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More "Renaissance" Quotes from Famous Books
 ... two lofty arches, which, springing from the entrance tower, span the street high above our heads. For some time we sat, unwilling to change and it might be impair our sensations by passing inwards. Our reluctance was but too well founded: the whole interior has been modernized in detestable Renaissance style, and in place of highest honor, above the central doorway, sits in tight-buttoned uniform a fitting idol for so ugly a shrine, the double-chinned effigy of the reigning monarch. We turned for comfort to a chapel on the right, where in four sarcophagi ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various
... and slowly looked about her. The big vulgar writing-table wreathed in bronze was heaped with letters and papers. Among them stood a lapis bowl in a Renaissance mounting of enamel and a vase of Phenician glass that was like a bit of rainbow caught in cobwebs. On a table against the window a little Greek marble lifted its pure lines. On every side some rare and sensitive object seemed ...
— The Custom of the Country • Edith Wharton
... remembered, was often regarded as consisting not of the whole body of the faithful, but simply of the clergy, who continued to claim a monopoly of its privileges after they had ceased to enjoy a monopoly of its intelligence and virtue. The Renaissance had been a new birth of secular learning, not a revival of clerical learning. Others besides the clergy could now read and write and understand; town chronicles took the place of monastic chronicles, secular poets of divines; and a middle class that was growing in wealth and ...
— The History of England - A Study in Political Evolution • A. F. Pollard
... some future creative school. As the early Italian artists, by careful imitation, absorbed into their minds the beauty and meaning of old Greek and Roman art; so must the artists of our days by the art of the Middle Age and the Renaissance. They must learn to copy, before they can learn to surpass; and, meanwhile, they must learn—indeed they have learnt—that decay is ugliness, and the imitation of decay, a making money out of the ...
— The Ancien Regime • Charles Kingsley
... is with especial reference to the denial of this principle in modern and Renaissance architecture, that I speak of that architecture with a bitterness which appears to many readers extreme, while in reality, so far from exaggerating, I have not grasp enough of thought to embrace, the evils ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... history the fifteenth century is the last of the centuries that form the Middle Ages, which were preceded by the age of racial settlement and followed by that of the great Renaissance. Although the active beginnings of this new era are to be observed in the fifteenth century, yet this century belongs ...
— Life in a Medival City - Illustrated by York in the XVth Century • Edwin Benson
... light of torches, and with the cry of the screech-owl to punctuate the speeches. The scene of Webster's two best tragedies was laid, like many of Ford's, Cyril Tourneur's, and Beaumont and Fletcher's, in Italy—the wicked and splendid Italy of the Renaissance, which had such a fascination for the Elisabethan imagination. It was to them the land of the Borgias and the Cenci; of families of proud nobles, luxurious, cultivated, but full of revenges and ferocious ...
— Brief History of English and American Literature • Henry A. Beers
... and drapery the figures were of the school of Raphael; but the execution was in the style of the Florentine metal workers—the school created by Donatello, Brunelleschi, Ghiberti, Benvenuto Cellini, John of Bologna, and others. The French masters of the Renaissance had never invented more strangely twining monsters than these that symbolized the evil passions. The palms, ferns, reeds, and foliage that wreathed the Virtues showed a style, a taste, a handling that might have driven a ...
— Poor Relations • Honore de Balzac
... England, one point may be singled out in that long movement, generalized under the name of the Renaissance, as critical, it is the introduction of the Greek and Latin literature:—which has remained ever since conspicuously the most powerful and enlarging element, the most effectively educational, among all blanches ...
— The Visions of England - Lyrics on leading men and events in English History • Francis T. Palgrave
... than to any other living man, yet he speaks scathingly of his master. Plutarch, Cicero, Iamblichus, Pliny, Horace and all the other Roman writers read Plato religiously. The Christian Fathers kept his work alive, and passed it on to Dante, Petrarch and the early writers of the Renaissance, so all of their thought is well flavored with essence of Plato. Well does Addison put into the mouth of ...
— Little Journeys To The Homes Of Great Teachers • Elbert Hubbard
... can play tricks on others by stimulating these processes and then giving them selected data to work upon. A directive idea may be suggested by a series of ideas which lead the recipient of them to expect that the series will be continued. Then he will not perceive if the series is broken. In the Renaissance period no degree of illumination sufficed to resist the delusion of astrology, because it was supported by a passionate fantasy and a vehement desire to know the future, and because it was confirmed by antiquity, the authority of whose opinions was overwhelmingly suggested ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... Crescent, which must do its best to make me forget my new abode. I forget you don't know Venice. Well then, the Palazzo Manzoni is situate on the Grand Canal, and is described by Ruskin,—to give no other authority,—as 'a perfect and very rich example of Byzantine Renaissance: its warm yellow marbles are magnificent.' And again—'an exquisite example (of Byzantine Renaissance) as applied to domestic architecture.' So testify the 'Stones of Venice'. But we will talk about the place, over a photograph, when I am happy ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... England, joined a large and important firm of booksellers, and became an expert. They took him into partnership and he travelled for them and spent some years in New York. But his special subject was Italian Renaissance literature and his joy was Italy, where he now lives. He found himself in a position to retire about ten years ago, being a bachelor with modest requirements. He knew, moreover, that his father must soon pass away and, as his mother was ...
— The Red Redmaynes • Eden Phillpotts
... they would have called the Muse, were certainly not those who had the truest knowledge of Cato, Tully, and Caesar. The 'classic' taste from which Gray helped to deliver us was a taste which hardly deserves to be called a taste. Pardonable perhaps in the first heat of the Renaissance, when 'classic' studies and objects had the charm of novelty, it had become by his day a ...
— Select Poems of Thomas Gray • Thomas Gray
... stiff bust of George Washington. Near it hangs a wonderful Titian portrait, a thing of another world. The furniture looks as if it were, and probably is, plunder from the palace of some prince of the Renaissance. ...
— Mr. Faust • Arthur Davison Ficke
... save for the visit of an occasional librarian from the upper floor, seeking a book. To get to the Spanish Room one had to pass through the Douce Library, the home of treasures beyond price; on one side half the precious things of Renaissance printing, French or Italian or Elizabethan; on the other, stands of illuminated Missals and Hour Books, many of them rich in pictures and flower-work, that shone like jewels in the golden light of ...
— A Writer's Recollections (In Two Volumes), Volume I • Mrs. Humphry Ward
... middle ages had so long branded with obloquy even the generous impulses of the flesh, and defined the reality to be such that only slavish natures could commune with it, in what did the sursum corda of the platonizing renaissance lie but in the proclamation that the archetype of verity in things laid claim on the widest activity of our whole aesthetic being? What were Luther's mission and Wesley's but appeals to powers which even the meanest of men might ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... the best company, the company of those Boston authors who first inspired it with the life so vigorous yet. It was not given us all to be born in Boston, but when we find ourselves in the "Atlantic" we all seem to suffer a sea-change, an aesthetic renaissance; a livelier literary conscience stirs in us; we have its fame at heart; we must do our best for Maga's name as well as for our own hope; we are naturalized Bostonians in the finest and highest sense. With greater reverence and affection than we can express, we younger and youngest ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... known Don Francisco III. Lorenzana, a magnificent and prodigal prince of the church, who spent the abundant revenues of the archbishopric in building palaces and editing books, like a great lord of the Renaissance. He had known also the first Cardinal Bourbon, Don Luis II., and used to narrate the romantic life of this Infante. Brother of the King Carlos III., the custom that dedicated some of the younger branches to the church had made him a cardinal at nine years old. ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... nineteen he had made the 'petty tour' with his father, mother, and Winifred—Brussels, the Rhine, Switzerland, and home by way of Paris. Aged twenty-seven, just when he began to take interest in pictures, he had spent five hot weeks in Italy, looking into the Renaissance—not so much in it as he had been led to expect—and a fortnight in Paris on his way back, looking into himself, as became a Forsyte surrounded by people so strongly self-centred and 'foreign' as the French. His knowledge of their language being derived from ...
— Forsyte Saga • John Galsworthy
... prominent. This being the case, it has occurred to me that I may be so fortunate as to interest a Cambridge audience while I set before them some of the results at which I have arrived in investigating the position, the arrangement, and the fittings of libraries in the medieval and renaissance periods. It will, of course, be impossible to attempt more than a sketch of so extensive a subject, and I fear that I must omit the contents of the bookcases altogether; but I shall hope, by a selection of typical illustrations, to make you realise what some of the libraries, monastic, ...
— Libraries in the Medieval and Renaissance Periods - The Rede Lecture Delivered June 13, 1894 • J. W. Clark
... most remarkable features of New York is the Grand Central Terminal. The exterior finish is granite and Indiana lime-stone; the style somewhat Doric, modified by the French Renaissance. Over the entrance to the main building is a great arch surmounted by a statuary group wherein Mercury, symbolizing the glory of commerce, is supported by Minerva and Hercules who represent mental and ...
— The Greatest Highway in the World • Anonymous
... that there can be little doubt about the purity of their descent. The same may be said about the modern descendants of the people who created "the glory that was Greece and the grandeur that was Rome." And when we consider the period of the Renaissance we cannot say that civilised man of to-day is superior to those people who after centuries of stagnation and general illiteracy were yet able to seize and develop the long-forgotten ...
— The Black Man's Place in South Africa • Peter Nielsen
... independent and commanding position, of its perfection and its subsequent decline. The beginner must not expect to find this story told with as much fulness and certainty as is possible in dealing with the art of the Renaissance or any more modern period. The impossibility of equal fulness and certainty here will become apparent when we consider what our materials for constructing a history of ...
— A History Of Greek Art • F. B. Tarbell
... instructive in this respect. Nearly every one of them has suffered greatly from the want of some such general plan. One has but to visit almost any one of them to see buildings of different materials and styles—classical, Renaissance, Gothic, and nondescript —thrown together in a way at times fairly ludicrous. Thomas Jefferson, in founding the University of Virginia, was wiser; and his beautiful plan was carried out so fully, under his own eyes, that it has never been seriously departed from. At Stanford University, thanks ...
— Volume I • Andrew Dickson White
... rug, basking in the firelight with superb indifference to the possible ill-humour of Lady Anne. His pedigree was as flawlessly Persian as the rug, and his ruff was coming into the glory of its second winter. The page- boy, who had Renaissance tendencies, had christened him Don Tarquinio. Left to themselves, Egbert and Lady Anne would unfailingly have called him Fluff, ...
— Reginald in Russia and Other Sketches • Saki (H.H. Munro)
... reestablishment, reconstitution, reconstruction; reproduction &c. 163; renovation, renewal; revival, revivessence[obs3], reviviscence[obs3]; refreshment &c. 689; resuscitation, reanimation, revivification, reviction|; Phenix; reorganization. renaissance, second youth, rejuvenescence[obs3],. new birth; regeneration, regeneracy[obs3], regenerateness[obs3]; palingenesis[obs3], reconversion. redress, retrieval, reclamation, recovery; convalescence; resumption, resumption; sanativeness[obs3]. ...
— Roget's Thesaurus
... at Montpellier; and he had built, for his own residence, at Bourges, the celebrated hostel which still exists as an admirable model of Gothic and national art in the fifteenth century, attempting combination with the art of Italian renaissance. ...
— A Popular History of France From The Earliest Times - Volume III. of VI. • Francois Pierre Guillaume Guizot
... to possess and explore its new domain. These are the great ages of the world. They could be counted, perhaps, on one hand. The age of Pericles in Athens; the less defined age, when Europe passed, spiritually and artistically, from what we call the Dark, to what we call the Middle Ages; the Renaissance; the period of the French Revolution. Two of them, so far as English literature is concerned, fall within the compass of this book, and it is with one of ...
— English Literature: Modern - Home University Library Of Modern Knowledge • G. H. Mair
... of the things in history the most to be regretted is that the Christ's own renaissance, which has produced the Cathedral at Chartres, the Arthurian cycle of legends, the life of St. Francis of Assisi, the art of Giotto, and Dante's Divine Comedy, was not allowed to develop on its own lines, but was interrupted and spoiled by the dreary ...
— De Profundis • Oscar Wilde
... photographs of pictures on the walls, Italian saints, the Renaissance, you know, Botticelli and Luini; her writing-table is near the window, and covered with papers; she evidently writes a great deal. Merat tells me she spends her evenings writing ...
— Sister Teresa • George Moore
... something alive, healthy, robust.[19] It is this vein of poetry which awoke Italy to self-consciousness, made her in a few years forget the nightmare of Catharist ideas, and rescued her from pessimism. By it Francis became the forerunner of the artistic movement which preceded the Renaissance, the inspirer of that group of Pre-Raphaelites, awkward, grotesque in drawing though at times they were, to whom we turn to-day with a sort of piety, finding in their ungraceful saints an inner life, a moral feeling which we seek for ...
— Life of St. Francis of Assisi • Paul Sabatier
... accept this resuscitated trio, if at all, very much as they actually went about Tuscany, in long ago discarded young flesh, when the one trait everywhere common to their milieu was the absence of any moral excitement over such-and-such an action's being or not being "wicked." This phenomenon of Renaissance life, as lived in Italy in particular, has elsewhere been discussed time and again, and I lack here the space, and the desire, either to explain or to apologize for the era's delinquencies. I would merely indicate that ...
