"Sculpture" Quotes from Famous Books
 ... or the Temple of Wisdom, containing the Occult Powers of the Angels of Astromancy in the Telesmatical Sculpture of the Persians and Aegyptians; the knowledge of the Rosie-Crucian Physick, and the Miraculous in Nature, &c., by John Heydon. 8vo. 1664. [The works of this enthusiast are extremely curious and rare. He is also the ...
— Notes and Queries, Number 196, July 30, 1853 • Various
... astrological temple, came at a later time to be understood as picturing a certain series of events, interpreted and expanded by a poetical writer into a complete narrative. Without venturing to insist on so heterodox a notion, I may remark as an odd coincidence that probably such a picture or sculpture would have shown the smoke ascending from the Altar which I have already described, and in this smoke there would be shown the bow of Sagittarius; which, interpreted and expanded in the way I have mentioned, might have accounted for ...
— Myths and Marvels of Astronomy • Richard A. Proctor
... "These were human figures made of narrow pieces of wood about eighteen inches or two feet long, and wrought in a much neater and more proportionate manner than we could have expected, after seeing the rude sculpture of the statues. They were made to represent persons of both sexes; the features were not very pleasing, and the whole figure was much too long to be natural; however, there was something characteristic ...
— A General History and Collection of Voyages and Travels, Volume 14 • Robert Kerr
... human heart for the beauty of God's working—to startle its lethargy with a deep and pure agitation of astonishment—are their higher missions. They are as a great and noble architecture, first giving shelter, comfort, and rest; and covered also with mighty sculpture and ...
— Mountain Meditations - and some subjects of the day and the war • L. Lind-af-Hageby
... there is a decent sculptor at Zurich, you must oblige me by giving him a few sittings, for him to model a large medallion in relief of you. I cannot bear lithographed portraits; to me they have always a somewhat bourgeois appearance, while sculpture represents a man in ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... sculpture, came from that age; all the priceless relics that we call classic. And in its stead we had the mechanical age. Man likewise became a mechanism, emotionless, with no taste for Nature. Meat was made synthetically, ...
— The Blind Spot • Austin Hall and Homer Eon Flint
... the theatre, which had forty-eight arches, eleven behind the scenes of ten feet wide, three grand arches of fourteen feet wide, and thirty-one of twelve feet; the diameter was thirty-one canes, and the circumference seventy-nine; and from the infinite number of beautiful pieces of sculpture, frizes, architraves, pillars of granite, &c. which have been dug up, it is very evident that this theatre was a most magnificent building, and perhaps would have stood firm to this day, had not a Bishop ...
— A Year's Journey through France and Part of Spain, Volume II (of 2) • Philip Thicknesse
... deity, all unsophisticated men seize the first safe opportunity to knock off their heads! In spite of all dilapidations, however, the effect of the west front of the Cathedral is still exceedingly rich, being covered from massive base to airy summit with the minutest details of sculpture and carving: at least, it was so once; and even now the spiritual impression of its beauty remains so strong, that we have to look twice to see that much of it has been obliterated. I have seen a cherry-stone carved all over by a monk, so minutely that it must ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... Dennis afterwards published some remarks, of which the most reasonable is, that some of the lines represent motion, as exhibited by sculpture[115]. ...
— The Works of Samuel Johnson, LL.D. in Nine Volumes - Volume the Eighth: The Lives of the Poets, Volume II • Samuel Johnson
... beautifully defined eyebrows of the same rich tint, alone preserving any thing like uniformity—a uniformity which, combined with her almost Grecian regularity of features, gave her, on the rare occasions when her countenance and figure were at rest, the air of some nymph or dryad of ancient sculpture. But to compare Mary Stanley to any thing of marble is strangely out of place; for her real beauty consisted in the ever-varying play of her features, and a certain impetuosity of movement, that would have been a little characteristic of the romp, but that ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various
... in order to produce the plays of Shakespeare and Shaw—(just as industrial Germany profited by the ideas of Bessemer[70] and Perkins). Germany's claim to artistic vitality, to genuinely original culture, can be supported only by a certain distinct excellence in sculpture and caricature, two arts which often seem to go hand in hand, perhaps because both are based on a precise simplification of form. But for the activity of a small band of sculptors and caricaturists ...
— The World in Chains - Some Aspects of War and Trade • John Mavrogordato
... of the Architecture, Sculpture, Mural Decorations, Color Scheme & Other Aesthetic Aspects ...
— The Art of the Exposition • Eugen Neuhaus
... in Persia, for Baku has retained its Persian physiognomy. I visit a palace of the khans, a pure product of the architecture of the time of Schahriar and Scheherazade, "daughter of the moon," his gifted romancer, a palace in which the delicate sculpture is as fresh as it came from the chisel. Further on rise some slender minarets, and not the bulbous roofs of Moscow the Holy, at the angles of an old mosque, into which one can enter without taking off one's boots. True, the muezzin ...
— The Adventures of a Special Correspondent • Jules Verne
... his home life had also been a kind of preparation for appreciation of the masterpieces, many of which had long been familiar to his eyes and thoughts in reproductions. In his Boston days he use to visit such collections of pictures as were accessible to him, and he knew sculpture somewhat through casts. Such cultivation, however, was at best a very limited and incomplete preparation, and did not preserve him from the tourist's weariness of galleries. He had wished in London that the Elgin marbles had all been ...
— Nathaniel Hawthorne • George E. Woodberry
... eastern wall of the choir, pierced above by three lancet windows and below by a wide circular arch receding in many orders. A central pillar divides this lower arch, two pointed arches springing from its capital and leaving a spandrel between them, which is covered with modern sculpture. In the far distance may be distinguished the east wall of the Lady Chapel and its ...
— Bell's Cathedrals: The Cathedral Church of Hereford, A Description - Of Its Fabric And A Brief History Of The Episcopal See • A. Hugh Fisher
... be too severe a misfortune for others," says my complimentary ape. "You approve, perhaps, of Rosemary's 'Babes in the Wood,' as something fresh and naive in sculpture?" ...
— Impressions of Theophrastus Such • George Eliot
... age of Phidias the art of sculpture reached its maturity. No race and no people have ever surpassed the consummate achievements of that period. But this perfection was the result of a process of evolution. There had been graduated steps, and those same steps must to-day be taken in the education of the ...
— The Evolution of Expression Vol. I • Charles Wesley Emerson
... drama was discussed purely as literature. This deliberate and delicate confusion of aesthetics clouded the public mind. He described Sordello as a vast mural fresco, a Puvis de Chavannes in tone, a symphonic drama wherein agonized the shadowy AEschylean protagonist. Even sculpture was rifled for analogies, and Van Kuyp to his bewilderment found himself called "The Rodin of Music"; at other times, "Richard Strauss II," or a "Tonal Browning"; finally, he was adjured to swerve not from the path he had so wonderfully hewn for himself in ...
— Visionaries • James Huneker
... informed, penetrating, and he spread comments acute, critical, pungent, with the freest possible tongue. He showed her the tawdry, restless vulgarity of the architecture along the most splendid of her favourite thoroughfares, and the ludicrousness of much of the sculpture that cumbered the public parks; and with the mercilessness of youth for mediocrity in his seniors, the arrives, he would run through the canvases of current exhibitions, displaying an abrupt arrogance, a bald, raw, cursory ...
— Under the Skylights • Henry Blake Fuller
... of the Gallery of Antiques, and of its chefs-d'oeuvre of sculpture continued and terminated—Noble example set by the French in throwing open their museums and national establishments to public inspection—Liberal ...
