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More "Sculptor" Quotes from Famous Books
 ... IMAGE.—At the Italian exhibition in the Champ de Mars there was a statue that attracted much attention from the visitors. It represented Goethe's Marguerite standing before a mirror. This latter gave by reflection the image of Faust. The artifice was well concealed by the sculptor. In reality, it was not a double statue, but the figure of Faust was skilfully obtained by means of the folds ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... adorn it, because, the truth is, it adorns everything. And so Zoe, drenched with rain, and her dress a bathing-gown, was only a Greek goddess tinted blue, her bust and shoulders and her molded figure covered, yet revealed. What was she to an artist's eye? Just the Townly Venus with her sculptor's cunning draperies, and ...
— The Woman-Hater • Charles Reade
... OF MR. S. JOSEPH, the sculptor, known by his statue of Wilberforce in Westminster Abbey and his statue of Wilkie in the National Gallery, is mentioned in the English papers. His busts exhibit a fine perception of character, and many ...
— The International Weekly Miscellany, Volume I. No. 8 - Of Literature, Art, and Science, August 19, 1850 • Various
... built in two storeys—the upper one showing a thrilling representation of the knight in complete armour and mounted upon his war-horse, but upon the sarcophagus below he is shown with terrible reality as a naked corpse. The sculptor was possibly Jean Goujon, whose name is sometimes associated with the monument to the two Cardinals, which is of ...
— Normandy, Complete - The Scenery & Romance Of Its Ancient Towns • Gordon Home
... chastity. A sketch by Rembrandt of a naked servant girl on a bed is as "simple as the infancy of truth"—as single in intention. A Greek statue of a raimentless Apollo is pre-eminently chaste. But it does not follow that Rembrandt was in his life eminently pure, or the Greek sculptor signal for chastity. Drawings rapidly executed have often a lyrical, rapturous, exultant purity, and are for that reason, to those whose eyes are blinded neither by prejudice nor by misfortune, as captivating as are healthy, gleeful children to those whose hearts are free. And while ...
— Albert Durer • T. Sturge Moore
... and while there, speaks to us the language of the gods;" and to none are these words more applicable than to himself. In the world of thought he was a man of great originality, though neither architect, painter, nor sculptor. He had all the artist nature from a boy, and never lost the tender sensibility and naif admiration for the beautiful in nature and art which give such glow of enthusiasm to his writings. His 'Grammar of Painting and Engraving' founded the scientific method ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... daily walks does the surgeon drop his left eyelid, The undertaker smile, and the sculptor of gravestone marbles Lean on his chisel and gaze? I care not o'er much for attention; Simple am I in my ways, save but for this ...
— Complete Poetical Works of Bret Harte • Bret Harte
... favorably; "they admired the noble head of Gaston de Foix, but, uninterested in the remainder of the picture, they turned off to look at 'The Soldier's Widow.'" Scheffer did not listen to his flatterers; but, remembering Michel Angelo's words to the young sculptor, "The light of the public square will test its value," he believed in the verdict of the people, and never again painted in the same manner. It was one of his peculiar merits, that, although open to conviction, and ready to try a new path which seemed to offer itself, ...
— The Atlantic Monthly, Volume 4, No. 23, September, 1859 • Various
... of the artist or sculptor, which he is endeavoring to reproduce in stone or on canvas, seems very real to him. So do the characters in the mind of the author; or dramatist, which he seeks to express so that others may recognize them. And if this be true in the case of ...
— The Kybalion - A Study of The Hermetic Philosophy of Ancient Egypt and Greece • Three Initiates
... MAHOUDEAU, a sculptor. The son of a stonemason at Plassans, he attained great success at the local art competitions, and came to Paris as the laureat of his town, with an allowance of eight hundred francs per annum for four years. In the capital, however, he found his level, failing ...
— A Zola Dictionary • J. G. Patterson
... narrow sense! They would hardly say that Handel or Beethoven speaks to a wider audience than Homer or Shakspeare, and certainly no musician or painter or sculptor can hope to delight mankind for as many centuries as a poet. And, then, to think what an idea can accomplish—what Greek ideas have done in England, for instance, or Roman ideas in France, or French ideas in nearly every country of Europe! Could a ...
— Name and Fame - A Novel • Adeline Sergeant
... there, I notice in you a kind of angular grandeur, a grotesque touch of the sublime, that was not evident to me before. If I were a sculptor, I would like to model you like that. I cannot explain why—I am just saying what I feel. I have never felt any impulse towards art until this morning." He twisted his moustache. "Yes, you have quite an interesting ...
— The Blue Germ • Martin Swayne
... carved on them. The Corinthian is very rich and delicate, with fluted pillars, and the tops beautifully ornamented with leaves, &c. The invention of this order is ascribed to Callimachus, a Corinthian sculptor. The Composite is compounded of the other four; it is very much like the Corinthian, and is also called the ...
— A Catechism of Familiar Things; Their History, and the Events Which Led to Their Discovery • Benziger Brothers
... caricaturist. historical painter, landscape painter, marine painter, flower painter, portrait painter, miniature painter, miniaturist, scene painter, sign painter, coach painter; engraver; Apelles[obs3]; sculptor, carver, chaser, modeler, figuriste[obs3], statuary; Phidias, Praxiteles; Royal Academician. photographer, cinematographer, lensman, cameraman, camera technician, camera buff; wildlife photographer. Phr. photo safari; "with ...
— Roget's Thesaurus • Peter Mark Roget
... helm; Right onward for the western peak, Where breaks the sky in one white streak, See, Isabel, in bold relief, To Fancy's eye, Glenartney's chief, Guarding his ancient realm. So motionless, so noiseless there, His foot on rock, his head in air, Like sculptor's breathing stone: Then, snorting from the rapid race, Snuffs the free air a moment's space, Glares grimly on the baffled chase, And ...
— The Illustrated London Reading Book • Various
... society shortly before the coronation, whose portrait is drawn in all the contemporary memoirs, especially in those written by a woman, and that is Madame Duchtel. Madame Duchtel would not serve as a model for a sculptor, because her features lack the regularity which his art requires. The indefinable charm of her face, a charm which words are unable to convey, lay in dark blue eyes, with long, silken, lashes, in a delicate, gracious, refined smile, which, disclosed teeth of ivory whiteness, and, moreover, ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... of weakness; while others say that he treated the Lacedaemonians so cavalierly through pride and a desire to show his own strength. But the worst motive of all, and that to which most men attribute his conduct, was as follows: Pheidias, the sculptor, was, as we have related, entrusted with the task of producing the statue of the tutelary goddess of Athens. His intimacy with Perikles, with whom he had great influence, gained for him many enemies, who, ...
— Plutarch's Lives, Volume I (of 4) • Plutarch
... created beings of such harmonious and ideal beauty that they defy description or analysis. Such a one was Lord Byron. His wonderful beauty of expression has never been rendered either by the brush of the painter or the sculptor's chisel. It summed up in one magnificent type the highest expression of every possible kind of beauty. If his genius and his great heart could have chosen a human form by which they could have been well represented, ...
— My Recollections of Lord Byron • Teresa Guiccioli
... less strong and lissome, and exceedingly smart. The sunburn is gone; indeed there's many a maiden would envy his complexion; and his long stout neck, with the broadening bands of muscle, would delight a sculptor. The alert expression, that used to be more or less limited to his eyes, has spread, so to speak, over all his face, over the whole of him and into all his movements. He is organised; unified. In repose now, he would not be simply lazy; he would ...
— A Poor Man's House • Stephen Sydney Reynolds
... banish the arts from our churches, and think that we are religious because we are barren. All language, whether of painting, sculpture, architecture, music, poetry, or oratory, is legitimately used to express the divine life, as all the faculties, whether of painter, sculptor, architect, musician, poet, orator, and philosopher, are to be used in reaching after a more perfect knowledge of Him who always transcends and always will transcend our ...
— The World's Best Poetry, Volume 3 - Sorrow and Consolation • Various
... and cataracts that the very rocks of the mountain seemed to dissolve and turn into mud. As we slid down through it we met strings of Chasseurs Alpins coming up, splashed to the waist with wet red clay, and leading pack-mules so coated with it that they looked like studio models from which the sculptor has just pulled off the dripping sheet. Lower down we came on more "trapper" settlements, so saturated and reeking with wet that they gave us a glimpse of what the winter months on the front must be. No more cheerful polishing of fire-arms, ...
— Fighting France - From Dunkerque to Belport • Edith Wharton
... the artist of today cannot create because Prometheus-like he is bound to the rock of economic necessity. This, however, is true of art in all ages. Michael Angelo was dependent on his patron saint, no less than the sculptor or painter of today, except that the art connoisseurs of those days were far away from the madding crowd. They felt honored to be permitted to worship at the shrine of ...
— Anarchism and Other Essays • Emma Goldman
... while ago," he remarked, "Browning falls short of being a poet, just as a marble-cutter falls short of being a sculptor. You were quoting Love Among the Ruins, as the train stopped at Elm Springs ...
— Double Trouble - Or, Every Hero His Own Villain • Herbert Quick
... are four of them—have quite a history of their own. They once formed part of a group made by a celebrated sculptor of antiquity, named Lysippus. He was of such acknowledged merit that he was one of the three included in the famous edict of Alexander, which gave to Apelles the sole right of painting his portrait, to Lysippus that of sculpturing his form in any style, and to Pyrgoteles ...
— St. Nicholas, Vol. 5, No. 2, December, 1877 • Various
... his word; not a doubt of it. But he would do more. He would see to it that in Woodlawn, where his young father and mother lay, old Martha should lie, too, and that the ablest sculptor of the time should mark her grave for ...
— If You Touch Them They Vanish • Gouverneur Morris
... at Samosata, Syria, about 120 A.D.; died about 200; apprenticed to his maternal uncle, who was a sculptor, but ran away in dislike of the art; becoming interested in the Rhetoricians, began to write himself; his works, as collected in English, comprize four volumes, among them "Dialogues of the Gods," "Dialogues of the Dead," "Zeus, the Tragedian," ...
— The Best of the World's Classics, Restricted to prose. Volume I (of X) - Greece • Various
... made good. Silhouetted against a turquoise sky was an arch of rainbow shape, so delicately proportioned that it seemed as if some great sculptor had hewn it from the rock. Its span of 270 feet bridged a stream of clear, sparkling water, that flowed 310 feet below its crest. The world's greatest natural bridge had been found as Jim had described ...
— The Book of the National Parks • Robert Sterling Yard
... keeps pace with his and continually builds the pictures which fill his thought as he speaks. Lacking imagination, the sculptures of Michael Angelo and the pictures of Raphael are to you so many pieces of curiously shaped marble and ingeniously colored canvas. What the sculptor and the painter have placed before you must suggest to you images and thoughts from your own experience, to fill out and make alive the marble and the canvas, else to you they ...
— The Mind and Its Education • George Herbert Betts
... by the people named La Folie Regnault; after belonging to different parties, it was purchased for 160,000 francs, for its present purpose. Its extent is nearly 100 acres; all that trees, shrubs, plants, and flowers can avail towards embellishing a spot, has been effected; the sculptor's hand has also been contributed in a most eminent degree, and fancy seems to have exhausted her caprices in conceptions of forms and fashions with regard to the monuments here assembled, and some are as highly ...
— How to Enjoy Paris in 1842 • F. Herve
... When their eyes fell upon the butter lion, they forgot the purpose for which they had come in their wonder at such a work of genius. They looked at the lion long and carefully, and asked Signer Faliero what great sculptor had been persuaded to waste his skill upon such a temporary material. Faliero could not tell; so he asked the head servant, who brought Antonio ...
— Pushing to the Front • Orison Swett Marden
... going to St Petersburg, where she had a friend who was a sculptor like herself, and who lived with a wealthy Russian whose hobby was jewel-making. The emotional, rather rootless life of the Russians appealed to her. She did not want to go to Paris. Paris was dry, and essentially boring. She would like to go to Rome, Munich, Vienna, or to St Petersburg or Moscow. ...
— Women in Love • D. H. Lawrence
... for the wonderful Denkmal to be erected at the Kremlin in Moscow as a memorial of Alexander the Second. The statue itself was entrusted to Russia's most famous sculptor, but the pedestals, stairs, etc., we saw in process of manufacture at Hang. We were shown over the works by a professor well known as a mathematician, and were much interested to see how Finlanders cut and polish granite for ...
— Through Finland in Carts • Ethel Brilliana Alec-Tweedie
... a softer impulse, had wished to show himself grateful to Melissa. But her demand displeased him; for the sculptor and his son, the philosopher, were the security that should keep Melissa and the painter attached to him. But though his distrust was so strong, offended dignity and the tormenting sense of being deceived ...