— The Jewel Merchants - A Comedy In One Act • James Branch Cabell
... others that attempted to discover some principle for the explanation of the natural phenomena. To accomplish this end, mathematics, physics, metaphysics, etc., were resorted to. The other great epoch, which may be termed the Renaissance of Greek Philosophy, was conceived by the Supreme Greek thinker, Socrates, who forms the subject thesis ...
— The Journal of Abnormal Psychology - Volume 10
... been possible that any survivals of the Edwardian port could have been retained in the astonishing commercial development the city has witnessed, particularly in the last century; and Hull has only one old street which can lay claim to even the smallest suggestion of picturesqueness. The renaissance of English architecture is beginning to make itself felt in the chief streets, where some good buildings are taking the places of ugly fronts; and there are one or two more ambitious schemes of improvement bringing dignity ...
— Yorkshire Painted And Described • Gordon Home
... In summer the shrubs thicken, half concealing one side of Forest Park Boulevard from its other. Houses suddenly take on detached and architectural importance, often as not a gravel driveway dividing lawns, and out farther still, where the street eventually flows into Forest Park, the Italian Renaissance invades, somebody's rococo ...
— Humoresque - A Laugh On Life With A Tear Behind It • Fannie Hurst
... paper-books, are commonplace books of quotable passages, so called because an Italian grammarian, Marius Nizolius, born at Bersello in the fifteenth century, and one of the scholars of the Renaissance in the sixteenth, was one of the first producers of such volumes. His contribution was an alphabetical folio dictionary of phrases from Cicero: "Thesaurus Ciceronianus, sive Apparatus Linguae Latinae ...
— A Defence of Poesie and Poems • Philip Sidney
... the Anglo-Saxons. The native shed something of his insularity and became a traveler, going first to view the places where trade had opened the way, and returning with wider interests and a larger horizon. Above all, the first dawn of the Renaissance is heralded in England, as in Spain and Italy, by the ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... nationalism, cultural as well as political, during the last century. There are now psychological resistances to borrowing, or rather to new sources of borrowing,[165] that were not greatly alive in the Middle Ages or during the Renaissance. ...
— Language - An Introduction to the Study of Speech • Edward Sapir
... a witty interview later in the week with an emotional actress, and by a solemn article compiled after an hour's reading in Lafcadio Hearn and the Encyclopedia—on the "Industrial Renaissance in Japan." ...
— Blix • Frank Norris
... of the present volume is to supplement and complement Professor Donno's collection by making available in facsimile seven minor epics of the English Renaissance omitted from it. With the publication of these poems all the known, surviving minor epics of the Elizabethan and Jacobean periods will for the first time be made available for study in faithful reproductions of the earliest ...
— Seven Minor Epics of the English Renaissance (1596-1624) • Dunstan Gale
... who succeeded in saving his own soul, even at the sacrifice of family and friends. Vampire-like, monasticism fed upon the life-blood of the Empire. The civic life and patriotism of old Rome became a mere tradition, to inspire long after the men of the Renaissance and ...
— Religion & Sex - Studies in the Pathology of Religious Development • Chapman Cohen
... vast hall, furnished after the Renaissance manner. Costly tapestries covered the walls with their imposing pictures, their ...
— A Nest of Spies • Pierre Souvestre
... round with the tail of my eye at the quaint, bright picture that was about me, and could not help some pleasure and a certain childish pride in forming part of it. The book I read was about Italy in the early Renaissance, the pageantries and the light loves of princes, the passion of men for learning, and poetry, and art; but it was written, by good luck, after a solid, prosaic fashion, that suited the room infinitely more nearly than the matter; and the result was that I ...
— Essays of Travel • Robert Louis Stevenson
... alien tongue can compensate for the neglect of the vernacular. Moreover, the curriculum introduced in the "thirties" was purely academic. It came to India directly from English universities, which had stuck fast in the ruts of the Renaissance. Undue weight was given to literary training, while science and technical skill were despised. Our colleges and schools do not attempt to build character on a foundation of useful habits and tastes that sweeten life; to ennoble ideals, ...
— Tales of Bengal • S. B. Banerjea
... start win universal favor? It is because he had direct genius, the clear vision of a "primitive" (an artist of the pre-Renaissance). His materials were just those of a graduate who, having left college, has satisfied his curiosity. Grasping the simple and ingenious, but strong and appropriate tools that he himself has forged, he starts ...
— Une Vie, A Piece of String and Other Stories • Guy de Maupassant
... as a vast oak chest, carved with grotesque Renaissance ornament. The dressing table was in appearance something between a high altar and a cabinet piano, the surface being richly worked in the same style of semi-classic decoration, but the extraordinary ...
— Desperate Remedies • Thomas Hardy
... she replied. "One thing I know quite well, though, is unchanging," she continued, her face losing all the gentle softness which a moment before he had found so fascinating, so reminiscent of those sad, sleepy-eyed women immortalised by the masters of the Renaissance. "That is my hatred of everything and everybody connected ...
— The Profiteers • E. Phillips Oppenheim
... captains—that was the lowest rank in Shelbyville—and the noncommissioned substantial first citizens of the county, were shaking hands among themselves, and nodding and smiling, full of the fine feeling of that moment. It was a triumph of chivalry, they said; they had witnessed the renaissance of the old spirit, the passing of which, and the dying out and dwindling of it in the rising generation, they had so ...
— The Bondboy • George W. (George Washington) Ogden
... German Renaissance of the new humanism, the Hellenic has become the truly German.... As the Peloponnesian War divided the States of Hellas into two camps, so this war has divided the States of Europe. But this time it will be Athens and her spiritual power that will conquer.—PROF. A. LASSON, ...
— Gems (?) of German Thought • Various
... to be a buyer for the Ignorant Rich. Make their houses liveable-in. They tell me what they want—I get hold of it for them. Turn them out an Italian drawing-room—Della Robbia mantel-piece, Florentine fire-irons, Renaissance ceiling, tapestries and so on. Things they haven't energy to find for themselves or intelligence to know when they see them. I love finding them, and I'm practised at cheating. One has to cheat if one's poor but eager.... A poor trade, but my own. I can grub about low shops all day, and ...
— The Lee Shore • Rose Macaulay
... of modern science, so Rene Descartes was the father of modern philosophy. Born in 1596, and perplexed by the movement of scepticism produced by the Renaissance, the French thinker endeavoured to find some ground of certainty in the fact that he at least knew of his own existence. Hence his famous saying: Cogito, ergo sum—"I think, therefore I exist." Consciousness, said he, is the basis of ...
— The World's Greatest Books—Volume 14—Philosophy and Economics • Various
... shameless cherub on a Renaissance festoon, danced across the tiled floor, and, pausing directly in front of her ...
— Jan and Her Job • L. Allen Harker
... and Geneva with pursuits, homicides and dynamitings. "Nostromo" is a long record of treacheries, butcheries and carnalities. "A Point of Honor" is coloured by the senseless, insatiable ferocity of Gobineau's "Renaissance." "Victory" ends with a massacre of all the chief personages, a veritable catastrophe of blood. Whenever he turns from the starker lusts to the pale passions of man under civilization, Conrad fails. "The Return" is a thoroughly ...
— A Book of Prefaces • H. L. Mencken
... remains of an older temple on a site that seems to have been called Amada, at any rate in the later days, and so named after a city in Nubia, apparently by one of the Amen-hetep Pharaohs who had conquered it. Its style is beautiful, being of the best period of the Egyptian Renaissance under the last ...
— The Ancient Allan • H. Rider Haggard
... very nearly. Most of the writers of the Paston Letters were, though in some cases of good rank and fairly educated, persons entirely unacademic in character, and their society was that of the last trouble and convulsion through which the Early Middle Ages struggled into the Renaissance, so long delayed with us. Ascham was one of our chief representatives of the Renaissance itself—that is to say, of a type at once scholarly and man-of-the-worldly, a courtier and a diplomatist as well as ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... propinquis suis, salutem. Quod petitis fieri non potest.—Valete. Consult Tiraboschi, Storia della Letteratura Italiana, vol. vii., cap. v.; Gregorovius, Geschichte der Stadt Rom in Mittelalter; Burkhardt, Die Kultur der Renaissance in Italien, and Voigt in his Wiederlebung ...
— De Orbe Novo, Volume 1 (of 2) - The Eight Decades of Peter Martyr D'Anghera • Trans. by Francis Augustus MacNutt
... Helen are readily allegorized into the passion of the Renaissance for classical beauty, the passion to which all that is not beauty seemed very dross. This is the idea of the second part of "Faust," in which Helen once more became, as she prophesied in the Iliad, a song in ...
— Helen of Troy • Andrew Lang
... tended to be lost to sight in the naturalistic revival of the Renaissance, which derived its inspiration solely from those periods of Greek and Roman art which were pre-occupied with the expression of external reality. Although the all-embracing genius of Michelangelo kept the "Symbolist" tradition ...
— Concerning the Spiritual in Art • Wassily Kandinsky
... disaster to build anew with larger faith in its destiny. When again, in 1906, earthquake and fire devastated the city its phoenix spirit came to life. The Argonauts lived once more, magnificent in their resolution. The renaissance was a prodigy that made onlookers exclamatory. Jules Jusserand, Ambassador of France to the United States, phrased the wonder of it ...
— Fascinating San Francisco • Fred Brandt and Andrew Y. Wood
... Italians of the word which the classical writers called Eclogues: "AEglogai, as it were aigon or aigonomon logoi, that is, Goatherd's Tales." The book is in its form an imitation of that highly artificial kind of poetry which the later Italians of the Renaissance had copied from Virgil, as Virgil had copied it from the Sicilian and Alexandrian Greeks, and to which had been given the name of Bucolic or Pastoral. Petrarch, in imitation of Virgil, had written Latin Bucolics, as he had written ...
— Spenser - (English Men of Letters Series) • R. W. Church
... to prevail and to modify the whole trend of English poetry. First of all Jonson was a classicist, that is, he believed in restraint and precedent in art in opposition to the prevalent ungoverned and irresponsible Renaissance spirit. Jonson believed that there was a professional way of doing things which might be reached by a study of the best examples, and he found these examples for the most part among the ancients. To confine our attention to the drama, Jonson objected to the amateurishness ...
— Cynthia's Revels • Ben Jonson
... Mrs. Spangler, glancing at the watch. "We have plenty of time yet. Won't have to hurry. Your time is the same as mine," she added, nodding her head toward a French renaissance clock ...
— A Gentleman from Mississippi • Thomas A. Wise
... Negroes of Georgia to produce a great general like Napoleon when they are not even allowed to carry arms, or to deride them for not producing scholars like those of the Renaissance when a few years ago they were forbidden the use of letters, verges closely upon the outer rim of absurdity. Do you look for great Negro statesmen in states where black men are not allowed to vote? Above all, for southern white men to berate the ...
— Introduction to the Science of Sociology • Robert E. Park
... one night above all others of this strange seclusion, and that was a night of a woman's humiliation. There had been great bustle all day, the coming of oarsmen and of coaches to Henley, and all the aquatic renaissance which prefaces the great regatta. Their own cottage, lying just above the bridge with a shady garden extending to the water's edge, was no longer the place apart that it had been. Strangers now anchored a little way from their boat-house and consumed monstrous packets of ...
— Aladdin of London - or Lodestar • Sir Max Pemberton
... it has not learned all the needed lessons of the situation in which it finds itself, is nevertheless rapidly becoming free from capitalist illusions and is reorganizing itself accordingly, industrially and politically. Of this renaissance, the C.I.O. is the greatest ...
— Labor's Martyrs • Vito Marcantonio
... one which Alice had seen one time at Sweet Springs while convalescing at that fashionable Missouri watering-place from an attack of the jaundice. This cottage was, as I was informed, an ingenious combination of Gothic decadence and Norman renaissance architecture. Being somewhat of an antiquarian by nature, I was gratified by the promise of archaism which Alice's picture of our future home presented. We picked out a corner lot in,—well, no matter where; that delectable ...
— The House - An Episode in the Lives of Reuben Baker, Astronomer, and of His Wife, Alice • Eugene Field
... case, and finally he and Boris disappeared together to visit the Luxembourg Gallery, where a new silver bronze by Rodin and a landscape of Monet's were claiming the exclusive attention of artistic France. I went back to the studio, and resumed my work. It was a Renaissance screen, which Boris wanted me to paint for Genevieve's boudoir. But the small boy who was unwillingly dawdling through a series of poses for it, to-day refused all bribes to be good. He never rested an instant in the same position, and inside of five minutes I ...
— The King In Yellow • Robert W. Chambers
... I lifted our caps to the ladies and went our way; but it was not until we had passed the charming Renaissance house where Louis Quatorze was born, that Waring made ...
