discussing the word macte. Attempts have been made to prove that these were originally written in metre;[395] and this is quite possible. If so, it only means that they retained the outward form of the primitive spell; it must not lead us on to fancy that the sacrifice which accompanied the prayer was a magical act, ...
— The Religious Experience of the Roman People - From the Earliest Times to the Age of Augustus • W. Warde Fowler
... expression of our authority, and the metre-gauge of our importance. By them the untutored mind of the poor Indian is enabled to estimate the amount of reverence due to each of us. This is the first purpose for which we are provided with Chupprassees. The second is that they may ...
— Behind the Bungalow • EHA
... as you can all your present notions about the nature of verse and poetry. Take a sponge and wipe the slate of your mind. In particular, do not harass yourself by thoughts of metre and verse forms. Second: Read William Hazlitt's essay "On Poetry in General." This essay is the first in the book entitled Lectures on the English Poets. It can be bought in various forms. I think ...
— Literary Taste: How to Form It • Arnold Bennett
... for, laying more stress upon their own duties of fasting and devotion than upon the obedience, satisfaction and righteousness of Christ, they soon came to deny part of the scripture, and to reject the psalms of David in metre; which began first to be discovered at Lochgoin in Fenwick parish. But returning eastwards towards Darmead, faithful Mr. Cargil had a meeting with them, and used all means with this mad-cap and his hair-brained followers to convict or reclaim them; ...
— Biographia Scoticana (Scots Worthies) • John Howie
... Job? There is not much poetry in the name, Job. But Rome and its vulgate vulgarized this hallowed name, and Britain followed Rome. His name in Chaldee, Syriac, and Arabic, is Jobab. There is more poetry in this. There is no metre, no poetry in a monotone or monosyllable. Born among rocks and mountains, the proper theatre of a heaven-inspired Muse—not in Arabia the Happy, but in Arabia the Rocky—he was a heart-touching, a soul-stirring, emotional Bard. In such a case the clouds that overshadow the era of the man ...
— Continental Monthly, Vol. III, No IV, April 1863 - Devoted to Literature and National Policy • Various
... metre he afterwards refrained, and taught his followers the art of concluding their sense in couplets; which has, perhaps, been with rather too ...
— Lives of the Poets, Vol. 1 • Samuel Johnson
... Daughter, Hymns of a Hermit, and I know not what other extensive stock of pieces; concerning which he was now somewhat at a loss as to his true course. He could write verses with astonishing facility, in any given form of metre; and to various readers they seemed excellent, and high judges had freely called them so, but he himself had grave misgivings on that latter essential point. In fact here once more was a parting of the ways, "Write in ...
— The Life of John Sterling • Thomas Carlyle
... as in the dark ages a person who could write his name passed for a great clerk. Accordingly, Duke, Stepney, Granville, Walsh, and others whose only title to fame was that they said in tolerable metre what might have been as well said in prose, or what was not worth saying at all, were honored with marks of distinction which ought to be reserved for genius. With these Addison must have ranked, if he had not earned true and lasting glory by performances ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... ancient civilised men, and cannot stand ours, it follows that our race is presumably tougher than the ancient; for we have to bear, and do bear, the seeds of greater diseases than those the ancients carried with them. We may use, perhaps, the unvarying savage as a metre to gauge the vigour of the constitutions to whose ...
— Physics and Politics, or, Thoughts on the application of the principles of "natural selection" and "inheritance" to political society • Walter Bagehot
... thou,' sighed Shelley, not to Delight merely, but to the Spirit of Delight. Delight can be compelled beforehand, called, and constrained to our service—Ariel can be bound to a daily task; but such artificial violence throws life out of metre, and it is not the spirit that is thus compelled. That flits upon an orbit elliptically or parabolically or hyperbolically curved, keeping no man knows ...
— The Rhythm of Life • Alice Meynell
... stirring strain, always admired, has attracted additional notice in the present day as the metrical prototype of Tennyson's "Charge of the Light Brigade," which, in our estimation, fails to rival its model. The lapses of both poets may well be excused on the ground of the difficulty of the metre, but Drayton has the additional apology of the "brave neglect" which so correct a writer as Pope accounted a virtue in Homer, but which Tennyson never had the nerve ...
— The Battaile of Agincourt • Michael Drayton
... author calls them, nothing more—pure and simple records of the life of the people around him, their loves and griefs, their hopes and disappointments. The most usual metre is the simple Spanish asonante, or eight-syllable trochaic verse, with the vowel rhyme called asonante.[2] They are pervaded by a tender spirit of melancholy, very different from the Weltschmerz of Heine, ...
— Lippincott's Magazine, December 1878 • Various
... full. That last oil glaze of yours holds the gas something beautiful. He's not lost a cubic metre a week."... ...
— Tono Bungay • H. G. Wells
... Liszt, and though extremely brilliant, is full of meaning. It has an interlude of tender romance. "Coy Maiden" is a graceful thing, but hardly deserves the punishment of so horrible a name. "A Gypsy Dance" is too long, but it is of good material. It has an interesting metre, three-quarter time with the first note dotted. There is a good effect gained by sustaining certain notes over several measures, though few pianists get a real sostenuto. An "Allegro Patetico" (op. 12), "Medea" (op. 13), and a set of small pieces (one of them a burlesque called "A Caudle ...
— Contemporary American Composers • Rupert Hughes
... translated other articles on ballooning from the French. It is also interesting that she retained in her translation the original units which Verne used (metre, feet, leagues), a practice forgotten until recently. This may be the first appearance of a work by Jules Verne in ...
— A Voyage in a Balloon (1852) • Jules Verne
... translation is both spirited and faithful—faithful in following even the irregularities of metre which mark the original. It won the praise and admiration of some of the most accomplished judges in the country. The following extract from a letter of the late Rev. Henry W. Bellows, D.D., ...
— The Life and Letters of Elizabeth Prentiss • George L. Prentiss
... of its genuine life: the range of its spiritual as well as of its intellectual outlook. This is the case even where poetry is imitative, for imitation only pertains to the form of poetry, and not to its essence. Vergil copied the metre and borrowed the phraseology of Homer, but is never Homeric. In one sense, all national poetry is original, even though it be shackled by rules of traditional prosody, and has adopted the system of rhyme devised by writers in another language, whose words seem naturally to bourgeon ...
— Japanese Literature - Including Selections from Genji Monogatari and Classical - Poetry and Drama of Japan • Various
... they borrow their phrases from a different and a scantier gradus ad Parnassum. If they were, indeed, to discard all imitation and set phraseology, and to bring in no words merely for show or for metre,—as much, perhaps, might be gained in freedom and originality, as would infallibly be lost in allusion and authority; but, in point of fact, the new poets are just as great borrowers as the old; only that, ...
— Early Reviews of English Poets • John Louis Haney
... own edition of "The City Shower," has "old ACHES throb." Aches is two syllables, but modern printers, who had lost the right pronunciation, have aches as one syllable; and then, to complete the metre, have foisted in "aches will throb." Thus what the poet and the linguist wish to preserve is altered, and ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... a poem of 188 lines, in heroic metre, and is followed by a shorter poem, entitled "A Comfortable Exhortation to ...
— Notes and Queries, Number 54, November 9, 1850 • Various
... of but one kind—but this has hitherto been without a name. For there is no common term we could apply to the mimes of Sophron and Xenarchus and the Socratic dialogues on the one hand; and, on the other, to poetic imitations in iambic, elegiac, or any similar metre. People do, indeed, add the word 'maker' or 'poet' to the name of the metre, and speak of elegiac poets, or epic (that is, hexameter) poets, as if it were not the imitation that makes the poet, but the verse that entitles them all indiscriminately to the name. Even when a treatise on medicine or ...
— Poetics • Aristotle
... Anderson and Dave Mead, followed by every other boy and girl. O'mie rode beside me, and not one of us thought of himself. It was all done in a flash, and I marvel that I tell its mental processes as if they were a song sung in long-metre time. But it is all so clear to me. I can see the fiery radiance of that sky blotted by the two riders before me. I can hear the crash of the ponies' feet, and I can even feel the sweep of wind out of that storm-cloud turning ...
— The Price of the Prairie - A Story of Kansas • Margaret Hill McCarter
... text: Italicized stanzas will be indented 5 spaces. Italicized stanzas that are ALREADY indented will be indented 10 spaces. Italicized words and phrases have been capitalized. Lines longer than 75 characters have been broken according to metre, and the continuation is indented two spaces. Also, some obvious errors, after being confirmed against other sources, have been corrected. This etext was prepared ...
— In the Days When the World Was Wide and Other Verses • Henry Lawson
... from not knowing If 'twere I or mere wind through her tripod was blowing; Let his mind once get head in its favorite direction And the torrent of verse bursts the dams of reflection, While, borne with the rush of the metre along, The poet may chance to go right or go wrong, Content with the whirl and delirium of song; Then his grammar's not always correct, nor his rhymes, And he's prone to repeat his own lyrics sometimes, Not his best, though, for those are struck off ...
— Selections From American Poetry • Various
... advantage in an assault; across that narrow interval we should only get into trenches that might be costly or impossible to hold, and so it would be for the Germans on our side. But there is a kind of etiquette observed; loud vulgar talking on either side of the four-metre gap leads at once to bomb throwing. And meanwhile on both sides guns of various calibre keep up an intermittent fire, the German guns register—I think that is the right term—on the cross of Arras cathedral, the British guns search lovingly for the German batteries. As one ...
— War and the Future • H. G. Wells
... An automobile had come in last night from Madrid, a sixty horse-power Merlin, and the chauffeur had reported snow half a metre deep on the mountains. The Merlin had stuck, he said, and had to be pulled out with oxen. Supposing the Duke intended going to Madrid instead of turning off by way of Salamanca, he—and incidentally we—seemed likely to ...
— The Car of Destiny • C. N. Williamson and A. M. Williamson
... newly crept out of the schools of Dante, Ariosto, and Petrarch, they greatly polished our rude and homely manner of vulgar poesy from what it had been before, and for that cause may justly be said to be the first reformers of our English metre and style." The dull moralizings of the rimers who followed Chaucer, the rough but vivacious doggrel of Skelton, made way in the hands of Wyatt and Surrey for delicate imitations of the songs, sonnets, ...
— History of the English People - Volume 4 (of 8) • John Richard Green
... for I bought them in print. Cribbed? of course they were cribbed. Yet I wouldn't say, cribbed from the French—Lady Bathsheba thought it was vulgar— But picked up on the banks of the Don, from the lips of a highly intelligent Bulgar. I'm aware, Bill, that's out of all metre—I can't help it—I'm none of your sort Who set metres, by Jove, above morals—not exactly. They don't go to Court— As I mentioned one night to that cowslip-faced pet, Lady Rahab Redrabbit (Whom the Marquis calls Drabby for short). Well, I say, ...
— The Heptalogia • Algernon Charles Swinburne
... point south-east of the north-west rock; when she cleared this rock, which is at this spot thirteen feet below the surface, leaving a large white furrow, she ran a hundred and sixty feet further, and struck on the south-east rock, which is only about four feet (one metre twenty centimetres) below the surface. She again marked the rock very distinctly. The sea, which is often very rough on this spot, has left nothing remaining but the massive part of the engine, where it can be perceived between the two rocks, ...
— Narratives of Shipwrecks of the Royal Navy; between 1793 and 1849 • William O. S. Gilly
... reference to metre and its various forms in verse, as an element in the general treatment of style or manner (lexis) as opposed to the matter (logoi) in the imaginative literature, with which as in time past the [270] education of the citizens of the Perfect City will begin. It is however at his own ...
— Plato and Platonism • Walter Horatio Pater
... Berdenich has reported a case of a parcel of carbide which yielded on the average 5.1 cubic foot of acetylene per lb., producing gas which contained only 0.398 gramme of phosphorus in the form of phosphine per cubic metre (or 0.028 per cent. of phosphine) and was spontaneously inflammable. But on examination the carbide in question was found to be very irregular in composition, and some lumps produced acetylene containing ...
— Acetylene, The Principles Of Its Generation And Use • F. H. Leeds and W. J. Atkinson Butterfield
... Biblical writers would have been superseded by the learned professors and the gentlemanly versifiers of later times! Is there to-day a popular poet, using the English language, who does not, in technical acquirements and in the artificial adjuncts of poetry,—rhyme, metre, melody, and especially sweet, dainty fancies,—surpass Europe's and Asia's loftiest and oldest? Indeed, so marked is the success of the latter-day poets in this respect, that any ordinary reader may well be puzzled, and ask, if the shaggy ...
— Birds and Poets • John Burroughs
... tempests which arise, rage, destroy, and carry everything away without premonitory warning or possibility of arresting their course. All at once it was rumoured that land bought at five francs the metre had been sold again for a hundred francs the metre; and thereupon the fever arose—the fever of a nation which is passionately fond of gambling. A flight of speculators descending from North Italy swooped down upon Rome, the noblest and easiest of preys. Those needy, famished ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... in 1863 in a peat bog of Schleswig; that is in the very country of the Angles; judging by the coins found at the same time, it must belong to the third century. It measures 22 metres 67 centimetres in length, 3 metres, 33 centim. in breadth, and 1 metre 19 centim. in height. Specimens of Scandinavian ships have also been discovered. When a chief died his ship was buried with him, as his chariot or horse was in other countries. A description of a Scandinavian funeral (the chief placed on ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... groups identical in length. The prose writer, in fact, since he is allowed to be so much less harmonious, is condemned to a perpetually fresh variety of movement on a larger scale, and must never disappoint the ear by the trot of an accepted metre. And this obligation is the third orange with which he has to juggle, the third quality which the prose writer must work into his pattern of words. It may be thought perhaps that this is a quality of ease rather than a fresh difficulty; but such is the inherently rhythmical ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... in homely Spanish metre, unwritten mouth-to-mouth wisdom, stable as a proverb, enduring through generations of unrecorded wanderers, that repeated it for a few years, and passed beneath ...
— Red Men and White • Owen Wister
... pre-eminent and eclipsed the brightness of the rest: the latter were the compositions of a school of bards in the neighbourhood of Mount Helicon in Boeotia, among whom in like manner Hesiod enjoyed the greatest celebrity. The poems of both schools were composed in the hexameter metre and in a similar dialect; but they differed widely in almost every ...
— A Smaller History of Greece • William Smith
... "Should we be silent and not speak," is nearly word for word from Plutarch, with some additional graces of expression, and the charm of metre superadded. I shall give the last lines of this address, as illustrating that noble and irresistible eloquence which was the crowning ornament of the character. One exquisite touch of nature, which is distinguished by italics, was beyond the rhetorician and historian, ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... were! to rhyme with far A kind star did not tarry; The metre, too, was regular As schoolboy's dot and carry; And full they were of pious plums, So extra-super-moral,— For sucking Virtue's ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... deal of investigating the composition and geological formation of the ground surrounding Port Arthur. I found most of the ground consisting of loose layers of lava scoriæ. The comparative easy capture of the otherwise immensely strong 203 Metre Hill did not surprise me. The texture of the ground, besides having a deadening effect on shell fire, made the approach to the forts by means of parallels surprisingly easy. The Japanese, by the ...
