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More "Shakespearian" Quotes from Famous Books
 ... is reminded of the famous Shakespearian emendation whereby Falstaff on his death-bed ...
— Folklore as an Historical Science • George Laurence Gomme
... it sounded Shakespearian. Well, as I was telling you, it has come to a jolly little company of four in my surrey, which, after all, is perhaps nicer than a dozen in a tallyho, though of course it won't impress ...
— The Henchman • Mark Lee Luther
... it would not pay to go to such big expense to make a single films play, or even one or two, but I assure my readers that it is not uncommon for a concern to spend ten thousand dollars in making a single play, and some elaborate productions, such as Shakespearian plays, and historical dramas, will cost over fifty thousand dollars to get ready ...
— The Moving Picture Boys on the Coast • Victor Appleton
... the same spirit of critical inquiry has penetrated into our own language. What we have of it clusters almost exclusively around the mighty name of Shakespeare. Shakespearian criticism is a branch of knowledge by itself. To record its triumphs—from that greatest one by which the senseless "Table of Greenfield," which interrupted the touching close of Falstaff's days, was ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... trousers, shot across the stage when there was any room in front of the crowd of actors with the rapidity of meteors. The pace was too great to be even sure that they were human beings. I have seen Kean's Shakespearian revival pageants formerly in London, but I never realized what a mediaeval court pageant might have been till in the heart of the Malay Peninsula I saw the most gorgeous combination of color and picturesque effect that I have ever set ...
— The Golden Chersonese and the Way Thither • Isabella L. Bird (Mrs. Bishop)
... killing the time, and lightening the tedium of a sea passage to the refugees, we bethought us of getting up a play. This was managed by one of the lieutenants of marines, a fellow of great taste, and some one or two of the midshipmen, who pretended to skill in the Shakespearian art. What the piece was I do not recollect, but when it was announced to the Emperor, by Captain Maitland, and the immortal honour of his imperial presence begged, for a few minutes, he laughed very heartily, consented instantly; and turning ...
— The Surrender of Napoleon • Sir Frederick Lewis Maitland
... R.S.A., well known in Scotland as a portrait and historical painter; also a good Greek scholar, an antiquary, and student of Shakespearian literature.—["Dict. ...
— Noteworthy Families (Modern Science) • Francis Galton and Edgar Schuster
... Cromwell: State Papers, Vol. VII. p. 517. Vaughan describes Peto with Shakespearian raciness. "Peto is an ipocrite knave, as the most part of his brethren be; a wolf; a tiger clad in a sheep's skin. It is a perilous knave—a raiser of sedition—an evil reporter of the King's Highness—a prophecyer of ...
— History of England from the Fall of Wolsey to the Death of Elizabeth. Vol. II. • James Anthony Froude
... additional experience, Ned worked as a "super" with many different attractions, including the companies of Olga Nethersole, Otis Skinner, Walker Whiteside, Julia Stuart, etc., finally playing small parts in the legitimate and Shakespearian drama. ...
— The Art of Stage Dancing - The Story of a Beautiful and Profitable Profession • Ned Wayburn
... pretending to give his work this organic form, put forth his whole strength to give it mechanical regularity; every line in his solidest plays costing him, as the wits said, "a cup of sack." But the force implied in a Shakespearian drama, a force that crushes and dissolves the resisting materials into their elements, and recombines or fuses them into a new substance, is a force so different in kind from Jonson's, that it would of course be idle to attempt an estimate of its superiority ...
— The Atlantic Monthly, Volume 20, No. 122, December, 1867 • Various
... introducing any particular Turk, by assuming a foregone conclusion in the reader's mind; and adverting, in a casual, careless way, to a Turk hitherto unknown as to an old acquaintance. . . . "THIS Turk he had" is a master-stroke, a truly Shakespearian touch'—(Note.) The lady, in her father's cellar ('Castle,' Old Woman's text), consoles the captive with 'the very best wine,' secretly stored, for his private enjoyment, by the cruel and hypocritical Mussulman. She confesses the state of her heart, and inquires as to Lord ...