— The Car of Destiny • C. N. Williamson and A. M. Williamson
... once upon a summer night Beneath the pallid moonlight's eerie glimmer I saw where, wrought in marble dimly bright, A ruin of the Renaissance ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... have been the most perfect incarnation of that "accomplished and infamous Italy," which gave us the Borgias and the terrible Elizabethan plays of Tourneur, Webster and Ford, with their plots of incest and murder, that Italy which was a veritable Hell out of which rose the Renaissance. He was the philosophy of that Italy. He first said, in effect, that nothing succeeds like success. He first cast aside Plato and his dreaming and Aristotle and his elements. He was the father of the philosophy of "practical politics." Francis Bacon learned of Machiavelli, who "wrote what men ...
— Volume 10 of Brann The Iconoclast • William Cowper Brann
... of the strong and simple passions of Iceland lends itself peculiarly to international interpretation. It is with some curiosity, therefore, as well as satisfaction, that we introduce to English readers a young representative of the renaissance of Icelandic literature. How will he be judged by our countrymen, and what will be his place, if any, ...
— Modern Icelandic Plays - Eyvind of the Hills; The Hraun Farm • Jhann Sigurjnsson
... architecture of his town house that he remained conservative, immovable, one might almost say Early-Victorian-Christian. His country house at Dulwich-on-the-Sound was a palace of the Italian Renaissance. But in town he adhered to an architecture which had moral associations, the Nineteenth-Century-Brownstone epoch. It was a symbol of his social position, his religious doctrine, and even, in a way, of ...
— The Mansion • Henry Van Dyke
... characterization of Professor Dowden's Life of Shelley as a "literary cake-walk" is a touch which only Mark Twain could have laid on. Indeed, the "Defense of Harriet Shelly," with those early chapters of Joan at Florence, maybe counted as the beginning for Mark Twain of a genuine literary renaissance. It was to prove a remarkable period less voluminous than the first, but even more choice, containing, as it would, besides Joan and the Shelley article, the rest of that remarkable series collected now as Literary Essays; the Hadleyburg story; ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... the world's poets lived in a period midway between the highest development of Renaissance civilization and the foundation of our modern civilization, and he was thus at once heir to the rich treasures of a glorious past, and endowed with a poetic, or we might say a prophetic insight that makes his works appeal ...
— Shakespeare and Precious Stones • George Frederick Kunz
... pass over these matters which are too vague on account of their antiquity and we will proceed to deal with clearer questions, namely, the rise of the arts to perfection, their decline and their restoration or rather renaissance, and here we stand on much firmer ground. The practice of the arts began late in Rome, if the first figures were, as reported, the image of Ceres made of the money of Spurius Caasius, who was condemned to ...
— The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8) • Giorgio Vasari
... simple, natural, affable mind, and a very happy disposition. Sprung from an excellent father, who, though of no great education, entered with real enthusiasm into the movement of the Renaissance and all the liberal novelties of his time, the son corrected the excessive enthusiasm, vivacity, and tenderness he inherited by a great refinement and justness of reflection; but he did not abjure the original groundwork. ...
— Literary and Philosophical Essays • Various
... ancient and modern, interspersed with illustrative anecdotes and notes on the history of Gardening. Beginning with the Gardens of Antiquity, those of Rome and Greece and the Eastern World, we pass on to the Medieval Gardens, the Gardens of the Renaissance, the Modern Gardens of Europe and Great Britain, and those which are now most ...
— The Cockatoo's Story • Mrs. George Cupples
... crumbled into the dust that lies thick upon the tombs of great men who have fallen. But the words of the Divine Comedy will never be forgotten, and the glory of an epic rests always with Italian literature. All the cold and passionless intellect of the Renaissance can be personified in Lorenzo the Magnificent, who encouraged the pagan creeds that the Prior of San Marco yearned to overthrow. Enemies in life, they serve as opposing types of the fifteenth century Italian, one earnest, ardent, filled with zeal for self-sacrifice, the other an ...
— Heroes of Modern Europe • Alice Birkhead
... a great height like damaged matches. The slim corner towers are scarcely hurt. Everything of artistic value in the structure of the interior has disappeared in a horrible confusion of rubble. The eastern end of the Cloth Hall used to be terminated by a small beautiful Renaissance edifice called the Niewwerk, dating from the seventeenth century. What its use was I never knew; but the Niewwerk has vanished, and the Town Hall next door has also vanished; broken walls, a few bits of arched masonry, and heaps of refuse alone indicate where ...
— Over There • Arnold Bennett
... side might serve very well for that show of improvement which deepens the sentiment of the neighboring antiquity and decay in Latin towns. As for the cathedral, which faced the convent from across the Square, it was as cold and torpid a bit of Renaissance as could be found in Rome itself. A red-coated soldier or two passed through the Square; three or four neat little French policemen lounged about in blue uniforms and flaring havelocks; some walnut-faced, blue-eyed old citizens and peasants sat upon the thresholds of the row of old houses, ...
— A Chance Acquaintance • W. D. Howells
... fascination, we gazed down at the mighty river. Around us was a glow of spring sunshine, above us the renaissance of blue skies. Rags of snow still glimmered on the hills, and the brown earth, as if ashamed of its nakedness, was bursting greenly forth. On the slope overlooking the Klondike, girls in white dresses were gathering the wild crocus. All was ...
— The Trail of '98 - A Northland Romance • Robert W. Service
... preserved in all its parts; while that at Albany is, perhaps, the most curious jumble in the whole history of architecture,—the lower stories being Palladian; the stories above these being, if anything, Florentine; the summit being, if anything, French Renaissance; while, as regards the interior, the great west staircase, which is said to have cost half a million of dollars, is in the Richardsonesque style; the eastern staircase is in classic style; and a circular staircase in the interior is in the most flamboyant Gothic which could be got for ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... and solidity about the English character which does not lend itself to so great a variety of mood as one may find in the peculiarly artistic temperament of the Italians, especially those of the Renaissance period. Even such irregular proceedings as murders have their philosophical after-claps which show their usefulness in the divine scheme of things, while unfortunate love affairs work such beneficent results in character that they are shorn of much of their tragedy of ...
— Browning's England - A Study in English Influences in Browning • Helen Archibald Clarke
... space here to follow its fortunes since. Even after this revival it was not till more than one hundred years later that it began to attain to any wide recognition. And in England this recognition has been mainly due to Mr Pater's delightful essay in his early work "Studies in the History of the Renaissance." Since the publication of this book in 1873, the story of Aucassin and Nicolette has had an ever-growing train of admirers both in England and America, and various translations have appeared on both sides of the Atlantic. It has also been translated into several other European ...
— Aucassin and Nicolette - translated from the Old French • Anonymous
... Filipino conceives of palaces and architectural triumphs, the conception takes the form of a church. There are no art galleries, no palaces, no magnificent public buildings in the Philippines, but there are hundreds of beautiful churches, of Byzantine and Early Renaissance architecture. You may find them in the coast towns and sometimes even in the mountainous interior, their simple and beautiful lines facing the plaza, their interiors rich with black and white tiling and with colored glass. The silver facings ...
— A Woman's Impression of the Philippines • Mary Helen Fee
... undo Stevenson, as though a rat was behind the arras, as in Hamlet. "Stevenson," says he, "is the leader of these countless writers who perceive nothing but the visible world," and these are antagonistic to the great literature, of which Mr Yeats's Secret Rose is a survival or a renaissance, a literature whose watchword should be Mr Yeats's significant phrase, "When one looks into the darkness there is always something there." No doubt Mr Yeats's product all along the line ranks with the great literature—unlike Homer, according to Mr Moore, he never nods, ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... appearance of both men, the supple movements of the one contrasting with the perfect precision of the other, would have delighted those members of the count's society, who regarded these matches as leading to a renaissance of chivalry. ...
— The Strollers • Frederic S. Isham
... some sort of survival from ruder conditions, like a flint axe or a hairy man. Cruelty is, perhaps, the worst kind of sin. Intellectual cruelty is certainly the worst kind of cruelty. But there is nothing in the least barbaric or ignorant about intellectual cruelty. The great Renaissance artists who mixed colours exquisitely mixed poisons equally exquisitely; the great Renaissance princes who designed instruments of music also designed instruments of torture. Barbarity, malignity, the desire to hurt men, are the evil things generated in atmospheres of intense reality when great ...
— All Things Considered • G. K. Chesterton
... ancient Greece for inspiration. The Church of the second and third centuries, when Christian thought claimed and won its place among the intellectual revolutions of the world, did not disdain the analogies of Greek philosophy. The Renaissance owed its rise, and the Reformation much of its fertility, to the study of Greek. And the sea of intellectual activity which now surges round us moves ceaselessly about questions which society has not asked itself since Greece started ...
— A History of Roman Literature - From the Earliest Period to the Death of Marcus Aurelius • Charles Thomas Cruttwell
... Gregory VI was the harbinger of an epoch of moral renaissance. The wise Pontiff, whose glory it had been to free the Church from a disgraceful yoke, proved himself worthy of the sovereign power, as much by the zeal with which he wielded as by the noble disinterestedness with ...
— The Great Events by Famous Historians, Volume 5 • Various
... had nestled in such enviable intimacy with that courageous heart. The faint fragrance of her exquisite flesh clung to it still. He held it to his lips and kissed it. Then he stopped, to turn about and look upward at the tall hostelry behind him. High up below the renaissance cornice he beheld the lights glow forth in the rooms which he ...
— The Voice on the Wire • Eustace Hale Ball
... memories is one of these old Italian palaces, with a foundation wall laid in the days of the old Roman Empire, an interior building dating perhaps from the Middle Ages or the Transition period, and an external court with facades and porticoes of Renaissance or sixteenth-century work. Not less reminiscent of many bygone ages are the ornamentation and decorative details; and in the rooms, statuary plundered from the Greek islands or brought by the Crusaders from Constantinople itself, contrasts oddly with pictures, bric-a-brac, ...
— Captain Mansana and Mother's Hands • Bjoernstjerne Bjoernson
... outworn sound. "But the young woman of our day does not pretend to all this; alas, no! She is honestly shorn. There is nothing to do about it; the only thing is to keep the loss within limits. In a few generations we shall probably experience a renaissance; everything comes in cycles. But for the present we are sadly denuded. Only our business life beats with a healthy, strong pulse. Only our commerce lives its deed-filled life. Let us place our faith in that! From it will the ...
— Shallow Soil • Knut Hamsun
... of that Italian splendor the remains of which we still admire, and suggests that it is not beyond hope that the privileged soil of Italy and the genius for the arts which seems inherent in this people may, under their new political circumstances, lead to yet another renaissance. The villa I am alluding to is in the immediate neighborhood of Varese, on a rising ground above the town, commanding the most magnificent views of Monte Rosa, Monte Viso and the country between the lakes of Como and Maggiore. It is a new creation, and is the property and the work ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 17, - No. 97, January, 1876 • Various
... to Paris will have had pointed out to them the so-called "Maison Francois Premier" on the Cour La Reine. This richly ornate and graceful specimen of Renaissance architecture formerly stood at Moret, and bit by bit was removed to the capital in 1820. A spiral stone staircase and several fragments of heraldic sculpture were left behind. Badly placed as the house was here, it seems a thousand pities that Moret should have thus been robbed of an architectural ...
— East of Paris - Sketches in the Gatinais, Bourbonnais, and Champagne • Matilda Betham-Edwards
... put upon so friendly a footing that, in 1540, the bishop-duke began the erection at Anizy of a new chateau, to be surrounded with an extensive and beautiful park. The plans were made by the first architects and artists of the Renaissance; the sculptors of Francis I. were employed to decorate the facade with statues—the new buildings were connected with what remained of the earlier chateau by a grand gallery; pavilions flanked the main edifice and adorned ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert
... without any apparent sense of incongruity. They mix heathen deities with Christian saints, and the ancient heroes adopt the manners of chivalrous romance without the slightest difficulty. The freedom was still granted to the writers of the renaissance. Milton makes Phoebus and St. Peter discourse in successive stanzas, as if they belonged to the same pantheon. For poetical purposes the old gods are simply canonized as Christian saints, as, in a more theological frame of mind, they are regarded as devils. In the reign of common sense ...
— Alexander Pope - English Men of Letters Series • Leslie Stephen
... portion in which were the royal rooms that formed the residential centre of the extensive palace. Where this large part of the old edifice had been razed Wren erected, in striking contrast to the Tudor portions left standing north and west of it, the Renaissance building, which is probably remembered by many visitors as the chief feature of Hampton Court. Contrasting strongly with the earlier portions of the Palace the new fronts and the beautiful Fountain Court yet do not clash with them, thanks to the way in which ...
— Hampton Court • Walter Jerrold
... is the consequence, I repeat, of the Renaissance and the Reformation, which, although apparently they lived in a state of internecine war, were twin-brothers. The Italians of the Renaissance were all of them Socinians; the humanists, with Erasmus at their head, regarded Luther, ...
— Tragic Sense Of Life • Miguel de Unamuno
... that even in its prime had pretended to more than it really was. It was quite different than my memory had pictured it. Much humbler, smaller - a weak and feeble reflection of the solid marble splendor of antique and renaissance which it affected to imitate. But this very decay now spread over it an involuntary charm. For the garden with its cypresses, mimosas, magnolias and roses had grown all the more beautiful in its neglected wilderness, and we inhabited ...