— The Secrets of the German War Office • Dr. Armgaard Karl Graves
... idea in the whole poem (appalling in its length), but to no purpose. The transcendental literature of Germany absorbs all that, at first glance, arrests the attention. Without learning, imagination, or the attraction of a beautiful metre (like that of Tennyson's 'Princess'), I am at a loss to know what has given this poem its notoriety. Not its daring speculation, surely, for it is but a timid compromise ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... castings from a field near my house averaged 16 cubic centimeters. Several species of earth-worms are common in St. Catharina in South Brazil, and Fritz Muller informs me "that in most parts of the forests and pasture-lands, the whole soil, to a depth of a quarter of a metre, looks as if it had passed repeatedly through the intestines of earth-worms, even where hardly any castings are to be seen on the surface." A gigantic but very rare species is found there, the burrows of which are sometimes ...
— The Formation of Vegetable Mould through the action of worms with • Charles Darwin
... his friend Frank Remand, surnamed Franko, to suit the requirements of metre, in which they habitually conversed, were walking arm-in-arm along the drive in Society's Park on a fine frosty Sunday afternoon of midwinter. The quips and jokes of Franko were lively, and he looked into the carriages passing, as if he knew that a cheerful countenance is not without charms for their ...
— The Shaving of Shagpat • George Meredith
... point from a hundred and thirty-five to two hundred and fifteen metres, with a depth of five metres on the quays at lowest tide. These tides are felt as far as twenty miles above the town. They vary in height from one metre to as much as three, and a tidal wave is formed that is one of the greatest dangers of the downstream navigation. Coming up from the sea is fairly easy in almost any kind of stout and steady craft, but it is difficult for all ...
— The Story of Rouen • Sir Theodore Andrea Cook
... Every metre they trod was historic ground—ground which had been contested against the legions of the Crown ...
— The Doctor of Pimlico - Being the Disclosure of a Great Crime • William Le Queux
... for himself by comparing the passage from the manuscript given in the appendix with the corresponding place in the text. Milton's own spelling revels in redundant e's, while the printer of the 1645 book is very sparing of them. But in cases where the spelling affects the metre, we find that the printed text and Milton's manuscript closely correspond; and it is upon its value in determining the metre, quite as much as its antiquarian interest, that I should base a justification of this reprint. Take, for instance, such a line as the eleventh ...
— The Poetical Works of John Milton • John Milton
... is intended for a convent of Ursuline nuns, must be in white marble. Height: one metre seven hundred and six millimetres; in other words, five feet three inches. As it will not be placed in a niche, you must carefully finish all sides of it. The costs of the work are to be taken out of the two hundred and ...
— The Deputy of Arcis • Honore de Balzac
... and unexceptionable doggerel and no one would admit such fact more quickly than Mistress Anne herself, who laid it away in after days in her drawer, with a smile at the metre and a sigh for the miserable time it chronicled. There were many of them, for among the same papers is a ...
— Anne Bradstreet and Her Time • Helen Campbell
... tempted by the alluring offers of a richer suitor, forbade the nuptials. Archilochus thereupon composed so bitter a lampoon upon the family that the daughters of the nobleman are said to have hanged themselves. Says SYMONDS, "He made Iambic metre his own, and sharpened it into a terrible weapon of attack. Each verse he wrote was polished, and pointed like an arrow-head. Each line was steeped in the poison of hideous charges against his sweetheart, her sisters, ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson
... subtle and penetrating than any other; and the licentiousness of the verse is equal to that of the emotion; every natural instinct of the language is violated, and the simple music native in French metre is replaced by falsetto notes sharp and intense. The charm is that of an odour of iris exhaled by some ideal tissues, or of a missal in a gold case, a precious relic of the pomp and ritual of an archbishop ...
— Confessions of a Young Man • George Moore
... made since the Restoration, they renewed the half-forgotten melody and depth of tone which marked the best Elizabethan writers:—that, lastly, to what was thus inherited they added a richness in language and a variety in metre, a force and fire in narrative, a tenderness and bloom in feeling, an insight into the finer passages of the Soul and the inner meanings of the landscape, a larger and wiser Humanity,—hitherto ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... what it is they are going to say before they begin. This is superfluous effort, tending to cramp the style. It is permissible, if not essential, to select a subject—say, MUD—but any detailed argument or plan which may restrict the free development of metre and rhyme (if ...
— Punch, or the London Charivari, Volume 158, June 2, 1920 • Various
... of disgust with his profession, from which mood he was only delivered by recklessly abandoning these studies and indulging in an old enthusiasm for poetical literature. For two whole years he did nothing but write verse in every conceivable metre, and on every conceivable subject, from Wordsworthian sonnets on the singing of his tea-kettle to epic fragments on the Fall of Empires. His discovery at the age of five-and-twenty that these inspired ...
— A Laodicean • Thomas Hardy
... the real Scott first shows, and the better of the two is the second. It is not merely that, though Scott had a great liking for and much proficiency in 'eights,' that metre is never so effective for ballad purposes as eights and sixes; nor that, as Lockhart admits, Glenfinlas exhibits a Germanisation which is at the same time an adulteration; nor even that, well as Scott knew the Perthshire Highlands, they could not appeal to him with the ...
— Sir Walter Scott - Famous Scots Series • George Saintsbury
... retained, depend alike on physiological conditions; and no matter how convenient or inconvenient these conditions may be for signification, they will always make themselves felt and may sometimes remain predominant. In poetry they are still conspicuous. Euphony, metre, and rhyme colour the images they transmit and add a charm wholly extrinsic and imputed. In this immersion of the message in the medium and in its intrinsic movement the magic of poetry lies; and the miracle grows as there is more or less native analogy between the medium's ...
— The Life of Reason • George Santayana
... of the regular mode of the recurrence of harmony in the language of poetical minds, together with its relation to music, produced metre, or a certain system of traditional forms of harmony and language. Yet it is by no means essential that a poet should accommodate his language to this traditional form, so that the harmony, which is its spirit, be observed. The practice is indeed convenient and popular, ...
— English literary criticism • Various
... permeates his poems. By temperament a singer as well as a seer and sayer, Emerson was nevertheless deficient in the singing voice. He composed no one great poem, his verse presents no ideas that are not found in his prose. In metre and rhyme he is harsh and willful. Yet he has marvelous single phrases and cadences. He ejaculates transports and ecstasies, and though he cannot organize and construct in verse, he is capable here and there of the true miracle of transforming ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... ease of it, at which point he beats Tennyson out of the field; his play, so high fantastical, with his subjects, and the way in which the pleasure he took in this play overmastered his literary self-control; his fantastic games with metre and with rhyme, his want of reverence for the rules of his art; his general lawlessness, belong to one side, but to one side only, of the Celtic nature. But the ardour of the man, the pathos of his passion and the passion of his pathos, his impulse ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... him in good stead one day, and helped to carry others through a trouble as well. He was in one of the country pulpits, and had just announced the second hymn, which was a long metre. The choir commenced to sing a common metre tune to the hymn, but before they had got through the second line they found out the mistake, and one after another dropped their voices and ceased to ...
— Little Abe - Or, The Bishop of Berry Brow • F. Jewell
... letter than s, form the possessive by the addition of the apostrophe and the letter s. The only exceptions to this rule are, that, by poetical license the additional s may be elided in poetry for sake of the metre, and in the scriptural phrases "For goodness' sake." "For conscience' sake," "For Jesus' sake," etc. Custom has done away with the s and these phrases are now idioms of the language. All plural nouns ending in s form ...
— How to Speak and Write Correctly • Joseph Devlin
... beef, some delicate slices of boiled tongue, an open box of sardines, a plate heaped with cold red cabbage, a lemon, olives, etc.,—all fresh from the rotisserie and charcuterie below,—were flanked by a metre of bread and a litre of Bordeaux. The spread looked quite ...
— Mlle. Fouchette - A Novel of French Life • Charles Theodore Murray
... sardonic, stern; the harrying sound Lashes them like a flail the long hours round, Till to strained nerves 'twere sweeter To silence it with one fierce passionate grip, Than into some bland Lotos Land to slip, And moon out life to metre. ...
— Punch, or the London Charivari, Vol. 98 January 11, 1890 • Various
... believe that Sidney Lanier was much more than a clever artisan in rhyme and metre; because he will, I think, take his final rank with the first princes of American song, I am glad to provide this slight memorial. There is sufficient material in his letters for an extremely interesting biography, which could be properly prepared only by his wife. These ...
— The Poems of Sidney Lanier • Sidney Lanier
... more time than Tom's; as much indeed as his sister's, after they parted. But they were conducted by means of that marvel of marvels, the telegraph,—the chief of whose marvels is that it compels even a long- winded generation like ours to speak in very short metre. ...
— The Brick Moon, et. al. • Edward Everett Hale
... grace was chanted and then the Zemiroth was sung—songs summing up in light and jingling metre the very essence of holy joyousness—neither riotous nor ascetic—the note of spiritualized common sense which has been the key-note of historical Judaism. For to feel "the delight of Sabbath" is a duty and ...
— Children of the Ghetto • I. Zangwill
... they are inspired and possessed. And as the Corybantian revellers when they dance are not in their right mind, so the lyric poets are not in their right mind when they are composing their beautiful strains: but when falling under the power of music and metre they are inspired and possessed; like Bacchic maidens who draw milk and honey from the rivers when they are under the influence of Dionysus but not when they are in their right mind. And the soul of the lyric poet does the same, as they themselves ...
— Ion • Plato
... frequently rallied by his family on his inconstancy of purpose, but he pleaded in extenuation that versatility had very marked charms of its own. He produced one day a copy of verses, written in the Gilbertian metre, to illustrate his mental attitude, and they strike me as so neatly worded, that I ...
— The Days Before Yesterday • Lord Frederick Hamilton
... that the tunes of the world were one; And the metre that guided the rhythmic sun Was at one, like the ebb and the flow of the sea, With the tunes that we learned at our mother's knee; The beat of the horse-hoofs that carried us down To see the fine Lady of Banbury Town; And so, by the rhymes that we knew, we could tell Without ...
— Collected Poems - Volume One (of 2) • Alfred Noyes
... root of that matter. In the first place, I must entirely differ with those persons who have sought to create an independent prosody for English verse under the head of "beats" or "accents" or something of that sort. Every English metre since Chaucer at least can be scanned, within the proper limits, according to the strictest rules of classical prosody: and while all good English metre comes out scatheless from the application of those rules, nothing ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... instantly sees and strikes at the weak point of his adversary's argument. "You appeal to scholars," he says in substance; "you admit that I am one; now you don't like my choice of words or metre; I do; who, then, shall decide? Why, the public, of course, which is the court of last appeal in such cases." It appears to us, that, on most of the points at issue, the truth lies somewhere between the two disputants. We do not think that Mr. Newman has made out his ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... permanent of all the poetry of this age. Though written by both Troubadours and Trouveres, the latter were far superior in style and invention, and it is mostly their work which has survived. These romances were sometimes in prose, but more often in poetry of extremely smooth and flowing metre. ...
— Woman's Work in Music • Arthur Elson
... and fluency, the scientific construction of the metre of the 'Faery Queene' is very noticeable. One of Spenser's arts is that of alliteration, and he uses it with great effect in doubling the impression ...
— Literary Remains (1) • Coleridge
... the official clock dropped into its slot somebody called the Naval Observatory. The call was so faint as to be barely audible, in spite of the fact that Hood's instrument was tuned for a three-thousand-metre wave. Supposing quite naturally that the person calling had a shorter wave, he gradually cut out the inductance of his receiver; but the sound faded out entirely, and he returned to his original inductance and shunted in his condenser, upon which the ...
— The Man Who Rocked the Earth • Arthur Train
... yttself moste bee ytts owne defense; Som metre maie notte please a womannes ear. 50 Canynge lookes notte for poesie, botte sense; And dygne, & wordie thoughtes, ys all hys care. Canynge, adieu! I do you greete from hence; Full soone I hope to taste of your good cheere; Goode Byshoppe ...
— The Rowley Poems • Thomas Chatterton
... all we do, of the great laws of Divine government and human polity, that composition in the arts should strongly affect every order of mind, however unlearned or thoughtless. Hence the popular delight in rhythm and metre, and in simple musical melodies. But it is also appointed that power of composition in the fine arts should be an exclusive attribute of great intellect All men can more or less copy what they see, and, more or less, remember it: powers ...
— The Crown of Wild Olive • John Ruskin
... the special questions which a translator of the Satires and Epistles has to encounter, and the way in which, as it appears to me, he may best deal with them. These questions, I need hardly say, mainly resolve themselves into the metre and the style. With regard to the metre, I have myself but little doubt that the measure in which Horace may best be represented is the heroic as I suppose we must call it, of ten syllables. The one competing measure of course is the Hudibrastic octosyllabic. This latter ...
— The Satires, Epistles, and Art of Poetry • Horace
... especially cultivated; there is sufficient to supply all the province of Cathay, and so fertile is the soil that according to a French traveller, M. E. Simon, an acre is now worth 15,000 francs, or three francs the metre. In the thirteenth century this plain was covered with towns and country-houses, and the inhabitants lived upon the fruits of the ground, and the produce of their flocks and herds, while the large quantity of game furnished hunters with ...
— Celebrated Travels and Travellers - Part I. The Exploration of the World • Jules Verne
... surely find something there which, for good or ill, is unique. You can name—or at least I can name—nothing to compare it with. Goldsmith and Crabbe have written of indoor themes; but their monotonous, if majestic metre, wearies the modern reader. But this is so varied, so flexible, so dramatic. It stands by itself. Confound the weekly journals and all the other lightning conductors which caused such a man to pass away, and to leave a total output of about ...
— Through the Magic Door • Arthur Conan Doyle
... decayed entirely. After the Deserted Village (1770) no striking work appeared till Crabbe published his first volume (1781), and was followed by his senior Cowper in 1782. Both of them employed the metre of Pope, though Cowper took to blank verse; and Crabbe, though he had read and admired Spenser, was to the end of his career a thorough disciple of Pope. Johnson read and revised his Village, which was thoroughly in harmony ...
— English Literature and Society in the Eighteenth Century • Leslie Stephen
... so fast," interrupted Miss Maxwell. "Though they don't amount to anything as poetry, they show a good deal of promise in certain directions. You almost never make a mistake in rhyme or metre, and this shows you have a natural sense of what is right; a 'sense of form,' poets would call it. When you grow older, have a little more experience,—in fact, when you have something to say, I think you may write ...
— Rebecca of Sunnybrook Farm • Kate Douglas Wiggin
... Geographer, M. Arago, the eminent Astronomer, F.R.S., and Commander Garnier, of the French Brig of War, "Le Laurier," have proved that if there be any inequality of height, the average difference of level cannot exceed one metre (about one yard English). ...
— A Succinct View of the Importance and Practicability of Forming a Ship Canal across the Isthmus of Panama • H. R. Hill
... into 'A Book of Christmas Verse' 1895 and thence, incorrectly, by Orby Shipley in 'Carmina Mariana'. Stated in a letter to R. W. D. June 25, '83, to have been written to 'hang up among the verse com- positions in the tongues. ... I did a piece in the same metre as Blue in the mists all day.' Note Chaucer's account of the physical properties of the air, 'House of Fame', ii. ...
— Poems of Gerard Manley Hopkins - Now First Published • Gerard Manley Hopkins
... is no knowledge (but vanity) in any other works than those in which their own education has consisted, so Henry Vavasour became at once the victor and victim of Bentleys and Scaligers, word-weighers and metre-scanners, till, utterly ignorant of everything which could have softened his temper, dignified his misfortunes, and reconciled him to his lot, he was sinking fast into the grave, soured by incessant pain into moroseness, envy, and bitterness; exhausted ...