— Paris As It Was and As It Is • Francis W. Blagdon
... of Permanence, whether it be conscious or subconscious with the artist, is a necessary factor of the noblest art. Many of us remember the Court of Honor at the World's Columbian Exposition, at Chicago fifteen years ago. The sculpture was good and the architecture better. In chasteness and symmetry of general design, in spaciousness fittingly restrained, in simplicity more decorative than deliberate decoration, those white buildings blooming into gold and mirrored in a calm lagoon, dazzled ...
— The Theory of the Theatre • Clayton Hamilton
... and shows much appreciation of fine scenery and architecture. His judgements in painting and sculpture are sincere, though often betraying the autodidact and amateur. He loved music, especially Rossini's operas which were then beginning their long career of triumph. Theatricals of all sorts, especially ballets, had a great attraction for him and elicited his enthusiastic comments. In ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... represent a hunt. In the middle a woman is setting a dog on to two beasts, and behind them there is a man blowing a horn. At the sides are two quatrefoils, set in which are figures (1) of a man attacking another man drinking, and (2) one man driving another away. The sculpture over the south door was destroyed in the fire of 1840, but a careful restoration of it has been made. It consists of a man in the middle fighting with a dragon, with sword and shield, and at the sides in the quatrefoils (1) Delilah ...
— The Cathedral Church of York - Bell's Cathedrals: A Description of Its Fabric and A Brief - History of the Archi-Episcopal See • A. Clutton-Brock
... fourteenth century religious pageants were added. "All art was still religion," but an art was unmistakably arising amid cathedral-building and the setting- forth of the Christian mysteries, and before long this was to flower in modern forms of expression in painting, sculpture, and ...
— THE HISTORY OF EDUCATION • ELLWOOD P. CUBBERLEY
... Antiquities of England and Scotland; comprising specimens of architecture and sculpture, and other vestiges of former ages, accompanied by descriptions. Together with illustrations of remarkable incidents in Border history and tradition, and original poetry. By Walter Scott, ...
— Sir Walter Scott as a Critic of Literature • Margaret Ball
... had a heavy object hoisted to the belfry, wrapped in a dark sack or cloak—a procedure sometimes had in the case of an elaborate piece of sculpture, or statue, which, being intended to grace the front of a new edifice, the architect does not desire exposed to critical eyes, till set up, finished, in its appointed place. Such was the impression now. But, as the object rose, a statuary present observed, or thought he did, that it was not entirely ...
— The Piazza Tales • Herman Melville
... returned a man followed in after her. He was old and bent, and his face was thin. His cheek-bones shone, so tightly was the skin drawn over them. And behind him came a younger man, as straight as a tree, with strong shoulders, and a head set like a piece of bronze sculpture. Roscoe thought of Ransom and of his words ...
— The Grizzly King • James Oliver Curwood
... of Time dropping his hour-glass and scythe to throw a dart at the fleshless figure of Death. This last image seems to me about the equivalent in mortuary poetry of Roubiliac's monument to Mrs. Nightingale in mortuary sculpture,—poor conceits both of them, without the suggestion of a tear in the verses or in the marble; but the rhetorical exaggeration does not prevent us from feeling that we are standing by the resting-place of one ...
— Our Hundred Days in Europe • Oliver Wendell Holmes
... Great Chamber, or Dining Room, the Drawing Chamber, the Chapel, and other apartments, still retained their richly-carved ceilings, and the sides of the rooms were ornamented with a 'great profusion of ancient sculpture, finely executed in wood, exhibiting the bearings, crests, badges, and devises, of the Percy family, in a great variety of forms, set off with all the advantages of painting, gilding ...
— Yorkshire Painted And Described • Gordon Home
... pitched, conducted me to the ruins of the wall; and told me that it had been broken down by the order of the Emperor Aurangzeb.[4] History to these people is all a fairy tale; and this emperor is the great destroyer of everything that the Muhammadans in their fanaticism have demolished of the Hindoo sculpture or architecture; and yet, singular as it may appear, they never mention his name with any feelings of indignation or hatred. With every scene of his supposed outrage against their gods or their temples, there is always associated the recollection of some instance of his piety, and the Hindoos' ...
— Rambles and Recollections of an Indian Official • William Sleeman
... receiving, through an imaginative medium, and under imaginative conditions, new and beautiful impressions, is the only temperament that can appreciate a work of art. And true as this is in the case of the appreciation of sculpture and painting, it is still more true of the appreciation of such arts as the drama. For a picture and a statue are not at war with Time. They take no count of its succession. In one moment their unity may ...
— The Soul of Man • Oscar Wilde
... grand-nephew of Edmund, became the lineal representative of the family; but the library, and all the tokens of respect and admiration which he received from the good, and from the whole world, went with the property to Mrs. Burke's nephew, Mr. Nugent. Some of the sculpture which ornamented the house now graces ...
— The International Magazine, Volume 2, No. 2, January, 1851 • Various
... of written words. With the loss of every degree of such realism as we have described, there is for art a clear gain of liberty and largeness of competence. Thus, painting, in which the round outlines of things are thrown on to a flat board, is far more free than sculpture, in which their solidity is preserved. It is by giving up these identities that art gains true strength. And so in the case of novels as compared with the stage. Continuous narration is the flat board on to which the novelist throws everything. And from this ...
— Familiar Studies of Men & Books • Robert Louis Stevenson
... those cold dreams of the buried generations. Oh that they could speak, and set her heart at rest! At the lower end of the room stood a Pallas, completely armed with aegis, spear, and helmet; a gem of Athenian sculpture, which she had bought from some merchants after the sack of Athens by the Goths. There it stood severely fair; but the right hand, alas! was gone; and there the maimed arm remained extended, as if in sad mockery of the faith of which the body remained, while the ...
— Hypatia - or, New Foes with an Old Face • Charles Kingsley
... or a model of sculpture which in the judgment of a competent professional represents a sufficiently high order of ...
— Scouting For Girls, Official Handbook of the Girl Scouts • Girl Scouts
... art and customs of the Japanese. He says,[9] "Art in Japan is so intimately associated with religion that any attempt to study it without extensive knowledge of the beliefs which it reflects were mere waste of time. By art I do not mean painting and sculpture but every kind of decoration, and most kinds of pictorial representation—the image of a boy's kite or a girl's battledore not less than the design upon a lacquered casquet or enameled vase,—the figure upon a workman's trowel not less than the pattern of the ...
— The Journal of Abnormal Psychology - Volume 10
... of Science and Art in Emmet-place can bear comparison with those of any town of the same size in Great Britain or Ireland. The sculpture and picture galleries are open to visitors. The splendid collection of casts from the antiques in the Vatican Gallery were executed under the superintendence of Canova, and sent by Pope Pius VII. to George IV. The ship which carried ...
— The Sunny Side of Ireland - How to see it by the Great Southern and Western Railway • John O'Mahony and R. Lloyd Praeger
... flowers of sense are but a waste of heaven Where there is none to know them from the rocks And sand-grass of his own monotony That makes earth less than earth. He could see that, And he could see no more. The captured light That may have been or not, for all he cared, The song that is in sculpture was not his, But only, to his God-forgotten eyes, One more immortal nonsense in a world Where all was mortal, or had best be so, And so be done with. 'Art,' he would have said, 'Is not life, and must therefore ...
— The Three Taverns • Edwin Arlington Robinson
... one who was outside. When she returned a man followed in after her. He was old and bent, and his face was thin. His cheek-bones shone, so tightly was the skin drawn over them. Behind him came a younger man, as straight as a tree, with strong shoulders and a head set like a piece of bronze sculpture. This man carried in his hand a frozen fish, which he gave to the woman. As he gave it to her he spoke words in Cree which ...