— The Bride of Dreams • Frederik van Eeden
... rubbing his nose, "you are a member of 'The Encouragers of Egyptian Renaissance,' and 'The Teutonic Tombs Club,' and 'The Society for the Recovery ...
— The Napoleon of Notting Hill • Gilbert K. Chesterton
... admiration for antique beauty which characterized the humanist movement of the time. In this aspect the Faust legend is an expression of early popular Protestantism, and of its antagonism to the scientific and classical tendencies of the Renaissance. ...
— Faust Part 1 • Johann Wolfgang Von Goethe
... enchanting views of the Channel were frequent and exquisite. It was a palace built in old days upon the Downs, but sheltered and screened from every hostile wind. The full warmth of the south fell upon the vast but fantastic pile of the Renaissance style, said to have been built by that gifted but mysterious individual, John of Padua. The gardens were wonderful, terrace upon terrace, and on each terrace a tall fountain. But the most peculiar feature was the park, which was undulating and extensive, ...
— Endymion • Benjamin Disraeli
... our literature, at the present time, and by our literature I mean English literature in its broadest sense and amplest significance. Perhaps at no period of letters, in the whole history of literature from the days of Chaucer and Raleigh, from the renaissance, through the classic period, to more modern times, to our own day in fact, has the cultured world seen such a brilliant array of brilliant men and women, who write the English prose which delights our fire-sides, and enriches our minds at the present ...
— Picturesque Quebec • James MacPherson Le Moine
... strait-waistcoat of a narrow law; the life of the founder of Christianity was only a momentary gleam of light in the darkness; the Middle Age was a confused turmoil of rude heroism and cunning savagery; the Renaissance a relapse into heathenism and the worship of nature. Yet with the modern ages comes a rift in the blackness; the poets reveal a new spirit; their songs are the songs of peace and not ...
— La Legende des Siecles • Victor Hugo
... of flagging, turning sharply round a stone pillar, led incongruously from the light French furnishings to the chamber where Lavinia was to sleep. A Renaissance bed, made of thick quilting directly upon the floor, was covered with gilt ecclesiastical embroidery; and a movable tub stood in a stone corner. The narrow deep windows overlooked Florence, a somber expanse of roofing; and, coming rapidly toward the ...
— The Happy End • Joseph Hergesheimer
... certain sharpness of skeleton. Yet it may be beautiful, still; the poets derided the wrinkles of Diane de Poitiers at the very moment when King Henry II idealized her with the homage of a Don Quixote; an atmosphere of physical beauty and decay hangs about the whole Renaissance. ...
— Mont-Saint-Michel and Chartres • Henry Adams
... that the group seemed to lack flamboyancy. It is true, however, that, except for Guilder's habitual restraint, the celebrated firm of architects was inclined to express themselves flamboyantly, and to interpret Renaissance ...
— Between Friends • Robert W. Chambers
... that the inspiration in Spain came from Islam and in Italy from Christianity produced some consequences. In Spain the Jews followed Arab models of style. In Italy the influence of classical models was felt at the time of the Renaissance. Most noteworthy of all was the indebtedness of the Hebrew ...
— Chapters on Jewish Literature • Israel Abrahams
... a world-wide reputation; but as we advertised to its state of decadence, we think it right also to advert to its renaissance. May it go up and prosper. Whether the salutary reform which has been introduced within its walls has been carried as far as could have been desired, may be doubtful. The important question of the school appears to be somewhat left to the discretion of the new warden. This might have ...
— Barchester Towers • Anthony Trollope
... they certainly distinguish many chief literary men of the eighteenth century from most chief literary men of the nineteenth, are not specially characteristic of the eighteenth century itself. They are found in the seventeenth, in the Renaissance, in classical antiquity—wherever, in short, the art of letters and the art of life have had comparatively free play. The chief differentia of Peacock is a differentia common among men of letters; that is to say, among ...
— Essays in English Literature, 1780-1860 • George Saintsbury
... For, saving Dante on his solitary pinnacle, there was no figure in modern literature at the time of the Renaissance to compare with the men of antiquity; there was no art to compete with their sculpture; there was no physical science but that which Greece had created. Above all, there was no other example of perfect intellectual freedom—of the unhesitating acceptance of reason as the sole ...
— Harvard Classics Volume 28 - Essays English and American • Various
... extended a broad basin from which grassy terraces and broad walks led on the southward to one of the most magnificent edifices raised for the exposition, the Agricultural Building. In style of architecture it pertained to the classic renaissance and was erected at ...
— By Water to the Columbian Exposition • Johanna S. Wisthaler
... Period. That is to say, the time of the beginning of the Renaissance landscape by the Caracci, Claude, and Salvator. First, in their landscapes, shipping begins to assume something like independent character, and to be introduced for the sake of its picturesque interest; although ...
— The Harbours of England • John Ruskin
... it was the Margery of the Wahaskan Renaissance, joyously clad and radiant, who was holding the reins over a big English trap horse, parading down Main Street and ...
— The Price • Francis Lynde
... of Siward, all that he had aroused in her of love, of intelligence, of wholesome desire and sane curiosity—the intellectual restlessness, the capacity for passion, the renaissance of the simpler innocence—had subsided into the laissez faire of dull quiescence. If in her he had sown, imprudently, subtle, impulsive, unworldly ideas, flowering into sudden brilliancy in the quick magic of his companionship, now those flowers were dead under ...
— The Fighting Chance • Robert W. Chambers
... of the romantic school, including, under Art, poetry and painting, literature and sculpture, furniture and the opera. Thus she became a mediaevalist. She was also interested in any treasures that dated from the Renaissance, and employed her allies as so many devoted commission agents. Soon after she was married, she had become possessed of the Rougets' furniture, sold at Issoudun early in 1824. She purchased some very good things at Nivernais and the Haute-Loire. At the New Year ...
— The Muse of the Department • Honore de Balzac
... nature only. But they have opposed themselves as a body, to that kind of teaching above described, which only began after Raphael's time: and they have opposed themselves as sternly to the entire feeling of the Renaissance schools; a feeling compounded of indolence, infidelity, sensuality, and shallow pride. Therefore they have called themselves Pre-Raphaelite. If they adhere to their principles, and paint nature as it is around them, with the help of modern science, with the ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... get most out of it; and Jack's elegant disdain of his wife's big balance enabled him, with an appearance of perfect good-breeding, to transmute it into objects of art and luxury. To the latter, I must add, he remained relatively indifferent; but he was buying Renaissance bronzes and eighteenth-century pictures with a discrimination that bespoke the ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton
... political sect who believe that law is only a human edict supported by physical force,—this sect which had its origin in the dark decades of the nineteenth century when the materialistic philosophy prevailed—is dying out, under the influence of a general renaissance. There are, it is to be believed, many who will be ready and willing to accept as true the statement, which every student of political history must admit to be true, that the philosophy of the American Revolution ...
— "Colony,"—or "Free State"? "Dependence,"—or "Just Connection"? • Alpheus H. Snow
... people who scorn money who get most out of it; and Jack's elegant disdain of his wife's big balance enabled him, with an appearance of perfect good-breeding, to transmute it into objects of art and luxury. To the latter, I must add, he remained relatively indifferent; but he was buying Renaissance bronzes and eighteenth-century pictures with a discrimination that bespoke the ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton
... glitter of glass, mirrors over the mantelpieces, mirrors let into panels, glass chiffoniers, and pendent prisms of glass round the ornamental candlesticks. Mixed with this some of the latest productions of the new English Renaissance—stiff, straight-back, plain oak chairs, such as men in armour may have used—together with Japanese screens. In short, just such a medley of artistic styles as may be seen in scores of suburban villas where money is of little ...
— Hodge and His Masters • Richard Jefferies
... point your steps to these traces of the past, and from the marks of what you see to build up one after another the centuries that have rolled over tide-worn Rouen. Let it be said at once that the "Old Rouen" you will first see is almost completely a French Renaissance city of the sixteenth century. Of older buildings you will find only slight and imperfect remnants, and as you pass monstrosities more modern you will involuntarily close your eyes. But the remnants are there, ...
— The Story of Rouen • Sir Theodore Andrea Cook
... been settled by rogues. Were you to spread a tent over America, you would have the most beautiful, the most comfortable penitentiary in the world. The natural form that survives and triumphs in America is the great rascal, the great Renaissance idiot. In fact, it is the one form that will triumph throughout the world. You'll see some day how the great American rascal will get the whole of Europe, including England, into his clutches. ...
— Atlantis • Gerhart Hauptmann
... of the world's poets lived in a period midway between the highest development of Renaissance civilization and the foundation of our modern civilization, and he was thus at once heir to the rich treasures of a glorious past, and endowed with a poetic, or we might say a prophetic insight that makes his works appeal as ...
— Shakespeare and Precious Stones • George Frederick Kunz
... praise it—the exaggerated thinness of body and stiffness of attitude are faults; but they are noble faults, and give the statues a strange look of forming part of the very building itself, and sustaining it—not like the Greek caryatid, without effort—nor like the Renaissance caryatid, by painful or impossible effort—but as if all that was silent and stern, and withdrawn apart, and stiffened in chill of heart against the terror of earth, had passed into a shape of eternal marble; and thus the Ghost had given, to bear up the pillars of the church on ...
— The Two Paths • John Ruskin
... ancient, its earliest portions dating from the Dukes Faroald and Grimoald. In the fourteenth century it was restored by the great Gil d'Albornoz, the contemporary of Cola di Rienzi, and it was completed shortly afterwards by Nicholas V. It is a magnificent piece of Renaissance architecture, overlooking the old city and the deep ravine which separates it from Monte Luco. From its high windows one may look out over the valley of the Clitunno and that of the Tiber, the fertile Umbrian plain, and, on the east, ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... From all sides we hear lamentations about the decadence of art. We are, indeed, far behind the great masters of the Renaissance. The technicalities of art have recently made great progress; thousands of people gifted with a certain amount of talent cultivate every branch, but art seems to fly from civilization! Technicalities make headway, ...
— The Conquest of Bread • Peter Kropotkin
... Roman Period. That is to say, the time of the beginning of the Renaissance landscape by the Caracci, Claude, and Salvator. First, in their landscapes, shipping begins to assume something like independent character, and to be introduced for the sake of its picturesque interest; although what interest could be taken by any healthy ...
— The Harbours of England • John Ruskin
... renaissance of smuggling about the third decade of the nineteenth century, and this was brought on partly owing to the fact that the vigilance along our coasts was not quite so smart as it might have been. But there were ...
— King's Cutters and Smugglers 1700-1855 • E. Keble Chatterton
... wild beasts of men, there stood here an arch, there a pillar, yonder a cluster of columns crowned by a bit of frieze; and yonder again, a fragment of temple, half-gorged by the facade of a hideous Renaissance church; then a height of vaulted brick-work, and, leading on to the Coliseum, another arch, and then incoherent columns overthrown and mixed with dilapidated walls—mere phonographic consonants, dumbly representing the past, out ...
— Italian Journeys • William Dean Howells
... present volume is to supplement and complement Professor Donno's collection by making available in facsimile seven minor epics of the English Renaissance omitted from it. With the publication of these poems all the known, surviving minor epics of the Elizabethan and Jacobean periods will for the first time be made available for study in faithful reproductions of the ...
— Seven Minor Epics of the English Renaissance (1596-1624) • Dunstan Gale
... ages. For long it was rather the privilege of the rich and powerful. The great mass of the people were not deemed worthy of learning, and education itself in any general application did not have a recognized standing in society. After the Renaissance, however, had ushered in a new age, and when the desire for learning was the master passion among many men in Southern and Western Europe, it is natural to suppose that efforts should have more frequently been made to instruct the deaf ...
— The Deaf - Their Position in Society and the Provision for Their - Education in the United States • Harry Best
... remember them. It is largely for this reason that history should be taught with correlated subjects, such as geography, literature, science (inventions), etc. For example, the story of the Spanish Armada is remembered better if we have read Westward Ho! and the story of the Renaissance is made clearer and is therefore remembered better, if we connect with it the inventions of printing, gunpowder, and the mariner's compass. ...
— Ontario Teachers' Manuals: History • Ontario Ministry of Education
... at last at a huge, ornate apartment house on Riverside Drive and Manton led the way through the wide Renaissance entrance and the luxurious marble hall to the elevator. His quarters, on the top floor, facing the river, were almost exotic in the lavishness and barbaric splendor of their furnishings. My first impression ...
— The Film Mystery • Arthur B. Reeve
... curious fascination, we gazed down at the mighty river. Around us was a glow of spring sunshine, above us the renaissance of blue skies. Rags of snow still glimmered on the hills, and the brown earth, as if ashamed of its nakedness, was bursting greenly forth. On the slope overlooking the Klondike, girls in white dresses were gathering the wild crocus. All was ...
— The Trail of '98 - A Northland Romance • Robert W. Service
... far from habitation, the traveller comes across groups of bare walls with foundations still uncovered, and dismantled arches, and broken images in the long grass, that were formerly yamens and temples in the midst of thriving communities. Yet there are signs of a renaissance; many new houses are being built along the main road; walls are being repaired, and bridges reconstructed. When an exodus takes place from Szechuen to this province, there is little reason why Yunnan should not become ...
