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Juxtaposition   /dʒˌəkstəpəzˈɪʃən/   Listen
Juxtaposition

noun
1.
The act of positioning close together (or side by side).  Synonyms: apposition, collocation.
2.
A side-by-side position.






WordNet 3.0 © 2010 Princeton University








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"Juxtaposition" Quotes from Famous Books



... man in connexion with tobacco as a necessary, the juxtaposition cannot fail to strike us as exceedingly ludicrous. From the earliest ages of philosophy, it has been a favourite employment of the wise to propose such definitions of man as should fully distinguish him from ...
— The American Quarterly Review, No. 17, March 1831 • Various

... AND MOTHER GOOSE thus stand in juxtaposition; and as the former was instrumental in cementing the union, which resulted in placing the latter so conspicuously before the world, it is but just that it should be so,—although the one was a learned man, a most voluminous writer, and published a great many books, some wise and some ...
— The Only True Mother Goose Melodies • Anonymous

... colour, as to make a melody upon one note of the harmonic scale; it is skilful variation of tone, the gradation or even judicious opposition of tint which gives exquisite satisfaction to the eye. In music, sequence produces this effect upon the ear, and in colour, juxtaposition and gradation upon the eye. Notes follow notes in melody as shade follows shade in colour. We find no need of even different names for the qualities peculiar to the two; scale—notes—tones—harmonies—the ...
— Principles of Home Decoration - With Practical Examples • Candace Wheeler

... Comte de Buffon has attempted to explain the crystallization of bodies, or production of mineral forms, by the accretion or juxtaposition of elementary bodies, which have only form in two dimensions, length and breadth; that is to say, that mineral concretions are composed of surfaces alone, and not of bodies. This however is only an attempt to explain, what we do not understand, by a proposition which ...
— Theory of the Earth, Volume 1 (of 4) • James Hutton

... unions can hardly fail to shock a correct taste, even if the story is managed with tolerable skill. In this instance, we can not highly praise the conduct of the narrative. It is full of improbable combinations. Persons and scenes are brought into juxtaposition, in a manner to violate every principle of vraisemblance. The effect is so to blunt the interest of the story, that we can hardly plod ...
— Harper's New Monthly Magazine, Vol. 2, No. 8, January, 1851 • Various


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