— Isobel • James Oliver Curwood
... thirteenth century. But let that pass. This craving after so-called classic art, whether it be Manicheism or not, is certainly a fighting against God,—a contempt of everything which He has taught us artists since the introduction of Christianity. I abominate this setting up of Sculpture above Painting, of the Greeks above the Italians,—as if all Eastern civilization, all Christian truth, had taught art nothing,—as if there was not more real beauty in a French cathedral or a Venetian palazzo than in a dozen Parthenons, and more soul in one Rafaelle, or Titian either, than in ...
— Prose Idylls • Charles Kingsley
... from abroad, to plan and raise ecclesiastical structures. The Anglo-Saxon churches were, however, rudely built, and, as far as can be ascertained, with some few exceptions, were of no great dimensions and almost entirely devoid of ornamental mouldings, though in some instances decorative sculpture and mouldings are to be met with; but in the repeated incursions of the Danes, in the ninth and tenth centuries, so general was the destruction of the monasteries and churches, which, when the country became tranquil, were rebuilt by the Normans, ...
— The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed. • Matthew Holbeche Bloxam
... Fine arts. Landscape gardening. Architecture. Sculpture. Drawing, decoration, design. Painting. ...
— Public Speaking • Clarence Stratton
... perspectives, and elevations in all renderings; photographs of executed work; landscape architecture; interior architecture and decoration; interior furnishings (samples and sketches); architectural and decorative metal work (wrought iron, bronze, and brass); sculpture ...
— The Brochure Series of Architectural Illustration, Vol 1, No. 11, November, 1895 - The Country Houses of Normandy • Various
... this time. There are several large columns standing among the ruins of Rome, and among them are two with spiral lines of sculpture around them, which are extremely similar to each other, and it is not at all surprising that Rollo was at first deceived ...
— Rollo in Rome • Jacob Abbott
... to thousands of educated men it did not appeal. Few people are so immaterialistic that they can dispense with symbols; many can idealize symbols in which others see nothing but matter; and only those devoid of artistic perception deny the religious value of sculpture, painting, and music. Protestantism might be an ideal religion if men were compounded of pure reason; being what they were, many adopted it because they were impervious to artistic influence or impatient of spiritual discipline. It will hardly do to divide the nation into ...
— The History of England - A Study in Political Evolution • A. F. Pollard
... where Theseus abandoned Ariadne, leaving her asleep. For Minerva had appeared to Theseus in a dream, and warned him that Ariadne was destined to be the wife of Bacchus, the wine-god. (One of the finest pieces of sculpture in Italy, the recumbent Ariadne of the Vatican, represents this incident. A copy is in the Athenaeum gallery, Boston. The celebrated statue of Ariadne, by Danneker, represents her as riding on the tiger of Bacchus, at a somewhat later ...
— TITLE • AUTHOR
... About the Courts and Palaces of the Panama Pacific International ExposItion with a Discussion of Its Architecture - Its Sculpture - Its Mural Decorations Its Coloring - And Its Lighting - Preceded by a History ...
— The City of Domes • John D. Barry
... livid stone unrelieved by any sculpture. The air was full of voices inculcating charity and self-denial, and others lamenting the sin of envy. Here envy was punished, and here the sharpest pain pierced Dante's heart as he saw the penitents sit shoulder to shoulder against the cliff, robed in sackcloth of the ...
— National Epics • Kate Milner Rabb
... naturally strengthened her belief in him. He was her discovery. He grew almost to be her invention. Just consider. Here was a young Greek god—everyone who had a bowing acquaintance with ancient sculpture immediately likened Paul to a Greek god, and Ursula was not so far different from her cultured fellow mortals as to liken him to anything else—here was a young Phoebus Apollo, all the more Olympian because of his freedom from earthly ties, ...
— The Fortunate Youth • William J. Locke
... principal elevation. A broad flight of steps leads to the central entrance. The front elevation is about 290 feet in length. The vestibule immediately within the principal door leads into an octagonal sculpture hall, top-lighted by a glass dome. There are besides five picture-galleries, also top-lighted. The pictures, which include the work of the most famous British artists, are nearly all labelled with the titles and artists' ...
— Westminster - The Fascination of London • Sir Walter Besant
... the huge towers and heavy battlements rise in stern and solemn grandeur, moss-grown with age, and blackened by the storms of three centuries. Within, all is mournful and deserted. The grass has overgrown the pavement of the courtyard, and the rude sculpture upon the walls is ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... until after the science is well comprehended, yet the art of strategy was born before the science was. This is true of all those departments of man's activity that are divided into sciences and arts, such as music, surgery, government, navigation, gunnery, painting, sculpture, and the rest; because the fundamental facts—say of music—cannot even attract attention until some music has been produced by the art of some musician, crude though that art may be; and the art cannot advance very far until scientific ...
— The Navy as a Fighting Machine • Bradley A. Fiske
... flowers the brave, Flushed with the conquest of some far-off clime, And, louder than the roar of meeting seas, Applauding thunder rolled upon the breeze. Memorial columns rose Decked with the spoils of conquered foes, And bards of high renown their stormy paeans sung, While Sculpture touched the marble white, And, woke by his transforming might, To life the statue sprung. The vassal to his task was chained— The coffers of the state were drained In rearing arches, bright with wasted gold, That after generations might be told A ...
— Graham's Magazine Vol XXXII. No. 3. March 1848 • Various
... with the various forms" of nature casts the Puritanic soul of Bryant, than the mood in which this German-blooded, Kentucky-born poet, who keeps throughout his song the sense of a perpetual and inalienable youth, with a spirit as pagan as that which breathes from Greek sculpture—but happily not more pagan. Most modern poets who are antique are rather over-Hellenic, in their wish not to be English or French, but there is nothing voluntary in Mr. Cawein's naturalization in the older ...
— Poems • Madison Cawein
... confounded. A man's vocation is his profession, his calling, his business; and his avocations are the things that occupy him incidentally. Mademoiselle Bernhardt's vocation is acting; her avocations are painting and sculpture. "The tracing of resemblances among the objects and events of the world is a constant ...
— The Verbalist • Thomas Embly Osmun, (AKA Alfred Ayres)
... its foreign reputation for patronizing the Belle Arti, has an annual display of such paintings and sculpture as artists may see fit to send, and—the censor see fit to admit: for, in this exhibition, 'nothing is shown that will shock the most fastidious taste'—and it can be found thus, in a building in the ...
— The Continental Monthly , Vol. 2 No. 5, November 1862 - Devoted to Literature and National Policy • Various
... time has yet to arrive when the march of empire westward will bring in its train our portion of those chef d'oeuvres of painting and sculpture which adorn the princely palaces of Europe, and confer distinction upon the possessors of wealth and taste in humbler abodes. To us, who have never visited those miracles of art, the sight of one of them is too gratifying to be passed over ...
— The Knickerbocker, or New-York Monthly Magazine, May 1844 - Volume 23, Number 5 • Various
... was Pericles that he was able to appreciate the best not only in men, but in literature, painting, sculpture, music, architecture and life as well. In him there was as near a perfect harmony as we have ever seen—in him all the various lines of Greek culture united, and we get the perfect man. Under the right conditions there might be produced a race of such men—but such a race never lived in Greece ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... the top of a short column. Shrawley Church possesses many points of interest for the antiquary: among which may be mentioned, a Norman window pierced through one of the buttresses of the chancel. Among the noticeable things at Leigh Church is a rude sculpture of the Saviour placed exteriorly over the north door of the nave, in a recess, with semicircular heading and Norman pillars. The rector is gradually ...
— Notes and Queries, Number 215, December 10, 1853 • Various
... was to cultivate her tastes. She always said there was enough of hard practicality and useful knowledge forced on us by necessity, and that the thing most needed was to soften and refine our minds. She picked up every scrap of information concerning painting, sculpture, poetry, music, &c., as ...