— The Disowned, Complete • Edward Bulwer-Lytton
... misunderstanding of him possible is, that he has, or should have, no animal nature. For his nature is nobly animal, nobly spiritual—coherently and irrevocably so; neither part of it may, but at its peril, expel, despise, or defy the other." "Man is the metre ...
— The Golden Censer - The duties of to-day, the hopes of the future • John McGovern
... form of the letters, nothing can be more unfortunate than the correction of "princely;" Mr. Collier, on the other hand, follows Steevens and Malone, and reads "princely," observing the Tieck's reading ("precise") "sounds ill as regards the metre, the accent falling on the wrong syllable. Mr. Collier's choice is determined by the authority of the second folio, which he considers ought to have considerable weight, whilst Mr. Knight regards the authority ...
— Notes and Queries, Number 82, May 24, 1851 • Various
... of course, not at all the same thing as the real religion of those who subscribe to it. The rules of metre are not the same thing as poetry; the rules of cricket, if the analogy may be excused, are not the same thing as good play. Nay, more. A man states in his creed only the articles which he thinks it right to assert positively against those who think otherwise. His deepest and most ...
— Five Stages of Greek Religion • Gilbert Murray
... libel is all bad matter, beautified (which is all that can be said of it) with good metre.[462] Mr Dryden's genius did not appear in any thing more than his versification, and whether he is to be ennobled for ...
— Poetical Works of Pope, Vol. II • Alexander Pope
... Professor of Moral Philosophy would be too degrading. I could have demolished every paragraph of the defence. Croker defended his thuetoi philoi by quoting a passage of Euripides which, as every scholar knows, is corrupt; which is nonsense and false metre if read as he reads it; and which Markland and Matthiae have set right by a most obvious correction. But, as nobody seems to have read his vindication, we can gain nothing by refuting it. ["Mr. Croker has favoured us with some Greek of his own. 'At the altar,' say Dr. Johnson. 'I recommended ...
— Life and Letters of Lord Macaulay • George Otto Trevelyan
... moment he has fallen into this confusion: "The mere matter of all poetry—to wit, the appearances of nature and the thoughts and feelings of men—being unalterable, it follows that the difference between poet and poet will depend upon the manner of each in applying language, metre, rhyme, cadence, and what not, to this invariable material." What has become here of the substance of Paradise Lost—the story, scenery, characters, sentiments as they are in the poem? They have vanished ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... in reproducing them in their throats, and moreover in adding the text, they exercise at the same time the hand, ear, and eye, and attain orthography and calligraphy quicker than you would believe; and, finally, since all this must be practised and copied according to pure metre and accurately fixed time, they learn to understand much sooner than in other ways the high value of measure and computation. On this account, of all imaginable means, we have chosen music as the first element ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... and genius, as well as of modesty and shame. To a fellow of the name of Dagee, who sang the coronation of Napoleon the First in two hundred of the most disgusting and ill-digested lines that ever were written, containing neither metre nor sense, was assigned a place in the administration of the forest department, worth twelve thousand livres in the year—besides a present, in ready money, of one hundred napoleons d'or. Another poetaster, Barre, who has served and sung the chiefs of all former ...
— Marguerite de Navarre - Memoirs of Marguerite de Valois Queen of Navarre • Marguerite de Navarre
... performed," says an old author, "divine service in the chancel, others in the body of the church; some in a seat made in the church; some in a pulpit, with their faces to the people; some keeping precisely to the order of the book; some intermix psalms in metre; some say with a surplice, and others without one. The table stands in the body of the church in some places, in others it stands in the chancel; in some places the table stands altarwise, distant ...
— A Modern History, From the Time of Luther to the Fall of Napoleon - For the Use of Schools and Colleges • John Lord
... Sheridan's copy of the stanzas written by him in this metre at the time of the Union, (beginning "Zooks, Harry! zooks, Harry!") he entitled them, "An admirable new ballad, which goes excellently well ...
— Memoirs of the Life of Rt. Hon. Richard Brinsley Sheridan Vol 2 • Thomas Moore
... visiting expedition, she had translated the Erl King, which she knew by heart, into English, far more literal than Sir Walter Scott's, and with no fault, except that not above half the couplets professed to rhyme, and most of those that did were deficient in metre. Another time she had composed three quarters of a story of a Saxon hero, oppressed by a Norman baron, and going to the Crusades; and at another time she had sent back the whole party to the times of Queen Elizabeth, and fancied what they might be saying about the Spanish Armada. But now, ...
— Abbeychurch - or, Self-Control and Self-Conceit • Charlotte M. Yonge
... is a constant metre of the orator. There are many audiences in every public assembly, each one of which rules in turn. If anything comic and coarse is spoken, you shall see the emergence of the boys and rowdies, so loud and vivacious, that you might think the ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... gleefully to Leonora and Patricia. "Nobody'll ever hear that song again! I was sure of it when I saw the word in the dictionary, for Vance Alden is so sensitive about a mistake. It is funny! Ilga—why, she'd never know whether it was good rhyme or metre or anything! But Vance didn't think of that. Now promise, both of you, that ...
— Polly of Lady Gay Cottage • Emma C. Dowd
... said in criticism the poetry of the earlier half of the eighteenth century excels all other English poetry in two respects. Two qualities belong to it by virtue of the metre in which it is most of it written—rapidity and antithesis. Its antithesis made it an incomparable vehicle for satire, its rapidity for narrative. Outside its limits we have hardly any even passable satirical verse; within ...
— English Literature: Modern - Home University Library Of Modern Knowledge • G. H. Mair
... spectator of others?[105] The Bacchic and Corybantic dances one can also modulate and quell, by changing the metre from the trochaic and the measure from the Phrygian. Similarly, too, the Pythian priestess, when she descends from her tripod, possesses her soul in peace. Whereas the love-fury, when once it has really seized on a man and inflamed him, can be laid by no Muse, no charm or incantation, ...
— Plutarch's Morals • Plutarch
... cough comes from chewing tobacco, and I know it's a very bad habit. Nine-and-ninepence is what I have to say to you, for I'm the officer of the gas company, and they have a claim against you for that on the metre." ...
— Round the Red Lamp - Being Facts and Fancies of Medical Life • Arthur Conan Doyle
... writing, it had ceased to be pronounced, and therefore never found a place in any of the manuscripts,—insomuch that the Alexandrian critics, though they knew of its existence in the much later poems of Alkaios and Sappho, never recognized it in Homer. The hiatus, and the various perplexities of metre, occasioned by the loss of the digamma, were corrected by different grammatical stratagems. But the whole history of this lost letter is very curious, and is rendered intelligible only by the supposition that the Iliad and Odyssey belonged for a wide space of time to the memory, ...
— Myths and Myth-Makers - Old Tales and Superstitions Interpreted by Comparative Mythology • John Fiske
... to the reader. The influence of Browning and of Swinburne upon the writer's taste is plain. There is plainly visible also, however, a keen sense for natural beauty and a manly admiration for healthy living. If in "Ashtaroth" and "Bellona" we recognise the swing of a familiar metre, in such poems as "The Sick Stockrider" we perceive the genuine poetic instinct united to a very clear perception of the loveliness of ...
— Poems • Adam Lindsay Gordon
... different forms of flowers. The species known as Catasetum tridentatum has pollinia with very large viscid discs; on touching one of the two filaments (antennae) which occur on the gynostemium of the flower the pollinia are shot out to a fairly long distance (as far as 1 metre) and in such manner that they alight on the back of the insect, where they are held. The antennae have, moreover, acquired an importance, from the point of view of the physiology of stimulation, as stimulus-perceiving organs. Darwin had shown that it is only a touch on the antennae that causes ...
— Darwin and Modern Science • A.C. Seward and Others
... stanzas will be indented 5 spaces. Italicized stanzas that are ALREADY indented will be indented 10 spaces. Italicized words and phrases have been capitalized. Lines longer than 75 characters have been broken according to metre, and the continuation is indented two spaces. Also, some obvious errors, after being confirmed against other sources, have been corrected. This etext was prepared ...
— In the Days When the World Was Wide and Other Verses • Henry Lawson
... wonder that we should try to attribute the times of the year to children; their likeness is so rife among annuals. For man and woman we are naturally accustomed to a longer rhythm; their metre is so obviously their own, and of but a single stanza, without repetition, without renewel, without refrain. But it is by an intelligible illusion that we look for a quick waxing and waning in the lives of young children—for a waxing that ...
— The Children • Alice Meynell
... As philosophy, as history, as rhetoric, as metre, as rhythm, as politics, it is positively enormous. The whole poem is a wonderful poem, and I wish I had space for it here. It is patriotic and it is written about as badly as a poem could conceivably be written. It is a mournful pleasure to think that my dear friend ...
— On Something • H. Belloc
... the fields. Thus we have made a purgation of music, and will now make a purgation of metres. These should be like the harmonies, simple and suitable to the occasion. There are four notes of the tetrachord, and there are three ratios of metre, 3/2, 2/2, 2/1, which have all their characteristics, and the feet have different characteristics as well as the rhythms. But about this you and I must ask Damon, the great musician, who speaks, if I remember rightly, of a martial measure as well as of dactylic, trochaic, and iambic ...
— The Republic • Plato
... corresponds to chapter XI. in Gorresio's edition. That scholar justly observes: "The eleventh chapter, Description of Evening, is certainly the work of the Rhapsodists and an interpolation of later date. The chapter might be omitted without any injury to the action of the poem, and besides the metre, style, conceits and images differ from the general tenour of the poem; and that continual repetition of the same sounds at the end of each hemistich which is not exactly rime, but assonance, reveals the artificial ...
— The Ramayana • VALMIKI
... At worship little Charless seated himself opposite his grandpa, and observed him attentively as he read the Bible and one of the metre Psalms. We knelt in prayer, the only words of which, that I remember, are, "We thank thee, O God, that thy mercies are new to us every morning, and fresh every evening." After worship he stood erect before us, his countenance full of his usual look of benevolence and love, as he asked, "What's ...
— A Biographical Sketch of the Life and Character of Joseph Charless - In a Series of Letters to his Grandchildren • Charlotte Taylor Blow Charless
... did not move him or interest him, and fixing jealously on all that fed his fancy. Such books as Grimm's Fairy Tales and Masterman Ready were wells of delight, enacted as they were in a strange and exciting world; and he was sensitive, too, to the beauty of metre and sonorous phrases, learning poetry so easily that it was supposed to be a species of wilfulness in him that the Collects and texts, and the very Psalms—that seemed to him so unreal and husk-like then, and that later became to him like fruits full ...
— Beside Still Waters • Arthur Christopher Benson
... formulas and generalisations useless. Of course, there are generalisations possible in literature, and to such I may return presently; but scientific criticism of literature must always be a contradiction in terms. You may to some considerable extent ascertain the general laws of language, of metre, of music, as applied to verbal rhythm and cadence; you may classify the subjects which appeal to the general, and further classify their particular manners of appeal; you may arrange the most ingenious "product-of-the-circumstances" ...
— Essays in English Literature, 1780-1860 • George Saintsbury
... righteousness, shows that Ezekiel had the Deluge in his mind, and increases the significance of the underlying parallel between his argument and that of the Babylonian poet.(1) It may be added that Ezekiel has thrown his prophecy into poetical form, and the metre of the two passages in the Babylonian and Hebrew is, as Dr. ...
— Legends Of Babylon And Egypt - In Relation To Hebrew Tradition • Leonard W. King
... not until September 13th, 1906, that Ellehammer, a Danish engineer, made the first free flight in Europe, his machine flying 42 metres at a height of a metre and a half. About the same time reports of the Wrights' successes began to reach Europe and were quickly ...
— Aviation in Peace and War • Sir Frederick Hugh Sykes
... course, a steady refrain of Greek iambics, Greek anapaests, 'an easy and nice metre,' 'a hodge-podge lot of hendecasyllables,' and thirty alcaic stanzas for a holiday task. Mention is made of many sermons on 'Redeeming the time,' 'Weighed in the balance and found wanting,' 'Cease to do evil, learn to do well,' and the other ever unexhausted texts. One ...
— The Life of William Ewart Gladstone, Vol. 1 (of 3) - 1809-1859 • John Morley
... being a free country, I have taken the liberty, for the sake of the metre, to alter ...
— Translations of German Poetry in American Magazines 1741-1810 • Edward Ziegler Davis
... they began to worship in outward observances, which is not the worship of God, but superstitious and idolatrous." "When singing in the spirit and with the understanding ceased, then people began to introduce the form of singing David's experiences, in rhyme and metre; and thus, in the apostacy, the form grew as a substitute for that which the saints had enjoyed in power; shadows were set up instead of the substance, and ...
— On Singing and Music • Society of Friends
... like music; you might set at the side of each section, especially of the opening, largo, vivacissimo, and, as the general expression signature, tempo rubato. I know no other verse in which the effects of music are so precisely copied in metre. Shelley, you feel, sings like a bird; Blake, like a child or an angel; ...
— Poems of Coleridge • Coleridge, ed Arthur Symons
... "relish to his song," {0f} by adopting "a diversity of structure in the metre;" for the lyric comes in occasionally to relieve the solemnity of the heroic, whilst at the same time the latter is frequently capable of being divided into a shorter verse, a plan which has been observed in one ...
— Y Gododin - A Poem on the Battle of Cattraeth • Aneurin
... which there are several, hardly deserve to be dignified with so high a title. At no part of his life had Bunyan much title to be called a poet. He did not aspire beyond the rank of a versifier, who clothed his thoughts in rhyme or metre instead of the more congenial prose, partly for the pleasure of the exercise, partly because he knew by experience that the lessons he wished to inculcate were more likely to be remembered in that form. Mr. Froude, who takes a higher estimate of Bunyan's verse than is commonly held, remarks that ...
— The Life of John Bunyan • Edmund Venables
... Mr. Lambkin, who was raised in Tioga, and keeps a grocery store in the lower part of Washington street. I found Mr. Lambkin in, and he told me as how, accordin' to last accounts, Gusty was stayin' with her uncle Van Quintem. I knowed your address, and come up here short metre. I was goin' to pretend that I was a man in search of work, and trust to luck to get a sight of Gusty. I found your front door open, and walked through the entry to the back parlor, where you fust see ...
— Round the Block • John Bell Bouton
... (16), why cannot you conform to a form of worship which, though it does not profess to be prescribed in all particulars, contains nothing actually forbidden in the Scriptures? What authority have Dissenters for singing psalms in metre? "Where has our Saviour or his Apostles enjoined a directory for public worship? What Scripture command is there for the three significant ceremonies of the Solemn League and Covenant, viz. that the whole congregation should take it ...
— Andrew Marvell • Augustine Birrell
... moral progress. And to a large extent she succeeded. As a vehicle of her opinions, the scheme and style of the poem proved completely adequate. She moves easily through the story; she handles her metre with freedom and command; she can say her say without exaggeration or unnatural strain. Further, the opinions themselves, as those who have learnt to know her through her letters will feel sure, are lofty and honourable, and full of a genuine enthusiasm for humanity. ...
— The Letters of Elizabeth Barrett Browning, Volume II • Elizabeth Barrett Browning
... these badgers! with a long leg on one quarter and a short leg on the other. The wench herself might well and truly have said all that matter without the poet, bating the rhymes and metre. Among the girls in the country there are many such SHILLY-SHALLYS, who give themselves sore eyes and sharp eye- water; I would cure them rod ...