— An Australian in China - Being the Narrative of a Quiet Journey Across China to Burma • George Ernest Morrison
... the second grudge he had against the War. It killed the arts in the very hour of their renaissance. "Eccentricities" by Morton Ellis, with illustrations by Austin Mitchell, and the "New Poems" of Michael Harrison, with illustrations by Austin Mitchell, were to have come out in September. But it was not conceivable ...
— The Tree of Heaven • May Sinclair
... of sensations; he is childish, easily dazzled like a child by anything that shines, and pursuing its glitter. He used to love horses and pictures, and he craved fame,—well, he sold his pictures to buy armor and old furniture of the Renaissance and Louis XV.; just now he is seeking political power. Admit that ...
— Modeste Mignon • Honore de Balzac
... Patmore ever acknowledged it or no, or indeed whether [says Mr. Gosse] the fact has ever been observed, I know not, but the true analogy of the Odes is with the Italian lyric of the early Renaissance. It is in the writings of Petrarch and Dante, and especially in the Canzoniere of the former, that we must look for examples of the source of Patmore's ...
— Figures of Several Centuries • Arthur Symons
... subtleties, and there had followed scenes of bitter strife between the two. Sylvia, the cunning huntress, having pretended to relent, van Tuiver had gone South to his wooing again, while Claire had stayed at home and read a book about the poisoners of the Italian renaissance. And then had come the announcement of the engagement, after which the royal conqueror had come back in a panic, and sent embassies of his male friends to plead with Claire, alternately promising her wealth and threatening her with destitution, appealing to her fear, ...
— Sylvia's Marriage • Upton Sinclair
... the vile source of evils. This doctrine has had many disastrous consequences, and it is not surprising that in consequence of it celibacy should have been regarded as the ideal state. Art fell from the Greek ideal until the Renaissance, with its return to that ideal, brought new vigour. When the ancient spirit was born again its influence reached science and even religion, and the Reformation was a defence of human nature. The Lutheran doctrines resumed the principle of a "development as complete as possible of ...
— The World's Greatest Books - Volume 15 - Science • Various
... the Renaissance occupied themselves much with the person and the story of Dionysus; and Michelangelo, in a work still remaining in Florence, in which he essayed [19] with success to produce a thing which should pass with the critics ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... Sundays he heard the parish parson say prayers and preach in some quaint little Norman or Saxon church. And at last he came to a brand-new town, where all the houses were Early English, and all the people dressed like ancient Greeks, and all the manners Renaissance, or, perhaps, Gothic. The poet thought they were Gothic, and probably he was right. In this town the talk was mostly about Art, and many fine things were said in regard to "sweetness and light." Everybody claimed ...
— Dreams and Dream Stories • Anna (Bonus) Kingsford
... Civilization of the Period of the Renaissance in Italy. Authorized translation, by S. G. C. Middlemore. 2 vols. Demy 8vo. ...
— Legends of the Saxon Saints • Aubrey de Vere
... explanation of their meaning—any definition which is not, at the same time, a rather extended description—must serve little other end than to supply a convenient mark of identification. How can we define in a sentence words like renaissance, philistine, sentimentalism, transcendental, Bohemia, pre-Raphaelite, impressionist, realistic? Definitio est negatio. It may be possible to hit upon a form of words which will mark romanticism off from everything else—tell in a clause what it ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... feet long and four hundred feet wide, contains a library, an art gallery, halls of architecture and sculpture, a museum, and a hall of music; while the Carnegie Technical Schools are operated in separate buildings near by. It is built in the later Renaissance style, being very simple and yet beautiful. Its exterior is of Ohio sandstone, while its interior finish is largely in marble, of which there are sixty-five varieties, brought from every famous quarry in the world. ...
— A Short History of Pittsburgh • Samuel Harden Church
... Renaissance the products of the East passed through the hands of Muhammadan merchants from India to the Mediterranean, and the large profits they made were commensurate with the risks they undertook. With the rapid growth of civilisation the value of this trade ...
— Rulers of India: Albuquerque • Henry Morse Stephens
... was the imperial policy of Britain under the man who carried it farthest forward, before the great renaissance at the end of Queen Victoria's reign. To Grey, Canada was all that it had meant to Durham—a province peopled by {277} subjects of the Queen, and one destined by providence to have a great future—a fundamental part of the Empire, and one without which the imperial whole must be ...
— British Supremacy & Canadian Self-Government - 1839-1854 • J. L. Morison
... particularly when we remember that many of Jonson's notions came for a time definitely to prevail and to modify the whole trend of English poetry. First of all Jonson was a classicist, that is, he believed in restraint and precedent in art in opposition to the prevalent ungoverned and irresponsible Renaissance spirit. Jonson believed that there was a professional way of doing things which might be reached by a study of the best examples, and he found these examples for the most part among the ancients. To confine our ...
— Sejanus: His Fall • Ben Jonson
... does this strike you? [Conning] "Many Renaissance pictures, especially those of Botticelli, Francesca and Piero di Cosimo were inspired by such legends as that of Orpheus, and we owe a tiny gem—like Raphael 'Apollo and Marsyas' to ...
— Forsyte Saga • John Galsworthy
... date. None of these jottings bear a date, and when I last saw Paragot he had not the patience to arrange these far off memories. Verona! To me the word recalls immemorable associations—vistas of narrow old streets redolent of the Renaissance, echoing still with brawl and clash of arms, and haunted by the general stock in trade of the artist's historical fancy. But did Verona appeal to Paragot's romantic sense? Not a ...
— The Beloved Vagabond • William J. Locke
... of the word which the classical writers called Eclogues: "AEglogai, as it were aigon or aigonomon logoi, that is, Goatherd's Tales." The book is in its form an imitation of that highly artificial kind of poetry which the later Italians of the Renaissance had copied from Virgil, as Virgil had copied it from the Sicilian and Alexandrian Greeks, and to which had been given the name of Bucolic or Pastoral. Petrarch, in imitation of Virgil, had written ...
— Spenser - (English Men of Letters Series) • R. W. Church
... and formidable sky-line? I had neither read nor heard a word of the cornices of New York, and yet for me New York was first and last the city of effective cornices! (Which merely shows how eyes differ!) The cornice must remind you of Italy, and through Italy of the Renaissance. And is it not the boast of the United States to be a renaissance? I always felt that there was something obscurely symbolic in the New York cornice—symbolic of the necessary qualities of a renaissance, half ...
— Your United States - Impressions of a first visit • Arnold Bennett
... made the 'petty tour' with his father, mother, and Winifred—Brussels, the Rhine, Switzerland, and home by way of Paris. Aged twenty-seven, just when he began to take interest in pictures, he had spent five hot weeks in Italy, looking into the Renaissance—not so much in it as he had been led to expect—and a fortnight in Paris on his way back, looking into himself, as became a Forsyte surrounded by people so strongly self-centred and 'foreign' as the French. His knowledge of their language being derived from his public school, he did ...
— Forsyte Saga • John Galsworthy
... Melencolia! There is more poignant music in the Primavera, in the weary, indifferent countenances of his lean, neuropathic Madonnas—Pater calls them "peevish"—in his Venus of the Uffizi, than in the paintings of any other Renaissance artist. The veils are there, the consoling veils of an exquisite art missing in the lacerated realistic holy people of the Flemish Primitives. Joyfulness cannot be denied Botticelli, but it is not the golden joy of Giorgione. An emaciated music emanates from the eyes of that sad, ...
— Promenades of an Impressionist • James Huneker
... varied and in some instances striking, was still so modified as to make a most harmonious whole. For purity in architecture the best example was the Palace of Education, which was built on the lines of the Italian Renaissance. For most striking architectural effects the Mines and Metallurgy building was invariably pointed out. It was of composite architecture, comprising features of the Egyptian, Byzantine and Greek. The stately obelisks which guarded ...
— New York at the Louisiana Purchase Exposition, St. Louis 1904 - Report of the New York State Commission • DeLancey M. Ellis
... noon train from Florence I should have travelled this road by night, had I caught the 3.27 A.M. train I should have seen nothing for storm and cloud. And—what a glorious, what an unrivalled road that is! It was like passing through a gallery hung with Renaissance tapestry, all in freshness of colour. The sea deep blue and green like a peacock's neck, the mountains pale yellow, as shown in tapestry, with blue shadows; the silvery-grey olives, the glossy orange ...
— In Troubadour-Land - A Ramble in Provence and Languedoc • S. Baring-Gould
... of the sixteenth century has been traced by the antiquaries as far back as the time of Edward III. But in its perfected shape it was a genuine offspring of the English renaissance, a cross between the vernacular mummery, or mystery-play, and the Greek drama. No great court festival was considered complete without such a public show. Many of our great dramatic writers, Beaumont, Fletcher, Ben Jonson, Middleton, ...
— Milton • Mark Pattison
... he conducts you to the hall, and bids you a friendly farewell. As you walk down the Avenue—"The Way to London," as CECILS dead and buried used to call it—you turn to take one last look at the noble pile, Italian renaissance in character, of two orders, the lower Doric, the upper Ionic, with a highly-enriched Elizabethan central gate-tower, and ...
— Punch, or the London Charivari, Vol. 98, January 25th, 1890 • Various
... until the Lanes' new French motor had whisked him up to the Farm—Isabelle still clung to the old name—was the lavish luxury, the increased pace of living, on this side of the ocean. The years he had spent in Italy had been the richest period of our industrial renaissance. In the rising tide of wealth the signs of the old order—the simplicity of the ...
— Together • Robert Herrick (1868-1938)
... tenth and eleventh centuries Effect of the Crusades on church architecture Church architecture becomes cheerful The Gothic churches of France and Germany The English Mediaeval churches Glories of the pointed arch Effect of the Renaissance on architecture Mongrel style of the seventeenth and eighteenth centuries Revival of the pure gothic Churches should be adapted to their uses Incongruity of Protestantism with ritualistic architecture ...
— Beacon Lights of History, Volume V • John Lord
... it has been well said, implies the birth of criticism, comparison and research. At the opening of that education of modern by ancient thought which we call the Renaissance, it was the words of Aristotle which sent Columbus sailing to the New World, while a fragment of Pythagorean astronomy set Copernicus thinking on that train of reasoning which has revolutionised the whole position of our planet in the universe. Then it was seen that the ...
— Miscellanies • Oscar Wilde
... had it all fixed up that we should build a cottage like one which Alice had seen one time at Sweet Springs while convalescing at that fashionable Missouri watering-place from an attack of the jaundice. This cottage was, as I was informed, an ingenious combination of Gothic decadence and Norman renaissance architecture. Being somewhat of an antiquarian by nature, I was gratified by the promise of archaism which Alice's picture of our future home presented. We picked out a corner lot in,—well, no matter where; that delectable dream, with its Gothic and Norman ...
— The House - An Episode in the Lives of Reuben Baker, Astronomer, and of His Wife, Alice • Eugene Field
... the translation of this stanza the explanation of Nebrissensis is adopted, an early editor of Prudentius (1512) and one of the leaders of the Renaissance in Spain. He considers that "the few of the impious who are condemned to eternal death" are the incurable sinners, immedicabiles. Others attempt to reconcile these words with the general belief of the early Church by maintaining that non pii is not equivalent to impii, but rather refers ...
— The Hymns of Prudentius • Aurelius Clemens Prudentius
... on the fingers of her right hand and one on the finger of her left which supports the Child, and suspended all over her skirts is an immense quantity of jewellery. The frame is of wood entirely coated with silver, in the form of a Renaissance doorway with a fluted column on each side and a broken pediment over the top. It is almost concealed by the jewellery hung about it, earrings, chains, necklaces, rings, watches etc. These are offerings from the faithful, but what is shown is nothing like all. There is a large ...
— Diversions in Sicily • H. Festing Jones
... its monuments of a fashion long passed away, and its heraldic adornments, suggestive of the age of chivalry, forms a picture at once imposing and pathetic. The monuments are of considerable interest, and are good examples of Renaissance ornament and sculpture of three successive periods. The Bigge family, to the memory of whom they were erected, inherited through Sir Philip Hoby much of the Abbey land in this district. Early in the seventeenth century their mansion and estates were purchased by Lord Craven, ...
— Evesham • Edmund H. New
... scarcely detect that they have been so, the tables warped and worm-eaten, the few, that is, that remained there, the shutters cracked and dry with the sun and summer of so many hundred years—no Renaissance work here, yet for all that there was something about it which made it to me the only really pleasurable nobleman's mansion that I have ever been over; the view from the top is superb, and then the row home to Arona, the twinkling lights softly gleaming in the lake, ...
— Samuel Butler's Cambridge Pieces • Samuel Butler
... charming little chapel of Brou know that it is known as one of the hundred marvels of the Renaissance; those who have not seen it must have often heard it said. Roland, who had counted on doing the honors of this historic gem to Sir John, and who had not seen it for the last seven or eight years, was much disappointed when, on arriving in front of the building, ...