— The Life of Charlotte Bronte - Volume 1 • Elizabeth Gaskell
... whom Ganganelli called the "beautiful" Braschi, well deserved that epithet. No nobler or more plastic beauty was to be seen; no face that more reminded one of the divine beauty of ancient sculpture, no form that could be called a better counterfeit of the Belvedere Apollo. And it was this beauty which liberal Nature had imparted to him as its noblest gift, which helped Juan Angelo Braschi, the son of a poor nobleman ...
— The Daughter of an Empress • Louise Muhlbach
... described is of a dignity and beauty never before attained; the beings must have been lofty and reverend indeed for whom such dwellings were formed. The gable spaces and the flat surfaces between the tops of the pillars and the roof gave opportunity for sculpture; and the archaeologist traces on these metopes (spaces between the beam-ends under the roof) and friezes, the progress of Greek sculpture from a rude stage to that in which the sculptor has gained complete mastery over his material, and can give an imposing representation of a myth, ...
— History of Religion - A Sketch of Primitive Religious Beliefs and Practices, and of the Origin and Character of the Great Systems • Allan Menzies
... faint rays of light, just such as enable cats and owls to mouse, found their way into the dungeon; and, by their aid, Dubourg, whom accident or the humanity of his keeper had put in possession of an old nail, and who inherited the passion of his countrymen for flowers, contrived to sculpture roses and other flowers upon the beams of his cage. Continual inaction, however, though it could not destroy life, brought on the gout, which rendered the poor wretch incapable of moving himself about from one side of the cage to the other; and he observed to his keeper, that the greatest misery ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 479, March 5, 1831 • Various
... sympathizing chord in the bosoms of the sturdy Northmen. Art, to be perfect, requires a distinctness of conception, and an assimilation to human nature in its subjects, entirely at variance with the dim, mysterious character of the Scandinavian imagination. Painting is a thing utterly unknown, and sculpture, where found, deals in shapeless blocks and huge, massive, ill-proportioned forms, analogous to the primitive Egyptian art. In the Northern mythology and legendary history, minstrels play an important ...
— The Continental Monthly, Vol. 2, No. 2, August, 1862 - Devoted to Literature and National Policy • Various
... not argue that the novel should be counted supreme among the great traditional forms of art. Even if there is a greatest form, I do not much care which it is. I have in turn been convinced that Chartres Cathedral, certain Greek sculpture, Mozart's Don Juan, and the juggling of Paul Cinquevalli, was the finest thing in the world—not to mention the achievements of Shakspere or Nijinsky. But there is something to be said for the real pre-eminence of prose fiction as a literary form. (Even the modern epic has learnt ...
— The Author's Craft • Arnold Bennett
... violl, on which he play'd masterly, he had an exact eare and judgement in other musick, he shott excellently in bowes and gunns, and much us'd them for his exercise, he had greate judgment in paintings, graving, sculpture, and all liberal arts, and had many curiosities of vallue in all kinds, he took greate delight in perspective glasses, and for his other rarities was not so much affected with the antiquity as the merit of the worke—he ...
— Characters from 17th Century Histories and Chronicles • Various
... I quite see what you mean. Like the statuary of Rodin or Epstein. One sees really only half the form, as if growing out of the sketchy sculpture. And then there's another thing—I ...
— Love at Second Sight • Ada Leverson
... but it reaches a precision in the second that it cannot have in the first. Of the gallop of a horse our eye perceives chiefly a characteristic, essential or rather schematic attitude, a form that appears to radiate over a whole period and so fill up a time of gallop. It is this attitude that sculpture has fixed on the frieze of the Parthenon. But instantaneous photography isolates any moment; it puts them all in the same rank, and thus the gallop of a horse spreads out for it into as many successive ...
— Creative Evolution • Henri Bergson
... believed that somebody had been falsely informed that the emperor would visit the plant that day. "These great and frightening changes will probably turn out to be a new fad in abstract sculpture. ...
— Ministry of Disturbance • Henry Beam Piper
... the chase, the toilet objects, the stores of clothing, the draughtsmen, and even the literature of papyri buried with the dead. The later form of this system was the representation of all these offerings in sculpture and drawing in the tomb. This modification probably belongs to the belief in the ka, which could be supported by the ka of the food and use the ka of the various objects, the figures of the objects being supposed to provide the kas of them. This system is entirely complete ...
— The Religion of Ancient Egypt • W. M. Flinders Petrie
... arts like those in France. There are Universities in most countries, but it is in France only that we meet with so beneficial an encouragement for astronomy and all parts of the mathematics, for physic, for researches into antiquity, for painting, sculpture, and architecture. Louis XIV. has immortalised his name by these several foundations, and this immortality did not cost him two ...
— Letters on England • Voltaire
... of frivolity ensued," went on Mr. Dubbe. "Not only was Italian music influenced by this sixth, but Italian art, architecture, sculpture, even material products. Take, for example, Neapolitan ice-cream. Observe the influence of the sixth. The cream is made in three color tones—the vanilla being the subdominant, as the chord is of subdominant ...
— The So-called Human Race • Bert Leston Taylor
... (Pacific coast, opposite Vancouver Island): "This was a war canoe—the first of the kind I had seen. She was about thirty-six feet long and wide in proportion, the stem rising upright about six feet, on top of which was a figure of some imaginary monster of uncouth sculpture, having the head of a carnivorous animal with large erect ears but no body, clinging by arms and legs to the upper end of the canoe, and grinning horribly. The ears were painted green, the other parts red and black. The stern ...
— Pioneers in Canada • Sir Harry Johnston
... therefore claim a few more minutes of your kind attention. The moral life of Bailly is like those masterpieces of ancient sculpture, that deserve to be studied in every point of view, and in which new beauties are continually discovered, in proportion as the contemplation ...
— Biographies of Distinguished Scientific Men • Francois Arago
... of the truth of Susanna's expression of feeling. Susanna, without her sensual charm, is inconceivable, and a tinge of sensuality is an essential element of her nature; but Mozart has transfigured it into a noble purity which may fitly be compared with the grandest achievements of Greek sculpture. ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... of the Assyrians shows a laborious and patient people. Its chief glory was in architecture. Sculpture was imitated from nature, but had neither the grace nor the ideality of the Greeks. War was the grand business of kings, and hunting their pleasure. The people were ground down by the double tyranny of kings and priests. There is little ...
— Ancient States and Empires • John Lord
... and thought.... He will read deeper meaning thenceforward in every picture, every building, every book, every newspaper.... If you want to know the origin of the art of building, the art of painting, the art of sculpture, as you find them to-day in contemporary America, you must look them up in the churches, and the galleries of early Europe. If you want to know the origin of American institutions, American law, American thought, and American language, you must go to England; you must ...
— Questionable Amusements and Worthy Substitutes • J. M. Judy
... exceeded only in one respect, that it was one hundred seventy six feet high—for the work was much inferior to the former, being undertaken in the declining age of the empire. The ascent on the inside was by one hundred six steps, and the windows, in the sides, fifty-six; the sculpture and the other ornaments were of the same nature as those of the first, and on the top stood a colossal statue of the emperor, naked, as ...
— Roman Antiquities, and Ancient Mythology - For Classical Schools (2nd ed) • Charles K. Dillaway
... As painting and sculpture attained so high a level of maturity in the sixteenth century, one might suppose that architecture would do the same. In truth, {686} however, architecture rather declined. Very often, if not always, each special ...