— The Valet's Tragedy and Other Stories • Andrew Lang
... in the West Indies. As for Mirabeau, 'our wild Gabriel Honore,' well! we are told all about him; nor is Frederick let off a single absurdity or atrocity. But when we have admitted the veracity, what are we to say of the catholic temper, the breadth of temperament, the wide Shakespearian tolerance? Carlyle ought to have them all. By nature he was tolerant enough; so true a humourist could never be a bigot. When his war-paint is not on, a child might lead him. His judgments are gracious, chivalrous, tinged with a kindly melancholy and divine pity. But this ...
— Obiter Dicta • Augustine Birrell
... literature, the characteristics of society, of language and of literature in the Elizabethan era, the idioms of Shakespeare's contemporaries, the manner of Shakespeare himself, in his different periods, have all been so minutely studied as to form a distinct specialty in knowledge. The Shakespearian scholar is a well differentiated species of the genus scholar, and speaks with a substantial authority upon what is now a real science. You can follow this teacher into Shakespeare's work-shop, watch the building of his plays, distinguish ...
— The Right and Wrong Uses of the Bible • R. Heber Newton
... Percy! and set on." This Shakespearian motto might have appeared upon the title-page of this volume; but there is nothing so vivacious upon that page, nor indeed on any other. The name of the book comes from that of the heroine, who was baptized ...
— The Atlantic Monthly, Volume 17, No. 102, April, 1866 • Various
... his verbal quibbles; and one of these, a man of no slight culture and refinement, once cited to a friend of ours Proteus's joke in "The Two Gentlemen of Verona"—"Nod I? why that's Noddy," as a transcendant specimen of Shakespearian wit. German facetiousness is seldom comic to foreigners, and an Englishman with a swelled cheek might take up Kladderadatsch, the German Punch, without any danger of agitating his facial muscles. Indeed, it is a remarkable fact that, among the five great races concerned in modern civilization, ...
— The Essays of "George Eliot" - Complete • George Eliot
... and happily upon his sword; she is not quite unreal, nor yet quite real; something much better than a stage property and not wholly a living woman; more of a Beaumont and Fletcher personage of the boards—and as such effective—than a Shakespearian piece of nature. The theatrical limbo to which such almost but not quite embodied shadows ultimately troop, ...
— Robert Browning • Edward Dowden
... Bath, and then went to London, where they found lodgings at No. 5, Woburn Place. There MacDowell's interest in the outer world was divided between the British Museum, where he found a particular fascination in the Egyptian and Syrian antiquities, and the Shakespearian performances of Henry Irving and Ellen Terry. He was captivated by their performance of "Much Ado About Nothing," and made a sketch for a symphonic poem which was to be called "Beatrice and Benedick"—a plan which he finally abandoned. Most of the material which ...
— Edward MacDowell • Lawrence Gilman
... inasmuch as they supposed an ideal state rather than referred to an existing reality,—yet it was a reason which was obliged to accommodate itself to the senses, and so far became a sort of more elevated understanding. On the other hand, the romantic poetry—the Shakespearian drama—appealed to the imagination rather than to the senses, and to the reason as contemplating our inward nature, and the workings of the passions in their most retired recesses. But the reason, as reason, is independent of time and space; it has nothing ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... flanked by the houses of the most prosperous townspeople. Some of these were of the old-fashioned, classic type, and others new examples of a national architecture seeking to find itself,—white and yellow colonial, roughcast modifications of the Shakespearian period, and nondescript mixtures of cobblestones and shingles. Each was surrounded by trim lawns and shrubbery. The church itself was set back from the street. It was of bluish stone, and half covered with ...
— The Crossing • Winston Churchill
... of the Londoner—the wit that Dickens knew and studied, the wit of the older cabmen and 'bus drivers, the wit of the street boy. It is racy, it is understood, and the illustrations are always concrete and massive, never vague or unsubstantial. Apt Shakespearian quotations, familiar and unfamiliar, embellish the speeches. Personality, vital personality, counts for so much in the orator of the market place. The speaker must be alive to his audience, he must convince by his presence no less ...