— Uarda • Georg Ebers
... an obelisk is a rough stone, rising to a great height, shaped like a pillar in the stadium; and it tapers upwards in imitation of a sunbeam, keeping its quadrilateral shape, till it rises almost to a point, being made smooth by the hand of a sculptor. ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... for it, the sculptor is paid; That the figure is fine, pray believe your own eye; Yet credit but lightly what more may be said, For we flatter ourselves, and ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... and then maybe you'll see. The story is that a Greek sculptor made a beautiful statue which he worshipped so desperately that the gods turned it into a living girl. Well, you can imagine just how much that girl knew about life, can't you? She looked grown up, and was dressed like ...
— The Guests Of Hercules • C. N. Williamson and A. M. Williamson
... who retired years ago. He has become stout and gloomy. He is out for his morning walk along the city moat. There goes the actor, Edmund Hahn, seeking whom he may devour. Disease and lust are writ large across his jaded face. There is the sculptor, Schwalbe. He is secretly buying a few apples to take home to roast, for otherwise he has nothing warm to eat. And there is Herr Carovius, ambling along. He looks like a wandering spirit, ...
— The Goose Man • Jacob Wassermann
... to a trip he then had in contemplation through Switzerland and Spain. He was sitting for his statuette, which he desired to leave as a memento to his friends prior to his departure. A young Danish sculptor was making it. Would I like to see it? and forthwith I was introduced to the young Danish sculptor. The likeness was very good, and my comments upon it elicited many additional thanks and several squeezes of the hand—it was so kind of me to be pleased ...
— The Land of Thor • J. Ross Browne
... cannot say. If those who have only ordinary stature and unimpressive physique in this world are at the last to have bodies resplendent and of supernal potency, what will the unusual corporiety of William P. Corbit become? In his case the resurrection will have unusual material to start with. If a sculptor can mould a handsome form out of clay, what can he not put out of Parian marble? If the blast of the trumpet which wakes the dead rouses life-long invalidism and emaciation into athletic celestialism, what will be the transfiguration when the sound of final reanimation touches the ear of those sleeping ...
— T. De Witt Talmage - As I Knew Him • T. De Witt Talmage
... any other that I am acquainted with. Near to the entrance of the cave both pictures and writings were worn away, but further in they were in many cases absolutely fresh and perfect as the day on which the sculptor had ...
— She • H. Rider Haggard
... there for the night—a man of distinguished and somewhat haughty bearing, with a dark, sorrowful, poetic face, chiefly remarkable for its mingled expression of dreamy ardor and cold scorn, an expression such as the unknown sculptor of Hadrian's era caught and fixed in the marble of his ivy-crowned Bacchus-Antinous, whose half-sweet, half-cruel smile suggests a perpetual doubt of all things and all men. He was clad in the rough-and-ready garb of the travelling ...
— Ardath - The Story of a Dead Self • Marie Corelli
... travelers always gather to look at the marble statue of the Empress Josephine, which is called the greatest work of art in the West Indies. That is not fatuous praise, perhaps, but the figure needed the hand of no master sculptor to hold the eye and captivate the imagination. It is mounted on a huge pedestal and is of heroic size, the white glitter of its marble enhanced by its truly magnificent setting, a circle of towering ...
— Ladies-In-Waiting • Kate Douglas Wiggin
... to try to hew and fashion a character into the beauty of holiness, until every feature of the image of Christ shines in the life, as the sculptor shapes the marble into the form of his vision. The most radiant spiritual beauty does not make one a complete Christian. It takes service to fill up the measure of the stature of Christ. The young man said he had kept all the commandments from his youth. "One thing thou lackest," ...
— Personal Friendships of Jesus • J. R. Miller
... expression—bright, frank, and intelligent—appeared, while she was silent, to be altogether wanting in those feminine attractions of gentleness and pliability, without which the beauty of the handsomest woman alive is beauty incomplete. To see such a face as this set on shoulders that a sculptor would have longed to model—to be charmed by the modest graces of action through which the symmetrical limbs betrayed their beauty when they moved, and then to be almost repelled by the masculine form and masculine look of the features in which the ...
— The Woman in White • Wilkie Collins
... who seemed to have been designed by nature to rule, to see slaves at her feet, to provide occupation for the painter's brush, the sculptor's chisel and the poet's pen, lived the life of a rare and beautiful flower, which is shut up in a hot house, for she sat the whole day long wrapped up in her costly fur jacket and looked down dreamily into ...
— The Works of Guy de Maupassant, Volume IV (of 8) • Guy de Maupassant
... showerbath, would calm this unwonted effervescence of his constituency. He stepped forward upon the steps, his left hand resting in the opening of his vest, gesturing with his right in the proud and impassible attitude which the sculptor lends to great orators. It was thus that he posed before his council when, finding unexpected opposition, he undertook to impose his will upon them, and recall the recalcitrant members to ...
— The Mystery of Orcival • Emile Gaboriau
... that the marble takes its form, the canvas its color, sweet sounds combine in melody, and language weaves itself into the wreath of song. The same divine impulse, the same grasping after a higher excellence inspires the sculptor, the painter, the composer, and the poet, but some chance bent of nature has decided them to choose different mediums ...
— Continental Monthly , Vol V. Issue III. March, 1864 - Devoted to Literature and National Policy • Various
... in archaeology that seem to possess a real romantic interest, and foremost among these is the question of the so- called Venus of Melos. Who is she, this marble mutilated goddess whom Gautier loved, to whom Heine bent his knee? What sculptor wrought her, and for what shrine? Whose hands walled her up in that rude niche where the Melian peasant found her? What symbol of her divinity did she carry? Was it apple of gold or shield of bronze? Where is her city and what was her name among gods and men? The last writer on this ...
— Reviews • Oscar Wilde
... Santo at Pisa; but it is so doubtful whether he worked there that I shall not speak of them. His father was a goldsmith, and Orcagna first studied his father's craft; he was also an architect, sculptor, mosaist, and poet, as well as a painter. He made an advance in color and in the painting of atmosphere that gives him high rank as a painter; as a sculptor, his tabernacle in the Church of Or San ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... time of that turmoil about the Florentine bronzes; and a bad light was thrown on the old man by persons interested in spoiling his career. I had the good fortune to come at the truth of the matter; and the sculptor, in an outburst of Italian fervor, declared that I might name any of his possessions as ...
— Ashton-Kirk, Criminologist • John T. McIntyre
... in the wall on my left hand a little gate which I did not remember to have ever noticed before. It looked low, but its pointed arch would have allowed the tallest man to enter. Arch and wall had been chiselled in the handsomest way, both by mason and sculptor; but it was the door itself which first properly attracted my attention. The old brown wood, though slightly ornamented, was crossed with broad bands of brass wrought both in relief and intaglio. The foliage on these, with the most natural birds sitting in it, I could not sufficiently ...
— Autobiography • Johann Wolfgang von Goethe
... disposition and murderous tendencies among the lower orders; hence though there is nothing in the news-sheet pertaining to Literature or the Fine Arts, there is much concerning the sudden death of the young sculptor Nir-jalis, whose body was found flung on the banks of the ...
— Ardath - The Story of a Dead Self • Marie Corelli
... the previous season that an owl, probably the screech owl, prowled about the house at night. A statuette of myself in clay which a sculptor was modeling was left out one night on the porch, and in the morning its head was unusually bowed. The prints of a bird's talons upon the top told what had happened. In the bronze reproduction of that ...
— Under the Maples • John Burroughs
... disagreeable, like blacking shoes, sweeping, and watching the pot boil. Childish error! Neither harp nor broom has anything to do with it; all depends on the hand in which they rest and the spirit that moves it. Poetry is not in things, it is in us. It must be impressed on objects from without, as the sculptor impresses his dream on the marble. If our life and our occupations remain too often without charm, in spite of any outward distinction they may have, it is because we have not known how to put anything ...
— The Simple Life • Charles Wagner
... grass there stood a magnificent horse, such a horse as a sculptor or a soldier might thrill to see. His color was a light chestnut, with mane and tail of a more tawny tint. Seventeen hands high, with a barrel and haunches which bespoke tremendous strength, he fined ...
— Sir Nigel • Arthur Conan Doyle
... skeleton in which it was found, she allowed the gem to slip from her hand, while something of its own pale green flickered in the disgusted expression which quivered about the corners of her mobile mouth. The cameo was a mystery which had baffled geologist, antiquarian, and sculptor alike, for Father Francis Xavier had gone down to his grave with his secret and his cameo hidden in his heart. He had kept both well for two centuries, and when the heart crumbled in dust it took its secret with it, leaving only the ...
— The Galaxy - Vol. 23, No. 1 • Various
... of this venture was the beginning of Clemens's adversity, for it led to excesses of enterprise which were forms of dissipation. The young sculptor who had come back to him from Paris modelled a small bust of Grant, which Clemens multiplied in great numbers to his great loss, and the success of Grant's book tempted him to launch on publishing seas where his bark presently ...
— Henry James, Jr. • William Dean Howells
... finely-shaped lips, narrow and slightly compressed, especially when in anger; when he laughed, he displayed two rows of teeth, not faultlessly fine, but of pearly white. Every lineament, every single feature of his face was as regular as if modelled by a sculptor; nevertheless there was something ugly and repulsive in the whole, and in order to be able to admire it, it was necessary first to get accustomed to this most extraordinary being. Only the feet and the small white hands were so surpassingly beautiful that they enlisted at once the liveliest ...
— LOUISA OF PRUSSIA AND HER TIMES • Louise Muhlbach
... arrived there, fell under suspicion of diabolical practices. It was almost in vain that the priests of one of their chapels produced to the Portuguese officers and soldiers a holy image, and called on them, as good Christians, to adore the Blessed Virgin. The sculptor had been so little acquainted with his art, and the hideous form which he had produced resembled an inhabitant of the infernal regions so much more than Our Lady of Grace, that one of the European officers, while, like his companions, he dropped on his knees, added the loud protest, that if the image ...
— Letters On Demonology And Witchcraft • Sir Walter Scott
... Hector M'Intyre, Mause Headrigg, Alison Wilson, Richie {123} Moniplies, and Andrew Fairservice; and then say, if the faults of all these, drawn as they are with a precision of touch like a Corinthian sculptor's of the acanthus leaf, can be found in anything like the same strength in other races, or if so stubbornly folded and starched moni-plies of irritating kindliness, selfish friendliness, lowly conceit, and intolerable fidelity, are native to any other ...
— Proserpina, Volume 1 - Studies Of Wayside Flowers • John Ruskin
... and clipping of this shaggy wild continent are in some measure done for him by those who have gone before. Society has subdivided itself enough to have a place for every form of talent. Thus, if a man show the least sign of ability as a sculptor or a painter, for instance, he finds the means of education and a demand for his services. Even a man who knows nothing but science will be provided for, if he does not think it necessary to hang about his birthplace all his days,—which is a most un-American weakness. The apron-strings of ...
— Atlantic Monthly, Vol. IV, No. 26, December, 1859 • Various
... to a sculptor who set down before her A Friendship the fairest his art could invent! But so cold and so dull that the Youthful adorer Saw plainly this was ...
— Peg O' My Heart • J. Hartley Manners
... nibbling sheep that cropped the short grass on the graves where the rude forefathers of the hamlet slept. Can the sepulchral muses have found their way to so remote a district as this? Have "afflictions sore" and "vain physicians" obtained a sculptor among the headstones of this out-of-the-way place? We made a survey of the inscriptions, as a very sure guide to the state of education among the peasantry, and are compelled to confess that the schoolmaster had decidedly ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... travelling-bag she soon transformed herself into as charming a house-cleaner as ever waged war against that chief enemy of life and health—dirt. Her round, white arms, bared almost to the shoulder, seemed designed as a sculptor's model rather than to wield the brush with which she scoured the paint and woodwork; but she thought not of sculpture except in the remote and figurative way of querying, with mind far absent from her work, how best she could carve their humble fortunes out of the unpromising ...
— Without a Home • E. P. Roe
... creatures lay like grotesque animals of a far-off titanic time, whose dead bodies had been first withered into stone, then worn away by the storms, and covered with shrouds and palls of snow, till the outlines of their forms were gone, and only rough shapes remained like those just blocked out in the sculptor's marble, vaguely suggesting what the creatures had been, as the corpse under the sheet of death is like a man. He came amongst the valleys at their feet, with their blue-green waters hurrying seawards—from stony ...
— Robert Falconer • George MacDonald
... Compassion (Mademoiselle de la Miltiere, received at the age of sixty in defiance of the rule, and very wealthy); Mother Providence (Mademoiselle de Laudiniere), Mother Presentation (Mademoiselle de Siguenza), who was prioress in 1847; and finally, Mother Sainte-Celigne (sister of the sculptor Ceracchi), who went mad; Mother Sainte-Chantal (Mademoiselle ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... and arranging plans for the succor of his son. Mr. Tom Billings, the late Mr. Tyler's secretary, did it all. He is force, energy, initiative and good judgment combined and personified. I never have beheld a more dynamic young man. He handled lawyers, courts and executors as a sculptor handles his modeling clay. He formed, fashioned and forced them to his will. He had been a classmate of Bowen Tyler at college, and a fraternity brother, and before, that he had been an impoverished and improvident cow-puncher on one of the great Tyler ranches. Tyler, Sr., had picked him out ...