— The Age of the Reformation • Preserved Smith
... over Italy—the home of sublime frescos. The most atrociously debased architecture in the world is to be found in France—the home of sober artistic tradition. Europe is simply peppered everywhere with sculpture whose appalling mediocrity defies competition. But when the European meets ugly sculpture or any ugly form of art in the New World, his instinct is to exclaim, "Of course!" His instinct is to exclaim, "This beats everything!" The attitude will not bear examination. And ...
— Your United States - Impressions of a first visit • Arnold Bennett
... adapt our education from quaint and curious sources. It is the apt correlation of the arts which accounts for the acknowledgment by an English story writer that she got her style from Ruskin's "Principles of Drawing"; and of a landscape painter that to sculpture he owed his discernment of the forest secrets, by daily observing the long lines of statues in the corridor of the Royal Academy; or by the composer of pictures to the composer of music; or by the preacher that suggestions to discourse had come to him ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... other people to it. The manner of doing things is often more important than the things themselves; and the very same thing may become either pleasing or offensive, by the manner of saying or doing it. 'Materiam superabat opus', is often said of works of sculpture; where though the materials were valuable, as silver, gold, etc., the workmanship was still more so. This holds true, applied to manners; which adorn whatever knowledge or parts people may have; and even make a greater impression ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... traditions, nor the motu propria of popes, had corrupted the dogma and the ritual. In the fourth Eliberitan council, celebrated in Granada, not only the worship but even the use of images, pictures, and sculpture, was prohibited in the temples, a prohibition before unheard of in the annals of that age,—an age in which the practice of invoking saints had become familiar, and more importance was beginning to be attached to the pomp of rites than to true piety ...
— Roman Catholicism in Spain • Anonymous
... for mark in this prophecy is [Greek: charagma] (charagma), and is defined to mean, "a graving, sculpture, a mark cut in or stamped." It occurs nine times in the New Testament, and with the single exception of Acts 17:29, refers every time to the mark of the beast. We are not, of course, to understand in this symbolic prophecy, that a literal ...
— The United States in the Light of Prophecy • Uriah Smith
... added the King, "is the somewhat singular origin of the illustrious abbey which your sister rules with such eclat. You must have remarked the boar's head, perfectly imitated in sculpture, in the dome; that mask is the speaking history of the noble community of Fontevrault, where more than a hundred Benedictine monks obey ...
— The Memoirs of Madame de Montespan, Complete • Madame La Marquise De Montespan
... close of his useful and admirable life, he spoke to his friends of occupying himself with "ingenious trifles," and of turning "some of his idle thoughts" upon the invention of an arithmetical machine and a machine for copying sculpture. These and other useful works occupied his ...
— James Nasmyth's Autobiography • James Nasmyth
... sincere enthusiasm that he expatiated on the skill with which the artist had reproduced in color the noble lines which Caracalla so much admired in the sculpture of the great Greek masters; how warm and tender the flesh was; how radiant the light of those glorious eyes; how living the waving hair, as though it still breathed of the scented oil! And when Philostratus explained that though ...
— Uarda • Georg Ebers
... lifelessness, of one burnt out by the fire of too much living; but whether the living had been done by Keith himself or by his immediate ancestors appearances did not disclose. This look of passionless, motionless repose, like classic sculpture, was sharply and startlingly belied by a pair of really wonderful eyes—deeply and intensely blue, brilliant, all seeing, all comprehending, eyes that seemed never to sleep, seemed the ceaselessly industrious servants of a brain that busied itself ...
— The Price She Paid • David Graham Phillips
... for a docile pupil. Adams was docile enough, for he knew nothing and liked to listen. Indeed, he had to listen, whether he liked or not, for Palgrave's voice was strident, and nothing could stop him. Literature, painting, sculpture, architecture were open fields for his attacks, which were always intelligent if not always kind, and when these failed, he readily descended to meaner levels. John Richard Green, who was Palgrave's precise opposite, ...
— The Education of Henry Adams • Henry Adams
... those who know not Christ? Why should we who reckon it a part of the glory of the Church in the past that she labored to civilize barbarians, to emancipate slaves, to elevate woman, to preserve the classical writings, to foster music, painting, sculpture, architecture, poetry, and eloquence, think it no part of her mission now to encourage scientific research? To be Catholic is to be drawn not only to the love of whatever is good and beautiful, but also to the love of whatever ...
— Education and the Higher Life • J. L. Spalding
... and in others also, there are fragments of beautiful sculpture hacked out of the walls of the famous tomb of Khaemhat at Thebes. In the British Museum there are large pieces of wall-paintings broken out of Theban tombs. The famous inscription in the tomb of Anena at Thebes, which was one of the most important texts ...
— The Treasury of Ancient Egypt - Miscellaneous Chapters on Ancient Egyptian History and Archaeology • Arthur E. P. B. Weigall
... of the beautiful was intuitive and all embracing. She knew little of architecture or sculpture technically, but the sublime majesty and imposing grandeur of the noble arch impressed her, as it does ...
— Patty in Paris • Carolyn Wells
... constant shade, it was clothed with grass of a deep and rich verdure, excepting where a foot-path, worn by occasional passengers, tracked with a natural sweep the way from the upper to the lower gate. This nether portal, like the former, opened in front of a wall ornamented with some rude sculpture, with battlements on the top, over which were seen, half-hidden by the trees of the avenue, the high steep roofs and narrow gables of the mansion, with lines indented into steps, and corners decorated with small turrets. One of the folding leaves ...
— Waverley, Or 'Tis Sixty Years Hence, Complete • Sir Walter Scott
... vew hereof: to the Art of Zographie and Painting, to Sculpture, and Architecture: (for Church, House, Fort, or Ship) is most necessary and profitable: for that, it is the chiefe base and ...
— The Mathematicall Praeface to Elements of Geometrie of Euclid of Megara • John Dee
... sculpture seem to me the most presumptuous of the arts. They are an effort of man to outdo God in creation. He never made a perfect form or face—the artist ...
— An Ambitious Man • Ella Wheeler Wilcox
... sculpture fails me I will humiliate myself, and seek out, wherever he may be, the man (his name is Mark Volokov) who first doubted the completion of my novel and will confess to him, 'You are right, right, I am only half a man!' But until that time comes, I ...
— The Precipice • Ivan Goncharov
... not care particularly for sculpture or for paintings; I try not to become interested in them, for the reason that if I were to cultivate a taste for them I ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... drooped my ears like a whipped spaniel, but I stuck to my opinion, and likewise to my Marilhat. I think it was shortly after this little adventure that I added another "daub" to my "gallery." One morning as I was busy modelling (for I dabbled in sculpture too) in my sister Marie's studio, Ary Scheffer came in, and began telling me about an unknown artist he had met, quite young, a man of undoubted talent, who was in a terribly poverty-stricken condition. Six hundred francs would take him out of his ...
— Memoirs • Prince De Joinville
... original whiteness of the marble came out like a streak of moonshine amid the blackness with which time has made it grander than it was in its newness. It is a most noble edifice; and I delight, too, in the statues that crown some of its heights, and in the wreaths of sculpture which ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... only truth, but supreme beauty—a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show. The true spirit of delight, the exaltation, the sense of being more than man, which is the touchstone ...
— Mysticism and Logic and Other Essays • Bertrand Russell
... this! As if one should tie a paper around the ankle of the Belvedere Apollo, with the inscription, "This is the ankle." A collar declares, "This is the neck." A bandeau locates his "forehead." A bracelet indicates the "arm." Is the sculpture thus significant? Hardly more does our music yet signify to us. You hear an unfamiliar air. You like it or dislike it, or are indifferent. You can tell that it is slow and plaintive, or brisk and lively, or perhaps even that it is defiant or stirring; but how insensible ...