— Citation and Examination of William Shakspeare • Walter Savage Landor
... by eye," this was a test put to her accidentally. About the beginning of June, 1917, for lack of any better idea at the moment, I determined to teach her the use of the yard measure (the metre), and without having any definite object in view. So I fetched the yard-stick and told her the names and the meaning of the divisions three times; but she seemed unable to work up any enthusiasm for the subject, and I therefore did not attempt to question her. Many duties intervened, and ...
— Lola - The Thought and Speech of Animals • Henny Kindermann
... to handle metre, he had sought to rejuvenate the fixed poetic forms. He turned the tail of the sonnet into the air, like those Japanese fish of polychrome clay which rest on stands, their heads straight down, their tails on top. ...
— Against The Grain • Joris-Karl Huysmans
... on some of the special questions which a translator of the Satires and Epistles has to encounter, and the way in which, as it appears to me, he may best deal with them. These questions, I need hardly say, mainly resolve themselves into the metre and the style. With regard to the metre, I have myself but little doubt that the measure in which Horace may best be represented is the heroic as I suppose we must call it, of ten syllables. The one competing measure of course is the Hudibrastic ...
— The Satires, Epistles, and Art of Poetry • Horace
... him, he receives, also, a portion of the same creative power. Mr. Lewes reaches this conclusion: "If, therefore, we reflect what a poem Faust is, and that it contains almost every variety of style and metre, it will be tolerably evident that no one unacquainted with the original can form an adequate idea of it from translation,"[E] which is certainly correct of any translation wherein something of the rhythmical variety and beauty ...
— Faust • Johann Wolfgang Von Goethe
... Greek Prose, The source of my woes! (This metre's too tough, I must draw to a close.) May Sargent be drowned In the ocean profound, And Sidgwick be ...
— Robert F. Murray - his poems with a memoir by Andrew Lang • Robert F. Murray
... letters, not that of the specialist in the eighteenth century, or indeed, that of any specialist at all. Well, then, first of all Johnson wrote verses which though not great poetry have some fine qualities. They are, like so much of the verse of that century, chiefly "good sense put into good metre." That is what Twining, the Aristotelian critic, said of them when Johnson died. He had a much {181} finer sense of poetry than Johnson, and he was perfectly right in this criticism. But it is a loss and not a gain that, since Wordsworth ...
— Dr. Johnson and His Circle • John Bailey
... churlish ungraciousness, their greed of money and authority, their fast and loose morality, their inordinate pride. The extraordinary felicity of the means taken to place all these things in the most ridiculous light has never been questioned. The doggerel metre, never heavy or coarse, but framed as to be the very voice of mocking laughter, the astounding similes and disparates, the rhymes which seem to chuckle and to sneer of themselves, the wonderful learning with which the abuse of learning is rebuked, the subtlety with which subtle casuistry ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... domestic tragedy La Chaussee wrote in verse, which is not against French rules, and which has been done by dramatists a hundred and twenty years later; but it is probably an error, being even more unlikely that citizens would express themselves in metre than that kings and heroes should give utterance with a certain solemnity which entails rhythm. Thus he wrote The Fashionable Prejudice, The School of Friends, Melanide, very pathetic, The School of Mothers, etc. It must be stated that he wrote his plays in verse somewhat ...
— Initiation into Literature • Emile Faguet
... prepare such ground for the cactus. The earth must be taken from below the surface-rock, as at Malta; spread in terraced beds, and cleared of loose stones, which are built up in walls or in molleras, cubes or pyramids. Such ground sold for $150 per acre; $600 were paid for metre-deep soil unencumbered by stone. Where the chalk predominates, it must be mixed with the volcanic sand locally called zahorra. In all cases the nopals are set at distances of half a yard, in trenches at least three feet ...
— To the Gold Coast for Gold - A Personal Narrative in Two Volumes.—Vol. I • Richard F. Burton
... and then sink back ununderstood. It was very sad, but better than many things that are not called sad. James hovered about, put out and miserable, but active and exact as ever; read to her, when there was a lull, short bits from the Psalms, prose and metre, chanting the latter in his own rude and serious way, showing great knowledge of the fit words, bearing up like a man, and doting over her as his "ain Ailie." "Ailie, ma woman!" "Ma ain ...
— Rab and His Friends • John Brown, M. D.
... Paros; but the father, probably tempted by the alluring offers of a richer suitor, forbade the nuptials. Archilochus thereupon composed so bitter a lampoon upon the family that the daughters of the nobleman are said to have hanged themselves. Says SYMONDS, "He made Iambic metre his own, and sharpened it into a terrible weapon of attack. Each verse he wrote was polished, and pointed like an arrow-head. Each line was steeped in the poison of hideous charges against his sweetheart, her sisters, and her father." [Footnote: "The Greek Poets;" ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson
... 1700 and 1785—eighty-five years. Next comes a paper on passages from selected English verse and prose writings —the Statute discreetly avoids calling them literature—between 1200 and 1500, exclusive of Chaucer; with questions on language, metre, literary history and literary criticism: then a paper on Chaucer with questions on language, metre, literary history and literary criticism: lastly a paper on writing in the Wessex dialect of Old English, with questions on the cornet, ...
— On The Art of Reading • Arthur Quiller-Couch
... wonder and disgust. In his moments of inspiration when he was evoking the stormy chords of the introduction to his symphonic poem, Bisesa he never dreamed that his landlady was craning her head up from her pillows in a vain effort to discover the tune, or to reduce it to the known terms of short metre rhythm. His broken, irregular measures troubled her, as did also his broken, irregular hours of work. There were days when he rode far afield, or was seen lying on his back under the pines by the brookside, listening to the ...
— Phebe, Her Profession - A Sequel to Teddy: Her Book • Anna Chapin Ray
... wander. Once there was sea everywhere, and all continents are born from the sea. One day land arose out of the sea. The birth was of a revolutionary nature, there were earthquakes, volcanic craters, falling cities and dying men—but new land was there. Or else it moves slowly, invisibly, a metre or two in a century, and returns to the land it used to possess. Thus it restores the soil it stole from it, but cleaner, refined and full of vitality to live and to create. Such is ...
— In the World War • Count Ottokar Czernin
... the latter were the compositions of a school of bards in the neighbourhood of Mount Helicon in Boeotia, among whom in like manner Hesiod enjoyed the greatest celebrity. The poems of both schools were composed in the hexameter metre and in a similar dialect; but they differed widely in almost every ...
— A Smaller History of Greece • William Smith
... that hexameter verse, in which Moses's triumphant song is here said to be written, distinctly means, our present ignorance of the old Hebrew metre or measure will not let us determine. Nor does it appear to me certain that even Josephus himself had a distinct notion of it, though he speaks of several sort of that metre or measure, both here and elsewhere. Antiq. B. IV. ch. 8. sect. 44; and B. ...
— The Antiquities of the Jews • Flavius Josephus
... beatific vision, in the style of Moses. The barbarous Cossacks and Tartars, infamous to look at on any side, have burnt and ravaged countries, and committed atrocious inhumanities. This is all I saw of THEM. Such melancholy spectacles don't tend to raise one's spirits. [Breaks off into metre:] LA FORTUNE INCONSTANTE ET FIERE, Fortune inconstant and proud. Does not treat her suitors Always in an equal manner. Those fools called heroes, ...
— History of Friedrich II. of Prussia, Vol. XIX. (of XXI.) • Thomas Carlyle
... in Metre known, With Strains has grac'd thee, humble as thy own; Who (b) G—l—n's Dullness did for thine discard, A better Critick, for as bad a Bard! Not unregarded let this Tribute be, Tho' humble, just; well-bred, tho' ...
— Two Poems Against Pope - One Epistle to Mr. A. Pope and the Blatant Beast • Leonard Welsted
... sweete and Godlie Verse, I will recite the very wordes of Homere and also turne them into rude English metre. ...
— The Schoolmaster • Roger Ascham
... when she cleared this rock, which is at this spot thirteen feet below the surface, leaving a large white furrow, she ran a hundred and sixty feet further, and struck on the south-east rock, which is only about four feet (one metre twenty centimetres) below the surface. She again marked the rock very distinctly. The sea, which is often very rough on this spot, has left nothing remaining but the massive part of the engine, where it can be perceived between the two rocks, ...
— Narratives of Shipwrecks of the Royal Navy; between 1793 and 1849 • William O. S. Gilly
... language. They are, indeed, a figure of speech occasionally prompted by passion, and I have made use of them as such; but have endeavoured utterly to reject them as a mechanical device of style, or as a family language which Writers in metre seem to lay claim to by prescription. I have wished to keep the Reader in the company of flesh and blood, persuaded that by so doing I shall interest him. Others who pursue a different track will interest him likewise; I do not interfere ...
— English Critical Essays - Nineteenth Century • Various
... l. 5. —in Nishadha lord of earth. I have accented this word not quite correctly Nishadha, in order to harmonise with the trochaic flow of my metre. It appears to be the same as Nishadha-rashtra and Nishadha-desa. See Wilford's list of mountains, rivers, countries; from the Puranas and other books. Asiatic Researches, vol. ...
— Nala and Damayanti and Other Poems • Henry Hart Milman
... from the limitations imposed by realistic scenery has not been sufficiently insisted upon as an element in their art. Theirs was a true drame libre, having its analogies with the present attempts of the vers-librists to free poetry from its restrictions of rhyme and metre. But while the tendency of poetry has always been away from its restrictions, the mise-en-scene in the drama has continually, with the attempts to make it conform to nature, tightened its throttling bands on the real ...
— A Librarian's Open Shelf • Arthur E. Bostwick
... mythology. The poem is divided into cantos, written not in blank verse but in stanzas. Several stanza-forms are commonly employed in the same poem, though not in the same canto, except that the concluding verses of a canto are not infrequently written in a metre of more compass ...
— Translations of Shakuntala and Other Works • Kaalidaasa
... extant, for example, the German Shakespeare, Homer, Calderon, they may still be called better than indifferent. One great merit Mr. Taylor has: rigorous adherence to his original; he endeavours at least to copy with all possible fidelity the term of praise, the tone, the very metre, whatever stands written ...
— Nathan the Wise • Gotthold Ephraim Lessing
... A Satire./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ London:/ Printed for James Cawthorn, British Library,/ No. ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... and the jagati metre are described, the last two, however, not by name. Narada's speech, p. 236, is in sloka, 16 syllables to the line; the first distich, p. 233, is in tristubh, 22 syllables to the line. Quantity of ...
— The Influence of India and Persia on the Poetry of Germany • Arthur F. J. Remy
... ff.]—Entrance of Agamemnon. The metre of the Chorus indicates marching; so that apparently the procession takes some time to move across the orchestra and get into position. Cassandra would be dressed, as a prophetess, in a robe of white reaching to the feet, covered by an agrenon, or net of wool with large meshes; ...
— Agamemnon • Aeschylus
... way, when he visited Vallombrosa with Crabb Robinson in 1837, wrote an inferior poem there, in a rather common metre, in honour of Milton's ...
— A Wanderer in Florence • E. V. Lucas
... does not occur in Aulus Gellius, but is a fragment in iambic metre from the Papia papae [Greek: peri e)nkomi/on] of M. Terentius Varro, cited by the grammarian Nonius Marcellus (De Comp. Doct., ii. 135, lines 19-23). Sigilla is a variant of the word in the text, laculla, a diminutive of lacuna, ...
— The Works of Lord Byron, Volume 2 • George Gordon Byron
... seemed apparently conscious of my presence. The sound of my voice announcing my name first awoke him; he started, and for a moment seemed at a loss to understand my purpose, or his own situation, for he repeated rapidly a number of words which had no relation to either of us; very likely trying a metre, or making verse, a frequent practice of his, and of Mr. Wordsworth's. There was no mauvaise haute in his manner, but simple perplexity, and an apparent difficulty in recovering his position amongst daylight realities. ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... Blackwood, a large assortment of verses, Sexton's Daughter, Hymns of a Hermit, and I know not what other extensive stock of pieces; concerning which he was now somewhat at a loss as to his true course. He could write verses with astonishing facility, in any given form of metre; and to various readers they seemed excellent, and high judges had freely called them so, but he himself had grave misgivings on that latter essential point. In fact here once more was a parting of the ways, "Write in Poetry; write in Prose?" upon which, before all else, it much concerned him ...
— The Life of John Sterling • Thomas Carlyle
... Persepolitan Verses {5} come from. I wonder you were not startled with the metre, though ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... the eastern feature. The knifeback is covered with the foundations of what appears to be a fortified Laura or Palace; a straight street running north-south, with 5 degrees west (mag.). It serves as base for walls one metre and a half thick, opening upon it like rooms: of these we counted twenty on either side. At the northern end of the "horse," which, like the southern, has been weathered to a mere spur, is a work composed of two semicircles fronting to the north and east. A bastion of well-built ...
— The Land of Midian, Vol. 1 • Richard Burton
... nodding and swaying their bodies sympathetically. He works himself into a frenzy, in which the fiddlers vainly try to keep up with him. He turns and digs the laggard angrily in the side without losing the metre. The climax comes. The bride bursts into hysterical sobs, while the women wipe their eyes. A plate, heretofore concealed under his coat, is whisked out. He has conquered; the inevitable ...
— Children of the Tenements • Jacob A. Riis
... to the measures most approved in French poetry, especially to Alexandrines and Iambic tetrameters, and to their irregular association in a sort of ballad metre, which in England has been best handled by Robert Browning in his fine ...
— Jasmin: Barber, Poet, Philanthropist • Samuel Smiles
... thought, feeling, and emotion, and clothed them all, from the lowest to the loftiest, from the slightest to the most intense and concentrated, in the dress of exactly appropriate style and language. His metre also is a perfect vehicle of the language. If we think the range of his knowledge limited, yet it was all that his country and his age possessed, and it was very greatly more than has been supposed by readers that dwelt only on the surface. So long ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... latter is of high antiquity. Latin poetry began in the lyrical form. Dancing was a common trade, and this was accompanied with pipers, and religious litanies were sung from the remotest antiquity. Comic songs were sung in Saturnian metre, accompanied by the pipe. The art of dancing was a public care, and a powerful impulse was early given by Hellenic games. But in all the arts of music and poetry there was not the easy development as in Greece. ...
— Ancient States and Empires • John Lord
... rhythms, but of words. The preponderance of the five-foot blank-verse line in the work of, say, Shakespeare and Milton, is so great that we can safely say that their rank as poets would not be lower than it is if they had written nothing else. Clearly their constancy to this metre was not the result of any technical deficiency. Even if Milton had not written the choruses of Samson Agonistes and Shakespeare his songs, nobody would be so absurd as to suggest that they adopted ...
— The Lyric - An Essay • John Drinkwater
... There is also a regular service between Cape Town, Lobito and Lisbon and Southampton. The Portuguese line is subsidized by the government. The railway from Loanda to Ambaca and Malanje is known as the Royal Trans-African railway. It is of metre gauge, was begun in 1887 and is some 300 m. long. It was intended to carry the line across the continent to Mozambique, but when the line reached Ambaca (225 m.) in 1894 that scheme was abandoned. The railway had created a record in being the most expensive built in tropical Africa—L8942 ...
— Encyclopaedia Britannica, 11th Edition, Volume 2, Part 1, Slice 1 • Various
... the name in this poem beginning with H, which Goldsmith makes to rhyme with "beef?" The metre requires it to be a monosyllable, but there is no name that I have ever heard of that would answer in this place. Is the H a mistake for K, which would give a ...