— The People that Time Forgot • Edgar Rice Burroughs
... here attempted," said Roderick, unfolding a few sheets of manuscript, as he sat with Rosina and the sculptor in the summer- house,—"I have attempted to seize hold of a personage who glides past me, occasionally, in my walk through life. My former sad experience, as you know, has gifted me with some degree of insight into the gloomy mysteries of the human heart, through ...
— The Christmas Banquet (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... permission is obtained, a stone seat may also be erected on the Calton Hill at the point from which Mr Stevenson so greatly admired the view. The medallion is to be entrusted to Mr A. Saint Gaudens, an American sculptor of repute, who studied in France, and who had the great advantage of personally knowing Mr Stevenson in America in 1887 and 1888, and at that time getting him to sit for a medallion, which is considered by his ...
— Robert Louis Stevenson • Margaret Moyes Black
... the pretty lake in Staffordshire on the borders of which their acquaintance had begun. Mr. Lockwood Kipling, after leaving school, had served his apprenticeship in one of the famous Staffordshire potteries at Burslem, had afterward worked in the studio of the sculptor, Mr. Birnie Philip, and from 1861 to 1865 had been engaged on the decorations of the South Kensington Museum. During our American war and in the years immediately following, the trade of Bombay was exceedingly flourishing, the city was immensely prosperous, a spirit of inflation possessed the Government ...
— Kipling Stories and Poems Every Child Should Know, Book II • Rudyard Kipling
... about by the sexton's spade, and then wheeled off to the bone-house, if there happens to be a bone-house, or shot into the neighbouring river, or on a farmer's dung-heap, if there is no such convenience as a bone-house at hand. It was this feeling that induced the celebrated sculptor, Chantrey, to make sure of a quiet resting-place for his remains.[2] In so doing, he was, though perhaps unconsciously, but following the example of many who have gone before him. We have more than once encountered a sober party upon their annual ...
— Chambers's Edinburgh Journal, No. 436 - Volume 17, New Series, May 8, 1852 • Various
... out of the filmy and amethyst haze that closed each forest vista, came a milk-white horse, stepping high over the fallen leaves. The rider, not tall, black-bearded, with a pale, handsome face, sat like a study for some great sculptor's equestrian masterpiece. In a land where all rode well, his was superb horsemanship. The cape of his grey coat was lined with scarlet, his soft wide hat had a black plume; he wore long boots and white gauntlets. The three beneath the beech saluted. He spoke in a pensive ...
— The Long Roll • Mary Johnston
... little snug bar, in which a trim elderly lady is seated by a great fire, on which boils an enormous kettle; while two gentlemen are attacking a cold saddle of mutton and West India pickles: hard by Mrs. Nokes the landlady's elbow—with mutual bows—we recognise Hickson, the sculptor, and Morgan, the intrepid Irish chieftain, chief of the reporters of the Morning Press newspaper. We pass through a passage into a back room, and are received with a roar of welcome from a crowd of men, almost invisible ...
— The Newcomes • William Makepeace Thackeray
... uncover the land Which I hid of old time in the West, As the sculptor uncovers his statue, When he has ...
— Atlantic Monthly, Vol. XI., February, 1863, No. LXIV. • Various
... "A sculptor bought her," said Mr. Crowder. "He wanted to use her as a model for a statue of the swift Diana; but this never came to anything. The girl could not be made to stand still for a moment. She was ...
— The Vizier of the Two-Horned Alexander • Frank R. Stockton
... the funeral procession, and a banquet consoled the mourners. A monument was put up in the chancel a few years later, the work of a London sculptor living near the "Globe Theatre." It is not a very pleasing piece of work. By his will, the poet left substantial legacies to his daughters, a gift to Stratford's poor, and mementoes to many friends, but to his ...
— William Shakespeare - His Homes and Haunts • Samuel Levy Bensusan
... economy, and the exact touches of an artist in clay or wax can be reproduced in metal without the translation of casting. Nothing is too small or too large,—the colossal statue of an Amazon on horseback spearing a lioness, by Kiss, the Berlin sculptor, exhibiting in the Hyde Park Exhibition of 1851, was copied in zinc and bronzed by this process; and, by the same means, flowers, feathers, and even spiders' webs have been covered with ...
— Rides on Railways • Samuel Sidney
... This remarkable funereal monument is 20 feet high, the superior portion consisting of a sarcophagus resting upon a level base. Upon this sarcophagus is placed the statue of "La Architectura," which we reproduce, and which well exemplifies the genius of the author and sculptor, Juli ...
— Scientific American Supplement, No. 363, December 16, 1882 • Various
... the kind of man that was at home there; for, as near as I can learn, that has never been the residence, but rather the hunting-ground of the Indian. The moose will perhaps one day become extinct; but how naturally then, when it exists only as a fossil relic, and unseen as that, may the poet or sculptor invent a fabulous animal with similar branching and leafy horns,—a sort of fucus or lichen in bone,—to be the inhabitant of such a ...
— The Atlantic Monthly, Volume 2, Number 9, July, 1858 • Various
... execute that which he does not clearly conceive. The artist must first see the picture on the white canvas, before he can paint it, and the sculptor must be able to see in the rough and uninviting stone, the outlines of the beautiful image which he is to carve. In writing, a clear idea of the formation of the different letters, and their various ...
— Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889 • Barkham Burroughs
... Venus, is an exquisite conception, and so very pure that I wondered it should have found a place in a French garden. But not far from it there were two nude figures which were so shockingly sensual, and so clearly were intended by the sculptor to be so, that I turned away half indignant. Yet while I walked in the grove more than one French lady stopped leisurely to look at them through ...
— Paris: With Pen and Pencil - Its People and Literature, Its Life and Business • David W. Bartlett
... world universally agree in this; that there is one Supreme God, the Father of gods and men. "If," says he, "there were a meeting called of all the several trades and professions,... and all were required to declare their sense concerning God, do you think that the painter would say one thing, the sculptor another, the poet another, and the philosopher another? No; nor the Scythian neither, nor the Greek, nor the hyperborean. In regard to other things, we find men speaking discordantly one to another, all men, as it were, differing from all men... Nevertheless, on ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... with nothing short of a general. Mr. Cushing advises extreme measures. He counsels us to sell our real estate and stocks, and to leave a country where no man's reputation with posterity is safe, being merely as clay in the hands of the sculptor. To a mind undisturbed by the terror natural in one whose military reputation insures his cutting and running, (I mean, of course, in marble and bronze,) the question becomes an interesting one,—To whom, in case of a general exodus, shall we sell? The statues will have the land all to themselves,—until ...
— Atlantic Monthly, Volume 6, No. 38, December, 1860 • Various
... to be a sculptor, she knew also that in all America was no school for her. She must leave home, she must live where art could live. She might model her busts in the clay of her own soil, but who should follow out in marble the delicate thought ...
— Maria Mitchell: Life, Letters, and Journals • Maria Mitchell
... pediment of the Capitol was ornamented by a historical group which Mr. John Quincy Adams designed when Secretary of State. It was executed in marble by Luigi Persico, an Italian sculptor, whose work gave such satisfaction to Mr. Adams that he secured for him an order for the two colossal statues which now flank the central doorway. War is represented by a stalwart gymnast with a profuse development ...
— Perley's Reminiscences, Vol. 1-2 - of Sixty Years in the National Metropolis • Benjamin Perley Poore
... have made a conquest of the recently acquired but unknown Greek statue?" said Mademoiselle Renee lightly. "You should take up a subscription to restore his arm, ma petite, if there is a modern sculptor who can do it. You might suggest it to the two Russian cognoscenti, who have been hovering around him as if they wanted to buy him as well as his work. Madame La Princesse is rich enough to ...
— Tales of Trail and Town • Bret Harte
... building was probably irregular, varying in its form as the increase of inmates demanded additional room. But though irregular, it was certainly a noble edifice, faced with Caen stone, and richly adorned by the chisel of the sculptor. Its walls embraced an area of 32 acres, 2 rods, 11 perches, and it was not less remarkable for its magnificence than extent. The length of the church was 150 feet, having an altitude of 60 feet. ...
— Seaward Sussex - The South Downs from End to End • Edric Holmes
... with imitating nature. The oldest statues are impressive for their life and freshness, and are doubtless portraits of the dead. Of this sort is the famous squatting scribe of the Louvre.[14] But beginning with the eleventh dynasty the sculptor is no longer free to represent the human body as he sees it, but must follow conventional rules fixed by religion. And so all the statues resemble one another—parallel legs, the feet joined, arms crossed on the breast, the figure motionless; the statues are often majestic, but ...
— History Of Ancient Civilization • Charles Seignobos
... absolute fancy.' And, admitting that there was work in it of both kinds, he claims, with perfect justice, that 'if the two kinds cannot be distinguished, it is surely rather a credit than a discredit to an artist whose medium or material has more in common with a musician's than with a sculptor's.' Rarely has the prying ignorance of ordinary criticism been more absurdly evident than in the criticisms on Poems and Ballads, in which the question as to whether these poems were or were not the record of personal experience was debated ...
— Figures of Several Centuries • Arthur Symons
... originality; but, in spite of this conventional opinion, I hold that the healthy sign of an activity of mind in early youth is not to be striving after unheard-of miracles, but to imitate closely and carefully what is being said and done in the vicinity. The child of a great sculptor will hang about the studio, and will try to hammer a head out of a waste piece of marble with a nail; it does not follow that he too will be a sculptor. The child of a politician will sit in committee with a row of empty chairs, and ...
— Father and Son • Edmund Gosse
... and not braced. They take their coats off anywhere and any-when, and somehow it strikes the visitor as the most symbolic thing about them. They have not yet thought of discarding collars; but they are unashamedly shirt-sleeved. Any sculptor, seeking to figure this Republic in stone, must carve, in future, a young man in shirt-sleeves, open-faced, pleasant, and rather vulgar, straw hat on the back of his head, his trousers full and sloppy, his coat ...
— Letters from America • Rupert Brooke
... baseless conceptions, phantoms of air, nonentities; and there is much the same objection, in point of just taste, to the combination of such fabulous beings in the same groups with glorified saints and angels, as there is to the combination, by a painter or a sculptor, of real flesh-and-blood creatures ...
— Theological Essays and Other Papers v2 • Thomas de Quincey
... knowledge also of the inorganic world; this can be done all the more easily since now we can conveniently and quickly acquire knowledge of the mineral kingdom. The painter needs some knowledge of stones in order to imitate their characteristics; the sculptor and architect, in order to utilize them; the cutter of precious stones cannot be without a knowledge of their nature; the connoisseur and amateur, too, will strive ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... the expression of majesty and mercy of the Virgin herself on her throne above the southern doorway; never once are you regarded as a possible rebel, or traitor, or a stranger to be treated with suspicion, or as a child to be impressed by fear. Equally distinct, perhaps even more emphatic, is the sculptor's earnestness to make you feel, without direct insistence, that you are entering the Court of the Queen of Heaven who is one with her Son and His Church. The central door always bore the name of the "Royal Door," because it belonged to ...
— Mont-Saint-Michel and Chartres • Henry Adams
... effigies of knights in armour, lying under carved canopies emblazoned with their coats-of-arms; stiff ladies and gentlemen of Tudor times, with starched ruffs and buckled shoes; and one lovely marble figure, by a forgotten sculptor, of a young daughter of the house who had perished during the Great Plague. The ruthless hands that had chipped and spoiled many of the other monuments had spared this one, and the beautiful, calm face seemed to be resting in tranquil sleep, patiently waiting for the ...
— The Manor House School • Angela Brazil
... the rear of the Casino, is a fine group of figures in sandstone, called "Auld Lang Syne," the work of Robert Thomson, the self-taught sculptor, and a little to the southeast of this is a bronze statue of Professor Morse, erected by the Telegraph Operators' Association, and ...
— Lights and Shadows of New York Life - or, the Sights and Sensations of the Great City • James D. McCabe
... to express himself in a whole literature of so-called plays, which may possibly be studied, and even acted, by societies organized to that laudable end. But the dramatist who declares his end to be mere self-expression stultifies himself in that very phrase. The painter may paint, the sculptor model, the lyric poet sing, simply to please himself,[5] but the drama has no meaning except in relation to an audience. It is a portrayal of life by means of a mechanism so devised as to bring it ...
— Play-Making - A Manual of Craftsmanship • William Archer
... toward sundown out of this cloud down upon the Shield snow began to fall. Not the large wet flakes which sometimes descend too late in spring upon the buds of apple orchards; nor those mournfuller ones which drop too soon on dim wild violets in November woods, but winter snow, stern sculptor of Arctic solitudes. ...
— Bride of the Mistletoe • James Lane Allen
... are, no doubt, monuments in our own country which have been transferred in some sort, and on a somewhat similar principle, from their original object. There are fine statues which reflect honour on but the sculptor that chiselled them, and tombs and cenotaphs inscribed with names so very obscure, that they give place in effect, if not literally, like that of the Egyptian king, to the name of the architect who reared them. Had the Scott Monument been erected, like the monument ...
