"Artistic" Quotes from Famous Books
 ... song, a ballata, and, above all, choral passages which have in them the future melodrama of the musical Italian stage. The lyrical treatment of the fable, its capacity for brilliant and varied scenic effects, its combination of singing with action, and the whole artistic keeping of the piece, which never passes into genuine tragedy, but stays within the limits of romantic pathos, distinguish the 'Orfeo' as a typical production of Italian genius. Thus, though little better than an improvisation, it combines the many forms of verse ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... now under discussion, and demanding a just settlement; the general question of woman's rights and relations comprehends these: Her education—literary, scientific, and artistic; her avocations—industrial, commercial, and professional; her interests—pecuniary, civil, and political; in a word, her rights as an individual, and ...
— History of Woman Suffrage, Volume I • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... "left over,"—all may be transformed, by artistic treatment, into salads delectable to the eye and taste. Potatoes are subject to endless combinations. First of all in this connection, before dressing the potatoes allow them to stand in bouillon, meat broth, or even ...
— Salads, Sandwiches and Chafing-Dish Dainties - With Fifty Illustrations of Original Dishes • Janet McKenzie Hill
... will not fail to have observed the expression "give gold." This, with the particulars adduced respecting the worth of the rings, suggests that the articles were esteemed, not for their commemorative character or artistic interest, but for their sheer pecuniary value. That this was the case is pretty evident from the fact that, in the reign of Charles II., Lord Chief Justice Kelynge, addressing one of the new Serjeants, rebuked them for their gift of rings weighing no more than 18s. each; and ...
— The Customs of Old England • F. J. Snell
... languishing at the time, the printer's beautiful type—'those most magnificent letters, especially those very small ones'. Erasmus was one of those true book-lovers who pledge their heart to a type or a size of a book, not because of any artistic preference, but because of readableness and handiness, which to them are of the very greatest importance. What he asked of Aldus was a small book at a low price. Towards the end of the year their relations had gone so far that Erasmus gave up his projected journey to Rome, for the time, ...
— Erasmus and the Age of Reformation • Johan Huizinga
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