— Gala-days • Gail Hamilton
... prepared for the ordeal with Stelton. From Sims, who seemed to know the country thoroughly, he learned that Indian Coulee was almost thirty miles south-east, and could be distinguished by the rough weather-sculpture of an Indian head on the butte that formed ...
— The Free Range • Francis William Sullivan
... rudest instruments, has descended to their posterity, as well as their extraordinary and truly Chinese talent for imitation. With a common knife and a piece of hard wood, an uneducated man will produce a fine piece of sculpture. There is no imagination. They do not leave the beaten track, but continue on the models which the Spanish conquerors brought out with them, some of which, ...
— Life in Mexico • Frances Calderon de la Barca
... of a monastery, as a rule, no amount of money spent, no amount of lavish ornament or splendour of decoration, was grudged. Sculpture and painting, jewels and gold, gorgeous hangings, and stained-glass that the moderns vainly attempt to imitate, the purple and fine linen of the priestly vestments, embroidery that to this hour remains unapproachable in its delicacy of finish and in the perfect harmony of colours—all ...
— The Coming of the Friars • Augustus Jessopp
... their way, and ours is far diverse; and they and all the less-known, yet pleasantly and brightly endowed spirits of that time, are suddenly as unintelligible to us as the Etruscans—not a feeling they had that we can share in; and these pictures of them will be to us valuable only as the sculpture under the niches far in the shade there of the old parish church, dimly vital images of inconceivable creatures whom we shall never ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... half the hair cut away from your head, and to be having inside your head such notions. And while small harm has ever come from humoring one's mother, yet I wonder at you, Manuel, that you should sit here sleeping in the sunlight among your pigs, and be giving your young time to improbable sculpture and stagnant water, when there is such a fine adventure awaiting you, and when the Norns are foretelling such high things about you as they spin the ...
— Figures of Earth • James Branch Cabell
... and vault of transept) and at the Museum of Fine Arts, Rue Chanzy, 8, (salle Henry Vasnier broken in by a shell, about twenty modern pictures damaged.) Besides, among the houses struck, the Gothic house, 57 Rue de Vesle, suffered mutilation in the sculpture of a fireplace—it was entirely demolished by the bombardment ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various
... this agitated state, to have embarked the effects of the royal family openly. Lady Hamilton, like a heroine of modern romance, explored with no little danger a subterraneous passage leading from the palace to the sea-side: through this passage the royal treasures, the choicest pieces of painting and sculpture, and other property to the amount of two millions and a half, were conveyed to the shore, and stowed safely on board the English ships. On the night of the 21st, at half-past eight, Nelson landed, brought out the whole royal family, embarked them in ...
— The Life of Horatio Lord Nelson • Robert Southey
... reminds me of Montrigone; several of the figures are not at all bad, and several have horsehair for hair, as at Varallo. The effect of the whole composition is better than we have a right to expect from any sculpture dating from the beginning of the ...
— Essays on Life, Art and Science • Samuel Butler
... the Lord. With timbrel she led the daughters of Israel in the dance. And well might the prophetess of Israel teach the dance of ancient Egypt to the daughters of her people on this occasion. The representations preserved in painting and sculpture show that this was not the gay and voluptuous movement of modern days, but rather a succession of graceful gestures, regulated by music, expressive of joy and emotion. Thus the maidens of Israel offered praise and adoration; ...
— Notable Women of Olden Time • Anonymous
... discontented, but he does n't know where to look for help. Then his mother, as she one day confessed to me, has a holy horror of a profession which consists exclusively, as she supposes, in making figures of people without their clothes on. Sculpture, to her mind, is an insidious form of immorality, and for a young man of a passionate disposition she considers the law a much safer investment. Her father was a judge, she has two brothers at the ...
— Roderick Hudson • Henry James
... and the choruses of Aeschylus, and the book of Job, and Dante's Paradise, would afford, more than any other writings, examples of this fact, if the limits of this essay did not forbid citation. The creations of sculpture, painting, and music, are illustrations ...
— English Critical Essays - Nineteenth Century • Various
... to the state of the arts among the Medes. A barbaric magnificence characterized, as has been already observed, their architecture, which differed from the Assyrian in being dependent for its effect on groups of pillars rather than on painting or sculpture. Still sculpture was, it is probable, practised to some extent by the Medes, who, it is almost certain, conveyed on to the Persians those modifications of Assyrian types which meet us everywhere in the remains of the Achsemenian monarch? The carving of winged genii, of massive forms of ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 3. (of 7): Media • George Rawlinson
... he, "don't be prating,—look yonder, I pray, At that sculpture of marble, now what will you say? The lion is vanquished; but as for the man He is striding upon ...
— Aesop, in Rhyme - Old Friends in a New Dress • Marmaduke Park
... naturally closes the list of Victorian writers is that of Rudyard Kipling, though he belongs, perhaps, as much to the twentieth century as to the one preceding. The son of a professor of architecture and sculpture in the University of Bombay, India, he was born in that city in 1865. Educated in England in the United Services College (for officers in the army and navy), he returned at the age of seventeen to India, where he first did strenuous editorial ...
— A History of English Literature • Robert Huntington Fletcher
... some of the most beautiful buildings both private and public. Here, too, sculpture, which the Germans cultivated before they did painting, has left rare monuments. Among these last we must notice the wonderful shrine of St. Sebald in the church of the same name. For thirteen years Peter Vischer and his five sons labored ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... power which generates the intentional subjectivity of the phenomenon, and the entification of images, ideas, and numerous normal and abnormal appearances, also unconsciously impels man to project the image into a design, a sculpture, or a monument. Since an idea or emotion naturally tends, as we have seen, to take an external form in speech, gesture, or some other outward fact; so also it tends to manifest itself materially and by ...
— Myth and Science - An Essay • Tito Vignoli
... of the greatest and most remarkable accumulations of literature the world has ever seen, and the finest porcelain; some music, not very fine; and some magnificent painting, though hardly any sculpture, and ...
— Myths and Legends of China • E. T. C. Werner
... numerous, will be greatly idolized by posterity. Indeed, if we may be allowed to predict, his name, unlike that of his countryman, Buonarotti, will sink into oblivion. He, however, enjoyed a high reputation as an artist while he lived, and his sculpture is now eagerly sought for by the lovers of the fine arts, both in Great Britain, ...
— The Mirror of Literature, Amusement, and Instruction - Volume 10, No. 272, Saturday, September 8, 1827 • Various
... and gold: Flamboyant arch and high-enscrolled War-sculpture, big, Napoleonic— Fierce chargers, angels histrionic; The royal sweep of gardened spaces, The pomp and whirl of columned Places; The Rive Gauche, age-old, gay and gray; The impasse and the loved ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... surrender by paths that beguiled me up to dead walls, or the sudden brinks of canals. The wide and open squares before the innumerable churches of the city were equally victorious, and continually took me prisoner. But all places had something rare and worthy to be seen: if not loveliness of sculpture or architecture, at least interesting squalor and picturesque wretchedness: and I believe I had less delight in proper Objects of Interest than in the dirty neighborhoods that reeked with unwholesome winter damps below, and peered curiously out with frowzy heads and beautiful eyes ...
— Venetian Life • W. D. Howells
... steamboat, the vapor of water is a thing accurst. Shall we condemn music because the lute makes "lascivious pleasing?" Or poetry because some amorous bard tells in warm rhyme the story of the passions, and Swinburne has had the goodness to make vice offensive with his hymns in its praise? Or sculpture because from the guiltless marble may be wrought a drunken Silenus or a lechering satyr?—painting because the untamed fancies of a painter sometimes break tether and run riot on his canvas? Because the orator may provoke the wild passions of the mob, shall there be no more public ...