— The Companions of Jehu • Alexandre Dumas, pere
... came together at the top of a steel tower in New Mexico in 1945. And, because scientific research is pre-eminently a matter of pooling brains and efforts, the independent scientists had banded together into teams whose leaders acquired power greater than that of any condottiere captain of Renaissance Italy. ...
— The Mercenaries • Henry Beam Piper
... commonplace books of quotable passages, so called because an Italian grammarian, Marius Nizolius, born at Bersello in the fifteenth century, and one of the scholars of the Renaissance in the sixteenth, was one of the first producers of such volumes. His contribution was an alphabetical folio dictionary of phrases from Cicero: "Thesaurus Ciceronianus, sive Apparatus Linguae Latinae e scriptis ...
— A Defence of Poesie and Poems • Philip Sidney
... power; not peace at any price, but war; not virtue, but efficiency (virtue in the Renaissance sense, virtu, virtue ...
— The Antichrist • F. W. Nietzsche
... palisade of boards, which linked two islands of high six-story houses, attracted my attention. It threw upon the pavement a shadow which the sunshine, penetrating between the badly joined boards, striped with beautiful parallel streaks of gold, such as one sees on the fine black satins of the Renaissance. I strolled over to it ...
— The Memoirs of Victor Hugo • Victor Hugo
... more than thirty years since in Southern Europe, England, and America, a genuine Renaissance of Vedic literature, philosophy, and religion began to assume a popular form and to become accessible to ...
— The New Avatar and The Destiny of the Soul - The Findings of Natural Science Reduced to Practical Studies - in Psychology • Jirah D. Buck
... fact is, the Catholic, who is in love with his Church, cannot let himself realise truly what the Home of the Renaissance meant: But turn your back on all the Protestant crew—even on Erasmus. Ask only those Catholic witnesses who were at the fountain-head, who saw the truth face to face. And then—ponder a little, what it was that really happened in ...
— Helbeck of Bannisdale, Vol. II • Mrs. Humphry Ward
... entire family. No father was in evidence; he was dead and never spoken of, and Linda was the only child. Linda's dresses, those significant trivialities, plainly showed two tendencies—the gaiety of her mother and her own always formal gravity. If Linda appeared at dinner, in the massive Renaissance materialism of the hotel dining-room, with a preposterous magenta hair-ribbon on her shapely head, her mother had succeeded in expressing her sense of the appropriately decorative; while if Linda wore an unornamented but equally "unsuitable" frock of dark ...
— Linda Condon • Joseph Hergesheimer
... something of his insularity and became a traveler, going first to view the places where trade had opened the way, and returning with wider interests and a larger horizon. Above all, the first dawn of the Renaissance is heralded in England, as in Spain and Italy, by the appearance of ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... ever got a word from Melissa about the true inwardness of the spiritual renaissance she experienced the winter that the Reverend MacGill came to the Methodist church; naturally not her father nor mother nor Aunt Nettie, because grown-ups, though nice and well-meaning, with their inability to "understand," and their tendency to laugh make one feel shy and reticent about the really ...
— Missy • Dana Gatlin
... a courtier of Augustus than residence at Aosta, even though he found his theatres and triumphal arches there. Wherever classical feeling has predominated, this has been the case. Cellini's Memoirs, written in the height of pagan Renaissance, well express the aversion which a Florentine or Roman felt for the inhospitable wildernesses of Switzerland.[2] Dryden, in his dedication to 'The Indian Emperor,' says, 'High objects, it is true, attract the sight; but it looks ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... there were photographs from the Greeks, and a mezzotint from Sir Joshua—all very English. The works of Jane Austen, too, in deference, perhaps, to some one else's standard. Carlyle was a prize. There were books upon the Italian painters of the Renaissance, a Manual of the Diseases of the Horse, and all the usual text-books. Listless is the air in an empty room, just swelling the curtain; the flowers in the jar shift. One fibre in the wicker arm-chair creaks, though no one ...
— Jacob's Room • Virginia Woolf
... occurred to me that I may be so fortunate as to interest a Cambridge audience while I set before them some of the results at which I have arrived in investigating the position, the arrangement, and the fittings of libraries in the medieval and renaissance periods. It will, of course, be impossible to attempt more than a sketch of so extensive a subject, and I fear that I must omit the contents of the bookcases altogether; but I shall hope, by a selection ...
— Libraries in the Medieval and Renaissance Periods - The Rede Lecture Delivered June 13, 1894 • J. W. Clark
... the art of the world has progressed as do the processes of the kindergarten. Artists first received form; then color; the materials, then the synthesis of the two. Notable examples of the world's great compositions may be pointed to in the work of the Renaissance painters, and such examples will be cited; but the major portion of the art by which these exceptions were surrounded offers the same proportion of good to bad as the inverse ratio ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... border, an Italian mediaeval town when its art was being born, a Jewish village when Christ wandered into its streets, a musician or a painter's life at a time when Greek art was decaying, or when a new impulse like the Renaissance or the French Revolution came upon the world." When that effort of the historians had established itself, and we have seen it from blossoming to fruitage, people began to wonder that no poet had ever tried to do this kind of work. It seemed ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... conveyed in satire so keen, a contempt so bitter, a hatred so remorseless, that it was difficult to believe it a letter from a brother to his sister. Beneath the polished, scornful sentences—vitriol to a tender young heart—surged a tempest of primitive rage that thrust one back into the Renaissance, with its daggers and its smiles. "Let me tell you, then, once and for all," ran one sentence, breaking out fiercely, "that there is but one country on earth which can shelter you and that villain—his own! There I scorn to put my foot or allow the foot of ...
— Margarita's Soul - The Romantic Recollections of a Man of Fifty • Ingraham Lovell
... Socialist Unionist Movement [Ahmed al-AHMED]; National Progressive Front or NPF (includes Arab Socialist Renaissance (Ba'th) Party; the governing party) [President Bashar al-ASAD, secretary general]; Socialist Unionist Democratic Party [Fadlallal Nasr Al-DIN]; Syrian Arab Socialist Party or ASP [Safwan QUDSI]; Syrian Communist Party (two branches) [Wissal ...
— The 2005 CIA World Factbook • United States. Central Intelligence Agency
... Christian countries, absorbed valuable elements from the forests and the rude romanticism of the North; but, like all Christian countries, it drank its longest literary draughts from the classic fountains of the ancients: nor was this (as is so often loosely thought) a matter of the mere "Renaissance." The English tongue and talent of speech did not merely flower suddenly into the gargantuan polysyllables of the great Elizabethans; it had always been full of the popular Latin of the Middle Ages. But whatever balance of blood and racial idiom one allows, ...
— The Victorian Age in Literature • G. K. Chesterton
... that are almost instinctive, to remember that our forefathers reached these shores by virtue of knowledge which they owed to the astronomical researches of Egyptians and Chaldeans, who inspired the astronomers of Greece, who inspired those of the Renaissance in Italy, Spain, and Germany, keeping alive and developing not merely the art of measuring space and time, but also that conception of order in external nature without which the growth of organized knowledge, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... be antiquated. Scholastic philosophy, that is to say, the controversy of the Scotists and the Thomists, was now growing out of date. Plato was extolled at the expense of Aristotle. Greek, and even Hebrew, was eagerly sought after. Latin itself was assuming another aspect; the Renaissance Latin is classical Latin, whilst Mediaeval Latin is dog-Latin. The physical universe now began to be inquired into with a perfectly fresh interest, but the inquiries were still conducted under the aegis of the old habits of thought. The universe ...
— German Culture Past and Present • Ernest Belfort Bax
... which, although not a very large one, had a local celebrity, such instruments being about as rare as blue foxes in this part of the world. Conducted by the innkeeper, I called upon this gentleman. The house was one of those half-castellated manors which became scattered over France after the Renaissance, and of which the greater number were allowed to fall into complete or partial ruin when the territorial families who were interested in them were extinguished or impoverished by the Revolution. They are frequently ...
— Wanderings by southern waters, eastern Aquitaine • Edward Harrison Barker
... they are champions of the picturesque and sworn foes of the jerry-builder. Newlyn remains quaint and fishy, though it has its little Art Gallery and its Rue des Beaux Arts. There are artistic industries also—copper repousse and enamel jewellery; a new Renaissance has come to this Cornish fishing-village—its youths and maidens are learning mysteries of beautiful craft which may save them from the deadly inanities of the average British workman. When we speak of early Newlyn days, ...
— The Cornwall Coast • Arthur L. Salmon
... built outside the gates of Marktbreit, on the slope of one of the hills, which, as the last western spur of the Steigerwald, roll in a gradual descent to the bank of the Main. The castle was a magnificent edifice, in the Renaissance style—of course. Red sandstone and white marble had been used, with a beautiful effect of colour, for the facade, which made a lavish display of pilasters with foliage and vine work, niches containing statues, and bay windows with beautiful wrought iron ...
— How Women Love - (Soul Analysis) • Max Simon Nordau
... appeals to the modern world as it appealed to Elizabethan England. Through the smoke of 'frantic boast and foolish word' may be discerned the fiery core of an idealized human grandeur. Breathing the intoxicating air of the Renaissance, Marlowe conceives man equal to his loftiest ideals, able to climb to the highest point of his thoughts. Choosing imperial conquest as the most striking theme he bids the shepherd aim at a throne, then bears him on the wings of ...
— The Growth of English Drama • Arnold Wynne
... farthing for the rats! If I omit this believe me it is but on account of the multitude and splendour of those who have attended at the production of this volume. For the stories in it are copied straight from the best authors of the Renaissance, the music was written by the masters of the eighteenth century, the Latin is Erasmus' own; indeed, there is scarcely a word that is mine. I must also mention the Nine Muses, the Three Graces; Bacchus, the Maenads, ...
— The Path to Rome • Hilaire Belloc
... I undertake to trace the influence of classical rhetoric on the criticisms of poetry published in England between 1553 and 1641. This influence is most readily recognized in the use by English renaissance writers on literary criticism of the terminology of classical rhetoric. But the rhetorical terminology in most cases carried with it rhetorical thinking, traces of whose influence persist in criticism of poetry to ...
— Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism • Donald Lemen Clark
... chemistry and other forms of science, new ways of making his farm productive, and the educated agriculturist is rising to be an intellectual factor in the development of our country. Everywhere we see Life awakening—a great renaissance! ...
— The Warriors • Lindsay, Anna Robertson Brown
... Gothic cathedral is beautiful no less than a Greek temple. In a painting of a landscape, for example, it is necessary simply that the masses and the tones stand in balancing relation; the perfect symmetry of geometric exactness, characteristic of Hellenic and Renaissance art, is not required. In the work which embodies the artist's perception of the universal harmony, there must be rhythm, order, unity in variety; so framed it ...
— The Enjoyment of Art • Carleton Noyes
... of Oak's new-found mistress, Bathsheba Everdene, presented itself as a hoary building, of the early stage of Classic Renaissance as regards its architecture, and of a proportion which told at a glance that, as is so frequently the case, it had once been the memorial hall upon a small estate around it, now altogether effaced as a distinct property, and merged in the vast tract of a non-resident landlord, which comprised ...
— Far from the Madding Crowd • Thomas Hardy
... will be found a few, practically unavoidable, in the gathering together of which I have been indebted to many authors: notably Vasari, Symonds, Crowe and Cavalcaselle, Ruskin, Pater, and Baedeker. Among more recent books I would mention Herr Bode's "Florentine Sculptors of the Renaissance," Mr. F.M. Hyett's "Florence," Mr. E.L.S. Horsburgh's "Lorenzo the Magnificent" and "Savonarola," Mr. Gerald S. Davies' "Michelangelo," Mr. W.G. Waters' "Italian Sculptors," and Col. ...
— A Wanderer in Florence • E. V. Lucas
... an elegant pavilion at the northern extremity of the grounds in the renaissance style, which was a copy, although reduced in dimensions, of the two higher stories of the central part of the "Casa Rosador," or "Pink Palace," the principal Government building in Buenos Aires. In the pavilion was installed the offices of the Commission, a reception and a reading ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... our stories as being a premonition of the freedom and gaiety of the Renaissance rather than as especially characteristic of the times of Romance. All that one need remark upon such misconception is that it only proves that Mr. Pater knew less of Romance Literature than he did of his favourite subject. The freshness, the gaiety, the direct outlook into life are peculiar ...
— Old French Romances • William Morris
... by this huge iron nave, appeared a side entrance of St. Eustache with its rose and its tiers of arched windows. And then, with an air of defiance, he would remark that all the middle ages and the Renaissance put together were less mighty than the central markets. Afterwards, as they paced the broad new streets, the Rue du Pont Neuf and the Rue des Halles, he explained modern life with its wide footways, its lofty houses, and ...
— The Fat and the Thin • Emile Zola
... at least, it was all that the most fastidious could have required; a gem of Renaissance architecture in its turrets, its quaint, scrolled windows, and the carving of its stone facade. Age and romance breathed from every inch of it. For not less than four hundred years it had watched the changing life of Paris; and even to a lay ...
