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Tennysonian   Listen
adjective
Tennysonian  adj.  Of or pertaining to Alfred (Lord) Tennyson, the English poet (1809-92); resembling, or having some of the characteristics of, his poetry, as simplicity, pictorial quality, sensuousness, etc.






Collaborative International Dictionary of English 0.48








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"Tennysonian" Quotes from Famous Books



... the sake of learning a certain point of view, it is amusing to turn over those old volumes dealing with the sunshine and shadow of the city of the sixties. High Life and Moneyocracy, we are told, were synonymous. To use the Tennysonian line, "Every door was barred with gold, and opened but to golden keys." "If you wish parties, soirees, balls, that are elegant, attractive, and genteel (how they loved those dreadful adjectives 'elegant' and 'genteel'!) you will not find them among the snobbish clique, ...
— Fifth Avenue • Arthur Bartlett Maurice

... it was. Assuredly it makes a beautiful succession of sounds, and recalls the bird-sounds which it is intended to describe. But does it live in the memory as one of the rare great Tennysonian lines? It does not. It has charm, but the charm is merely curious or pretty. A whole poem composed of lines with no better recommendation than that line has would remain merely curious or pretty. It would not permanently interest. It would ...
— LITERARY TASTE • ARNOLD BENNETT

... absence, and it is equally certain, I think, that a translator of an Augustan poet ought not to suffer them to be a prominent feature of his style. I have, perhaps, indulged in them too often myself to note them as a defect in others; but it seems to me that they contribute, along with the Tennysonian metre, to diminish the pleasure with which we read such a version as that of which I have already spoken by "C. S. C." of "Justum et tenacem." I may add, too, that I have occasionally allowed the desire ...
— Odes and Carmen Saeculare of Horace • Horace

... here and now. Imagination fixes this golden age in what Tennyson would call "the underworld" of time. Greek mythology was the essential poetry of nature, and mediaevalism the essential poetry of manhood. Nothing, as appears to me, was more accurate and in keeping with Tennysonian genius than this choosing Greek antiquity and mediaevalism as the theater for his poetry; for he was the chief romance poet since Edmund Spenser. Spenser and Tennyson are the poets laureate of chivalry. What Spenser ...
— A Hero and Some Other Folks • William A. Quayle

... seventeenth century, was forgotten. Even the Prefaces of Dryden had ceased to be read, and the sources of authority were now the prose of Addison and the verse of Pope. To very young readers these stood in the same relation as the writings of the post-Tennysonian critics stand now. To reject them, to question their authority, was like eschewing the essays of Matthew Arnold and Walter Pater. In particular, the Essay on Criticism was still immensely admired and read; it had crystallised around cultivated opinion very much as the Studies ...
— Some Diversions of a Man of Letters • Edmund William Gosse

... book has genuine merit in it, merit in poetry, merit in philosophy, and, we may add, merit in religion. Lewis Morris takes the 'new and deeper view of the world' of which Carlyle now and then caught sunny glimpses. He sings in sweet and measured Tennysonian strains of philosophy what Darwin and Herbert Spencer teach in prose; without the informing glow of the imagination. There are living poets greater than Lewis Morris, but of the younger race of poets he is foremost."—The Inquirer, ...
— Gycia - A Tragedy in Five Acts • Lewis Morris

... (O, muse forbid!) the boon Of borrowed notes, the mock-bird's modish tune, The jingling medley of purloined conceits Out-babying Wordsworth, and out-glittering Keats, Where all the airs of patchwork pastoral chime To drown the ears in Tennysonian rhyme. ...
— The History of "Punch" • M. H. Spielmann

... left it behind if it had been an anchor of Hollands," said Coristine, whereupon Wilkinson remarked that his puns were intolerable. At Bradford the track crossed the Holland River, hardly flowing between its flat, marshy banks towards Lake Simcoe. "This," said the schoolmaster, "is early Tennysonian scenery, a Canadian edition of the fens of Lincolnshire," but he regretted uttering the words when the lawyer agreed with him that it was an of-fens-ive looking scene. But Lake Simcoe began to show up in the distance to the right, and soon the gentlemanly ...
— Two Knapsacks - A Novel of Canadian Summer Life • John Campbell

... of a country is the quality of its personnel, which, in any race, can never be really superior without superior poems. The finest blending of individuality with universality (in my opinion nothing out of the galaxies of the "Iliad," or Shakspere's heroes, or from the Tennysonian "Idylls," so lofty, devoted and starlike,) typified in the songs of those old Asiatic lands. Men and women as great columnar trees. Nowhere else the abnegation of self towering in such quaint sublimity; nowhere else the simplest human emotions ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman

... condescension, even with chivalry, as if the kitchen and the nursery were less important than the office in the city. When his swagger is exhausted he drivels into erotic poetry or sentimental uxoriousness; and the Tennysonian King Arthur posing as Guinevere becomes Don Quixote grovelling before Dulcinea. You must admit that here Nature beats Comedy out of the field: the wildest hominist or feminist farce is insipid after the most commonplace "slice of life." The ...
— Man And Superman • George Bernard Shaw

... pleasing in themselves; and the language in which they are told is simple, imaginative, and marked by a well-sustained melody. The tales are dedicated to Lord Tennyson by "His Lordship's ardent admirer in the Far East"; and certainly they move in the atmosphere of the Tennysonian ...
— Tales of Ind - And Other Poems • T. Ramakrishna

... breaks into falsetto. His great rival, Welhaven, was soberer, clearer, more gravely melodious. He sang in beautiful, tempered strains, along the middle octaves, never ranging high into the treble or deep into the base. There is a certain Tennysonian sweetness, artistic self-restraint, and plastic simplicity in his lyrics; just as there is in Wergeland's reformatory ardor, his noble rage, and his piling up of worlds, aeons, and eternities a striking kinship to Shelley. But both these poets, though ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen



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