"Exquisiteness" Quotes from Famous Books
... human race. It is a cruel study of women, for Fanny, the model of the domestic virtues, has lost her innocent certainties of the triumph of the right and at the first conflict with Cytherea becomes a common scold; cruel to Savina Grove, who, in spite of her exquisiteness, is only a psychoanalyst's problem; cruel to us all in exposing so ruthlessly how distressing it is to live by stale morality, yet how devastating to act with no guide but ... — Definitions • Henry Seidel Canby
... in his drawing. I say "the main virtue of Turner." Splendid though he be as a colorist, he is not unrivaled in color; nay, in some qualities of color he has been far surpassed by the Venetians. But no one has ever touched him in exquisiteness of gradation; and no one in landscape in perfect ... — Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin
... to Waverley is alone enough to disprove Scott's disparagement of himself, his belief that he had been denied exquisiteness of touch. Nothing human is more delicate, nothing should be more delicately handled, than the first love of a girl. What the "analytical" modern novelist would pass over and dissect and place beneath his microscope till a student of any manliness blushes ... — Waverley, Or 'Tis Sixty Years Hence, Complete • Sir Walter Scott
... have had moments of upheaval when you heard the growling of the tiger and the bear, when the brute crowded out the man. Then your soul writhed in derision, you scoffed at that which you had held to be the nobility of the soul, and you minced words satirically over the exquisiteness of the type which we have evolved. Then the experiment of life turned farce, the heavens fell about your ears and "Fool!" was upon your lips. Oh, the hurricane that sweeps over the soul when it is cheated of its joy! In the first instant of Ellen's indifference, ... — The Kempton-Wace Letters • Jack London
... painters have had enough sensibility of inspiration to make them distinguished and romantic figures. Who but feels that Wilson, Blake, Reynolds, Turner, and Rossetti were remarkable men? Others have had that facility and exquisiteness of handling which gives us the enviable and almost inexhaustible producer of charming objects—Hogarth, Cotman, Keene, Whistler, Conder, Steer, Davies. Indeed, with the exceptions of Blake and Rossetti—two heavy-handed men of genius—and Reynolds, whose reactions were something ... — Since Cezanne • Clive Bell
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