— The Rise of the Democracy • Joseph Clayton
... of greed, as if, for example, a forger should offer his wares for a million of money to the British Museum; or when he tries to palm off his Samaritan Gospel on the "Bad Samaritan" of the Bodleian. Next we come to playful frauds, or frauds in their origin playful, like (perhaps) the Shakespearian forgeries of Ireland, the supercheries of Prosper Merimee, the sham antique ballads (very spirited poems in their way) of Surtees, and many other examples. Occasionally it has happened that forgeries, begun for the mere sake of exerting ...
— Books and Bookmen • Andrew Lang
... the most abundant variety. Coleridge exaggerates this unity into something like the unity of a natural organism, the associative act that effected it into something closely akin to the primitive power of nature itself. 'In the Shakespearian drama', he says, 'there is a vitality which grows and evolves ...
— English Critical Essays - Nineteenth Century • Various
... the only, means of portraying characters: individuality of language, i.e., the style of speech of every person being natural to his character. This is absent from Shakespeare. All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language, in which not only they could not speak, but in which no living man ever has spoken or ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy
... present volume were collected by the Shakespearian scholar Edward Capell and formed the principal part of his library during the years which he spent in the preparation of his edition of Shakespeare's dramatic works. After the publication of this his life's work and the completion ...
— Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge • W. W. Greg
... 'You are a Shakespearian?' he said eagerly. 'I am so glad. I am an old-fashioned person, and I love Shakespeare; that is only another ...
— The Dictator • Justin McCarthy
... of Faith as to Everlasting Punishment? Besides, if fire does not mean fire, if torment does not mean torment, and everlasting does not mean everlasting, perhaps hell does not mean hell; in which case, it is a waste of time to argue about details, when the whole establishment, to use a Shakespearian epithet, ...
— Flowers of Freethought - (Second Series) • George W. Foote
... And these Shakespearian women, though all radiations from one great ideal of womanhood, are at the same time intensely individualized. Each has a separate soul, and the processes of intellect as well as emotion are different in each. Each, for ...
— Atlantic Monthly, Volume 20, No. 118, August, 1867 • Various
... opposite the entrance to the Empire Theatre. The younger man was pale and sickly looking, and his long hair, classic features, and general seedy appearance stamped him as a "legit," or a player whose theatrical activities had been confined to Shakespearian and the ...
— The Easiest Way - A Story of Metropolitan Life • Eugene Walter and Arthur Hornblow
... that Her Majesty's Government were most sincerely anxious to act with the Imperial Government in this question.' No doubt they were. I am vindicating your conduct. I believe in your sincerity throughout. It is only your intense incapacity that I denounce. The passage in the dispatch is Shakespearian; it is one of those dramatic descriptions which only a masterly pen could accomplish. ...
— Selected Speeches on British Foreign Policy 1738-1914 • Edgar Jones
... extent the same spirit of critical inquiry has penetrated into our own language. What we have of it clusters almost exclusively around the mighty name of Shakespeare. Shakespearian criticism is a branch of knowledge by itself. To record its triumphs—from that greatest one by which the senseless "Table of Greenfield," which interrupted the touching close of Falstaff's days, was replaced by "'a babbled of green fields"—would make a large book ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... old elms, and flanked by the houses of the most prosperous townspeople. Some of these were of the old-fashioned, classic type, and others new examples of a national architecture seeking to find itself,—white and yellow colonial, roughcast modifications of the Shakespearian period, and nondescript mixtures of cobblestones and shingles. Each was surrounded by trim lawns and shrubbery. The church itself was set back from the street. It was of bluish stone, and half ...
— The Crossing • Winston Churchill
... tedium of a sea passage to the refugees, we bethought us of getting up a play. This was managed by one of the lieutenants of marines, a fellow of great taste, and some one or two of the midshipmen, who pretended to skill in the Shakespearian art. What the piece was I do not recollect, but when it was announced to the Emperor, by Captain Maitland, and the immortal honour of his imperial presence begged, for a few minutes, he laughed very heartily, consented instantly; and turning to Lady Bertrand, ...
