"Domesticity" Quotes from Famous Books
 ... M's pupil: she was Albert's wife. She was more—the embodiment, the living apex of a new era in the generations of mankind. The last vestige of the eighteenth century had disappeared; cynicism and subtlety were shrivelled into powder; and duty, industry, morality, and domesticity triumphed over them. Even the very chairs and tables had assumed, with a singular responsiveness, the forms of prim solidity. The Victorian Age was in ...
— Queen Victoria • Lytton Strachey
... to the Pacific, and the shadow that encompassed his wife did not, or rarely. It chilled their ardors, even their serene domesticity. She was often as gay and impulsive as ever, but with abrupt reserves, an implication not only of a new maturity of spirit, but of watchfulness, even fear. She had once gone so far as to give voice passionately to the dogma that no two mortals had the right to be as happy as they were; then laughed ...
— The Avalanche • Gertrude Franklin Horn Atherton
... even without Mrs. STEEL'S own declaration, that it has been for her a grateful task to set down "a record of the most perfect passion ever shown by man for woman." This was the adoration of the EMPEROR for his consort, an amazing romance of Oriental domesticity, which makes the story of the pair stranger and more fascinating than fiction. A love-tale indeed; and, since 'tis love that makes a book go round, one may trust the circulating libraries to see to it that Mistress of Men is well represented on their shelves. As a study of an ...
— Punch, or the London Charivari, Vol. 153, Dec. 19, 1917 • Various
... when the turnstile of years is reached and there is finality in the air. Hartley was built for platonics; Fate gave him the necessary touch of the commonplace that dispels romance and replaces it with a kind of deadly domesticity; and yet Hartley was unaware of ...
— The Pointing Man - A Burmese Mystery • Marjorie Douie
... of the elder schools, was the effect of age or of human life upon architecture ever adequately expressed. What ruins they drew looked as if broken down on purpose, what weeds they put on seemed put on for ornament. Their domestic buildings had never any domesticity, the people looked out of their windows evidently to be drawn, or came into the street only to stand there forever. A peculiar studiousness infected all accident; bricks fell out methodically, windows opened ...
— Modern Painters Volume I (of V) • John Ruskin
|