— Notes and Queries, Number 218, December 31, 1853 • Various
... her schooldays, what had been inclination before was aroused to determination and the child neglected her lessons to write. A volume of crude verse fashioned after the metre of Meredith's "Lucile," a romantic book in rhyme, and two novels were the fruits of this youthful ardour. Through the sickness and death of a sister, the author missed the last three months of school, but, she remarks, "unlike my schoolmates, I studied ...
— At the Foot of the Rainbow • Gene Stratton-Porter
... smiths at their forges Worked the red St. George's Cannoneers; And the "villainous saltpetre" Rung a fierce, discordant metre Round their ears; As the swift Storm-drift, With hot sweeping anger, came the horse-guards' clangor On our flanks. Then higher, higher, higher burned the old-fashioned ...
— Poems of American Patriotism • Brander Matthews (Editor)
... kind of agricultural industry. The character of the gradients will be best understood by a reference to the map, with the aid of the following few figures. The towns of Galatz and Braila or Ibrail, situated on the Danube, are fifteen metres above the sea-level, a metre being, as the reader doubtless knows, equal to 1.095, or as nearly as possible 1-1/10 yard. At Bucarest, the capital, which is thirty or forty miles inland, the land rises to a height of seventy-seven metres;[6] still further inland, where the elevation from the plain to ...
— Roumania Past and Present • James Samuelson
... inclose a space to dwell in, in comfort and security. The windows show us outward real life and nature. The walls should not compete with the windows. Nature must be translated into the terms of line and form and colour, and invention and fancy may be pleasantly suggestive in the harmonious metre and ...
— Line and Form (1900) • Walter Crane
... Banville, like Gerard de Nerval in earlier times, RONSARDISED. The poem 'A la Font Georges,' full of the memories of childhood, sweet and rich with the air and the hour of sunset, is written in a favourite metre of Ronsard's. Thus Ronsard says in his lyrical version of five ...
— Essays in Little • Andrew Lang
... sovereign court of justice outdoes our prisons in all that is most hideous. The writer describing our manners and customs would shrink from the necessity of depicting the squalid corridor of about a metre in width, in which the witnesses wait in the Superior Criminal Court. As to the stove which warms the court itself, it would disgrace a cafe on the ...
— Scenes from a Courtesan's Life • Honore de Balzac
... are the outward expression of our authority, and the metre-gauge of our importance. By them the untutored mind of the poor Indian is enabled to estimate the amount of reverence due to each of us. This is the first purpose for which we are provided with Chupprassees. The second is that they may deliver ...
— Behind the Bungalow • EHA
... sense, let it grow where it will, and I guess we raise about the best kind, which is common sense, and I warn't to be put down with short metre, arter that fashion. So I tried the old man; sais I, 'Uncle,' sais I, 'if you will divorce the eatables from the drinkables that way, why not let the servants come and tend. It's monstrous onconvenient and ridikilous to be a jumpin' up for ...
— The Attache - or, Sam Slick in England, Complete • Thomas Chandler Haliburton
... succeeded in obtaining a free-and-easy translation of the lyric; but in my anxiety to preserve the metre and something of the spirit of the original, I have made several blunders and many anachronisms. Mr. Free, however, pronounces my version a good one, and the world must take his word till some more worthy translator shall have consigned it ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... twang, and it is particularly in the Psalms—which we have now been reading, and which might be ranked with the finest hymns—that I miss the number and rhythm of the syllables, the observance of a fixed metre—in short, severity of form. David, the royal poet, was no less possessed by the divinity when he sang to his lyre than other poets have been, but he does not seem to have known that delight felt by our poets in overcoming the difficulties they have raised ...
— Uarda • Georg Ebers
... present occasion are the same as those followed in the translation of Schiller's complete Poems that was published by me in 1851, namely, as literal a rendering of the original as is consistent with good English, and also a very strict adherence to the metre of the original. Although translators usually allow themselves great license in both these points, it appears to me that by so doing they of necessity destroy the very soul of the work they profess to translate. ...
— The Poems of Goethe • Goethe
... striking reality and directness of this lyric, its immense emotional undercurrent, and its abrupt, almost gasping metre, admirably suited to the impassioned mood of the speaker,—these are a few of the qualities that combine to make "A Woman's Thought" one of the most ...
— The Golden Treasury of American Songs and Lyrics • Various
... consarned old coot you. I tell ye there's your hat, and there's the door—be off with yerself, quick metre, or I'll give ye ...
— Little Masterpieces of American Wit and Humor - Volume I • Various
... Drew. I felt ashamed of the lightness of my own thoughts, but I had to tell him of my speculations upon after-the-war developments in aviation: nurses flying Voisins, with the cars filled with babies; old men having after-dinner naps in twenty-three-metre Nieuports, fitted, for safety, with Sperry gyroscopes; family parties taking comfortable outings in gigantic biplanes of the R-6 type; mothers, as of old, gazing apprehensively at speed-dials, cautioning fathers about "driving too fast," and all of ...
— High Adventure - A Narrative of Air Fighting in France • James Norman Hall
... vanguard against the hosts of the heathen, and, smiling, falls with his king on the field of Stiklestad. One song from this cycle, "The Cloister in the South" is here reproduced in an exact copy of the original metre, in the hope that even this imperfect representation of the poem may be ...
— Bjoernstjerne Bjoernson • William Morton Payne
... and be modulated by the will of the other. We call them the most remarkable boyish poems that we have ever read. We know of none that can compare with them for maturity of purpose, and a nice understanding of the effects of language and metre. Such pieces are only valuable when they display what we can only express by the contradictory phrase of innate experience. We copy one of the shorter poems, written when the author was only fourteen. There is a little dimness in the filling up, but the grace ...
— The Works of Edgar Allan Poe - Volume 1 (of 5) of the Raven Edition • Edgar Allan Poe
... there existed in Leipzig a sort of literary centre, where Gottsched was regarded as a dictator in matters of taste. This literary autocrat praised Bodmer's translation of 'Paradise Lost' more than the original poem, in which he condemned the rhymeless metre. A sharp controversy soon divided the literary world into two hostile parties, known in German literature as the "conflict between Leipzig and Zuerich." Gottsched followed Voltaire in considering the English style rude and barbarous; whereas Bodmer, with keener artistic perception and deeper ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... my time away,— I 'm sure to rue it. The day is rather bright, I know The Muse will pardon My half-defection, if I go Into the garden. It must be better working there,— I 'm sure it's sweeter: And something in the balmy air May clear my metre. ...
— The Complete Poems of Paul Laurence Dunbar • Paul Laurence Dunbar
... of repetitions in the tune, and has a chorus that is sung at the end of each verse. I have not presumed to arrange it in metre; but the following is the substance: "We are assembled in the habiliments of war, and will go in quest of our enemies. We will march to their land and spoil their possessions. We will take their women and children, and lead them into captivity. The warriors shall fall ...
— A Narrative of the Life of Mrs. Mary Jemison • James E. Seaver
... make by a desire to conciliate, if possible, some, who, rather unreasonably partial to rhyme, demand it on all occasions, and seem persuaded that poetry in our language is a vain attempt without it. Verse, that claims to be verse in right of its metre only, they judge to be such rather by courtesy than by kind, on an apprehension that it costs the writer little trouble, that he has only to give his lines their prescribed number of syllables, and so far as the mechanical part is concerned, all ...
— The Iliad of Homer - Translated into English Blank Verse • Homer
... 80 per cent of phosphine to render it spontaneously inflammable. Berdenich has reported a case of a parcel of carbide which yielded on the average 5.1 cubic foot of acetylene per lb., producing gas which contained only 0.398 gramme of phosphorus in the form of phosphine per cubic metre (or 0.028 per cent. of phosphine) and was spontaneously inflammable. But on examination the carbide in question was found to be very irregular in composition, and some lumps produced acetylene containing a very high proportion of phosphorus and silicon compounds. No doubt the spontaneous inflammability ...
— Acetylene, The Principles Of Its Generation And Use • F. H. Leeds and W. J. Atkinson Butterfield
... Mr. Urijah Hopps appeared in person among the fathers—who looked at each other over his head—and enlightened them on supply and demand, the Game Laws, the production of cabbages for towns, the iniquity of an Established Church, and the bad metre of the ...
— Beside the Bonnie Brier Bush • Ian Maclaren
... together geometers, astronomers, chemists, mechanicians, engineers. There were also poets, who ministered to the literary wants of the dissipated city—authors who could write verse, not only in correct metre, but in all kinds of fantastic forms—trees, hearts, and eggs. Here met together the literary dandy and the grim theologian. At their repasts occasionally the king himself would preside, enlivening the moment with the condescensions of royal relaxation. Thus, of Philadelphus ...
— History of the Intellectual Development of Europe, Volume I (of 2) - Revised Edition • John William Draper
... welcome; but we yawned in the midst of their tale. At last they came crying that he was coming to the king's house, and fell to their dispute, but we would listen to neither party, for we were busy with a dispute about the merits of the Great and of the Little Metre; nor were we disturbed when they passed our door with sticks of enchantment under their arms, travelling towards the forest to contend against his coming, nor when they returned after nightfall with torn robes and despairing cries; for the ...
— The Secret Rose • W. B. Yeats
... has! What a revolutionary personality!" they used to say in Valencia, and once the janitor at the Club added: "To think I knew that man when he was only this high!" And he held out his hand about a metre ...
— Youth and Egolatry • Pio Baroja
... to hint at its own hideous nature with every convulsive tick of the metre. It hiccuped nickels, and as Win's terrified eyes, instead of taking in New York, watched the spendthrift contrivance yelping for her dollars, she remembered that she owned but two hundred. She had had to be "decent" ...
— Winnie Childs - The Shop Girl • C. N. Williamson
... length. The prose writer, in fact, since he is allowed to be so much less harmonious, is condemned to a perpetually fresh variety of movement on a larger scale, and must never disappoint the ear by the trot of an accepted metre. And this obligation is the third orange with which he has to juggle, the third quality which the prose writer must work into his pattern of words. It may be thought perhaps that this is a quality of ease rather than a fresh difficulty; but such is the inherently rhythmical strain of the English ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... But he was followed by Hanmer, who, as his chief interest was to rival Pope, was content with Pope's methods. It is easy to underestimate the value of Hanmer's edition; his happy conjectures have been prejudiced by his neglect of the older copies and his unfortunate attempt to regularise the metre; but what alone concerns us here is that he reverts to the methods which Theobald had discarded. Warburton, confident in his intellectual gifts, was satisfied with Theobald's examination of the early copies, and trusted to his own insight ...
— Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... was pursuing the course of his electrical studies, making fresh inventions, taking up the phonograph, filled with theories of graphic representation; reading, writing, publishing, founding sanitary associations, interested in technical education, investigating the laws of metre, drawing, acting, directing private theatricals, going a long way to see an actor—a long way to see a picture; in the very bubble of the tideway of contemporary interests. And all the while he was busied about ...
— The Works of Robert Louis Stevenson, Volume 9 • Robert Louis Stevenson
... Mrs. Jerrold, "I will be lenient. You children may throw all the stones. It is not poetry to my taste. There's no metre to it, and I should certainly be sorry to think ...
— Mae Madden • Mary Murdoch Mason
... in prose and verse, on a strange diversity of curious and abstruse subjects; a double panegyric of Justinian and the life of the philosopher Theodotus; the nature of happiness and the duties of government; Homer's catalogue and the four-and-twenty sorts of metre; the astronomical canon of Ptolemy; the changes of the months; the houses of the planets; and the harmonic system of the world. To the literature of Greece he added the use of the Latin tongue; the Roman civilians ...
— The Great Events by Famous Historians, Volume 4 • Various
... said that, tired of repeating the words of the songs which Jackson had taught me, I had taken those of Psalms in metre, at the end of the Prayer-book, by way of variety; and, as far as metre went, they answered very well, although people would have been surprised to have heard Psalms sung to such quick and varied measure. The Psalm I chose this time was the first—"How ...
— The Little Savage • Captain Frederick Marryat
... of the class or club should bring in a short paper giving his favorite passage in the play and why he likes it, including his criticism of the metre, of the metaphors and ...
— Shakespeare Study Programs; The Comedies • Charlotte Porter and Helen A. Clarke
... glad of it with all my heart: I had rather be a kitten, and cry mew, Than one of these same metre ballet-mongers; I had rather hear a brazen canstick turn'd, Or a dry wheel grate on the axletree; And that would set my teeth nothing on edge, Nothing so much as mincing poetry: 'Tis like the forced ...
— King Henry IV, The First Part • William Shakespeare [Hudson edition]
... of ludicrous interludes. A jig was not in Shakespeare's time only a dance, but a ludicrous dialogue in metre; many historical ballads were also ...
— Hamlet • William Shakespeare
... to the mastery of the problems of metre is for each student to tread alone. The best plan is to read aloud a considerable quantity. Then the technical language of the books will lose its terrors and the simplicity of construction of good poetry will become apparent. If the student will read so much ...
— The World's Best Poetry, Volume 8 • Various
... it passed for a great poet, just as in the dark ages a person who could write his name passed for a great clerk. Accordingly, Duke, Stepney, Granville, Walsh, and others whose only title to fame was that they said in tolerable metre what might have been as well said in prose, or what was not worth saying at all, were honored with marks of distinction which ought to be reserved for genius. With these Addison must have ranked, if he had not earned true and lasting glory by performances which very ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... sitting at a pantomime (Forbidden treat to those who stood in fear of him), Roaring at jokes, sans metre, sense, or rhyme, He turned, and saw immediately in rear of him, His peace of mind upsetting, and annoying it, A ...
— Fifty Bab Ballads • William S. Gilbert
... my hand to the work," said Tom, laughing, "down they must come, in short metre, if they're bigger than Goliah. Me and my axe are old friends, and we've got the hang of one another pretty well. All I have to do, is to say, 'go it,' and every ...
— The Lost Hunter - A Tale of Early Times • John Turvill Adams
... ear; They scarce can bear their laureate twice a year; And justly Caesar scorns the poet's lays: It is to history he trusts for praise. F. Better be Cibber, I'll maintain it still, Than ridicule all taste, blaspheme quadrille, Abuse the city's best good men in metre, And laugh at peers that put their trust in Peter. Even those you touch not, hate you. P. What should ail 'em? F. A hundred smart in Timon and in Balaam: The fewer still you name, you wound the more; Bond is but one, but Harpax is a score. P. ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... to the "Canterbury Tales" we know that the observations could not have been recorded except at complete hours, because the construction of the metre will not admit the supposition of any parts of hours ...
— Notes and Queries, Number 81, May 17, 1851 • Various
... not dwell, except to note that he avoids that metronomic beat of rhythm which Edgar Poe introduced into modern lyric measures, as Pope introduced it into the rhyming heroics of his day. Our varied metres are becoming as painfully over-polished as Pope's one metre. Shelley could at need sacrifice smoothness to fitness. He could write an anapaest that would send Mr. Swinburne into strong shudders (e.g., "stream did glide") when he instinctively felt that by so forgoing the more obvious music of melody he would better secure the higher music ...
— Shelley - An Essay • Francis Thompson
... very coolest Poet; and the fullest of this common earth and its affairs, of any sage that has ever showed his head upon it, in prose or metre. The sturdiness with which he makes good his position, as an inhabitant, for the time being, of this terrestrial ball, and, by the ordinance of God, subject to its laws, and liable to its pains and penalties, is a thing which appears, ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... quite irrelevant. What were his views on literature, and on the literary controversies which have been agitated from his day to our own? He tells us very little. He must have heard discussions and arguments on metre, on classical precedent, on the ancient and modern drama; but he makes no mention of these questions. He does not seem to have attached any prophetic importance to poetry. The poets who exalt their ...
