"Comic opera" Quotes from Famous Books
 ... principle which he was the first to express shows at the present moment evident signs of exhaustion; for its future developments seem to be limited to that narrow strip of social melodrama, which lies between the devil of the comic opera and the deep sea of the Ibsenic problem play. Indeed it would not be altogether fanciful, I think, to say that The Importance of being Earnest finishes the process that Campaspe started; and ...
— John Lyly • John Dover Wilson
... or spirits," says Burney, "when it was composed; appearances remain in his foul score [i.e. rough copy] of a mind disturbed, if not diseased. There are more passages, and even whole pages, cancelled in this score, than in any one of all his former operas." Serse, it must be explained, is a comic opera, and the only comic opera that Handel ever wrote. What induced him to attempt this style it is difficult to conceive. It is of course true that the failure of Handel's earlier operas was largely due to the success of The Beggar's ...
— Handel • Edward J. Dent
... as if he were taking part in a comic opera, and enjoyed the scene immensely. But now his attention was distracted by the stewards bringing in steaming platters of macaroni and stewed mutton, from which they first served the Duchessa, and then the Duke, and afterward the guests. ...
— Aunt Jane's Nieces Abroad • Edith Van Dyne
... harbor flecked with white, triangular sails of native velas; and the river, where the coasting boats and tugs are lying at the docks. Neat cattle take the place of carabaos here to a great extent. There is the usual stone fort that seems to belong to some scene of a comic opera. America was represented here by a Young Men's Christian Association, a clubhouse, and a presidente. The troops then stationed in the town added a certain ...
— The Great White Tribe in Filipinia • Paul T. Gilbert
... cheerfulness. Most of the girls lodge over the milliners' shops, and thither their friends resort. Every establishment here has a piano, for music, with them, is a sombre passion rather than a diversion. You will not hear comic opera, but if you want to climb the lost heights of melody, stand in Bell Yard, and listen to a piano, lost in the high glooms, wailing the heart of Chopin or Rubinstein or Glazounoff through the fingers of pale, moist girls, while ...
— Nights in London • Thomas Burke
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