— Leading Articles on Various Subjects • Hugh Miller
... the designs as he gave the final explanations. The goldsmiths, he said, were undertaking to deliver the bed in two months' time, toward the twenty-fifth of December, and next week a sculptor would come to make a model for the Night. As she accompanied him to the door Nana remembered ...
— Nana, The Miller's Daughter, Captain Burle, Death of Olivier Becaille • Emile Zola
... striking contrast to people who live on the warm sands of the South Seas. Inca sculptors and potters rarely employed the human body as a motif. Tiahuanaco is pre-Inca, yet even here the images are clothed. They were not represented as clothed in order to make easier the work of the sculptor. His carving shows he had great skill, was observant, and had true artistic feeling. Apparently the taboo against "nakedness" ...
— Inca Land - Explorations in the Highlands of Peru • Hiram Bingham
... ceaselessly panting under his creditors; his necessities beget his debts, and his debts require of him his nights. After his labor, his pleasure. The comedian plays till midnight, studies in the morning, rehearses at noon; the sculptor is bent before his statue; the journalist is a marching thought, like the soldier when at war; the painter who is the fashion is crushed with work, the painter with no occupation, if he feels himself to be a man of genius, gnaws his entrails. Competition, ...
— The Thirteen • Honore de Balzac
... Thorfinnson he was named—came a long line of illustrious descendants, many of whom made their mark in the history of Iceland and Denmark, the line ending in modern times in the famous Thorwaldsen, the greatest sculptor of the nineteenth century. ...
— Historic Tales, Vol. 1 (of 15) - The Romance of Reality • Charles Morris
... often cast the deciding vote in purchases of works of art by the government. He was going to America to visit museums, private and public, and study the art situation in general. There was Professor Toussaint, an eminent sculptor, some of whose monuments had been erected in several German cities, chiefly Berlin, works done ...
— Atlantis • Gerhart Hauptmann
... The sculptor of this Last Judgment—a Benedictine monk, doubtless, like the architect of the church who has left this personal record, 'Bernardus me fecit,' upon a stone in a dim corner—died centuries ago, and although his bones or their dust ...
— Wanderings by southern waters, eastern Aquitaine • Edward Harrison Barker
... Italian's to make it. The Hungarian, A.B., is one of the squirearchy of his country, whose name is legion, or a military man, whiling away his furlough amid the excitements of a gay capital. The Italian, C.D., is a painter, a sculptor, a musician, or an employe; and there is scarcely to be found an idle man among the twenty thousand of his fellow-countrymen, who inhabit ...
— Servia, Youngest Member of the European Family • Andrew Archibald Paton
... Hyde but another, a greater than Jekyll—a man as near to the angels as Hyde was to the demons. These well-fed City men, these Gaiety Johnnies, these plough-boys, apothecaries, thieves! within each one lies hidden the hero, did Fate, the sculptor, choose to use his chisel. That little drab we have noticed now and then, our way taking us often past the end of the court, there was nothing by which to distinguish her. She was not over-clean, could use coarse language on occasion—just the ...
— The Second Thoughts of An Idle Fellow • Jerome K. Jerome
... plans is absurd, because they must still appear all equally near the eye; the sculptor has not adequate means of throwing them back; and, besides, the thus cutting up into minute parts, destroys grandeur. "Perhaps the only circumstance in which the modern have excelled the ancient sculptors, is the management of a single group in basso-relievo." This, he thinks, may have been ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... was a marked event in the reign of George IV.; it filled England with mourning, and never was grief for a departed statesman more sincere and profound. He was buried with great pomp in Westminster Abbey. The sculptor Chantry was intrusted with the execution of his statue,—a memorial which he did not need, for his fame is imperishable. The day after the funeral his wife was made a peeress, an annuity was granted to his sons, and every honor ...
— Beacon Lights of History, Volume IX • John Lord
... The vase-painter employs them to frame and set off the central scene. Might not the same end have been served by the terracottas on the temple, with reference to the scene within the typanum? We must remember, also, that at this early time the sculptor's art was in its infancy while painting and the ceramic art had reached a considerable development. Even if all analogy did not lead the other way, an artist would shrink from trying to fill up a pediment with statues in the round. The most natural method ...
— The American Journal of Archaeology, 1893-1 • Various
... equestrian things like the Trafalgar Square ones, or the Duke—or anything big and horrid, like Achilles in the Park, holding up a shield like a green umbrella. I want to see the work of the great sculptor Julio Romano." ...
— Countess Kate • Charlotte M. Yonge
... the rough and rudest stone, It needs no sculptor, it is Washington; But if you chisel, let the strokes be rude, And on ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... about was to be opened four hundred years after the death of the famous sculptor, the time has not yet arrived, as he died about 1563, only a little more ...
— Harper's Young People, May 25, 1880 - An Illustrated Weekly • Various
... the placidity with which practically all the men regarded the accident it is related that Pierre Marechal, son of the vice-admiral of the French navy, Lucien Smith, Paul Chevre, a French sculptor, and A. F. Ormont, a cotton broker, were in the Cafe ...
— Sinking of the Titanic - and Great Sea Disasters • Various
... for future generations a memorial likeness of the Saint, ordered the sculptor Stefano Maderno to make a statue which should represent the body of Cecilia as it was found lying in the cypress chest. Maderno was then a youth of twenty-three years. Sculpture at this time in Rome had fallen into a miserable condition of degraded conventionalism and extravagance. ...
— Atlantic Monthly, Vol. 1, No. 6, April, 1858 • Various
... minutes of rapturous contemplation of the proportions which have been the despair of all lesser adepts than the great sculptor who conceived them, I began my work, oh, then I began to realise a little the nature of the task I had undertaken and to ask myself whether if I stayed all night I could finish it to my mind. It was ...
— Dark Hollow • Anna Katharine Green
... the viciousness of their aim. His case is that they exhibited no virtue. Crime was frustrated in them by cowardice, which is probably the worse immorality of the two. The same idea again may be found in that delightful lyric "Youth and Art," where a successful cantatrice reproaches a successful sculptor with their failure to understand each other in their youth ...
— Robert Browning • G. K. Chesterton
... in animated discussion behind the piano, while Mme. H—— was tying on the bonnet of her lovely little daughter. Marcel Durand, the physicist, sat alone in a corner, his startling black-and-white profile lowered broodingly, his cold hands locked over his sharp knee. A genial, red-bearded sculptor stood over him, about to touch him on the shoulder and waken him from ...
— Youth and the Bright Medusa • Willa Cather
... latitudes a certain northern temperature, and somewhat twilight, French, or Flemish, or German, thoughts. Ferrari, coming from the neighbourhood of Varallo, after work at Vercelli and Novara, returns thither to labour, as both sculptor and painter, in the "stations" of the Sacro Monte, at a form of religious art which would seem to have some natural kinship with the temper of a mountain people. It is as if the living actors in the "Passion ...
— Miscellaneous Studies: A Series of Essays • Walter Horatio Pater
... particular, the four monsters, which, still perched to-day on the corners of its roof, have the air of so many sphinxes who are propounding to new Paris the riddle of the ancient Paris. Rault, the sculptor, only placed them in position in 1526, and received twenty francs for his pains.) There was the Maison-aux-Piliers, the Pillar House, opening upon that Place de Greve of which we have given the reader some idea; there was Saint-Gervais, which a front "in good taste" has since spoiled; ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... pleasant-countenanced, good-humoured Krouman, who had been christened 'Pompey the Great'; most probably on account of his large proportions. He wears a pair of duck trousers; the rest of his body is naked, and presents a sleek, glossy skin, covering muscles which an anatomist or a sculptor would have viewed with admiration. The other is a youth of eighteen, or thereabouts, with an intelligent, handsome countenance, evidently of European blood. There is, however, a habitually mournful cast upon his features; he is dressed much in the same way as we have described the captain, ...
— The Pirate and The Three Cutters • Frederick Marryat
... certainly no Doctrinaire, nor yet, I think, a Fauve, but who has been influenced by Cezanne, I shall here do myself the honour of pronouncing the name. Aristide Maillol is so obviously the best sculptor alive that to people familiar with his work there is something comic about those discussions in which are canvassed the claims of Mestrovic and Epstein, Archipenko and Bourdelle. These have their merits; but Maillol is a great artist. He works in the classical tradition, modified by Cezanne, thanks ...
— Since Cezanne • Clive Bell
... young sculptor's leap into fame may not be so widely known but that its repetition may be tolerated here, particularly since, remotely at ...
— The Life of Cesare Borgia • Raphael Sabatini
... mothers being sisters. Miss Biles was married November 20th, 1860, to Francis James Darlington, of West Chester, Pa., and spent the next five years of her life on a farm near Unionville, formerly the property of the sculptor, Marshall Swayne. The family then removed to their present residence near Westtown Friends' Boarding School, where they spend the Summer season. The Winters are spent with their seven children, in a quiet ...
— The Poets and Poetry of Cecil County, Maryland • Various
... shown the two fishes and the five loaves carved in bold relief. A conventional tree springs from the central loaf, and on each side is a nimbed figure. The carving is still so sharp and crisp that it is difficult to realize that more than a thousand years have elapsed since the sculptor finished ...
— Vanishing England • P. H. Ditchfield
... to restore it. Our action then should be, to put ourselves into a position to suffer the action of God, and to allow the Word to retrace His image in us. An image, if it could move, would by its movement prevent the sculptor's perfecting it. Every movement of our own hinders the work of the Heavenly Sculptor, ...
— A Short Method Of Prayer And Spiritual Torrents • Jeanne Marie Bouvires de la Mot Guyon
... artist's sense to think of all the further developments through which he might carry that eager, plastic nature. There would be a new Kitty, with new capacities and powers. Wasn't that justification enough? He felt himself a sculptor in the very substance of life, moulding a living creature afresh, disengaging it from harsh and hindering conditions. What was ...
— The Marriage of William Ashe • Mrs. Humphry Ward
... Prague as the "Rome of the North," a comparison that seems rather trite at first, but those who feel the meaning of this city will understand and appreciate the French sculptor's judgment. Prague has, at least superficially, one quality in common with Rome; in your wanderings in either city you may come suddenly upon something of beauty so stupendous as to ...
— From a Terrace in Prague • Lieut.-Col. B. Granville Baker
... Camilla was ill, and that the symptom pointed to typhoid fever. Naturally, she kept her room. That day the sculptor, a young American, who said that a thing was 'bully' when he meant it was good, arrived, and took a mask of Camilla's head. By the way, this was a most tedious and annoying process. The two straws through which the poor girl had to breathe while her face was covered ...
— Hugo - A Fantasia on Modern Themes • Arnold Bennett
... with Fenimore Cooper's reconstruction of Otsego Hall. Among the artisans employed was a lad of seventeen years apprenticed as a joiner, Erastus D. Palmer, who already had begun to attract attention as a wood-carver, and afterward became famous as a sculptor. While the alterations were in progress Cooper had as his guest in Cooperstown Samuel F. B. Morse, who assisted him in carrying out his ideas for the reconstruction of the Hall, and drew the designs which gave it more the style of an English country house.[102] The local ...
— The Story of Cooperstown • Ralph Birdsall
... fair collection of books, and ornamented with portraits (chiefly engravings) of celebrated ministers and laymen in the connection, with a bust of Mr. Copperhead over the mantelpiece. This bust had been done by a young sculptor whom he patronized, for the great man's own house. When it was nearly completed, however, a flaw was found in the marble, which somewhat detracted from its perfection. The flaw was in the shoulder of the image, and by no means serious; but Mr. Copperhead was ...
— Phoebe, Junior • Mrs [Margaret] Oliphant
... Bartholdi's statue, was presented to the United States by the French people in 1885. It is the largest statue ever built. The great French sculptor Bartholdi made it after the likeness of his mother. Eight years were consumed in the construction of this gigantic image. Its size is really enormous. The height of the figure alone is fully one hundred and fifty feet. Forty persons can find standing room within the mighty head, which is fifteen ...
— Reading Made Easy for Foreigners - Third Reader • John L. Huelshof
... still air the music lies unheard; In the rough marble beauty hides unseen: To make the music and the beauty, needs The master's touch, the sculptor's chisel keen. ...
— The World's Best Poetry Volume IV. • Bliss Carman
... originals, or representations of them, would require to be submitted to the eye,—not merely described to the ear. Nay, from the example given in the text,—that of the golden candlestick,—we have an instance furnished in recent times of the utter inadequacy of mere description for the purposes of the sculptor or artist. Ever since copperplate engravings and illustrated Bibles became comparatively common, representations of the branched candlestick taken from the written description have been common also. The candlestick on the ...
— The Testimony of the Rocks - or, Geology in Its Bearings on the Two Theologies, Natural and Revealed • Hugh Miller
... anxious to know Stevenson was the American sculptor Augustus St. Gaudens. He had been delighted with his writings and regretted he had not met him in Paris when he and Mr. Low had been there together. "If Stevenson ever comes to New York," he said to Mr. Low, "I want to meet him," and added that he would consider it a great privilege ...