— England and the War • Walter Raleigh
... of years dim the ruddy glow of that hearth-fire, nor the charm of the poem. The simplicity of metre, the purity of wording, the gentle sadness of some of its expressions, make us read between the lines the deep and affectionate reminiscence with ...
— Home Life in Colonial Days • Alice Morse Earle
... hippogriff at once, as it is in the wrong metre. Hieroglyph is attractive, and ...
— Punch, or the London Charivari, Vol. 158, June 9, 1920 • Various
... gusto. Why he should have taken it into his head to get a child, as I was, to write poetry I cannot tell. One afternoon he sent for me to his room, and asked me to try and make up a verse; after which he explained to me the construction of the payar metre of fourteen syllables. ...
— My Reminiscences • Rabindranath Tagore
... terror-stricken, as he had been on his first day in the cavalry, at hearing behind him the thunder of many hoofs. Having once become used to the noise, he was even thrilled by the swinging metre of it. A kind of wild harmony was in it, something which made one forget everything else. At such times Pasha longed to break into his long, wind-splitting lope, but he learned that he must leave the ...
— Horses Nine - Stories of Harness and Saddle • Sewell Ford
... wish of friends. A few extracts appeared in a magazine several years ago, and it was afterwards completed without any view to publication. It follows the present Irish text[8] as closely as the laws of metre will allow. Since these pages were in the printer's hands Mr. Aubrey de Vere has given to the world his treatment of the same theme,[9] adorning as usual all that he touches. As he well says: "It is not in the form of translation that an ancient Irish tale of ...
— Poems • Denis Florence MacCarthy
... optimism permeates his poems. By temperament a singer as well as a seer and sayer, Emerson was nevertheless deficient in the singing voice. He composed no one great poem, his verse presents no ideas that are not found in his prose. In metre and rhyme he is harsh and willful. Yet he has marvelous single phrases and cadences. He ejaculates transports and ecstasies, and though he cannot organize and construct in verse, he is capable here and there of the true miracle of transforming fact and thought into true beauty. ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... pronounce this departure from literal truth a merit and not a defect. We consider Goethe's second "Iphigenie," written in verse, far preferable to the first one written in prose; nay, it is the rhythm or metre itself which communicates to the work its incomparable beauty. In a review of Longfellow's "Dante," published last year, we argued this very point in one of its special applications; the artist must copy his original, but he must not copy ...
— The Unseen World and Other Essays • John Fiske
... ceremonies. And as this ring touched and bounded off from the different letters which still preserved their distances distinct, he made with these letters, by the order in which he touched them, verses in the heroic metre, corresponding to the questions which we had asked; the verses being also perfect in metre and rhythm; like the answers of the Pythia which are so celebrated, or those given by the oracles ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... decent and right and morally correct in our relations to one another. All that is involved in the fact of redemption just as fragrance is involved and included in the rose, as harmony is expected to be a part of music and rhythm as well as metre a part of verse ...
— Why I Preach the Second Coming • Isaac Massey Haldeman
... the reader may see for himself by comparing the passage from the manuscript given in the appendix with the corresponding place in the text. Milton's own spelling revels in redundant e's, while the printer of the 1645 book is very sparing of them. But in cases where the spelling affects the metre, we find that the printed text and Milton's manuscript closely correspond; and it is upon its value in determining the metre, quite as much as its antiquarian interest, that I should base a justification of this reprint. ...
— The Poetical Works of John Milton • John Milton
... literature it would seem as though we might get closer still to the expression of mere personality, by the medium of some sublimated form of reverie, the thought blended and tinged in the subtlest gradations, without the clumsy necessity of sacrificing the sequence of thought to the barbarous devices of metre and rhyme, or to the still more childish devices of incident and drama. Flaubert, it will be remembered, looked forward to a time when a writer would not require a subject at all, but would express emotion and ...
— At Large • Arthur Christopher Benson
... truth of poor mortality; When lo! as one who, in a mirror, spies The shining of a flambeau at his back, Lit sudden ore he deem of its approach, And turneth to resolve him, if the glass Have told him true, and sees the record faithful As note is to its metre; even thus, I well remember, did befall to me, Looking upon the beauteous eyes, whence love Had made the leash to take me. As I turn'd; And that, which, in their circles, none who spies, Can miss of, in itself apparent, struck On mine; a point I saw, that darted light So sharp, no lid, ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri
... of Dante, Ariosto, and Petrarch, they greatly polished our rude and homely manner of vulgar poesy from what it had been before, and for that cause may justly be said to be the first reformers of our English metre and style." The dull moralizings of the rimers who followed Chaucer, the rough but vivacious doggrel of Skelton, made way in the hands of Wyatt and Surrey for delicate imitations of the songs, sonnets, and rondels of Italy and France. With the Italian conceits came an Italian refinement whether ...
— History of the English People - Volume 4 (of 8) • John Richard Green
... of the great laws of Divine government and human polity, that composition in the arts should strongly affect every order of mind, however unlearned or thoughtless. Hence the popular delight in rhythm and metre, and in simple musical melodies. But it is also appointed that power of composition in the fine arts should be an exclusive attribute of great intellect All men can more or less copy what they see, and, more or less, remember it: powers of reflection and investigation are also ...
— The Crown of Wild Olive • John Ruskin
... an expansion of Wace's "Brut" with insertions from Baeda. Historically it is worthless; but as a monument of our language it is beyond all price. In more than thirty thousand lines not more than fifty Norman words are to be found. Even the old poetic tradition remains the same. The alliterative metre of the earlier verse is still only slightly affected by riming terminations; the similes are the few natural similes of Caedmon; the battle-scenes are painted with the same ...
— History of the English People, Volume I (of 8) - Early England, 449-1071; Foreign Kings, 1071-1204; The Charter, 1204-1216 • John Richard Green
... separates the waters above the firmament from those below. It is the walking and clinging together that gives power to the winds, weight to the waves, heat to the sunbeams, and stability to the mountains. It is the 'clinging together' which throws our syllables into words, gives metre to poetry, and melody and harmony to sound. Indeed, the clinging together of sounds, as seized by the ear in time, with the ever forming and living ebb and flow of widely different rhythms, exerting the most mysterious influences upon the soul, is not less remarkable than ...
— The Continental Monthly, Vol. 4, No. 2, August, 1863 - Devoted to Literature and National Policy • Various
... were modern popular pieces, such as are accustomed to be sung on the boards of the theatre; but the latter were evidently of great antiquity, exhibiting the strongest marks of originality, the metaphors bold and sublime, and the metre differing from anything of the kind which it has been my fortune to observe in ...
— The Zincali - An Account of the Gypsies of Spain • George Borrow
... comes? I cannot bring myself to discard inkstone and brush; Now and then I make a new poem. When the poem is made, it is slight and flavourless, A thing of derision to almost every one. Superior people will be pained at the flatness of the metre; Common people will hate the plainness of the words. I sing it to myself, then stop and think about ...
— More Translations from the Chinese • Various
... "By Jupiter, Socrates, you have done well in reminding me. With respect to the poems which you made, by putting into metre those Fables of AEsop and the hymn to Apollo, several other persons asked me, and especially Evenus recently, with what design you made them after you came here, whereas before, you had never made any. If, therefore, you care at all that I should be ...
— The Great Events by Famous Historians, Vol. 2 • Various
... The Eve the real Scott first shows, and the better of the two is the second. It is not merely that, though Scott had a great liking for and much proficiency in 'eights,' that metre is never so effective for ballad purposes as eights and sixes; nor that, as Lockhart admits, Glenfinlas exhibits a Germanisation which is at the same time an adulteration; nor even that, well as Scott knew the Perthshire Highlands, ...
— Sir Walter Scott - Famous Scots Series • George Saintsbury
... this Stromboli of the Athabasca to be the gathering-place of up and down-river wanderers. You can boil a kettle or broil a moose-steak on this gas-jet in six minutes, and there is no thought of accusing metre to mar your joy. The Doctor has found a patient in a cabin on the high bank, and rejoices. The Indian has consumption. The only things the Doctor could get at were rhubarb pills and cod-liver oil, but these, with faith, go a long way. They may have eased the ...
— The New North • Agnes Deans Cameron
... extracts to go with "From Massachusetts to Virginia" and "Cassandra Southwick" in my own book, where one of my pleasures will be trying to do justice to American poetry, and Dr. Holmes's fine "Astraea." We have nothing like that nowadays in England. Nobody writes now in the glorious resonant metre of Dryden, and very few ever did write as Dr. Holmes does. I see there is another volume of his poetry, but the name was new to me. How much I owe to you, my dear Mr. Fields! That great romance, "The Scarlet Letter," and these ...
— Yesterdays with Authors • James T. Fields
... Puttenham and of Webbe, the pioneers of Elizabethan criticism, was either to classify writers according to the subjects they treated and the literary form that each had made his own, or to analyse the metre and other more ...
— English literary criticism • Various
... an empty rhymer Who lies with idle elbow on the grass, And fits his singing, like a cunning timer, To all men's prides and fancies as they pass. 60 Not his the song, which, in its metre holy, Chimes with the music of the eternal stars, Humbling the tyrant, lifting up the lowly, And sending sun through the soul's prison-bars. Maker no more,—oh no! unmaker rather, For he unmakes who doth not all put forth The power given freely by our loving Father To show the body's ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... ear is soon wearied by a succession of groups identical in length. The prose writer, in fact, since he is allowed to be so much less harmonious, is condemned to a perpetually fresh variety of movement on a larger scale, and must never disappoint the ear by the trot of an accepted metre. And this obligation is the third orange with which he has to juggle, the third quality which the prose writer must work into his pattern of words. It may be thought perhaps that this is a quality of ease rather than a fresh difficulty; but such is the ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... as he went. And conversely (as he would have said) no sensible man would think to improve Newton's Principia and Darwin's Origin of Species by casting them into blank verse; or Euclid's Elements by writing them out in ballad metre— ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... stand ours, it follows that our race is presumably tougher than the ancient; for we have to bear, and do bear, the seeds of greater diseases than those the ancients carried with them. We may use, perhaps, the unvarying savage as a metre to gauge the vigour of the constitutions to whose contact he ...
— Physics and Politics, or, Thoughts on the application of the principles of "natural selection" and "inheritance" to political society • Walter Bagehot
... opportunity to say that my translation of BEOWULF, of which the last reprint was issued in 1910, is not in prose, as some have misconceived it, but it is in the same metrical form as the translations in the present volume,—an accentual metre in rough imitation of the original. I agree with Professor Gummere and others that this is a better form for the translation of Old English poetry than plain prose. It was approved by the late Professor Child nearly thirty years ago, as noted in the Preface ...
— Elene; Judith; Athelstan, or the Fight at Brunanburh; Byrhtnoth, or the Fight at Maldon; and the Dream of the Rood • Anonymous
... he terror-stricken, as he had been on his first day in the cavalry, at hearing behind him the thunder of many hoofs. Having once become used to the noise, he was even thrilled by the swinging metre of it. A kind of wild harmony was in it, something which made one forget everything else. At such times Pasha longed to break into his long, wind-splitting lope, but he learned that he must leave the others no more than a pace or two behind, although he could ...
— Horses Nine - Stories of Harness and Saddle • Sewell Ford
... are the names of various "tunes," and signified in each case a particular metre, rhyme, melody, &c, so that each was a brief definition of a number of individual items, so to speak. These Meistersinger technical terms (or slang?) are therefore not translatable, nor could they be made intelligible by ...
— Weird Tales, Vol. II. • E. T. A. Hoffmann
... innovation on the stereotyped methods appealed to him with the grace and relish of a new metre ...
— The Mystery of Witch-Face Mountain and Other Stories • Charles Egbert Craddock
... this sweetness and fluency, the scientific construction of the metre of the 'Faery Queene' is very noticeable. One of Spenser's arts is that of alliteration, and he uses it with great effect in doubling the ...
— Literary Remains (1) • Coleridge
... the Apostles translated into Englyshe metre, by Chrystofer Tye, Doctor in musyke, with notes to synge, and also to play upon the lute. Printed by Seres, ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... of the official clock dropped into its slot somebody called the Naval Observatory. The call was so faint as to be barely audible, in spite of the fact that Hood's instrument was tuned for a three-thousand-metre wave. Supposing quite naturally that the person calling had a shorter wave, he gradually cut out the inductance of his receiver; but the sound faded out entirely, and he returned to his original inductance and shunted in his condenser, upon which the call immediately increased in volume. Evidently ...
— The Man Who Rocked the Earth • Arthur Train
... And/ Scotch Reviewers./ A Satire./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ London:/ Printed for James Cawthorn, British Library,/ No. 24, Cockspur ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... ideas, and embodying her own ideals of social and moral progress. And to a large extent she succeeded. As a vehicle of her opinions, the scheme and style of the poem proved completely adequate. She moves easily through the story; she handles her metre with freedom and command; she can say her say without exaggeration or unnatural strain. Further, the opinions themselves, as those who have learnt to know her through her letters will feel sure, are lofty and honourable, and full of a genuine ...
— The Letters of Elizabeth Barrett Browning, Volume II • Elizabeth Barrett Browning
... are syllables which all singers of the Samans utter for lengthening short words in order to keep up the metre. ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 3 - Books 8, 9, 10, 11 and 12 • Unknown
... almost every other Victorian poet, he was really two poets. But it is just to him to insist that in his case (unlike Browning's) both the poets were good. The first is more or less like Stevenson in metre; it is a magical luck or skill in the mere choice of words. "Wet sands marbled with moon and cloud"—"Flits by the sea-blue bird of March"—"Leafless ribs and iron horns"—"When the long dun wolds are ribbed with snow"—in all these cases one word is the keystone of an arch ...
— The Victorian Age in Literature • G. K. Chesterton
... other articles on ballooning from the French. It is also interesting that she retained in her translation the original units which Verne used (metre, feet, leagues), a practice forgotten until recently. This may be the first appearance of a work by Jules Verne ...
— A Voyage in a Balloon (1852) • Jules Verne
... at fault, If e'er I chance to scribble dope, If that my metre ever halt, I err in company ...
— Tobogganing On Parnassus • Franklin P. Adams
... the truth of poor mortality; When lo! as one who, in a mirror, spies The shining of a flambeau at his back, Lit sudden ore he deem of its approach, And turneth to resolve him, if the glass Have told him true, and sees the record faithful As note is to its metre; even thus, I well remember, did befall to me, Looking upon the beauteous eyes, whence love Had made the leash to take me. As I turn'd; And that, which, in their circles, none who spies, Can miss of, in itself apparent, struck On mine; a point I saw, that darted ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri
... which not only possess the highest merit, but serve to confirm the authenticity of the poems of Ossian, published by Macpherson, so often called in question. All the pieces here attributed to Ossian are written in the same metre, tone, and spirit, as those attributed to him in the other collection, so if Macpherson's Ossianic poems, which he said were collected by him in the Highlands, are forgeries, Smith's Ossianic poems, which, according to his account, were also collected ...
— Wild Wales - Its People, Language and Scenery • George Borrow
... and young women respectively sing "my young son," and, "my young brother:" the metre and rhyme are also very carefully preserved, and the word Kardang is evidently expressly selected for this purpose; for were they speaking in prose they would use a term denoting eldest brother, youngest brother, second brother, or some similar ...