— The Surrender of Napoleon • Sir Frederick Lewis Maitland
... place several years ago. Gilray and I had set out on a walking tour of the Shakespeare country; but we separated at Stratford, which was to be our starting-point, because he would not wait for me. I am more of a Shakespearian student than Gilray, and Stratford affected me so much that I passed day after day smoking reverently at the hotel door; while he, being of the pure tourist type (not that I would say a word against Gilray), wanted to rush ...
— My Lady Nicotine - A Study in Smoke • J. M. Barrie
... got in till the legs were bent and thrust in with violent blows; then the carpenters put on the lid, and while one of them sat on the top to force the knees to bend, the others hammered in the nails: amid those Shakespearian pleasantries that sound as the last orison in the ear of the mighty; then, says Tommaso Tommasi, he was placed on the right of the great altar of St. Peter's, beneath a very ...
— The Borgias - Celebrated Crimes • Alexandre Dumas, Pere
... been one of spiritual communion. I found the young mind insatiate and I had to ransack the library for stories and poems and pictures suitable to his years, though he rapidly developed a very advanced taste. The morning I read him the Shakespearian lines woven around the little Princes in the Tower, having suitably connected up the story for him with words of my own, we forgot the time and he overstayed his limit, for Dabney was opening the house when he fled. For five mornings ...
— The Heart's Kingdom • Maria Thompson Daviess
... folded his arms (to the imminent peril of his beard) and said, in a mild explanatory tone, "Ay, every inch a king!" and then paused, as if to consider how this could best be proved. And here, with all possible deference to Bruno as a Shakespearian critic, I must express my opinion that the poet did not mean his three great tragic heroes to be so strangely alike in their personal habits; nor do I believe that he would have accepted the faculty of turning head-over-heels as any ...
— Sylvie and Bruno • Lewis Carroll
... representing its passions and humours, and the changes of fortune to which it is subject, for the delight and instruction of mankind,' it is shown that this end can only be attained in a drama founded on such a compromise; that the ancient and modern classical drama fails in nature; that the Shakespearian drama fails in art. At the conclusion of the essay he vindicates the employment of rhyme, a contention which he afterwards abandoned. The dramatic setting of the essay was no doubt suggested by the Platonic Dialogues, ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
... last year, I now write to offer you the same part in a six weeks' revival of the same play about to be presented in New York. Your acceptance will be a source of gratification to me, as it is very hard to engage actors who are particularly adapted to Shakespearian roles. The salary will be one hundred dollars per week with all traveling ...
— Grace Harlowe's Senior Year at High School - or The Parting of the Ways • Jessie Graham Flower
... active, and in the days before I entered my teens I used always to reply to similar demands, that I would be a "king's messenger"! I knew no other life which approached so nearly to perpetual motion. "The road" was my paradise, and it is a true saying that the child is father to the man. The Shakespearian passage which earliest impressed my childish mind and carried with it my heartiest sympathies was ...
— What I Remember, Volume 2 • Thomas Adolphus Trollope
... a Shakespearian publication was successful, and Tonson incorporated the Curll volume into the third issue of the 1714 edition, having apparently come to some agreement with Curll, since the title page of Volume IX states that it was "Printed for J. Tonson, E. Curll, J. Pemberton, ...
— Some Account of the Life of Mr. William Shakespear (1709) • Nicholas Rowe
... behind the house there was no attempt to construct a Shakespearian plot, for, as she so rightly observed, Shakespeare, who loved flowers so well, would wish her to enjoy every conceivable horticultural treasure. But furniture played a prominent part in the place, and there were statues and sundials and stone-seats ...