— The Life of Robert Louis Stevenson for Boys and Girls • Jacqueline M. Overton
... of life which those makers held. When it comes to the higher products, character, temperament, and genius are discerned in every mutilated fragment. The line on an urn reveals the spirit of the unknown sculptor who cut it in the enduring stone. It has often been said that if every memorial of the Greek race save the Parthenon had perished, it would be possible to gain a clear and true impression of the spiritual condition and ...
— Essays On Work And Culture • Hamilton Wright Mabie
... in the fourth year of the 77th Olympiad. His father, Sophroniscus, was a sculptor; and his ...
— Great Men and Famous Women. Vol. 3 of 8 • Various
... the adjoining streets. My recollection of him on this occasion is that of a big man, in a long cloak, wearing what appeared to me some kind of a cap with a gold band on it. This must have been the famous "Repeal Cap" designed by the Irish sculptor, Hogan, who, when investing O'Connell with it at the great gathering at Mullaghmast, said: "Sir, I only regret this cap ...
— The Life Story of an Old Rebel • John Denvir
... the figure, hangs perpendicularly, forming a line exactly parallel to the outline of the drapery on this left side of the statue. One side of the figure is thus perfectly tranquil, while the other is in gentle action. What the sculptor may conceive he has gained in effect, by thus contrasting one side of his statue to the other, he appears to us to have lost, in losing that more easy contrast and graceful equilibrium which distinguishes the best single figures of the ancients, and which should ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 4, April 1810 • Various
... cure. He began to absent himself from the house with unusual frequence, but would not explain where he had been, even though Caroline wept and wailed. At length he wrought her to the pitch of desperation by his heartless indifference; then, one day, he brought home a portrait bust which a sculptor friend had made and with it a signed record of every hour and minute of his absence. This, if not a permanent cure, was at least ...
— The Love Affairs of Great Musicians, Volume 1 • Rupert Hughes
... better than Copenhagen, and he becomes quite enthusiastic when speaking of that city, and of what he saw there. The pleasure he had in meeting Thorwaldsen is perhaps in part the cause of his remembering the Danish capital with peculiar favour. He gives various details concerning that celebrated sculptor, his character and habits, and commences the chapter, which he styles, "A Fragment of Italy in the North," with a comparison between Sweden and Denmark, two countries which, both in trifling and important matters, ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various
... Greek sculptor chiseled his marble he endeavored to express the spirit and heart of the city. All its passions, all its traditions of glory, were to live again in the work. But to-day the united city has ceased to exist; there is no more communion of ideas. ...
— The Conquest of Bread • Peter Kropotkin
... regulative, and this form of the struggle toward perfection and escape from the handicap of birth will later move upward to the intellectual and moral plane. To kindle a sense of physical beauty of form in every part, such as a sculptor has, may be to start youth on the lowest round of the Platonic ladder that leads up to the vision of ideal beauty of soul, if his ideal be not excess of brawn, or mere brute strength, but the true proportion represented by the classic or mean temperance ...
— Youth: Its Education, Regimen, and Hygiene • G. Stanley Hall
... adieu to Byron at Venice, Moore went on to Rome with the sculptor Chantrey and the portrait-painter Jackson. His tour supplied the materials for the Rhymes on the Road, published, as being extracted from the journal of a travelling member of the Pococurante Society, in 1820, along with the Fables ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... time a change had taken place in the consular office. Mr. Ferris, some months before, had suddenly thrown up his charge and gone home; and after the customary interval of ship-chandler, the California sculptor, Hoskins, had arrived out, with his commission in his pocket, and had set up his allegorical figure of The Pacific Slope in the room where Ferris had painted his too metaphysical conception of A Venetian Priest. Mrs. Elmore had never liked Ferris; she thought him cynical and opinionated, and ...
— A Fearful Responsibility and Other Stories • William D. Howells
... may be nothing new under the sun, yet nature goes on eternally fashioning new things from old materials. Eternally demolishing old models in a manner of an economical sculptor, nature uses the same old clay to create new specimens. Sometimes nature slightly alters the patterns, discarding what is unfit for her momentary enigmatic purposes, retaining and favoring that which pleases her whimsical fancy for the ...
— Cooking and Dining in Imperial Rome • Apicius
... fountain, with an ideal statue of the Minute Man, by Henry H. Kitson, sculptor, faces the line of approach of the British from the easterly end of the common. Behind it a granite pulpit marks the site of the old church past which Pitcairn led his men; a boulder to the left locates the position of the Old Belfry from which the alarm was sounded on its ...
— See America First • Orville O. Hiestand
... them. We see Hawk Carse, a man slender in build, but with gray eyes and lithe, strong-fingered hands and cold, intent face that give the clue to the steel of him; we see Dr. Ku Sui, tall, suave, unhurried, formed as though by a master sculptor, in whose rare green eyes slumbered the soul of a tiger, notwithstanding the courtesy and the grace that masked always his most infamous moves. These two we see looming through and dwarfing Sewell's words ...
— The Passing of Ku Sui • Anthony Gilmore
... daughter's ear. She rose from her seat, but her light figure swayed to and fro like a slender tree before the advancing storm, and her lovely face was pale as that of a statue, just leaving the hand of the sculptor. Therese's fear of lightning was no fiction, and she almost sank to the floor as a livid flash glanced across the form of the emperor, and enveloped him in a sheet of living flame. Unheeding it, he moved on toward the unhappy girl, and without a word or a look extended his hand. ...
— Joseph II. and His Court • L. Muhlbach
... me that what is wanted is a machine for turning the logs round and round while one holds the saw steady. But there is something beautiful in burning the Yule-logs of one's own fashioning that makes one feel like the sculptor when at last the living beauty has burst forth under his chisel from the shapeless stone. Besides, they ...
— Punch, or the London Charivari, Vol. 159, December 22, 1920 • Various
... the heavy deep ridge running almost from point to hilt, made it very serviceable for cutting, but it seems more than probable that the point was also used, and that the idea of the edge was handed down to us because the ancient sculptor or delineator, in his battle-piece representations, placed the swordsman in the most spirited positions he could think of. A figure in the act of delivering a slashing cut, say cut 1 or cut 2, looks much more aggressive and eager for the fray than a similar figure ...
— Broad-Sword and Single-Stick • R. G. Allanson-Winn
... dethroned, Showing conqueror Man,—Lion frowned. "If a Lion, you know, Had been sculptor, he'd show Lion rampant, and Man on ...
— The Baby's Own Aesop • Aesop and Walter Crane
... Pagan; yet the imitation of the antique had not been carried so far as to efface the spontaneity of the artist, and enough remained of Christian feeling to tinge the fancy with a grave and sweet romance. The sculptor had the skill and mastery to express his slightest shade of thought with freedom, spirit, and precision. Yet his work showed no sign of conventionality, no adherence to prescribed rules. Every outline, every fold of drapery, every attitude was pregnant, to the artist's own mind at any rate, ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... greatest of lyric artists; but when Malibran appeared as Norma, a part written by Bellini expressly for Pasta, she was proclaimed la cantante per eccelenza. A medal, executed by the distinguished sculptor Valerio Nesti, was struck in her honor. Her generosity of nature was signally instanced during these golden Italian days in many acts of beneficence, of which the following are instances: During her stay at Sinigaglia in the summer of 1834, she heard an exquisite voice singing ...
— Great Singers, Second Series - Malibran To Titiens • George T. Ferris
... fool we will pay him the thankful tribute not to enquire, chancing upon the crude embryonic mass in the poet's hand, traitorously pounced upon it, and betrayed it to the printers—therein serving the poet such an evil turn as if a sculptor's workman took a mould of the clay figure on which his master had been but a few days employed, and published casts of it as the sculptor's work.[1] To us not the less is the corpus delicti precious—and that unspeakably—for it enables us to see something of the ...
— The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 • George MacDonald
... the Champ de Mars there was a statue that attracted much attention from the visitors. It represented Goethe's Marguerite standing before a mirror. This latter gave by reflection the image of Faust. The artifice was well concealed by the sculptor. In reality, it was not a double statue, but the figure of Faust was skilfully obtained by means of ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... sentiment of the place was not destroyed by a few nibbling sheep that cropped the short grass on the graves where the rude forefathers of the hamlet slept. Can the sepulchral muses have found their way to so remote a district as this? Have "afflictions sore" and "vain physicians" obtained a sculptor among the headstones of this out-of-the-way place? We made a survey of the inscriptions, as a very sure guide to the state of education among the peasantry, and are compelled to confess that the schoolmaster ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... is at the present moment being executed in copper by Houwald, in Brunswick, is the work of a Frankfort sculptor, Herr Gustav Herold. In the arch itself, near the clock, we see two allegorical female figures, over life size, in a sitting posture, modeled by Prof. Gustav Kaupert in Frankfort, and representing Day and Night. In front of the pillars supporting the arch, two other female ...
— Scientific American Supplement, No. 664, September 22,1888 • Various
... for, as near as I can learn, that has never been the residence, but rather the hunting-ground of the Indian. The moose will perhaps one day become extinct; but how naturally then, when it exists only as a fossil relic, and unseen as that, may the poet or sculptor invent a fabulous animal with similar branching and leafy horns,—a sort of fucus or lichen in bone,—to be the inhabitant of such ...
— The Atlantic Monthly, Volume 2, Number 9, July, 1858 • Various
... passed since the sculptor of that marble laid down his chisel and gazed at his completed work. Little dreamt he that thousands of years later it would stand as a parable, representing civilization in the form of the python which he had carved with such ...
— The Pools of Silence • H. de Vere Stacpoole
... CHINCOEU, Sculptor, respectfully acquaints masters of ships trading from Canton to India that they may be furnished with figure-heads, any size, according to order, at one-fourth of the price charged in Europe. He also recommends, for private venture, the following idols, brass, gold and silver: ...
— Town and Country, or, Life at Home and Abroad • John S. Adams
... before Mirza Shah came back. His face was white as marble—every feature seemed set, as the sculptor's chisel fixes each line of the carved stone. He spoke to ...
— Tales of Destiny • Edmund Mitchell
... It will be painful. There will be a great deal pared off. The sculptor makes the marble image by chipping away the superfluous marble. Ah! and when you have to chip away superfluous flesh and blood it is bitter work, and the chisel is often deeply dyed in gore, and the mallet seems to be very cruel. Simon did not ...
— Expositions of Holy Scripture - St. John Chapters I to XIV • Alexander Maclaren
... not gone through this early experience: scores of things that an ordinary educated Englishman learns with considerable surprise were to him the merest matters of course. When an English composer resolves to write an opera, in the spirit in which a sculptor may decide to paint a picture or a flute-player to play the fiddle, he has to learn all, or as much as he can, about the requirements of the stage, and even then if his work comes to rehearsal he has to accept corrections and make alterations at ...
— Richard Wagner - Composer of Operas • John F. Runciman
... the bounding friezes in vase-pictures. The vase-painter employs them to frame and set off the central scene. Might not the same end have been served by the terracottas on the temple, with reference to the scene within the typanum? We must remember, also, that at this early time the sculptor's art was in its infancy while painting and the ceramic art had reached a considerable development. Even if all analogy did not lead the other way, an artist would shrink from trying to fill up a pediment ...
— The American Journal of Archaeology, 1893-1 • Various
... understood; at a glance would have named the sculptor who was silently chiselling those noble hollows in the finely modelled face,—that Pygmalion who turns all flesh to stone,—at a glance would have named the painter who was cunningly weighting the brows with darkness that the eyes might shine the more with an unaccustomed light. ...
— Prose Fancies (Second Series) • Richard Le Gallienne
... ails you?" asked Francois Souchet, the young sculptor who had just won the first prize, and was soon to set out ...
— The Purse • Honore de Balzac
... He looked exactly as a famous sculptor looked who, when a beautiful work of his hands was unveiled, wished me to publish a descriptive sonnet from his pen. I bluntly refused. He was an admirable sculptor, but a dreadful sonneteer. Yet in his secret heart he ...
— The Lost Naval Papers • Bennet Copplestone
... dollars. In more sober truth, education: Presentation Brothers Schools, Cork School of Art, Cork School of Music, Metropolitan School of Art, Dublin, and Royal College of Art, London. Profession: sculptor and dramatist. Chief interests: literature, art, and music. First magazine to publish his work, The Tatler. Author of "The Whale and the Grasshopper," "Duty, and Other Irish Comedies," and "The Knowledgeable Man." Lives in Brooklyn, ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... the filmy and amethyst haze that closed each forest vista, came a milk-white horse, stepping high over the fallen leaves. The rider, not tall, black-bearded, with a pale, handsome face, sat like a study for some great sculptor's equestrian masterpiece. In a land where all rode well, his was superb horsemanship. The cape of his grey coat was lined with scarlet, his soft wide hat had a black plume; he wore long boots and white gauntlets. The three beneath the beech saluted. He spoke in a pensive and musical ...
— The Long Roll • Mary Johnston
... course, to the colossal bronze Statue of Liberty by the French sculptor, Frederic Bartholdi, which stands in ...