— Journals Of Two Expeditions Of Discovery In North-West And Western Australia, Vol. 2 (of 2) • George Grey
... pupils with music. They walk to music, play to music, work to music, obey drill commands that would bewilder a guardsman to music, think to music, live to music, get so clearheaded about music that they can move their several limbs each in a different metre until they become complicated living magazines of cross rhythms, and, what is more, make music for others to do all these things to. Stranger still, though Jacques Dalcroze, like all these great teachers, is the completest of tyrants, knowing ...
— A Treatise on Parents and Children • George Bernard Shaw
... farmers, free members of the clans, the most important class in the ancient Irish community. Their laws were composed in their contemporary language, the Bearla Feini, a distinct form of Gaelic. Several nations of the Aryan race are known to have cast into metre or rhythmical prose their laws and such other knowledge as they desired to communicate, preserve, and transmit, before writing came into use. The Irish went further and, for greater facility in committing to memory and retaining there, put their laws ...
— The Glories of Ireland • Edited by Joseph Dunn and P.J. Lennox
... it. I must not dream my time away,— I 'm sure to rue it. The day is rather bright, I know The Muse will pardon My half-defection, if I go Into the garden. It must be better working there,— I 'm sure it's sweeter: And something in the balmy air May clear my metre. ...
— The Complete Poems of Paul Laurence Dunbar • Paul Laurence Dunbar
... is not confined to the study of Holy Scripture. He speaks of them as searching carefully into the writers of history, as having a knowledge of ancient law and chronography, and in writing, of the rules of grammar and orthography, punctuation, metre, together with the use of allegory and tropology; all of which goes to prove that the field of secular knowledge was not particularly limited for nuns in those days. Aldhelm enlarges on the charms of their peaceful life in the nunnery, and the opportunities for thought and ...
— Early Double Monasteries - A Paper read before the Heretics' Society on December 6th, 1914 • Constance Stoney
... which, with all their poverty and stiffness, please me as true, and as representative of the convalescent feeling, I find direct reference to the beliefs which he had laboured to instil. My verses are written in a sort of metre which, in the hands of Collins, became flexible and exquisitely poetic, and which in those of Kirke White is at least pleasing, but of which we find poor enough specimens in the "Anthologies" of Southey, and which perhaps no one so limited in his metrical vocabulary, ...
— My Schools and Schoolmasters - or The Story of my Education. • Hugh Miller
... quarter full. That last oil glaze of yours holds the gas something beautiful. He's not lost a cubic metre a week."... ...
— Tono Bungay • H. G. Wells
... works. Let us first look at his varied form of speech, and afterward at his sound knowledge on matters of fact. All poetry grips the hearer by definite order of coordinated expressions, by rhythm and metre, since the smooth and flowing, by becoming at the same time grave and sweet, forces the attention by its action on the senses. Whence it comes to pass also that it delights not only by the striking and attractive parts, but easily persuades by the ...
— Essays and Miscellanies - The Complete Works Volume 3 • Plutarch
... crystal, and separates the waters above the firmament from those below. It is the walking and clinging together that gives power to the winds, weight to the waves, heat to the sunbeams, and stability to the mountains. It is the 'clinging together' which throws our syllables into words, gives metre to poetry, and melody and harmony to sound. Indeed, the clinging together of sounds, as seized by the ear in time, with the ever forming and living ebb and flow of widely different rhythms, exerting the most mysterious influences upon the soul, is not less remarkable than its more familiar ...
— The Continental Monthly, Vol. 4, No. 2, August, 1863 - Devoted to Literature and National Policy • Various
... down a peaceful spectator of others?[105] The Bacchic and Corybantic dances one can also modulate and quell, by changing the metre from the trochaic and the measure from the Phrygian. Similarly, too, the Pythian priestess, when she descends from her tripod, possesses her soul in peace. Whereas the love-fury, when once it has really ...
— Plutarch's Morals • Plutarch
... Hinton (Transitional Line) Hillside (Graded Light Upon Surfaces; Cloud Shadows); River Fog (Light Graded by Atmospheric Density); The Chant (Gradation through Values of Separated Objects) The View-Metre Three Pictures Found with the View-Metre View Taken with a Wide Angle Lens Photography Nearing the Pictorial The Path of the Surf—Photo (Triangles Occuring in the leading line); The Shepherdess—Millet (Composition Exhibiting a Double Exit) Circular Observation—The Principle; The Slaying of the ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... readily lend themselves to this mode of expression, and we may be thankful that none of his successors except Empedocles followed his example. It has the very great inconvenience of making it necessary to use different words for the same thing to suit the exigencies of metre. And if there ever was an argument that demanded precise statement, it was that of Parmenides. As it is, his poem has the faults we should look for in a metrical version of Euclid. On the other hand, Parmenides is the first philosopher of whom we have sufficient ...
— The Legacy of Greece • Various
... rhymer who had any skill in it passed for a great poet, just as in the dark ages a person who could write his name passed for a great clerk. Accordingly, Duke, Stepney, Granville, Walsh, and others whose only title to fame was that they said in tolerable metre what might have been as well said in prose, or what was not worth saying at all, were honored with marks of distinction which ought to be reserved for genius. With these Addison must have ranked, if he had not earned true and lasting glory by performances which ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... Iliad in hexameters, no man can tell; but having done so, he thereby constituted for ever the proper metre of Greek—and Latin—Epic poetry. But what a multitude of subjects, how different from one another does that, and every other Epic poem, comprehend! Glory to the hexameter! it suits them all. Now, in every Epic poem, and in few more than in the Iliad, ...
— Blackwood's Edinburgh Magazine - Volume 57, No. 352, February 1845 • Various
... publication rarely indicates the date of composition. Only sixteen of the thirty-seven plays commonly assigned to Shakespeare were published in his lifetime, and it is questionable whether any were published under his supervision. {48} But subject-matter and metre both afford rough clues to the period in his career to which each play may be referred. In his early plays the spirit of comedy or tragedy appears in its simplicity; as his powers gradually matured he depicted life in its most complex involutions, and portrayed with masterly insight the subtle ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... to apply philosophy to all the arts of life, decreed, that no public road in France should exceed an inclination of 4 deg. 46', or rise more than one metre in twelve. This proportion, it was estimated, would combine the maxima and minima of the powers; and, in spite of those malignant confederacies which he was so often called upon to overthrow, the labour of reducing many steep roads of France to this ...
— A Morning's Walk from London to Kew • Richard Phillips
... I altogether wrong About the brain, Dreaming I hear the British tongue? Dear Heaven! what a rhyme! And yet 'tis all as good As some that I have fashioned in my time, Like bud and wood; And on the other hand you couldn't have a more precise or neater Metre. ...
— The Battle of the Bays • Owen Seaman
... long thou shalt stay?' Devastator of the day! Know, each substance and relation, Thorough nature's operation, Hath its unit, bound and metre; And every new compound Is some product and repeater,— Product of the earlier found. But the unit of the visit, The encounter of the wise,— Say, what other metre is it Than the meeting of the eyes? Nature poureth into nature Through the channels of that feature, Riding on the ...
— Poems - Household Edition • Ralph Waldo Emerson
... that we should try to attribute the times of the year to children; their likeness is so rife among annuals. For man and woman we are naturally accustomed to a longer rhythm; their metre is so obviously their own, and of but a single stanza, without repetition, without renewel, without refrain. But it is by an intelligible illusion that we look for a quick waxing and waning in the lives of young children—for a waxing that shall come again another ...
— The Children • Alice Meynell
... passing of years dim the ruddy glow of that hearth-fire, nor the charm of the poem. The simplicity of metre, the purity of wording, the gentle sadness of some of its expressions, make us read between the lines the deep and affectionate reminiscence with ...
— Home Life in Colonial Days • Alice Morse Earle
... they no natural idea of what is useless? None of what is harsh, cramped, lame, or superfluous? When verses are being repeated, the whole theatre raises an outcry if there is one syllable too few or too many. Not that the mob knows anything about feet or metre; nor do they understand what it is that offends them, or know why or in what it offends them. But nevertheless nature herself has placed in our ears a power of judging of all superfluous length and all undue shortness in sounds, as much as of grave ...
— The Orations of Marcus Tullius Cicero, Volume 4 • Cicero
... away. The person in the taxi-cab might have been observed searching his pockets curiously, and to be counting what money he found therein as he cast anxious glances toward the dial of the taxi-metre. ...
— Bunker Bean • Harry Leon Wilson
... lives in my brain. I did not know, in that delirium of exaltation which a poetic discovery always makes in the heart of a youth, whether most to admire the bold artifice of the man who had adapted an unrhymed Persian metre—the Pearl—to the needs of a poem in the broadest Dorsetshire dialect, or the deep intensity of the emotion with which he had clothed a ...
— The Adventure of Living • John St. Loe Strachey
... likelihood or must happen of necessity. The Poet and the Historian are not different because one writes in verse and the other in prose. Turn what Herodotus tells into verse, and none the less it will be a sort of history; the metre makes no difference. The real difference lies in the Historian's telling what has happened, the Poet's telling what may happen. Thus Poetry is a more philosophical thing, and a more serious, than History: for Poetry tells of the Universal, History of the Particular. Now the business ...
— Poetry • Arthur Thomas Quiller-Couch
... simple excitement and pure inspiration, As my Pythoness erst sometimes erred from not knowing If 'twere I or mere wind through her tripod was blowing; Let his mind once get head in its favorite direction And the torrent of verse bursts the dams of reflection, While, borne with the rush of the metre along, The poet may chance to go right or go wrong, Content with the whirl and delirium of song; Then his grammar's not always correct, nor his rhymes, And he's prone to repeat his own lyrics sometimes, Not his best, though, for those are struck off at white-heats When the heart ...
— Selections From American Poetry • Various
... into this confusion: "The mere matter of all poetry—to wit, the appearances of nature and the thoughts and feelings of men—being unalterable, it follows that the difference between poet and poet will depend upon the manner of each in applying language, metre, rhyme, cadence, and what not, to this invariable material." What has become here of the substance of Paradise Lost—the story, scenery, characters, sentiments as they are in the poem? They have vanished clean away. Nothing is left but the form on one side, and on the ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... a history of English poetry, but relinquished the design to Warton, to whom he communicated an outline of his own plan. The "Observations on English Metre" and the essay on the poet Lydgate, among Gray's prose remains, are apparently portions ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... "In each other's arms;" the apostrophe being misplaced, and the metre improperly allowed to exclude a word which the sense requires. Now, as to the plural of each other, although we do not use the objective, and say of many, "They love each others," there appear to be some instances ...
— The Grammar of English Grammars • Goold Brown
... Arimazes. Notwithstanding the Shower, he continued in the Garden, and never quitted it, till he had found one Moiety of the Tablet, which was unfortunately broke in such a Manner, that even the half Lines were good sense, and good Metre, tho' very short. But what was still more remarkably unfortunate, they appear'd at first View, to be a severe satyr upon the ...
— Zadig - Or, The Book of Fate • Voltaire
... sight up away through the fissure of the rocks. The rhythm (to touch one of the various things) the rhythm of that 'Duchess' does more and more strike me as a new thing; something like (if like anything) what the Greeks called pedestrian-metre, ... between metre and prose ... the difficult rhymes combining too quite curiously with the easy looseness of the general measure. Then 'The Ride'—with that touch of natural feeling at the end, ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... In the same primitive metre as these dedications is the Song of the Arval Brothers, which was found engraved on a stone in the grove of the goddess Dea Dia, a few miles outside of Rome. This hymn the priests sang at the May festival of the goddess, when the farmers brought them the first fruits of the earth. ...
— The Common People of Ancient Rome - Studies of Roman Life and Literature • Frank Frost Abbott
... Compare a poem of William Morris with one by Lewis Morris. Compare Swinburne's Songs and Sonnets with Matthew Arnold's Obermann; Rudyard Kipling's Ballads with The Light of Asia. Have they any common standard of form, any type of metre? The purists doubt as to the style of Carlyle as a "model," but no one denies that the French Revolution and Hero-Worship, at least in certain passages, display a mastery over language as splendid as anything in our prose literature. Exactly the same might be said also ...
— Studies in Early Victorian Literature • Frederic Harrison
... special place when writing of "Sweet Auburn," it was probably Lissoy, in Ireland, where he grew up; but the village of his imagination is lovelier than any actual spot, and there is no use in hunting for it on the map. See the first note on The Traveller for remarks on metre, etc. ...
— Selections from Five English Poets • Various
... methods now govern the Muses, The modes of expression have changed with the times; That low is the rank of the poet who uses The old-fashioned verse with intentional rhymes. And quite out of date, too, is rhythmical metre; The critics declare it an insult to art. But oh! the sweet swing of it, oh! the clear ring of it, Oh the great pulse of it, right from the heart, Art ...
— The Englishman and Other Poems • Ella Wheeler Wilcox
... none example in English metre so well mayntayning this figure (Exargasia, or the Gorgeous) as that dittie of her Majestie Queen Elizabeth's own making, passing sweete and harmonical; which figure being, as his very original name purporteth, ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 476, Saturday, February 12, 1831 • Various
... James; looking, however, rather proudishly at what I had said, and replacing his glasses on the brig of his nose, he then read us a screed of metre to the following effect; part of which, I am free to confess, is rather above ...
— The Life of Mansie Wauch - Tailor in Dalkeith, written by himself • David Macbeth Moir
... "It was at all times day, and the blacks grew weary." Norralie considered and decided that the sun should disappear at intervals. He addressed the sun in an incantation (couched like the Finnish Kalewala in the metre of Longfellow's Hiawatha); and the incantation is thus interpreted: "Sun, sun, burn your wood, burn your internal substance, and go down". The sun therefore now burns out his fuel in a day, and ...
— Myth, Ritual, and Religion, Vol. 1 • Andrew Lang
... when, like trouts in the current, the Firm had only to gape for shoals of good things to fatten it: a tale of English prosperity in quiescence; narrated interjectorily among the by-ways of the City, and wanting only metre to ...
— The Shaving of Shagpat • George Meredith
... struggles and victories in the land of promise. The women listen, nodding and swaying their bodies sympathetically. He works himself into a frenzy, in which the fiddlers vainly try to keep up with him. He turns and digs the laggard angrily in the side without losing the metre. The climax comes. The bride bursts into hysterical sobs, while the women wipe their eyes. A plate, heretofore concealed under his coat, is whisked out. He has conquered; the inevitable collection is ...
— Children of the Tenements • Jacob A. Riis
... original Greek phrase was [Greek: elpidos leptes], which Euripides has changed to [Greek: asthenous rhomes], though the other had equally suited the metre. But Euripides is fond of slight alterations in ...
— The Tragedies of Euripides, Volume I. • Euripides
... you to pull the police magistrate's nose.' When Tennyson says of the men of the Light Brigade 'Theirs but to do and die,' the expression seems to me perfectly lucid. 'Up to them to do and die' would alter the metre without especially clarifying the meaning. This is an example of ordinary language being quite adequate; but there is a further difficulty that even wild slang comes to sound like ordinary language. Very often the English have already as humorous and fanciful idiom ...
— What I Saw in America • G. K. Chesterton
... different Soteltes (or Devices at the end of each course), and omits Russell's description of his four of the Four Seasons, p. 51-4; and does not alter the metre of the lines describing the Dinners as he does, p. 50-5. —Differs from R., nearly as ...
— Early English Meals and Manners • Various
... greening out from under wings of shadow, the mountain ranges holding hands about an immensity of space. It was one of our giant days to his emotions, and particularly memorable to him through the circumstance that it insisted on a record in verse, and he was unused to the fetters of metre: and although the verse was never seen by man, his attempt at it confused his ideas of his expressive powers. Oddly too, while scourging the lines with criticism, he had a fondness for them: they stamped a radiant day in his mind, beyond the resources ...