— Queen Lucia • E. F. Benson
... is no reason why, in a few notes on character, I should repeat from hearsay what several of the seven brothers have reported from authoritative memory. It is admitted, by them and by all who have understood the movement, that Gabriel Rossetti was the founder and, in the Shakespearian sense, "begetter" of all that was done by this earnest band of young artists. One of them, Mr. Millais, was already distinguished; two others, Mr. Holman Hunt and Mr. Woolner, had at that time more training and technical power than he; but he ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... said the Baroness, 'I did not think that you would have felt our parting like this. We can't help it, we literary people—we must quote, we must express the profoundest feelings of our souls in the words of other people. What's the Shakespearian line? "I hold it good that we shake hands and part", ...
— Despair's Last Journey • David Christie Murray
... gather any impression of the scenes in which the poet passed his early and later days, from a hurried scamper through the town and a frank acceptance of local traditions, concerning which some of our leading Shakespearian scholars have much destructive critical comment to offer. He who wishes to establish some manner of association with the poet must enter Stratford as the poet left it—by the road. He should leave the railway and walk in from Warwick, find quiet lodgings, of which there is ...
— William Shakespeare - His Homes and Haunts • Samuel Levy Bensusan
... Carmichael had been employed, and saw that a new name was on the lintel of the door. "Well, I hope she's happy with her peeler!" he said to himself. He went on, and presently found himself before the Theatre Royal, and when he glanced at the playbills, he saw that a Shakespearian Company were in possession of it. Romeo and Juliet had been performed on Saturday night, and he remembered the line that had sustained him after ...
— The Foolish Lovers • St. John G. Ervine
... at No. 5, Woburn Place. There MacDowell's interest in the outer world was divided between the British Museum, where he found a particular fascination in the Egyptian and Syrian antiquities, and the Shakespearian performances of Henry Irving and Ellen Terry. He was captivated by their performance of "Much Ado About Nothing," and made a sketch for a symphonic poem which was to be called "Beatrice and Benedick"—a plan which ...
— Edward MacDowell • Lawrence Gilman
... artist. The "John Leech, vintner," his father, here referred to, was at one time proprietor of the London Coffee House on Ludgate Hill. A late commentator says he "was an Irishman, a man of fine culture, a profound Shakespearian scholar, and [presumably by way of apology—as if any such were needed] a thorough gentleman." Be this as it may, he was not successful as a landlord, and as a matter of fact depended in a great measure for his support upon the talents of his ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... on two of his Shakespearian impersonations, and I shall have indicated enough, in advance of Mr. Fechter's presentation of himself. That quality of picturesqueness, on which I have already laid stress, is strikingly developed in his Iago, and yet it is so judiciously governed that his Iago ...
— Miscellaneous Papers • Charles Dickens
... aware of his deficiency. We find in Nero none of those touches of swift subtle pathos that dazzle us in the Duchess of Malfy; but we find strokes of sarcasm no less keen and trenchant. Sometimes in the ring of the verse and in turns of expression, we seem to catch Shakespearian ...
— Old English Plays, Vol. I - A Collection of Old English Plays • Various
... later Master of Trinity, on first seeing him come into hall, said, "That man must be a poet." Like Byron, Shelley, and probably Coleridge, Tennyson looked the poet that he was: "Six feet high, broad-chested, strong-limbed, his face Shakespearian and with deep eyelids, his forehead ample, crowned with dark wavy ...
— Alfred Tennyson • Andrew Lang
... difficulty of introducing any particular Turk, by assuming a foregone conclusion in the reader's mind; and adverting, in a casual, careless way, to a Turk hitherto unknown as to an old acquaintance. . . . "THIS Turk he had" is a master-stroke, a truly Shakespearian touch'—(Note.) The lady, in her father's cellar ('Castle,' Old Woman's text), consoles the captive with 'the very best wine,' secretly stored, for his private enjoyment, by the cruel and hypocritical Mussulman. ...
