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More "Retouch" Quotes from Famous Books
 ... partiality the footsteps of others. Grammar unsupported by authority, is indeed mere fiction. But what apology is this, for that authorship which has produced so many grammars without originality? Shall he who cannot write for himself, improve upon him who can? Shall he who cannot paint, retouch the canvass of Guido? Shall modest ingenuity be allowed only to imitators and to thieves? How many a prefatory argument issues virtually in this! It is not deference to merit, but impudent pretence, practising on the credulity of ignorance! Commonness ...
— The Grammar of English Grammars • Goold Brown
... do no honor to Thomas Davidson's memory not to be frank about him. He handled people without gloves, himself, and one has no right to retouch his photograph until its features are softened into insipidity. He had defects and excesses which he wore upon his sleeve, so that everyone could see them. They made him many enemies, and if one liked quarrelling he was an easy man to quarrel with. ...
— Memories and Studies • William James
... establishment, and lived luxuriously. He had a habit of asking his sitters to dinner; thus he could study their faces and retouch their portraits with the more natural expressions of their conversational hours, for it is rare that one is natural when posing before an artist who is painting one's portrait. But in the midst of his busy life as an artist and his gay life as a man of the world, ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... lent to the society by one of the great dressmakers, I saw keen-looking women of all ages learning to retouch photographs, to wind bobbins by electricity, to dress hair and fashion wigs, to engrave music scores, articulate artificial limbs, make artificial flowers, braces for wounded arms and legs, and artificial teeth! Others are taught nursing, ...
— The Living Present • Gertrude Franklin Horn Atherton
... Van Dyck's youth are interesting, and probably true. It is said that he drew so well when he was a pupil of Rubens that the great master often allowed him to retouch his own works. Once in Rubens's studio, some of the students got the key and went in to see what the master was doing, when he was absent. Rubens had left a painting fresh upon the easel, and in looking about them one of the boys rubbed ...
— Pictures Every Child Should Know • Dolores Bacon
... to retouch some portions of the work a secco, as had been done by the older masters who had painted the walls; and to add a little ultramarine to some of the draperies, and gild other parts, so as to give a richer and more striking effect. ...
— Six Centuries of Painting • Randall Davies
... more in the midst of his treasures. Turning back the velvet cuff from his attenuated wrist, he lifted his flushed face toward the nurse, and said eagerly: "Uncover my easel; make William draw it close to me; I have been idle long enough. Give me my palette; I want to retouch the forehead of my hero. It needs ...
— Macaria • Augusta Jane Evans Wilson
... magnificence hath made a strong impression upon the memory, we naturally adopt the boldest and most forcible epithets we can think of, to convey our own idea as compleatly as possible to the mind of another. We are prompted by a powerful propensity to retouch our description again and again, we select the most apposite images to animate our expression; in short, we fall without perceiving it, into the stile and figures of poetry. If then Admiration produceth such ...
— An Essay on the Lyric Poetry of the Ancients • John Ogilvie
... the blessed hour. The chapter was all ready to be written, and the thing flowed equably and clearly from the pen. The passage written, I would turn to some previous chapter, which had been type-written, smooth out the creases, enrich the dialogue, retouch the descriptions, omit, correct, clarify. Perhaps in the evening I would read a passage aloud, if we were alone; and how often would Maud, with her perfect instinct, lay her finger on a weak place, show me that something was abrupt or lengthy, expose an unreal emotion, ...
— The Altar Fire • Arthur Christopher Benson
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