— The Firefly Of France • Marion Polk Angellotti
... partitions instead of walls lent itself to a style of decoration which was quite as different in its exigencies and character from Occidental mural decorations as was Japanese architecture from Gothic or Renaissance. The first native school of decorative artists was the Yamato-ryu, founded in the eleventh century by Fujiwara Motomitsu and reaching the height of its powers in the twelfth century. In the thirteenth century Fujiwara Tsunetaka, a great painter of this ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... any idea of the whole. The first is the entrance hall of the Hotel Vauluisant, the features of which should be photographed for the benefit of art-schools and art-decorators generally. The first is a magnificent oak ceiling; the second, a Renaissance chimney piece in carved wood, no less magnificent. The solidity, richness of design, and workmanship of both ceiling and mantel-piece afford an invaluable lesson to artists, whilst beholders can but examine them without a feeling ...
— Holidays in Eastern France • Matilda Betham-Edwards
... alienated by Melanchthon's subsequent modifications of this confession, and by his treatises in ethics. He and his followers were bitterly assailed, but his irenic spirit did not forsake him. He was a true child of the Renaissance, and is styled by some writers "the founder of general learning throughout Europe." While he was never called or ordained to the ministry of the Church, he was in the habit of addressing the local religious assemblies or collegia from time to time, and, being a man of profound piety, his sympathetic ...
— The World's Great Sermons, Volume I - Basil to Calvin • Various
... century. This proof infers the existence from the ideal of God, and so approaches the nature of God through the attribute of perfection. It owes the form in which it was accepted in the Middle Ages and Renaissance to St. Anselm, Archbishop of Canterbury at the close of the eleventh century. He argued from the idea of a most perfect being to its existence, on the ground that non-existence, or existence only in idea, would contradict its perfection. It is evident that the force of this argument ...
— The Approach to Philosophy • Ralph Barton Perry
... nave and side aisle divided from it by massive monolithic piers, very much decayed at the top. It is lighted by three round-headed windows like a clerestory without glass. At the further end is an arch admitting to an apse, in the midst of which is an octagonal monolithic tomb of Renaissance style, with columns at the angles, and surmounted by the statue of Francois d'Esparbes de Lussac, Marshal of Aubeterre, and the much mutilated figure of his wife ...
— Castles and Cave Dwellings of Europe • Sabine Baring-Gould
... of Rapin on the development of the pastoral, nevertheless, was salutary. Finding the genre vitiated with wit, extravagance, and artificiality, he attempted to strip it of these Renaissance excrescencies and restore it to its pristine purity by direct reference to the Ancients—Virgil, in particular. Though Rapin does not have the psychological insight into the esthetic principles of the genre equal to that ...
— De Carmine Pastorali (1684) • Rene Rapin
... substantial, stony aspect which to the eye versed in architecture identifies it at once as a product of that enlightened era. Later owners, the successive Barons Bangletop, have added to its original dimensions, putting Queen Anne wings here, Elizabethan ells there, and an Italian-Renaissance facade on the river front. A Wisconsin water tower, connected with the main building by a low Gothic alleyway, stands to the south; while toward the east is a Greek chapel, used by the present occupant as a store-room for his wife's trunks, ...
— The Water Ghost and Others • John Kendrick Bangs
... sometimes very exciting. A magnificent forest of beech borders and forms a background to the race-course in the rear of the stands; in front rise the splendid and imposing stables of the duc d'Aumale, built by Mansard for the Great Conde; on the right is the pretty Renaissance chateau of His Royal Highness; while the view loses itself in a vast horizon of distant forest and hills of misty blue. The stands are the first that were erected in France, and in 1833 they seemed no doubt the height of comfort and elegance, but to-day they are quite too small to ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, October, 1880 • Various
... statues, the books, the furniture, the wardrobes, the letters, and the scandals that have been left behind, speak to us of those days; for these we value them. And we are right, the value of the Renaissance lies in these things, I say "the scandals" of those days; for a part of what comes under that head was perhaps the manifestation of a morality based on a wider experience; though its association with obvious vices ...
— Albert Durer • T. Sturge Moore
... Greek, there are only two religious possibilities—fetish-dances and spinning dervishes don't count—the Renaissance meant the revival of these two influences, and since the sixteenth century they have both been increasing steadily. Luther was a child of the Old Testament. Since the Exodus, Freedom has always spoken with ...
— Dreamers of the Ghetto • I. Zangwill
... jaunty turrets and chimneys that rose above the classic balustrade with its big urns on the edge of the roof. The park, through the tall iron railings, was full of russet and pale lines, all mist of new leaves. Had they really lived more vividly, the people of the Renaissance? Andrews could almost see men with plumed hats and short cloaks and elaborate brocaded tunics swaggering with a hand at the sword hilt, about the quiet square in front of the gate of the Chateau. And he thought of the great, sudden wind of freedom that had blown out of Italy, before which ...
— Three Soldiers • John Dos Passos
... screech-owl to punctuate the speeches. The scene of Webster's two best tragedies was laid, like many of Ford's, Cyril Tourneur's, and Beaumont and Fletcher's, in Italy—the wicked and splendid Italy of the Renaissance, which had such a fascination for the Elisabethan imagination. It was to them the land of the Borgias and the Cenci; of families of proud nobles, luxurious, cultivated, but full of revenges and ferocious cunning; subtle poisoners, who killed ...
— Brief History of English and American Literature • Henry A. Beers
... Shrewsbury. Janet sometimes walked there, alone or with her friend Eda Rawle. Disintegration itself—in a paradoxically pathetic attempt at reconstruction—had built Glendale. Human hands, Italian hands. Nor, surprising though it may seem, were these descendants of the people of the Renaissance in the least offended by their handiwork. When the southern European migration had begun and real estate became valuable, one by one the more decorous edifices of the old American order had been torn down and carried piecemeal by sons of Italy to the bare hills of Glendale, there to enter ...
— The Crossing • Winston Churchill
... been queen of the world: first, when Julius Caesar ushered in an age of light; and second, when Columbus, child of Genoa, the same city that mothered Mazzini, sailed the seas. The first Italian Renaissance we call the Age of Augustus; the second, the Age ...
— Little Journeys to the Homes of the Great, Volume 9 - Subtitle: Little Journeys to the Homes of Great Reformers • Elbert Hubbard
... suppressed yawns; but he bore with the Romantics with a patience hardly to be expected of a man of the Imperial school, who scarcely could make out what the young writers meant. Not so Mme. de Bargeton; she waxed enthusiastic over the renaissance, due to the return of the Bourbon Lilies; she loved M. de Chateaubriand for calling Victor Hugo "a sublime child." It depressed her that she could only know genius from afar, she sighed for Paris, where great men live. For these reasons M. du Chatelet ...
— Lost Illusions • Honore De Balzac
... these hillsides into floral terraces, can never be too highly praised. Happy is he who visits either Palestine or Southern California when they are bright with blossoms and redolent of fragrance. The climax of this renaissance of Nature is, usually, reached about the middle of April, but in proportion as the rain comes earlier or later, the season varies slightly. At a time when many cities of the North and East are held in the tenacious grip of winter, their gray skies thick with soot, their ...
— John L. Stoddard's Lectures, Vol. 10 (of 10) - Southern California; Grand Canon of the Colorado River; Yellowstone National Park • John L. Stoddard
... mosaics: childish, dreary, all stiff and agape, but so solemn and pathetic, and full of the greatest future. For out of those Cosmati mosaics, and those barbarous frescoes of the old basilicas, will come Giotto and all the Renaissance; and out of those Church songs will come Dante; they are all signs, poor primitive rhymes and primitive figures, that the world is teeming again, and will bear, for centuries to come, new spiritual wonders. Hence the importance, ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... and a porch or two. The belvedere was lingeringly reminiscent of the vanishing classic, and the decorative woodwork of the porches showed some faint traces of the romantico-lackadaisical style which filled up the years between the ebb of the Greek and the vulgar flood-tide of Second-empire renaissance. Taken altogether, a sedate, stable, decorous old homestead, fit for the ...
— With the Procession • Henry B. Fuller
... noncommissioned substantial first citizens of the county, were shaking hands among themselves, and nodding and smiling, full of the fine feeling of that moment. It was a triumph of chivalry, they said; they had witnessed the renaissance of the old spirit, the passing of which, and the dying out and dwindling of it in the rising generation, they had ...
— The Bondboy • George W. (George Washington) Ogden
... columns are much admired, as are also the graceful clerestory and vaulting. The galleries of the transepts have ornamented oak fronts, and were used by the lay portion of the ancient congregation. There is a frescoed ceiling belonging to the sixteenth century. Notice the Renaissance tomb of Lord De la Warr (1532) on the south side of the chancel with its curious carvings and in the south transept those of Countess Phillippa of Arundel (1428) and her second husband, Adam de Poynings; also several others, some of which are without inscriptions, ...
— Seaward Sussex - The South Downs from End to End • Edric Holmes
... undertone of mockery, so familiar in his voice, was gone. A rosary sprawled on his breast; O'Neill recognized it for a splendid piece of Renaissance work that had lain about the room ...
— The Second Class Passenger • Perceval Gibbon
... events of the year in the international field has been the renaissance of the French people and the return of the French Nation to the ranks of the United Nations. Far from having been crushed by the terror of Nazi domination, the French people have emerged with stronger faith than ever in the destiny of their country and in the soundness of the democratic ideals ...
— State of the Union Addresses of Franklin D. Roosevelt • Franklin D. Roosevelt
... Middle High German Period, culminating about 1200 A. D. This was in Germany, as elsewhere in Europe, a time of abundant literary activity. It is the period of the renaissance of the heroic legends of the first period, and their remaking into developed epic poetry; of the writing of romances of chivalry and of antiquity; of the development of the lyric poetry of the Minnesingers; of the growth of popular fables ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... clerical specialist. The church, it must be remembered, was often regarded as consisting not of the whole body of the faithful, but simply of the clergy, who continued to claim a monopoly of its privileges after they had ceased to enjoy a monopoly of its intelligence and virtue. The Renaissance had been a new birth of secular learning, not a revival of clerical learning. Others besides the clergy could now read and write and understand; town chronicles took the place of monastic chronicles, secular poets of divines; and a middle class that was growing in wealth and ...
— The History of England - A Study in Political Evolution • A. F. Pollard
... another unhappy philosophic writer, Jordano Bruno, who lived about the same time as Galileo, and was born at Nole in 1550, being fourteen years his senior. At an early age he acquired a great love of study and a thirst for knowledge. The Renaissance and the revival of learning had opened wide the gates of knowledge, and there were many eager faces crowding around the doors, many longing to enter the fair Paradise and explore the far-extending vistas which met their gaze. It was an age of anxious and eager inquiry; ...
— Books Fatal to Their Authors • P. H. Ditchfield
... to see her pale profile, with its marked hollows in cheek and temple, outlined on the white paneling of the room like some strong, hawkish face of the Renaissance. But, in awe of her as he always was, she seemed to him a foolish woman. Why had she driven ...
— The Coryston Family • Mrs. Humphry Ward
... sharpness of skeleton. Yet it may be beautiful, still; the poets derided the wrinkles of Diane de Poitiers at the very moment when King Henry II idealized her with the homage of a Don Quixote; an atmosphere of physical beauty and decay hangs about the whole Renaissance. ...
— Mont-Saint-Michel and Chartres • Henry Adams
... Winter's Tale," "Daffodils that come before the swallow dare" but not "King Lear." What is "King Lear" but poor life staggering in the fog?' and the slow cadence, modulated with so great precision, sounded natural to my ears. That first night he praised Walter Pater's 'Essays on the Renaissance:' 'It is my golden book; I never travel anywhere without it; but it is the very flower of decadence. The last trumpet should have sounded the moment it was written.' 'But,' said the dull man, 'would ...
— Four Years • William Butler Yeats
... and united monarchy. Both countries owed an immense debt to Italy, and, in both, the Italian influence took a similar form, modified on the one hand by humanism, and on the other by feelings of patriotism, if not of imperialism. Spain and England took the Renaissance fever more coldly, and at the same time more seriously, than did Italy. And in both the new movement eventually assumed the character of intellectual asceticism moulded by the sombre hand of religious fanaticism; for ...
— John Lyly • John Dover Wilson
... Post-Graduate School of W. B. It's the one thing needful in a world of educational advantage; a world in which everything but the gentle art of being happy, though married, is taught by the postman. We have solved all the other problems, but there has been no renaissance in the art of matrimony. Think of the ten thousand divorces granted in a single state last year! My dear Isobel, we mustn't lose ...
— The Wit and Humor of America, Volume IX (of X) • Various
... are photographs of pictures on the walls, Italian saints, the Renaissance, you know, Botticelli and Luini; her writing-table is near the window, and covered with papers; she evidently writes a great deal. Merat tells me she spends her evenings ...
— Sister Teresa • George Moore
... Athens of Italy, and her art, literature, and science was the brightest gleam of intellectual light that was seen in Europe during that age. It was from Florence, more than from any other source, that came the awakening influence known as the Renaissance." ...