— The Valet's Tragedy and Other Stories • Andrew Lang
... wonder and delight in it. I am rejoiced to find that this is so; and I am quite sure that it is not owing to my old prejudice, but to the intrinsic merit and beauty of the Book itself. With all its faults of detail, often mere carelessness, what a broad Shakespearian Daylight over it all, and all with no Effort, and—a lot else that one may be contented to feel without having to write an Essay about. They won't beat Sir Walter in a hurry (I mean of course his earlier, ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... and purity of style, Miss Baillie has not been surpassed by any of the poets of her sex. Her dialogue is formed on the Shakespearian model and she has succeeded perhaps better than any other dramatist in imitating the manner of the greatest poet of ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... the apparently unpremeditated lyrical flights of the Elizabethan dramatists that one meets with anything like the lilt and liquid flow of Herrick's songs. While in no degree Shakespearian echoes, there are epithalamia and dirges of his that might properly have fallen from the lips of Posthumus in "Cymbeline." This delicate epicede would have ...
— Ponkapog Papers • Thomas Bailey Aldrich
... write on darkness) is to rouse the inward vision, instead of labouring with a Drop-scene brush, as if it were to the eye; because our flying minds cannot contain a protracted description. That is why the poets, who spring imagination with a word or a phrase, paint lasting pictures. The Shakespearian, the Dantesque, are in a line, two at most. He lends an attentive ear when I speak, agrees or has a quaint pucker of the eyebrows dissenting inwardly. He lacks mental liveliness—cheerfulness, I should say, and is thankful to have it imparted. ...
— The Shaving of Shagpat • George Meredith
... Neither has put any unitary construction upon human life and its environment. Neither, as poet, is the witness of any world-view; which will mean for us that neither is a philosopher-poet. As respects Shakespeare, this is a hard saying. We are accustomed to the critical judgment that finds in the Shakespearian dramas an apprehension of the universal in human life. But though this judgment is true, it is by no means conclusive as respects Shakespeare's relation to the philosophical type of thought. For there can be universality without philosophy. ...
— The Approach to Philosophy • Ralph Barton Perry
... planning to come from fifty miles around. The young teacher began to quake at the thought of her big audience and her poor little amateur players; and yet for children they were doing wonderfully well, and were growing quite Shakespearian in ...
— A Voice in the Wilderness • Grace Livingston Hill
... Southards, Mrs. Gray, Anne, Miriam and I. Anne, Miss Southard and Mr. Southard left New York City for California last week. Mr. Southard and Anne are to appear as joint stars in film productions of 'As You Like It,' 'Hamlet,' 'King Lear' and possibly other Shakespearian plays. It is their first experience in posing before the camera. Anne sent you her love. She will write you as soon as ...
— Grace Harlowe's Return to Overton Campus • Jessie Graham Flower
... curious regularity almost once a week. At such times I at once instituted sports, such as swimming matches, races on the beach, swings, and acrobatic performances on the horizontal bars. Also Shakespearian plays, songs (the girls taught me most of Moore's melodies), and recitations both grave and gay. The fits of despondency were usually most severe when we had been watching the everlasting sea for hours, and had ...
— The Adventures of Louis de Rougemont - as told by Himself • Louis de Rougemont
... what is most admirable—who have been attracted by the very excesses of buffoonery, violations of good taste, and occasionally almost vulgar slang, which disfigure its pages. Their patronage is, at the best, of no more value than that of a mob gathered by a showy Shakespearian revival, and it has laid the volume open to the charge of being adapted "laudari ab illaudatis." But the welcome of the work in other quarters is as indubitably duo to higher qualities. In writing Don Juan, Byron attempted something that had never been done before, and ...
— Byron • John Nichol
... catalogued in the present volume were collected by the Shakespearian scholar Edward Capell and formed the principal part of his library during the years which he spent in the preparation of his edition of Shakespeare's dramatic works. After the publication of this his life's work and the completion of his commentary, the ...
— Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge • W. W. Greg
... better for being vague and dim and shadowy, all pervading, yet never tangible; and the living people have a charm about them which is as lifelike and real as the legendary folks are ghostly and remote. Phoebe, for instance, is a creation which, not to speak it profanely, is almost Shakespearian. I know no modern heroine to compare with her, except it be Eugene Sue's Rigolette, who shines forth amidst the iniquities of "Les Mysteres de Paris" like some rich, bright, fresh cottage rose thrown by ...
— Yesterdays with Authors • James T. Fields
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