— Modern Spanish Lyrics • Various
... 2 A sculptor's model from Tanis, now in the Gizeh Museum, drawn by Faucher-Gudin from a photograph by Emil Brugsch- Bey. The sacred marks, as given in the illustration, are copied from those of similar figures on ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 1 (of 12) • G. Maspero
... nearest to the borders of Cilicia in Asia Minor. He had in him by nature a quick flow of wit, with a bent towards Greek literature. It was thought at home that he showed as a boy the artist nature by his skill in making little waxen images. An uncle on his mother's side happened to be a sculptor. The home was poor, Lucian would have his bread to earn, and when he was fourteen he was apprenticed to his uncle that he might learn to become a sculptor. Before long, while polishing a marble tablet he pressed on it too heavily and broke it. His uncle thrashed him. Lucian's ...
— Trips to the Moon • Lucian
... John Gibson, sculptor, of Rome, as he loved to call himself, was a remarkable embodiment, in many ways, of this self-respecting, artistic, ideal Welsh peasant temperament. In a little village near Conway, in North Wales, there lived ...
— Biographies of Working Men • Grant Allen
... proportions of the human form, as revealed by lithe and graceful dancers, are to be viewed with an eye as purely artistic and critical as that with which one regards a Venus or other production of the sculptor's studio. ...
— Around the World on a Bicycle Volume II. - From Teheran To Yokohama • Thomas Stevens
... meshed in the thralls of some hateful nightmare, the girl crouched against her horse, her face so still and white and ghastly that it might well have been some clever sculptor's bizarre conception of "Horror" done in marble. Only her eyes seemed to live. Wide, dilated, glittering with an unnatural light, they shifted constantly, following the progress of those ...
— Shoe-Bar Stratton • Joseph Bushnell Ames
... thing, and he had not yet got his bearings in it. He had a desire to reform the world and he wanted to be a great painter or sculptor, or both; and he entered New York with a new sense developed. He was keen to see, to do, and to feel. He wanted to make the world ring with his name and fame, yet he wanted to do the world good also, if he could. It was a curious state of mind for the English boy, who talked French like a native ...
— The Judgment House • Gilbert Parker
... estate adjoined Mr. Graeme's; there was the Viscount Chambery, who had penned a pamphlet on finance—indited a folio on architecture—and astonished Europe with an elaborate dissertation on modern cookery; there was Charles Selby, the poet and essayist; Daintrey, the sculptor—a wonderful Ornithologist—a deep read Historian—a learned Orientalist—and a novelist, from France; whose works exhibited such unheard of horrors, and made man and woman so irremediably vicious, as to make this young gentleman celebrated, even in ...
— A Love Story • A Bushman
... the spit of land silent shapes appeared, white, sorrowful, holding out calm hands, knelt in grief, pointing. Fragments of shapes, hewn. In white silence: appealing. The best obtainable. Thos. H. Dennany, monumental builder and sculptor. ...
— Ulysses • James Joyce
... entrance into literature with small or large inventions, by carving cherry-stones or carving a colossus. Browning, the creator of men and women, the fashioner of minds, would be a sculptor of figures more than life-size rather than an exquisite jeweller; the attempt at a Perseus of this Cellini was to precede his brooches and buttons. He planned, Mr Gosse tells us, "a series of monodramatic epics, narratives of the life of typical souls." In a modification ...
— Robert Browning • Edward Dowden
... thenceforth the hard work of a man in his particular profession. To that end no part of fundamental study could be spared. He would as soon have judged that young men could be trained to excellence in the mechanic arts, while they disused any important organ of the body; or a sculptor elaborate a perfect model by chiseling only the limbs. He would not expect such a mechanic, or artist, or educators of the same school, to find either honorable or lucrative employment, when society, though temporarily blinded by ingenious but ...
— The History of Dartmouth College • Baxter Perry Smith
... Mr. Bullivant, the enthusiastic young sculptor, with the mangy flow of flaxen hair, and the plump, waxy face, who wrote poetry, and showed, by various sonnets, that he again differed completely about the young lady from the Dowager Countess of Brambledown and Mr. Gimble. This gentleman sang fluently, ...
— Hide and Seek • Wilkie Collins
... will the painter, sculptor, writer lose sight of his art. Even in the intervals of rest and diversion which are necessary to his health and growth, every thing he sees ministers to his passion. Consciously or unconsciously, he makes each shape, color, incident his own; sooner or later it ...
— Bits About Home Matters • Helen Hunt Jackson
... theatres, Astley's horse-riders, the tumblers and rope-dancers of Sadlers-Wells, nay, the PUNCH of a puppet-show, would be as useful and respectable as Garrick, Barry, Cooke, or Kemble, and the circus might successfully batter its head against the walls of that building in Chesnut-street which the sculptor has enriched with the wooden proxies of Melpomene and Thalia. But criticism will not allow this. For the sake of the stage it will exert all its might to support the actors—and for the sake of the stage ...
— The Mirror of Taste, and Dramatic Censor - Volume I, Number 1 • Stephen Cullen Carpenter
... Mr. Leslie's letter from Copenhagen, with his account of your reception by the King of Denmark. How gratifying to me that the portrait of Thorwaldsen has given such pleasure to the king, and that he regards it as the best likeness of the great sculptor." ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume II • Samuel F. B. Morse
... this was all veiled by society's completest polish; but still by a close observer it could be seen, just as a skilful sculptor drapes a form, but leaves its ...
— What Can She Do? • Edward Payson Roe
... Nothing can express the pitying contempt or the lofty air of patronization with which the dominant commercial classes looked down upon the writer, the painter, the musician, the philosopher or the sculptor. Regarding these "sentimentalists" as easy, legitimate and defenseless objects of prey, and as incidental and impractical hangers-on in a world where trade was all in all, the commercial classes at all ...
— History of the Great American Fortunes, Vol. I - Conditions in Settlement and Colonial Times • Myers Gustavus
... turn into mud. As we slid down through it we met strings of Chasseurs Alpins coming up, splashed to the waist with wet red clay, and leading pack-mules so coated with it that they looked like studio models from which the sculptor has just pulled off the dripping sheet. Lower down we came on more "trapper" settlements, so saturated and reeking with wet that they gave us a glimpse of what the winter months on the front must be. No more cheerful polishing ...
— Fighting France - From Dunkerque to Belport • Edith Wharton
... lessons from a painter and a sculptor. For an actor to represent a Greek hero it is imperative he should have thoroughly studied those antique statues which have lasted to our day, and mastered the particular grace they exhibited in their postures, whether sitting, standing, or walking. Nor should he make attitude his only ...
— Pearls of Thought • Maturin M. Ballou
... from the rock the rough and rudest stone, It needs no sculptor, it is Washington; But if you chisel, let the strokes be rude, And on his ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... a flagged passage between. It stood in a hollow in the wall, and the knight lay under the arch of the recess, so silent, so patient, with folded palms, as if praying for some help which he could not name. From the presence of this labour of the sculptor came a certain element into the feeling of the place, which it could not otherwise have possessed: organ and chant were not altogether needful while that carved knight lay there with face upturned, as if looking ...
— Ranald Bannerman's Boyhood • George MacDonald
... during the Renaissance, when life was full of movement, and costume picturesque. But at this period in each of the two arts, skill was regarded as of more importance than the subject. In other words, the perfection of the sculptor's statue or the scene depicted by the painter was of more interest and importance than the object or scene itself. If the work were admirably executed, the story it told had relatively ...
— Style in Singing • W. E. Haslam
... ensure his election to office at Rome, Verres enjoyed a year at the Capitol, and then entered upon a still more outrageous career as governor of the island of Sicily. Taking with him a painter and a sculptor well versed in the values of works of art, he systematically gathered together all that was considered choice in the galleries and temples. Allowing his officers to make exorbitant exactions upon the farmers, he confiscated many estates to his own use, and ...
— The Story of Rome From the Earliest Times to the End of the Republic • Arthur Gilman
... large and strongly marked; but the expression was grievously marred, like that of Whitefield, by a squint that deduced much from his "apostolic" character, and must have operated prejudicially as regarded his mission. His mouth was exquisitely cut. It might have been a model for a sculptor who desired to portray strong will combined with generous sympathy. Yet he looked what he was,—a brave man, a man whom no abuse could humble, no injuries subdue, no oppression crush. To me he realized the idea of the Baptist St. ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... aim is shelter, to house man in nature,—and it forms, as it were, the connecting link between him and the outward world. Its results, therefore, are partly the free artistic production, and partly retain unmodified their material character. In the image carved by the sculptor, the stone or wood used derive little of their effect from the original material; the important character is that imparted to them by his skill. Still more the canvas and pigments of the painter. But in architecture the wood and stone still ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... details and general effect, a look of genuine satisfaction beamed from his face. He rang for an attendant and bade him call his son. 'Look here, Raphael,' he exclaimed, as the latter appeared; 'did I not always tell you that every painter could be a sculptor?' We may imagine the delight of the student at such commendation. The same day one of his fellow pupils called his attention to a notice issued by the Adelphi Society of Arts, offering a prize for the best single figure, ...
— Great Fortunes, and How They Were Made • James D. McCabe, Jr.
... is a cousin of Mrs. Ida McCormick, whose poetry may be found in this book, their mothers being sisters. Miss Biles was married November 20th, 1860, to Francis James Darlington, of West Chester, Pa., and spent the next five years of her life on a farm near Unionville, formerly the property of the sculptor, Marshall Swayne. The family then removed to their present residence near Westtown Friends' Boarding School, where they spend the Summer season. The Winters are spent with their seven children, in a quiet little home in the town of Melrose, on the banks of the beautiful Lake Santa Fe, in Florida. ...
— The Poets and Poetry of Cecil County, Maryland • Various
... the elaborately partitioned fields. Adjacent mud is therefore carefully plastered over the remains of the old dyke, which, to the credit of the former builders, is no small fraction of it, and the work then finished off with a sculptor's care. An easier-going peasantry might often forego renewal. Indeed, I cannot but think the farmers take a natural delight in this exalted form of mud pies; they work away on already passable specimens with such a will. But who does quite outgrow his ...
— Noto, An Unexplored Corner of Japan • Percival Lowell
... was a famous Greek sculptor who lived in the age of Pericles and beautified Athens with ...
— Essays • Ralph Waldo Emerson
... presiding genius of the cavern," said Mr Twigg, taking a torch and advancing a few steps towards an object which had a wonderful resemblance to a statue carved by the sculptor's hand. It was that of a venerable hermit, sitting in profound meditation, wrapped in a flowing robe, his arms folded and his beard descending to his waist. His head was bald, his forehead wrinkled with age, while his features were well defined, the eyes, ...
— The Missing Ship - The Log of the "Ouzel" Galley • W. H. G. Kingston
... the young sculptor, Adelaide Johnson, modeled busts of Miss Anthony and Mrs. Stanton which later were chiseled in marble and were exhibited with the bust of Lucretia Mott at the World's Fair in Chicago in 1893. They are now in the Capitol ...
— Susan B. Anthony - Rebel, Crusader, Humanitarian • Alma Lutz
... well illustrated by what occurred respecting an equestrian statue in the metropolis, with respect to which a legend existed that the sculptor hanged himself, because he had neglected to put a girth to the horse. This story was currently believed for many years, until it was inspected for altogether a different purpose, and it was found to have had a ...
— Speeches: Literary and Social • Charles Dickens
... was one of the many celebrities who lived there at one time or other; and Chopin had for neighbours the famous singer Pauline Viardot-Garcia, the distinguished pianoforte-professor Zimmermann, and the sculptor Dantan, from whose famous gallery of caricatures, or rather charges, the composer's portrait was not absent. Madame Marliani, the friend of George Sand and Chopin, who has already repeatedly been mentioned in this book, was the wife of Manuel Marliani, Spanish Consul in Paris, author, [FOOTNOTE: ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... room was a master-piece of the united arts of sculpture and painting. First, the hand of the sculptor had carved it into numerous medallions, on which the pencil of the painter had then delineated the most remarkable scenes in early Florentine history. Round the sides, or cornices, were beautifully sculptured in marble ...
— Wagner, the Wehr-Wolf • George W. M. Reynolds
... Simoni drew their blood from the high and puissant Counts of Canossa. Michelangelo himself believed in this pedigree, for which there is, however, no foundation in fact, and no heraldic corroboration. According to his friend and biographer Condivi, the sculptor's first Florentine ancestor was a Messer Simone dei Conti di Canossa, who came in 1250 as Podesta to Florence. "The eminent qualities of this man gained for him admission into the burghership of the city, and he was ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... of conversation. His whole story was told, and listened to with intense interest. It was agreed that Nono should, with Karin's permission, come for some hours every day to Ekero to wait upon the stranger, who was a sculptor, and was making a marble bust of the colonel's wife from the various likenesses of her, assisted by her husband's vivid descriptions of her ever-remembered face and her person ...