— The Shaving of Shagpat • George Meredith
... died, and in April of the following year, when he lost his father. He always had a strong feeling for art, both in subject and treatment, and was always very fastidious about his work; he would touch up a poem over and over again, and take the utmost pains with metre and "swing" until ...
— The History of "Punch" • M. H. Spielmann
... is much in Heywood's humorous and satirical style: it is written in the English ballad-metre, and consists of seven seven-line stanzas, each stanza, as was not unusual with Heywood, ending with the same, or nearly the same, line. It ...
— Notes & Queries 1849.12.22 • Various
... but I was present, and the exercise made more impression upon me than it did upon either of the principal agents. My Father read the verse admirably, with a full,—some people (but not I) might say with a too full—perception of the metre as well as of the rhythm, rolling out the rhymes, and glorying in the proper names. He began, and it was a happy choice, with 'The Lady of the Lake'. It gave me singular pleasure to hear his large voice do justice to 'Duncrannon' and 'Cambus- Kenneth', and wake the echoes ...
— Father and Son • Edmund Gosse
... Chester Griswold, and Heaven pity her! Of course he's the greatest catch in America; but he's a prig and a snob, and he's so generous with his money that he'll give you five pennies for a nickel any time you ask him. He's got a heart like the metre of a taxicab, and he's jealous as a cat. Aline will have a fine time with Chester! I knew him at St. Paul's and at Harvard, and he's got as much red blood in him ...
— The Lost Road • Richard Harding Davis
... happy discovery of the author, Richard Braithwait. I transcribe it from the MS. volume from which James Boswell first gave to the world Shakspeare's verses "On the King." Southey has somewhere said that "the best serious piece of Latin in modern metre is Sir Francis Kinaston's Amores Troili et Cressidae, a translation of the two first books of Chaucer's Poem[1]; but it was reserved for famous BARNABY to employ the barbarous ornament of rhyme, so as to give thereby point and character to ...
— Notes and Queries, Number 77, April 19, 1851 • Various
... The metre of the Chorus indicates marching; so that apparently the procession takes some time to move across the orchestra and get into position. Cassandra would be dressed, as a prophetess, in a robe of white reaching to the feet, covered by an agrenon, or net ...
— Agamemnon • Aeschylus
... great laws of Divine government and human polity, that composition in the arts should strongly affect every order of mind, however unlearned or thoughtless. Hence the popular delight in rhythm and metre, and in simple musical melodies. But it is also appointed that power of composition in the fine arts should be an exclusive attribute of great intellect All men can more or less copy what they see, and, more or less, ...
— The Crown of Wild Olive • John Ruskin
... playful seals in the surf below, who seemed rather flattered by her attention, and would swim about, singing their sweetest songs to her alone. Passers-by were equally curious as to her, but a broken lyre gives forth no music, and her heart responded not with any more long metre hymns. ...
— The Fiend's Delight • Dod Grile
... truth, just as with a 'nomenclator' audacity supplies the place of memory, and he invents a name for every one whose name he cannot recollect, so the poets think that it is of no importance to speak the truth, but are either forced by the exigencies of metre, or attracted by sweetness of sound, into calling every one by whatever name runs neatly into verse. Nor do they suffer for it if they introduce another name into the list, for the next poet makes them bear what name he pleases. That ...
— L. Annaeus Seneca On Benefits • Seneca
... constant metre of the orator. There are many audiences in every public assembly, each one of which rules in turn. If anything comic and coarse is spoken, you shall see the emergence of the boys and rowdies, so loud and vivacious, that you might think the house was filled with them. If new topics ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... with religious flourishes secular poetry, clothing itself in rhyme and metre, adopting every current form of poesy, and treating of every appropriate subject. Its first ...
— Jewish Literature and Other Essays • Gustav Karpeles
... barbarian twang, and it is particularly in the Psalms—which we have now been reading, and which might be ranked with the finest hymns—that I miss the number and rhythm of the syllables, the observance of a fixed metre—in short, severity of form. David, the royal poet, was no less possessed by the divinity when he sang to his lyre than other poets have been, but he does not seem to have known that delight felt by our poets in overcoming the difficulties ...
— Uarda • Georg Ebers
... friend, who is wooed in mistake for herself by the suitor destined for her own hand. This is the main dramatic point; the thread is very slender, and is drawn out to its utmost limits through five acts of blank verse. The language and metre are scrupulously correct. But one cannot credit the play with any touch of poetry or imagination. It presents a trite theme tamely and prosaically. Congenital inability of the most inveterate toughness to appreciate dramatic poetry could alone account ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... it is worthless; but as a monument of our language it is beyond all price. In more than thirty thousand lines not more than fifty Norman words are to be found. Even the old poetic tradition remains the same. The alliterative metre of the earlier verse is still only slightly affected by riming terminations; the similes are the few natural similes of Caedmon; the battle-scenes are painted with the same rough, ...
— History of the English People, Volume I (of 8) - Early England, 449-1071; Foreign Kings, 1071-1204; The Charter, 1204-1216 • John Richard Green
... lights.'[28] Ashtavakra said, 'Four are the Asramas of the Brahmanas; the four orders perform sacrifices; four are the cardinal points; four is the number of letters; and four also, as is ever known, are the legs of a cow.'[29] Vandin said, 'Five is the number of fires; five are the feet of the metre called Punki; five are the sacrifices; five locks, it is said in the Vedas, are on the heads of the Apsaras; and five sacred rivers are known in the world.'[30] Ashtavakra said. 'Six cows, it is asserted by some, and paid as a gratuity on the occasion of establishing the ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 1 • Kisari Mohan Ganguli
... like smiths at their forges Worked the red Saint George's Cannoneers; And the "villainous saltpetre" Rung a fierce, discordant metre Round their ears; As the swift Storm-drift, With hot sweeping anger, came the horseguards' clangor On our flanks. Then higher, higher, higher, burned the ...
— Journeys Through Bookland, Vol. 7 • Charles H. Sylvester
... great, as to cause a land-slip in Pizzifalcone, by which several houses were overwhelmed; and, on another occasion, the torrent of rain was so violent, that the Riviera di Chiaja was covered, to the depth of half a metre, with mud, and stones brought down by the water from the heights above. This enormous quantity of water pouring on the slopes of Vesuvius, and percolating through the crust of the earth into the fiery ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville
... the metre has been too violently censured. He found the measure reformed in so many passages by the silent labours of some editors, with the silent acquiescence of the rest, that he thought himself allowed to extend a little ...
— The Works of Samuel Johnson in Nine Volumes - Volume V: Miscellaneous Pieces • Samuel Johnson
... had carried off from the camp of Attila. The author of this poem is unknown, nor can I, on the vague and rather doubtful allusion to Thule, as Iceland, venture to assign its date. It was, evidently, recited in a monastery, as appears by the first line; and no doubt composed there. The faults of metre would point out a late date; and it may have been formed upon some local tradition, as Walther, the hero, ...
— The History of The Decline and Fall of the Roman Empire - Volume 3 • Edward Gibbon
... power which the sea requires in the sailor makes a man of him very fast." The invention of a house, safe against wild animals, frost, and heat, gives play to the finer faculties, and introduces art, manners, and social delights. The discovery of the post office is a fine metre of civilization. The sea-going steamer marks an epoch; the subjection of electricity to take messages and turn wheels marks another. But, after all, the vital stages of human progress are marked by steps toward personal, individual ...
— Four American Leaders • Charles William Eliot
... sense of the passage and be similar in the number and form of the letters, nothing can be more unfortunate than the correction of "princely;" Mr. Collier, on the other hand, follows Steevens and Malone, and reads "princely," observing the Tieck's reading ("precise") "sounds ill as regards the metre, the accent falling on the wrong syllable. Mr. Collier's choice is determined by the authority of the second folio, which he considers ought to have considerable weight, whilst Mr. Knight regards the authority of that edition as very trifling; and the only point of ...
— Notes and Queries, Number 82, May 24, 1851 • Various
... received a short time ago a remarkable opinion from Carl Spitteler. He asserts that he is guided in his choice of definite styles and definite forms by an absolutely clear purpose; that he has, for example, essayed every kind of metre which could possibly be suited to his "cosmic" epic, or that he has written a novelette solely in order to have once written a novelette. Although in these confessions, as well as in Edgar Allen Poe's celebrated Poet's Art, self-delusion and pleasure in ...
— The German Classics of The Nineteenth and Twentieth Centuries, • Editor-in-Chief: Kuno Francke
... putting forth of his technical skill, but as the vital product of all the forces which sustain him. A real poem grows out of all that is deepest in a man's nature; to its making in spiritual conception, structure, form, and style his body, his mind, and his soul contribute; its metre adjusting itself to his breathing, its ideas taking direction and significance from his thought, and its elusive suggestiveness and beauty conveying something of his mysterious personality. A true sermon is never what is sometimes called a pulpit effort; ...
— Essays On Work And Culture • Hamilton Wright Mabie
... all that P Labatt said has come true. There is food for almost nothing, and people are starving here in St. Pierre; there is clothing for almost nothing, and poor girls cannot earn enough to buy a dress. The pretty printed calicoes (indiennes) that used to be two francs and a half the metre, now sell at twelve sous the metre; but nobody has any money. And if you read our papers,—Les Colonies, La Defense Coloniale,— you will find that there are sons wicked enough to beat their mothers: oui! yche ka batt manman! It is the malediction ...
— Two Years in the French West Indies • Lafcadio Hearn
... me? And yet you have been reading my poems all this while!—There is renunciation in our words, renunciation in the metre, renunciation in our music. That is why fortune always forsakes us; and we, in turn always forsake fortune. We go about, all day long, initiating the youths in the sacred cult ...
— The Cycle of Spring • Rabindranath Tagore
... you, Suzanne, Long since have won my heart; You break it, too, And leave the same to smart full sore Whenever you depart for Baltimore. You're charming;—and in metre I endeavour To say you are ...
— The Gay Rebellion • Robert W. Chambers
... the conventional pastoral did not, indeed, pass altogether unnoticed in their own day, for early in the sixteenth century Teofilo Folengo composed his Zanitonella in macaronic verse. It consists of eclogues and poems in hexameter and elegiac metre ridiculing polite pastoralism through contrast with the crudities of actual rusticity. In the same manner Berni travestied the courtly pastoral of vernacular writers in his realistic pictures of village ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... story of the siege followed stereotyped lines except that the colossal nature of the fortifications entailed unprecedented sacrifice of life on the besiegers' part. The crucial point of the siege-operations was the capture of a position called 203-Metre Hill. This took place on November 30th after several days of the most terrible fighting ever witnessed, fighting which cost the Japanese ten thousand casualties. The importance of the hill was that it furnished a post of observation whence indications ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... for them; they seemed to enter heartily into the other portions of the service—but the psalms in metre are a great Shibboleth. My beadle, who always sat where he could command the congregation, has often assured me that when a psalm was announced he could soon tell the sheep ...
— St. Cuthbert's • Robert E. Knowles
... anxiously have I sought one striking original idea in the whole poem (appalling in its length), but to no purpose. The transcendental literature of Germany absorbs all that, at first glance, arrests the attention. Without learning, imagination, or the attraction of a beautiful metre (like that of Tennyson's 'Princess'), I am at a loss to know what has given this poem its notoriety. Not its daring speculation, surely, for it is but a timid compromise between Orthodoxy ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... I whistled for Old Clay, and back he comes, and I mounted and off, jist as the crowd came up. The folks looked staggered, and wondered a little grain how it was done so cleverly in short metre. If I didn't quilt him in no time, you may depend; I went right slap into him, like a flash of lightning into a gooseberry bush. He found his suit ready made and fitted afore he thought he was half measured. Thinks I, friend Bradley, ...
— The Clockmaker • Thomas Chandler Haliburton
... the treatise on grammar. The others were only summaries, and are now lost. On the other hand, we have still the six books on music, likewise begun at Milan, which he finished, almost as an amusement, at Thagaste. They are dialogues between himself and his pupil, the poet Licentius, upon metre and scansion. But we know from himself that he intended to make this book longer, and to write a second part upon melody, that is to say, music, properly so called. He never found the time: "Once," he says, "the burthen of ecclesiastical affairs was placed ...
— Saint Augustin • Louis Bertrand
... copy of the stanzas written by him in this metre at the time of the Union, (beginning "Zooks, Harry! zooks, Harry!") he entitled them, "An admirable new ballad, which goes excellently well ...
— Memoirs of the Life of Rt. Hon. Richard Brinsley Sheridan Vol 2 • Thomas Moore
... such poems as William Morris' "Sigurd the Volsung". Prose has been selected as the medium of translation, since it is hardly possible to give an accurate rendering and at the same time to meet the demands imposed by rhyme and metre; at least, none of the verse translations made thus far have succeeded in doing this. The prose translations, on the other hand, mostly err in being too continuous and in condensing too much, so that they retell the story ...
— The Nibelungenlied • Unknown
... its essence, something rude and formless, became in the hands of Ronsard a Pindaric ode. He gave it structure, a sustained system, strophe and antistrophe, and taught it a changefulness and variety of metre which keep the curiosity always excited, so that the very aspect of it, as it [159] lies written on the page, carries the eye lightly onwards, and of which this is a ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... forms of literature and of inference from the two great epics which have come down to us. So reconstructed, the earliest period appears to us as a time of slow development in which the characteristic epic metre, diction, and structure grew up slowly from crude elements and were improved until the verge ...
— Hesiod, The Homeric Hymns, and Homerica • Homer and Hesiod
... distinction between poetry and prose cannot be justified, save in that of art and science. It was seen in antiquity that such distinction could not be founded on external elements, such as rhythm and metre, or on the freedom or the limitation of the form; that it was, on the contrary, altogether internal. Poetry is the language of sentiment; prose of the intellect; but since the intellect is also sentiment, in its concretion and reality, so all ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... quotation, merely showing the metre, would have no appeal to us; with all its perfection and its proportion, rhyme and cadence, it would only be a construction. But when it is the outer body of an inner idea it assumes a personality. The idea flows ...
— Creative Unity • Rabindranath Tagore
... 3. l. 5. —in Nishadha lord of earth. I have accented this word not quite correctly Nishadha, in order to harmonise with the trochaic flow of my metre. It appears to be the same as Nishadha-rashtra and Nishadha-desa. See Wilford's list of mountains, rivers, countries; from the Puranas and other books. Asiatic Researches, ...
— Nala and Damayanti and Other Poems • Henry Hart Milman
... perhaps the oldest specimen of English Gypsy at present extant, and perhaps the purest. They are at least as old as the time of Elizabeth, and can pass among the Zigany in the heart of Russia for Ziganskie. The other lines are not so ancient. The piece is composed in a metre something like that of the ancient Sclavonian songs, and contains the questions which two strange Gypsies, who suddenly meet, put to each other, and the ...
— Romano Lavo-Lil - Title: Romany Dictionary - Title: Gypsy Dictionary • George Borrow
... stated on the title-page to have been "lately acted by the right Honorable the Earle of Darby his servants." It has not been reprinted, and copies of the old quarto are exceedingly rare. There is an air of old-fashionedness about the diction and the metre that would lead us to suppose the play was written several years before the date of publication. The wearisome practice, in which the characters so freely indulge, of speaking in the third person is very characteristic of the earlier dramatists, notably of Greene. ...
— A Collection of Old English Plays, Vol. III • Various
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