"Sir walter scott" Quotes from Famous Books
... the Crowns, Sir Walter Scott half sadly reminds us in Nigel, one stream of Scottish romance and song ran dry; the end of the Kingdom became the middle of it; and as his namesake, Scott of Satchells puts it, the noble freebooter was degraded to be a common thief. But even the Reformation and the Union did not ... — The Balladists - Famous Scots Series • John Geddie
... II.] In allusion to Abbotsford, Scott, he says, "whether in verse, prose, or architecture, could achieve but one thing, although that one in infinite variety." And he adds: "For my part, I can hardly regret that Sir Walter Scott had lost his consciousness of outward things before his works went out of vogue. It was good that he should forget his fame, rather than that fame should first have forgotten him. Were he still a writer, and as brilliant a one as ever, he could no longer maintain anything ... — A Study Of Hawthorne • George Parsons Lathrop
... the Christmas festival with great splendour at York; and in 1013 Ethelred kept his Christmas with the brave citizens of London who had defended the capital during a siege and stoutly resisted Swegen, the tyrant king of the Danes. Sir Walter Scott, in his beautiful poem of "Marmion," thus pictures the "savage Dane" keeping ... — Christmas: Its Origin and Associations - Together with Its Historical Events and Festive Celebrations During Nineteen Centuries • William Francis Dawson
... that journey, I would be John Chester. He afterwards followed Coleridge into Germany, where the Kantean philosophers were puzzled how to bring him under any of their categories. When he sat down at table with his idol, John's felicity was complete; Sir Walter Scott's, or Mr. Blackwood's, when they sat down at the same table with the King, was not more so. We passed Dunster on our right, a small town between the brow of a hill and the sea. I remember eyeing it wistfully as it lay below us: contrasted with the woody ... — English Critical Essays - Nineteenth Century • Various
... Middle Ages, upon a dais, looking down upon the tourney of literature, and meant that Lucien, as in duty bound, should win her by his prowess in the field; he must eclipse "the sublime child," and Lamartine, and Sir Walter Scott, and Byron. The noble creature regarded her love as a stimulating power; the desire which she had kindled in Lucien should give him the energy to win glory for himself. This feminine Quixotry is a sentiment which hallows love ... — Two Poets - Lost Illusions Part I • Honore de Balzac
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