— The Golden House • Mrs. Woods Baker
... while Clutton with voracious appetite devoured the food that was set before him. Philip, smoking a cheap cigar, observed him closely. The ruggedness of the head, which looked as though it were carved from a stone refractory to the sculptor's chisel, the rough mane of dark hair, the great nose, and the massive bones of the jaw, suggested a man of strength; and yet Philip wondered whether perhaps the mask concealed a strange weakness. ...
— Of Human Bondage • W. Somerset Maugham
... pyramid, one mile of beautifully carved decorations, with 2141 separate panels depicting the life of Buddha from the time he descended from the skies until he arrived at Nirvana, or perfect isolation from the world. A history of more than a thousand years is told in its stone tablets by the sculptor's chisel, told beautifully, told enduringly, ...
— Flash-lights from the Seven Seas • William L. Stidger
... soul—has it not been bestowed through suffering, through the discipline of great suffering? In man CREATURE and CREATOR are united: in man there is not only matter, shred, excess, clay, mire, folly, chaos; but there is also the creator, the sculptor, the hardness of the hammer, the divinity of the spectator, and the seventh day—do ye understand this contrast? And that YOUR sympathy for the "creature in man" applies to that which has to be fashioned, ...
— Beyond Good and Evil • Friedrich Nietzsche
... Violet and Peony—indeed, she looked more at them than at the image—she saw the two children still at work; Peony bringing fresh snow, and Violet applying it to the figure as scientifically as a sculptor adds clay to his model. Indistinctly as she discerned the snow-child, the mother thought to herself that never before was there a snow-figure so cunningly made, nor ever such a dear little girl and boy ...
— Famous Stories Every Child Should Know • Various
... other for more than seventeen years. They had often drifted apart and, somehow, had always met again. They had never been very intimate, they had merely respected each other for the work they had accomplished, each in his profession; although they differed largely in ideas. Morrison was a sculptor, and almost an ancient Greek in his feelings for the beauty of lines. The tall, lean man, on the other hand, was a strange mixture of a visionary and brutal realist. They both were cynics, however, ...
— Mother Earth, Vol. 1 No. 4, June 1906 - Monthly Magazine Devoted to Social Science and Literature • Various
... paint the great man's picture; the sculptor Houdon to take the great man's bust, arriving from Alexandria, by the way, after the family had gone to bed; the Marquis de Lafayette to visit his old friend; Mrs. Macaulay Graham to obtain material for her ...
— George Washington: Farmer • Paul Leland Haworth
... than of spirit; and at this time they evinced more than usual languor. She was in a rich undress, and was apparently an invalid. Her long raven locks hung with careless grace, partly behind, and partly over, a neck that might have served as a model for the sculptor. She was looking wistfully on a bunch of flowers in her hand, which I felt pleasure in recognising to be the same I had seen on the piece of embroidery. I feared to advance, lest I should give offence; but I felt also unable ...
— A Voyage to the Moon • George Tucker
... and women, and fancying herself they. These happy ones are four, each the object of a different love. Ottima, whose aged husband is the owner of the silk mills, has a lover in Sebald. Phene, betrothed to the French sculptor Jules, will be led this morning to her husband's home. Luigi (a conspiring patriot) meets his mother at eve in the turret. The Bishop, blessed by God, will sleep at Asolo to-night. Which love would she choose? The lover's? It gives cause for scandal. The husband's? It ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... to Arthur except young Raggles, who painted still life with a certain amount of skill, and Clayson, the American sculptor. Raggles stood for rank and fashion at the Chien Noir. He was very smartly dressed in a horsey way, and he walked with bowlegs, as though he spent most of his time in the saddle. He alone used scented pomade upon his neat smooth hair. His chief distinction was a greatcoat ...
— The Magician • Somerset Maugham
... art of Hellas but the conquest of the rock, the marble, and the fixing there in perennial beauty, perennial calm, the thought born from the travail of the sculptor's brain, or from the unrecorded struggle of dark forces in the past, which emerge now in a vision of transcendent rapture and light? By this conflict, multiplex or simple, the conquering energy of the form, the defeated energy of the material, the serenity of the statues of Phidias, of the tragedies ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb
... Ayesha's breath as roses, the odour of roses clung to her lovely hair; her sweet body gleamed like some white sea-pearl; a faint but palpable radiance crowned her head; no sculptor ever fashioned such a marvel as the arm with which she held her veil about her; no stars in heaven ever shone more purely bright than did ...
— Ayesha - The Further History of She-Who-Must-Be-Obeyed • H. Rider Haggard
... who tore his kingdom by tearing Mohammed's letter married the beautiful Maria or Irene (in Persian "Shrn the sweet) daughter of the Greek Emperor Maurice: their loves were sung by a host of poets; and likewise the passion of the sculptor Farhd for the same Shirin. Mr. Lyall writes "Parwz" and holds "Parwz" ...
— The Book of the Thousand Nights and a Night, Volume 5 • Richard F. Burton
... which boils an enormous kettle; while two gentlemen are attacking a cold saddle of mutton and West India pickles: hard by Mrs. Nokes the landlady's elbow—with mutual bows—we recognise Hickson, the sculptor, and Morgan, the intrepid Irish chieftain, chief of the reporters of the Morning Press newspaper. We pass through a passage into a back room, and are received with a roar of welcome from a crowd of men, almost invisible in ...
— The Newcomes • William Makepeace Thackeray
... (1630-1700), Danish sculptor, was born at Flensburg. He was the son of the king's cabinetmaker, and was sent to Rome at the royal charge while yet a youth. He came to England during the Protectorate, or during the first years of the Restoration. Besides the famous ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... modern Christendom, he might be honored through the government, patent office, privy council, the admiralty, the university, or the academy, as the case or worth might be. He might shine in a plastic representation by the sculptor or artist, or be known in the popular literature; but he would never receive religious worship, or aught beyond honor and praise. In this swamping of history in legend and of fact in dogma, we behold the fruit of ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis
... race, was delicate and narrow, with oval nostrils well set and open at the base. Her mouth, fresh and red, was a rose unblemished by a flaw, dissipation had left no trace there. Her chin, rounded as though some amorous sculptor had polished its fulness, was as white as milk. One thing only that she had not been able to remedy betrayed the courtesan fallen very low: her broken nails, which needed time to recover their shape, so much had they been spoiled by ...
— Scenes from a Courtesan's Life • Honore de Balzac
... produce four brighter contemporary names than Napier, Kepler, Descartes, and Galileo, let them be forthcoming. But when, still earlier by a century and a half, we behold a man who was not only architect, engineer, and sculptor, and in painting the rival of Angelo, but who, as Hallam proves, 'anticipated in the compass of a few pages the discoveries which made Galileo, Kepler, Maestlin, Maurolycus, and Castelli immortal,' it may well 'strike us,' he suggests 'with something like the awe of supernatural ...
— The History of Dartmouth College • Baxter Perry Smith
... was a proud consciousness of power in his every look and motion, which possessed for me an irresistible attraction: and now, as he stood, his noble figure drawn up to its fullest height, his arms folded across his ample chest in an attitude of defiance a sculptor would have rejoiced to imitate; his head thrown slightly back, and his handsome features marked by an expression of haughty indignation; when I reflected that it was a generous regard for my honour which excited that indignation, I felt that my affection for him was ...
— Frank Fairlegh - Scenes From The Life Of A Private Pupil • Frank E. Smedley
... will only be good, they shall have this power some day; for I do think that many things we call differences in kind, may in God's grand scale prove to be only differences in degree. And indeed the artist—by artist, I mean, of course, architect, musician, painter, poet, sculptor—in many things requires it just as much as the most helpless and dumb of his brethren, seeing in proportion to the things that he can do, he is aware of the things he cannot do, the thoughts he cannot express. Hence arises the enthusiasm with which people ...
— The Seaboard Parish Vol. 3 • George MacDonald
... these facts of the statist we detect other facts which show that in the progress of civilisation the actual organic strength and build of the man and woman increases. As in the highest developments of the fine arts the sculptor and painter place before us the finest imaginative types of strength, grace, and beauty, so the silent artist, civilisation, approaches nearer and nearer to perfection, and by evolution of form and mind developes what is practically a new order ...
— Hygeia, a City of Health • Benjamin Ward Richardson
... with an ideal statue of the Minute Man, by Henry H. Kitson, sculptor, faces the line of approach of the British from the easterly end of the common. Behind it a granite pulpit marks the site of the old church past which Pitcairn led his men; a boulder to the left locates the position of the Old Belfry from which the alarm was sounded on its bell, April 19, 1775. ...
— See America First • Orville O. Hiestand
... knew herself to be a sculptor, she knew also that in all America was no school for her. She must leave home, she must live where art could live. She might model her busts in the clay of her own soil, but who should follow out in marble the delicate thought which the clay expressed? The workmen ...
— Maria Mitchell: Life, Letters, and Journals • Maria Mitchell
... in this direction. It is not the first time that an artist deficient in health and strength has made physical energy into a demigod. Men often, perhaps always, idealise what they have not. It was the wish of the sculptor to place a cast of "Physical Energy" on the grave of Cecil Rhodes on the Matoppo Hills in South Africa, indicating how Watts found it possible (by idealising what he wished to idealise), to include within the scope and patronage of his art, the activities, ...
— Watts (1817-1904) • William Loftus Hare
... some whose fine regularity of feature might have served as the model for a Greek sculptor. Yet those were not the faces on which the eye rested with the long and deep delight that "drinks in beauty." I saw some worthy or the sublime spell of Vandyke, more with the magnificence of style which Reynolds loved, and still more with the subdued ...
— Blackwood's Edinburgh Magazine—Vol. 54, No. 333, July 1843 • Various
... The Greek sculptor Praxiteles conceives a human form of perfect beauty, posed in an attitude of perfect grace, wearing an expression of perfect charm and serenity. It exists but as a picture in his brain; but he takes marble and hews it and chisels ...
— Platform Monologues • T. G. Tucker
... judge a work of art by its size. Thus the sculptor who does a "heroic figure" is the man who looms large to the average visitor ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... and the rock of Bahistun the Persians have associated one of those poetic romances so dear to the national genius. Ferhad, the most famous sculptor of his time, who was very likely employed by Chosroes II to execute these bas-reliefs, is said in the legend to have fallen madly in love with Shirin, and to have received a promise of her from the king, if he would cut through the rock ...
— Rambles and Recollections of an Indian Official • William Sleeman
... when his son came to know her, was leading the life of a harmless, necessary sempstress, and that only by long entreaty, and under every condition of decorum, had she been induced to sit for her bust to the enthusiastic sculptor. Very touching was the story of how, when the artist became adorer and offered marriage, dear Arabella would not hear of such a thing; how, when her heart began to soften, she one day burst into tears and implored Mr. Ogram to prove his love, not by wildly impossible sacrifice, but simply by sending ...
— Our Friend the Charlatan • George Gissing
... position beside his wife; but life at court did not suit Mlle. San-Gene. She left Mme. Bonaparte, who by mutual consent handed her over to Mme. Augereau to whom she became secretary and reader. The second lady companion of Mme. Augereau was the widow of the sculptor Adam, and in spite of her eighty years was the life and ...
— The Memoirs of General the Baron de Marbot, Translated by - Oliver C. Colt • Baron de Marbot
... "Perhaps the sculptor intended to typify life; the tragic face representing one side of existence and ...
— The Face And The Mask • Robert Barr
... an error. Although the lamantin is strictly herbivorous, feeding chiefly upon subaqueous plants and littoral herbs, yet upon one of the stone smoking-pipes, Fig. 66, this animal is represented with a fish in its mouth." Mr. Stevens apparently preferred to credit the mound sculptor with gross ignorance of the habits of the manatee, rather than to abate one jot or tittle of the claim possessed by the carving to be considered a representation of that animal. Stevens's fish-catching manatee is the same carving given ...
— Animal Carvings from Mounds of the Mississippi Valley • Henry W. Henshaw
... Cyprus a young sculptor, Pygmalion by name, who thought nothing on earth so beautiful as the white marble folk that live without faults and never grow old. Indeed, he said that he would never marry a mortal woman, and people began ...
— Old Greek Folk Stories Told Anew • Josephine Preston Peabody
... young girl was attracted to the Lowell mills through her own idealization of the life there, as it had been reported to her. Margaret Foley, who afterwards became distinguished as a sculptor, was one of these. She did not remain many months at her occupation,—which I think was weaving,—soon changing it for that of teaching and studying art. Those who came as she did were usually disappointed. Instead of an Arcadia, they found a place of matter-of-fact toil, filled ...
— A New England Girlhood • Lucy Larcom
... water through, his conch. There are two statues, the one of a general who fought in the Indian Mutiny and afterwards lived and died in the Square, the other of a mid-Victorian philanthropist whose stout figure and urbane self-satisfaction (as portrayed by the sculptor) bear witness to an easy conscience and an unimaginative mind. There is, round and about the fountain, a lovely green lawn, and there are many overhanging trees and shady corners. An air of peace the garden breathes, and that although children are ...