— The Collected Works of Ambrose Bierce, Volume 8 - Epigrams, On With the Dance, Negligible Tales • Ambrose Bierce
... countries were common and beautiful. The gems and signet rings which the Persians engraved possessed much merit, and on them were wrought with great skill the figures of men and animals; but the nearest approach to sculpture were the figures of colossal bulls set to guard the portals of palaces, and these were ...
— Beacon Lights of History, Volume IV • John Lord
... a lady who acts as his secretary, calls him "Master" and adores the ground he walks on. They are married, but not, I should hasten to add, to each other; none of your dull orthodox practices for them. About his profile there is an undeniable something which makes his head a suggestive model for sculpture. It is framed in a large, white, soft silk collar, which falls gracefully over the lapels of the coat and is, I am told, of a mode much worn among the elite of the ...
— Punch, or the London Charivari, Volume 159, October 13, 1920 • Various
... when I was last at Pisa, a few arches of the apse of the duomo, and a small portion of the sculpture of the font of the Temple of St. John. I have placed them in your rudimentary series, as examples of "quella vecchia maniera Greca, goffa e sproporzionata." My own judgment respecting them is,—and it is a judgment founded on knowledge which you may, ...
— Val d'Arno • John Ruskin
... a last look round the room before he left it. His wish had been realized to the full. The rooms were adorned with silk and gold. Countless wax tapers set in handsome candelabra lit up the slightest details of gilded friezes, the delicate bronze sculpture, and the splendid colors of the furniture. The sweet scent of rare flowers, set in stands tastefully made of bamboo, filled the air. Everything, even the curtains, was pervaded by elegance without pretension, and there was a certain imaginative charm about it all which ...
— The Magic Skin • Honore de Balzac
... lands Whence painting, sculpture and the drama sprung; See starved Trinacria's outstretched, empty hands, And all the classic shores ...
— Poems • John L. Stoddard
... Italy at least, the classic Renaissance gave fresh life to anatomy as to all other sciences. Especially did the improvements in painting and sculpture stir men up to a closer study of the human frame. Leonardo da Vinci wrote a treatise on muscular anatomy: the artist and the sculptor often worked together, and realised that sketch of Michael Angelo's in which he himself is assisting ...
— Health and Education • Charles Kingsley
... Latium in the poverty of its artistic development stands almost on a level with uncivilized peoples; Hellas developed with incredible rapidity out of its religious conceptions the myth and the worshipped idol, and out of these that marvellous world of poetry and sculpture, the like of which history has not again to show. In Latium no other influences were powerful in public and private life but prudence, riches, and strength; it was reserved for the Hellenes to feel the blissful ascendency of beauty, ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... all of which made Padre Camorra somewhat thoughtful, for he did not comprehend how a figure, to be correct, need have four noses and seven heads. Others said, if they were muscular, that they could not be Indians; still others remarked that it was not sculpture, but mere carpentry. Each added his spoonful of criticism, until Padre Camorra, not to be outdone, ventured to ask for at least thirty legs for each doll, because, if the others wanted noses, couldn't he ...
— The Reign of Greed - Complete English Version of 'El Filibusterismo' • Jose Rizal
... their curious lanterns into the slanting light and offer a multitudinous perch to troops of circling pigeons. The whole front, at such a time, has an appearance of great richness, although the niches which surround the three high doors (with recesses deep enough for several circles of sculpture) and indent the four great buttresses that ascend beside the huge rose-window, carry no figures beneath their little chiselled canopies. The blast of the great Revolution blew down most of the statues in ...
— A Little Tour in France • Henry James
... modes of speech in the eastern and western hemispheres will admit of some modification, when we consider the gesticulations and similes by which the aborigines of America attempt to give expression to their ideas. The word hieroglyphics, signifying sacred sculpture, derived from the ancient mode of writing by the priests of Egypt, has received conventional currency among the learned, as descriptive of any writing which is obscure, "hard to be understood." And all ...
— Notes On The Apocalypse • David Steele
... no difficult task to devote a volume larger than the present one to the descriptive analysis of none but the poems inspired by Italy, Italian personages and history, Italian Painting, Sculpture, Architecture, and Music. From Porphyria and her lover to Pompilia and all the direful Roman tragedy wherein she is as a moon of beauty above conflicting savage tides of passion, what an unparalleled gallery of portraits, ...
— Life of Robert Browning • William Sharp
... fluting, the wrinkled folds, and cavities, over and through which the green and silvery water rushed back into the sea, rivaled the most exquisite sculpture. And nature not only gives her marbles, with the finest lines, the most perfect lights and shades, she colors them also. She is no monochromist, but polychroic, imparting such touches of dove tints, emerald, and azure as she bestows ...
— McGuffey's Fifth Eclectic Reader • William Holmes McGuffey
... lady in easy circumstances, and occupied a good social position. [3] Being of refined and elegant tastes, and singularly generous disposition, she associated herself with young aspirants for fame in poetry, painting, and sculpture, and to the utmost of her power endeavoured to procure for them public notice and patronage. She was herself a frequent writer of graceful verses, and her letters disclose a sensitive, poetic mind, a habit of self-denial when the happiness of ...
— Life and Remains of John Clare - "The Northamptonshire Peasant Poet" • J. L. Cherry
... The sculpture lost its power; something barbaric returned. You may see that decline in capitals and masks still embedded in buildings of the fifth century. The sleep grew deeper. There came five hundred years of which ...
— Hills and the Sea • H. Belloc
... stone cemented into their places, running up to meet in a carved point at the extreme top. These groinings spring from short pillars of hewn stone that only reach part way down the wall to the floor and run to a point. These consoles are highly ornamented with sculpture. The mouldings round the doors, and the stone window frames and sashes, are wonderfully well done, and would highly ornament a ...
— The Letters of "Norah" on her Tour Through Ireland • Margaret Dixon McDougall
... here is to look at an old subject with fresh eyes. Teachers who are fond of music or painting or sculpture can invent many illustrations following the hint given in the Orpheus and Eurydice passage in the text. Among recent books, Fairchild's Making of Poetry and Max Eastman's Enjoyment of Poetry ...
— A Study of Poetry • Bliss Perry
... venerable stones! Parian marble, wrought with consummate skill, could not replace them. Connected with these homely monuments are historical associations that ought not to be forgotten. The scarcity of better materials, the rudeness of monumental sculpture, the poverty of the country, the early struggles and pecuniary embarrassments of the colony, at the period when these monuments were erected, as well as the self-denial and hardships and labors of the distinguished men who gave fame and usefulness to Nassau ...
— Continental Monthly , Vol I, Issue I, January 1862 - Devoted to Literature and National Policy • Various
... represented the Bosporus with the bridge thrown over it, and the king on his throne reviewing his troops as they passed over the structure. This statuary was placed, when finished, in a temple in Greece, where it was universally admired. Darius was very much pleased both with the idea of this sculpture on the part of Mandrocles, and with the execution of it by the artist. He gave the bridge builder new rewards; he recompensed the artist, also, with similar munificence. He was pleased that they had contrived so happy a way of at the same time commemorating the bridging ...
— Darius the Great - Makers of History • Jacob Abbott
... those of design, for as these had to represent the victory of mind over matter, and yet must use matter as the means wherewith to work, they had to solve a problem against Nature. Hence we find in sculpture and painting those revolting subjects—martyrdoms, crucifixions, dying saints, and the flesh crushed in every form. Such themes were martyrdom for sculpture; and when I contemplate those distorted images in which Christian asceticism and renunciation of the senses are expressed by distorted, ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... commented. "Well, many don't. To say the truth, I do not think anybody alive, if you will pardon me, Mrs. Greyson, knows the truth about sculpture. Perhaps the Greeks did, but we don't, even when we are told. I know the Soldiers' Monument on the Common is hideous beyond words, because everybody says so; but they didn't when it was put up. Only ...