— Amerigo Vespucci • Frederick A. Ober
... Pleasure," translated from the Italian novelist, Bandello; and it is entirely possible that it has a foundation in fact. In any case, it portrays with a terrible vividness one side of the court life of the Italian Renaissance; and its picture of the fierce quest of pleasure, the recklessness of crime, and the worldliness of the great princes of the Church finds only too ready corroboration in the annals ...
— The Duchess of Malfi • John Webster
... they both have the eyes wide apart, a short, receding chin, and small mouth; characteristics which are also seen in the angels behind the Virgin's throne in the San Domenico picture at Cortona. From an architectural view the throne has here a much more antique shape than in his later designs, where Renaissance forms predominate. As to the picture at Perugia it has been so restored and arbitrarily put together after the panel was divided, that it affords ...
— Fra Angelico • J. B. Supino
... sonnet cycle. The sonnet has been likened to an exquisite crystal goblet that holds one sublimely inspired thought so perfectly that not another drop can be added without overflow. Cast in the early Italian Renaissance by Dante, Petrarch and Camoens, it was chased and ornamented during the Elizabethan period by Shakespere, and filled with its most stimulating draughts of song and love during the Victorian era by Rossetti, ...
— The Love Sonnets of a Hoodlum • Wallace Irwin
... architecture, the upper member of the capital of a column. Its chief function is to provide a larger supporting surface for the architrave or arch it has to carry. In the Greek Doric order the abacus is a plain square slab. In the Roman and Renaissance Doric orders it is crowned by a moulding. In the Archaic-Greek Ionic order, owing to the greater width of the capital, the abacus is rectangular in plan, and consists of a carved ovolo moulding. In later examples the abacus is square, except where there are angle volutes, when ...
— Project Gutenberg Encyclopedia
... immediately into the best public, the best company, the company of those Boston authors who first inspired it with the life so vigorous yet. It was not given us all to be born in Boston, but when we find ourselves in the "Atlantic" we all seem to suffer a sea-change, an aesthetic renaissance; a livelier literary conscience stirs in us; we have its fame at heart; we must do our best for Maga's name as well as for our own hope; we are naturalized Bostonians in the finest and highest sense. ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... fancy to be a discovery of M. Zola and M. Catulle Mendes; it had escaped from the control of the Church and had become a mere diversion. Calderon was the one man who could unite the spirit of religion to the form of the drama which the secular renaissance imperiously demanded. He knew the philosophy of Aristotle and the theology of the 'Summa' of St. Thomas as well as any cleric in Spain, though he did not take orders until late in life; and in those religious spectacles ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... south-eastern portion in which were the royal rooms that formed the residential centre of the extensive palace. Where this large part of the old edifice had been razed Wren erected, in striking contrast to the Tudor portions left standing north and west of it, the Renaissance building, which is probably remembered by many visitors as the chief feature of Hampton Court. Contrasting strongly with the earlier portions of the Palace the new fronts and the beautiful Fountain Court yet do not clash with them, thanks to the way in which ...
— Hampton Court • Walter Jerrold
... building, as distinguished from the lower stone portions to the north which represented a fragment of the older Elizabethan house, had been in its day the crown and boast of Jacobean house-architecture. It was fretted and jewelled with Renaissance terra-cotta work from end to end; each gable had its lace work, each window its carved setting. And yet the lines of the whole were so noble, genius had hit the general proportions so finely, that no effect of stateliness or grandeur had been missed through ...
— Robert Elsmere • Mrs. Humphry Ward
... the arms of honey-sweet romance. At the very time when the new, realistic drama was leading us out of a pasteboard world into something approximating an intelligent comment on life, the cloak-and-sword drama was having a fine little reactionary renaissance, the calcium moon was shining down on many a gleaming garden and flashing blade, and ears were rapturously strained to catch the murmur of love-laden words. Then it was that the stage sundial flourished in all its glory, generally flooded, to be sure, with moonlight—that peculiar moonlight ...
— Penguin Persons & Peppermints • Walter Prichard Eaton
... many of whom joined the artistic residents, and you would have thought (until an inspection of their productions convinced you of the contrary) that some tremendous outburst of Art was rivalling the Italian Renaissance. For those who were capable of tackling straight lines and the intricacies of perspective there were the steep cobbled streets of charming and irregular architecture, while for those who rightly felt themselves colourists rather than architectural draughtsmen, ...
— Miss Mapp • Edward Frederic Benson
... (lit. five hundred), the Renaissance in literature and art in the 16th century, the expression 5 hundred ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... through a very characteristic avenue, in the style of the happiest phases of the Italian Renaissance to be found in Florence, one enters the Court of the Four Seasons, by Henry Bacon of New York. The chief quality of this court is that of intimacy. While by no means so original as the Court of ...
— The Art of the Exposition • Eugen Neuhaus
... he reverenced most that of Shakespeare, in whom he saw "the spirit of the Renaissance personified," and whom he described "as romantic, philosophic, realistic, and as varied and impersonal as Nature." He was never weary of reading the tragedies and historical plays. He resented any word in disparagement of Shakespeare, and could not understand the inability ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... the middle of the 14th centuries), the architecture presents two distinct styles, which in parts, are particularly incongruous. The organ and pulpit combined, which are on the left of the entrance, constitute a very handsome work of the "Renaissance" period, and are most unique. On the opposite side of the building a crocodile—or the remains of one—hangs from the wall, doubtless brought, as M. Joanne suggests, from some Egyptian crusade; but the "church" puts a very different complexion on the subject, as ...
— Twixt France and Spain • E. Ernest Bilbrough
... a panorama of Banvard's, the landscape spun out before my eyes. Le Raincy, which I had intended to visit at all events on the same day, but afoot, offered me the roofs of its ancient chateau, a pile built in the most pompous spirit of the Renaissance, and whose alternately round and square pavilions, tipped with steep mansards, I was fain to people with throngs of gay visitors in the costume of the grand siecle. Then came the cathedral of Meaux, before which I reverently took off my cap to salute the great Bossuet—"Eagle ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII. No. 30. September, 1873 • Various
... foreign student in his ability to make real the singular faith of the Japanese in the presence of good and evil spirits and the national worship of beauty in nature and art. Hearn's father was Greek and his mother Irish. In mind he was a strange mixture of a Florentine of the Renaissance and a pagan of the age of Pericles. In The West Indies he has given the best estimate of the influence of the tropics on the white man, and in Japan: An Interpretation, In Ghostly Japan, Exotics ...
— The Critic in the Orient • George Hamlin Fitch
... "Kunstwerke and Geraeths Schaften des Mittelalters und der Renaissance"; Bucher's "Geschichte der Technischen Kunst"; Burckhardt's "Additions to Kugler's Geschichte der Baukunst, and Geschichte der Renaissance in Italien"; Demmin's "Studien ueber die Stofflich-bildenden Kuenste"; Von Falke's "Geschichte des deutsches Kunstgewerbes"; ...
— Intarsia and Marquetry • F. Hamilton Jackson
... the contrary, which are inspired by earthly beauty pure and simple, have a tendency to flatness, just as in reality all landscapes lie spread out in length and breadth before us. Classical antiquity had just as uncultivated an eye for the beauty of the Alps as the age of Renaissance and the Rococo which emulated it so ardently. Humboldt mentions that not a single Roman author ever alludes to the Alps from a descriptive point of view except to complain of their impassableness and like qualities, and that Julius Caesar employed the leisure hours ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... rejoicing that in a sincere and poetic design of symphony is blended a splendid renaissance of pure counterpoint, that shines clear above the modern spurious pretence. The Finale of Mahler's Fifth Symphony is one of the most inspired conceptions of counterpoint in all music. In it is realized the full dream ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... any considerable work has been left behind. His first great scheme, as he tells us here (p. 319), was a history of learning from the Renaissance. Then he contracted his views to a history of the French school of Philology, beginning with Budaeus and the Delphin classics. Finally, his ambition was narrowed to fragments. The book on Isaac Casaubon, published ...
— Critical Miscellanies (Vol. 3 of 3) - Essay 5: On Pattison's Memoirs • John Morley
... been exhaustively treated by John Addington Symonds in the fourth volume in his great work "The Renaissance in Italy." He examines briefly, but suggestively, D'Ancona's theory, that the "Sacre Rappresentazioni" resulted from a blending of the Umbrian divozioni with the civic pageants of St. John's Day in Florence. Civic pageants were common and in them sacred and profane ...
— Some Forerunners of Italian Opera • William James Henderson
... and supported Lothair and Pippin against their father the emperor Louis I. Deposed in 835 by the council of Thionville, he made his peace with the emperor and was reinstated in 837. Agobard occupies an important place in the Carolingian renaissance. He wrote extensively not only theological works but also political pamphlets and dissertations directed against popular superstitions. These last works are unique in the literature of the time. He denounced ...
— Project Gutenberg Encyclopedia
... in my real or my assumed character. Suffice it to say that the procession took place at night in a large garden and by torchlight (so remote is the date), that the garden was crowded with Puritans, monks, and men-at-arms, and especially with early Celtic saints smoking pipes, and with elegant Renaissance gentlemen talking Cockney. Suffice it to say, or rather it is needless to say, that I got lost. I wandered away into some dim corner of that dim shrubbery, where there was nothing to do except tumbling ...
— Tremendous Trifles • G. K. Chesterton
... tower to the central lantern, while in the case of St. Giles there are eight, which produce a fuller and richer effect.... The part blown down (by a violent storm in 1633) was probably only the lantern on the top of the four arches, the details of this part having a decidedly Renaissance character, and being different from the other parts of the tower. Doubtless the arches themselves would suffer in the crash, and would require repairing and rebuilding in part, which was evidently done, as the date 1634 is ...
— Scottish Cathedrals and Abbeys • Dugald Butler and Herbert Story
... were frequent and exquisite. It was a palace built in old days upon the Downs, but sheltered and screened from every hostile wind. The full warmth of the south fell upon the vast but fantastic pile of the Renaissance style, said to have been built by that gifted but mysterious individual, John of Padua. The gardens were wonderful, terrace upon terrace, and on each terrace a tall fountain. But the most peculiar feature was the park, which was ...
— Endymion • Benjamin Disraeli
... home in poor Warwick Crescent, which must do its best to make me forget my new abode. I forget you don't know Venice. Well then, the Palazzo Manzoni is situate on the Grand Canal, and is described by Ruskin,—to give no other authority,—as 'a perfect and very rich example of Byzantine Renaissance: its warm yellow marbles are magnificent.' And again—'an exquisite example (of Byzantine Renaissance) as applied to domestic architecture.' So testify the 'Stones of Venice'. But we will talk about ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... need have no fears on that score.... It is obvious that we must look to the victorious nations, to Great Britain or, still better, to America for machinery, agricultural tools and other imports which Russia's economic renaissance demands." ...
— The Red Conspiracy • Joseph J. Mereto
... phrases to create, as it were, a pattern on her soul of morbid and mysterious intricacy. Those pictures were filled with a strange sense of sin, and the mind that contemplated them was burdened with the decadence of Rome and with the passionate vice of the Renaissance; and it was tortured, too, by all the introspection of ...
— The Magician • Somerset Maugham
... or a princely son-in-law. The splendors of such alliances have still to take substantial form in a single instance worthy to compare with a thousand instances in the commercial republics of Italy. This does not mean that our rich people have not so much money as the Italians of the Renaissance, but that perhaps in their folie des grandeurs they are a different kind of madmen; it means also that land and labor are dearer positively and comparatively with us, and that our pork-packing or stock-broking princes prefer to spend on comfort rather than size in their houses, ...
— Roman Holidays and Others • W. D. Howells
... steps of the Throne beside the Virgin—and, later, a step higher? First, Mary the Virgin and Mary the Matron; later, with a change of precedence, Mary the Matron and Mary the Virgin. Let the artist get ready with his canvas and his brushes; the new Renaissance is on its way, and there will be money in altar-canvases—a thousand times as much as the Popes and their Church ever spent on the Old Masters; for their riches were poverty as compared with what is going to pour into the ...
— Innocents abroad • Mark Twain
... maintained their credit, their influence being greatest in the fourteenth century, when his doctrines were openly professed. After the invention of printing, they appeared in numberless editions,—several times in connection with the text of Aristotle. As the age of the Renaissance and of Protestantism approached, they gradually lost their prestige. The chief humanists, like Petrarch, as well as the chief reformers, were bitterly hostile to them. Nevertheless, they contributed ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... at England, one point may be singled out in that long movement, generalized under the name of the Renaissance, as critical, it is the introduction of the Greek and Latin literature:—which has remained ever since conspicuously the most powerful and enlarging element, the most effectively educational, among ...
— The Visions of England - Lyrics on leading men and events in English History • Francis T. Palgrave
... and scholar in the time of the Italian Renaissance; professor of Greek and Latin at ...
— Critical and Historical Essays Volume 2 • Thomas Babington Macaulay
... Florence, and which still exists in noble masses in the retired streets and courts of either city; too soon superseded, in the great thoroughfares, by the effeminate and monotonous luxury of Venetian renaissance, or by the heaps of quarried stone which rise into the ruggedness of their native cliffs, in the Pitti and ...
— Val d'Arno • John Ruskin
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