— The Golden Scarecrow • Hugh Walpole
... niche of which stands the small statue of Cupid; with his head inclined, and one hand raised to feel the supposed-blunted point of a dart which he holds in the other. This is called the Cupid-Room, out of compliment to DANNECKER the sculptor of the figure, who is much patronised by the Queen. A statue or two by Canova, with a tolerable portion of Gobeleine tapestry, form the principal remaining moveable pieces of furniture. A minuter ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... moved; above Jove's classic sway A place was won it: The rustic sculptor motioned; then "To-day" He ...
— Atlantic Monthly, Volume 10, Number 59, September, 1862 • Various
... the terms of the easiest of all intimacies, and although the great sculptor, even when he was more than usually silent, was at all times the most gravely cordial of hosts, yet, on that long remembered evening, as the sunlight died on the burnished brown of the horse-chestnuts below the windows, a perceptible ...
— A Collection of Stories, Reviews and Essays • Willa Cather
... of straight backs and high chests explained didactically: "The back is wonderfully expressive; indeed it is full of vital expression. Bernhardt knows this better than any other actress because she has studied statuary with the passion of a sculptor, and because she understands that, not only the face, but the entire physical structure, is capable of expressing dramatic emotions. Strong feeling and action may be strikingly revealed by the back. Imprecations, ...
— What Dress Makes of Us • Dorothy Quigley
... base as on an ideal ground, detaching from it as much as possible all foreign and accidental accessories, that the eye may rest wholly on the essential objects, the figures themselves. These figures the sculptor works out with their whole body and contour, and as he rejects the illusion of colours, announces by the solidity and uniformity of the mass in which they are constructed, a creation of no perishable existence, but endowed, with ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... for the chisel; and even the better blocks, which the native sculptors were careful to choose, are not free from these defects, and in no case offer a grain that is satisfactory. To meet these difficulties, the Phoenician sculptor occasionally imported his blocks either from Egypt or from the volcanic regions of Taurus and Amanus;[71] but it was not until he had transported himself to Cyprus, and found there an abundance of a soft, but fairly smooth, compact, and homogeneous ...
— History of Phoenicia • George Rawlinson
... dull, good-natured giants was found. The chief was a noble- looking man with an aquiline nose, and seemed to have them well under command, and some of the younger men, who had limbs which might have been a model for a sculptor, could have lifted an ordinary-sized Englishman as easily as a child. They were unluckily already acquainted with whalers, whom they thought the right sort of fellows, since they brought tobacco and spirits, did not interfere with ...
— Life of John Coleridge Patteson • Charlotte M. Yonge
... on the outside of the building was delivered by the sculptor Othmar Schimkowitz. The figurate frieze in the library was the work of the painter Josef Engerhart. The painter Ferdinand Andri executed the frescoes on the facade and Meinrich Tomec those in the department for waterways. The Emperor's ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... for going to St Petersburg, where she had a friend who was a sculptor like herself, and who lived with a wealthy Russian whose hobby was jewel-making. The emotional, rather rootless life of the Russians appealed to her. She did not want to go to Paris. Paris was dry, ...
— Women in Love • D. H. Lawrence
... M. Augustin Dumont, the celebrated sculptor,[16] and the godson of Augustin Dupre, the plate engraved from the plaster casts, and from him I learned that M. Narcisse Dupre, the son of Augustin, was still living in the south of France, at Montpellier. ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... Citadel of Athens, rose the magnificent Temple of Athena, called the Parthenon, built under the direction of Phidias, the most celebrated sculptor of that time, who adorned it with many of his works, and especially with the huge statue of Athena in ivory, forty-seven feet in height. The Acropolis was also enriched with another figure of Athena in bronze—also the ...
— The Junior Classics • Various
... have made a statue worthy of a sculptor as they stood there, the Indian girl in her splendid attire and the utmost beauty of her race, with the dagger in one hand; and the girl, pale now as a snow wreath, ...
— A Little Girl in Old Detroit • Amanda Minnie Douglas
... excite wonder in anybody, for he was one of those remarkable men who possess great beauty of countenance allied to unfortunate deformity of body. The face was that of a poet and a dreamer, the body that of a hunchback and a cripple. Painter or sculptor alike would have rejoiced to depict the face on canvas or carve it in marble—its perfect shape, fine tinting, the lines of the features, the beauty of the eyes, the wealth of the dark, clustering hair, were all as near artistic perfection as could be. But all else spoke of deformity—the ...
— The Rayner-Slade Amalgamation • J. S. Fletcher
... figures, but the gratuities bestowed by him whose largeness exceeded all that was known before were not capable of being counted by figures. And images of the goddess of speech were made of gold by the sculptor of the gods;—and the king gratified the members of the sacerdotal caste, who had arrived from all the cardinal points, by making presents to them of those images, of gold. O protector of men! when the high-souled Gaya performed his sacrificial rites, he erected sacrificial piles at so many different ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 1 • Kisari Mohan Ganguli
... ring by the people of Birmingham in grateful acknowledgment of his "varied and well-applied talents." After the presentation the company adjourned to the Old Royal Hotel (then Dee's Hotel), where a banquet took place with the Mayor, Henry Hawkes, in the chair, and Peter Hollins, the sculptor, in the vice-chair. ...
— The Inns and Taverns of "Pickwick" - With Some Observations on their Other Associations • B.W. Matz
... They were unusually fine specimens and had the bulls been triplets they could not have been more alike even to the detail of their antlers. The cow paid little attention to us and went on feeding while the bulls, with heads held much higher than usual, stood as though in perfect pose for some sculptor. There wasn't a breath of wind and the wondrous spell must have lasted from eight to ten minutes; then a faint zephyr came and carried our tell-tale scent to them and they wheeled round and trotted away. Yet the head hunter from the city, who usually stands off at long range and fires ...
— The Drama of the Forests - Romance and Adventure • Arthur Heming
... capitals,) adorned by the figures of rams' horns carved on them. The Corinthian is very rich and delicate, with fluted pillars, and the tops beautifully ornamented with leaves, &c. The invention of this order is ascribed to Callimachus, a Corinthian sculptor. The Composite is compounded of the other four; it is very much like the Corinthian, and is also called the Roman or ...
— A Catechism of Familiar Things; Their History, and the Events Which Led to Their Discovery • Benziger Brothers
... which he does not clearly conceive. The artist must first see the picture on the white canvas, before he can paint it, and the sculptor must be able to see in the rough and uninviting stone, the outlines of the beautiful image which he is to carve. In writing, a clear idea of the formation of the different letters, and their various proportions, must become familiar by proper study, examination and analysis. Study precedes practice. ...
— Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889 • Barkham Burroughs
... which was the general complexion among prairie folk. His mouth had the innocence of a babe's, and formed a perfect Cupid's bow, such as a girl might well be proud of. His eyes were large, inquiring and full of intelligence. His nose might have been chiseled by an old Greek sculptor, while his hair, long and wavy, was of the texture and color of ...
— The One-Way Trail - A story of the cattle country • Ridgwell Cullum
... 'Why, the sculptor always surrenders colour, and the painted form. Each has to give up something for the limitation of art. But the more modern artist gives up much more—likeness, beauty, a few features here and there—a limb now ...
— Love at Second Sight • Ada Leverson
... or rather partly behind, an alabaster column, at the foot of which arose the pellucid fountain which occupied the inmost recess of the twilight grotto. The classical mind of Elizabeth suggested the story of Numa and Egeria; and she doubted not that some Italian sculptor had here represented the Naiad whose inspirations gave laws to Rome. As she advanced, she became doubtful whether she beheld a statue or form of flesh and blood. The unfortunate Amy, indeed, remained motionless betwixt the desire which she had to make her condition known ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... a useful hint from a celebrated sculptor, who had come to the village in search of marble for the base of a soldiers' monument. Richard was laboriously copying a spray of fern, the delicacy of which eluded his pencil. The sculptor stood ...
— The Stillwater Tragedy • Thomas Bailey Aldrich
... on the top intended to represent the province of Nieuw Nederlandts destroying Great Britain, under the similitude of an eagle picking the little island of Old England out of the globe; but either through the unskillfulness of the sculptor, or his ill-timed waggery, it bore a striking resemblance to a goose vainly striving to get ...
— Knickerbocker's History of New York, Complete • Washington Irving
... One who was a sculptor, a Slav, a sometime resident in New York, an egoist, and impecunious, was to be found of an evening in June Forsyte's studio on the bank of the Thames at Chiswick. On the evening of July 6, Boris Strumolowski—several ...
— Forsyte Saga • John Galsworthy
... the greatest American sculptor, has yet achieved in his art the most American things ever done in it, is J. Q. A. Ward, the author of the "Indian Hunter," and many other noble if less native works. He was born at Urbana, in Champaign County, of the old pioneer stock; and in a region remote from artistic influences, ...
— Stories Of Ohio - 1897 • William Dean Howells
... enforced a certain calmness and continence in the statue. As soon as the statue was begun for itself, and with no reference to the temple or palace, the art began to decline: freak, extravagance, and exhibition took the place of the old temperance. This balance-wheel, which the sculptor found in architecture, the perilous irritability of poetic talent found in the accumulated dramatic materials to which the people were already wonted, and which had a certain excellence which no single genius, however extraordinary, ...
— Beacon Lights of History, Volume XIII • John Lord
... know, boy, you have it in you to be a great sculptor, a great man?—do you understand?" (talking down to the capacity of his hearer: it is a way people have with children, and men like Wolfe,)—"to live a better, stronger life than I, or Mr. Kirby here? A man may make himself anything ...
— Atlantic Monthly, Volume 7, Issue 42, April, 1861 • Various
... to the artist would bring back that ancient reverence which regards the artist of the Beautiful as one of the chief God-revealers to the race of which he is a portion; which sees in the great musical artist, or the sculptor, or the painter, a God-inspired man, bringing down the grace of heaven to illuminate the dull grey planes of earth. The artists should be the prophets of our time, the revealers of the Divine smothered under the material; and were they this, they ...
— London Lectures of 1907 • Annie Besant
... in the sculptor's art. It is doubtless needful that this art should be studied for the sake of its science. Artists, however, may be glad that Winckelmann has analyzed the Apollo Belvedere, and has given them the laws of proportion deduced from this human form divine; leaving ...
— The Right and Wrong Uses of the Bible • R. Heber Newton
... permanent tint as the Roman empress strove to procure by bathing every day in milk. Colour she had none, and thrilling must have been the emotions that could call it into her placid and pensive cheeks. Her features were not chiselled, and had any sculptor striven to imitate them on the purest marble, he would have discovered that chiselling would not do. They were at once formed and informed by the Deity. It is of no use talking about her luxurious and night-emulating hair, her lips, ...
— Rattlin the Reefer • Edward Howard
... be wounded by such an act: and, as for his rights, if he can be said to have any, we may surely reckon among them the right of not being supposed to possess such objectionable personal defects as may have been imputed to him by the malice of critics or by the incapacity of sculptor or painter, and which his remains may be sufficiently unchanged to rebut: in a word we owe him something more than refraining from disturbing his remains until they are undistinguishable from the earth in which they lie, a debt which no supposed inviolable sanctity ...
— Shakespeare's Bones • C. M. Ingleby
... and other tongues. She had always felt assured that the Dictator was there—had felt certain that he must be there—and now at last she knew that he was there. She had faith in him as one may have faith in some sculptor whose masterpiece one has not yet seen. We believe in the work because we know the man, although we have not yet seen him in his work. We know that he has won fame, and we know that he is not a man likely to put up with a fame ...
— The Dictator • Justin McCarthy
... wondrous sculptor once, a genius in his way, Named Phidias Praxiteles Canova Merryday. He sat within his studio and said, "I really must Begin a Rhodian anaglyptic ...
— The Jingle Book • Carolyn Wells
... mark— I like you, and I like not everyone! I say a wife, sir, can I help you to, The pearly texture of whose dainty skin Alone were worth thy baronetcy! Form And feature has she, wherein move and glow The charms, that in the marble, cold and still, Culled by the sculptor's jealous skill and joined there, Inspire us! Sir, a maid, before whose feet, A duke—a duke might lay his coronet, To lift her to his state, and partner her! A fresh heart too!—a young fresh heart, sir; one That Cupid has not ...
— The Hunchback • James Sheridan Knowles
... marked by the hand of Time and Endeaver. But every mark wuz a good one. The Soul, which is the best sculptor after all, had chiselled into his features the marks of a deathless endeavor and struggle toward goodness, which is God. Had marked it with the divine sweetness and passion of livin' and toilin' for the ...
— Samantha Among the Brethren, Complete • Josiah Allen's Wife (Marietta Holley)
... other relation of life the man who thinks himself wronged tries to right himself, violently, if he is a mistaken man, and lawfully if he is a wise man or a rich one, which is practically the same thing. But the author, dramatist, painter, sculptor, whose book, play, picture, statue, has been unfairly dealt with, as he believes, must make no effort to right himself with the public; he must bear his wrong in silence; he is even expected to grin and bear it, as if it were funny. ...
— Henry James, Jr. • William Dean Howells
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