— The Philistines • Arlo Bates
... Tycho, were strewn with myriads and myriads of bones, and there were myriads more scattered round what had once been the shores of the dwindling lake. Here, as elsewhere, there was not a sign or a record of any kind—carving or sculpture. If there were any such on the surface of the moon they had not discovered them. The buildings which they had seen evidently belonged to the decadent period during which the dwindling remnants of the Selenites asked only to eat ...
— A Honeymoon in Space • George Griffith
... the priest's closet. Monuments, mural and others, to long-departed worthies, and images of the Saviour, the Virgin, and saints, were numerous everywhere about the church; and in the chancel there was a great deal of quaint and curious sculpture, fencing in the Holy of Holies, where the High Altar stands. There is not much painted glass; one or two very rich and beautiful rose-windows, however, that looked antique; and the great eastern window which, I think, is modern. The pavement ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... example of a persistent type; and it is most remarkable to note the smallness of the differences between any of these fishes (affecting at most the proportions of the body and fins, and the character and sculpture of the scales), notwithstanding their enormous range in time. In all the essentials of its very peculiar structure, the Macropoma of the Chalk is identical with the Coelacanthus of the Coal. Look at the genus Lepidotus, again, persisting without a modification of importance from the Liassic ...
— Discourses - Biological and Geological Essays • Thomas H. Huxley
... his hand into the mouth at its lower part, above the conical foot. The three great pipes are crowned by a heavily sculptured, ribbed, rounded dome; and this is surmounted, on each side, by two cherubs, whose heads almost touch the lofty ceiling. This whole portion of the sculpture is of eminent beauty. The two exquisite cherubs of one side are playing on the lyre and the lute; those of the other side on the flute and the horn. All the reliefs that run round the lower portion of the dome are of singular ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... tall strong youth, On old Greek eyes in sculpture smiled: But trulier had it given the truth To ...
— A Dark Month - From Swinburne's Collected Poetical Works Vol. V • Algernon Charles Swinburne
... sphere, cylinder, and cube, constitute a triad of forms united in architecture and sculpture producing the column, which is made up of the pedestal or base (the cube), the shaft (the cylinder), ...
— Froebel's Gifts • Kate Douglas Wiggin
... to Mr. Hart's studio. One of the most remarkable things I saw in Florence was this artist's invention to reduce certain details of sculpture to a mechanical process. This machine at first sight struck me as a queer kind of ancient armor. In brief, the subject is placed in position, when the front part of this armor, set on some kind, of hinge, swings ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 11, - No. 22, January, 1873 • Various
... have necessarily been dependent upon the licence and the imagination of the sculptor and the medallist. Inferences of antiquity, however, have been drawn from such representations. Tracings of a bow among the sculpture of the ancients have been sought for in vain: no piece is known upon which a bow is distinguishable. A century since, an important discovery was thought to have been made by musical antiquarians in the Grand Duke's ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... house before. The bedroom was large, but with a low ceiling. By way of decoration there were enormous fish bones arranged in garlands caught up by the heads of fish. By half shutting one's eyes this decoration might be taken for delicate sculpture of ancient times. In reality, however, it was merely composed ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt
... impulse only defeats its own end. For this purpose, and at this period of life, it were well to draw the imagination to "the enjoyment of the beautiful through an actual contemplation of it, and for this purpose the study of painting and sculpture is of pre-eminent value. * * * * * Through their means the allurement which the wholly or especially the half-undraped form has for us, becomes softened and purified. The enjoyment of beauty itself is the enjoyment ...
— The Education of American Girls • Anna Callender Brackett
... much of drudgery, but any sort of work that is slighted becomes drudgery; poetry, fiction, painting, sculpture, acting, architecture, if you do not do your best by them, turn to drudgery sore as digging ditches, hewing wood, or drawing water; and these, by the same blessings of God, become arts if they are done with conscience ...
— Henry James, Jr. • William Dean Howells
... that a handsome thing to do!" said Frank, warmly, for noble actions always pleased him. "I heard my mother say that making good or useful men was the best sort of sculpture, so I think David German may be proud of this piece of work, whether the big ...
— Jack and Jill • Louisa May Alcott
... has published an interesting series of works, dealing with the beliefs of primitive peoples, who have passed from the scene of human action. He shows by the fragments of carving and sculpture which have survived them that there was an universal idea among them of the "ghost" which lived after the body died; and a corresponding idea that some day this "ghost" would return to the scene of its former activities. This belief sometimes ...
— Reincarnation and the Law of Karma - A Study of the Old-New World-Doctrine of Rebirth, and Spiritual Cause and Effect • William Walker Atkinson
... plan, I concealed myself that evening just before the closing of the Museum doors, in a recess behind a heavy piece of Babylonian sculpture. Bristol was similarly concealed in another part of the room, and ...
— The Quest of the Sacred Slipper • Sax Rohmer
... admitted his visitants. A synod of wise men and women sat upon the woman of timber, and she was finally ordered to be devoured by fire, and that in the open air. A fire was soon made, and into it the elfin sculpture was tossed from the prongs of two pairs of pitchforks. The blaze that arose was awful to behold; and hissings, and burstings, and loud cracklings, and strange noises, were heard in the midst of the flame; and when the whole sank into ashes, ...
— Little Classics, Volume 8 (of 18) - Mystery • Various
... of the desperation of the time, you might have seen a dozen such audiences in Berlin, that night—and yet tourists generally speak of Berlin, compared with some of the German provincial cities, as a rather graceless, new sort of place, full of bad sculpture and Prussian arrogance. You might have seen them at the opera or symphony concerts, at Shakespeare, Strindberg, or the German classics we used to read in college, or standing in line at six o'clock, sandwiches in hand, so that they might ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... neglects his bride. Theirs is the vanity, the learning thine: Touched by thy hand, again Rome's glories shine; Her gods and god-like heroes rise to view, And all her faded garlands bloom anew. Nor blush, these studies thy regard engage; These pleased the fathers of poetic rage; The verse and sculpture bore an equal part, And art reflected images to art. Oh, when shall Britain, conscious of her claim, Stand emulous of Greek and Roman fame? In living medals see her wars enrolled, And vanquished realms supply recording gold? Here, ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... melancholy! There is a thrilling awfulness, an intense feeling of simple power in that naked and colourless beauty, which falls on the earth like the thoughts of death—death pure, and glorious, and smiling,—but still death. Sculpture has always the same effect on my imagination, and painting never. Colour is life.—We are now at the end of this magnificent avenue, and at the top of a steep eminence commanding a wide view over four counties—a landscape of snow. ...
— Our Village • Mary Russell Mitford
... he loved the clerk and the sexton and the parish beadle with his broad gold-laced hat, and cane of striking authority; and he loved the watchmen and their drowsy drawl of "past umph a' clock;" he loved the charity schools and admired beyond all the sculpture of Phidias, or the marble miracles of the Parthenon, the two full-length statues about three feet each in length and two feet six inches each in breadth, representing a charity boy and a charity girl, standing over the door ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 493, June 11, 1831 • Various
... craftsmen in Spanish fashion, and make everything at very low cost." Salazar admires their cleverness and dexterity in all kinds of handiwork especially as they have learned, in less than ten years, both painting and sculpture; "I think that nothing more perfect could be produced than some of their marble statues of the Child Jesus which I have seen." The churches are thus being furnished with images. A book-binder from Mexico ...
— The Philippine Islands, 1493-1898, V7, 1588-1591 • Emma Helen Blair |
