"Veronese" Quotes from Famous Books
 ... was in his inmost heart an admirer of the Italian and the English Renaissance, when most pagan and most unrestrained; his intellectual home was the Venice of the sixteenth century; he would have been in his right place at one of the festivals painted by Veronese, and should have worn the rich and tasteful costume of that period. But socially, and as a citizen, he was quite different, was affectionate and subdued and calm, excessively conventional; temperate in all his judgments, as ...
— Recollections Of My Childhood And Youth • George Brandes
... exclamation of Rubens, as he contemplated those paintings which had brought him from Antwerp. How many gifted minds spoke to him from the noble works which were before him! The three Bellinis, the founders of the Venetian school; Giorgione, Titian, and Tintoretto. Then Paolo Veronese, who, though born at Verona, in 1537, adopted Venice as his home, and became the fellow-artist of Tintoretto, and the disciple of Titian. Pordenone, too, who viewed Titian as a rival and an enemy. Palma the young, and Palma the old, ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... VERONESE GREEN.—A pigment consisting of hydrated chromium sesquioxide. It is a clear bluish green of great ...
— A Color Notation - A measured color system, based on the three qualities Hue, - Value and Chroma • Albert H. Munsell
... such a mind has once been seen in him, and, I think, existed also in Tintoret; though, as far as I know, Tintoret has not left any work which indicates sympathy with the humor of the world. Paul Veronese, on the other hand, had sympathy with its humor, but not with its deepest tragedy or horror. Rubens wants the feeling for grace and mystery. And so, as we pass through the list of great painters, we shall find ...
— Modern Painters, Volume IV (of V) • John Ruskin
... Feast in the House of Simon," now in the Dublin Gallery—belongs approximately to this period. It is a most beautiful representation of the scene, and is treated somewhat in the gay manner of Bonifazio or Paolo Veronese. At a long table, crowded with guests, Christ sits, with His Mother on His right hand, the master of the feast being conspicuous in the middle. Over Christ's head, the Magdalen, a charming and graceful figure, pours the ointment, and on the left of the table Judas, with expressive gesture, ...
— Luca Signorelli • Maud Cruttwell
... anxious archæology to construct the Doge's palace upon the stage. By one rich pillar, by some projecting balustrade taken in conjunction with a moored gondola, we should strive to evoke the soul of the city of Veronese: by the magical and unequalled selection of a subtle and unexpected feature of a thought or aspect of a landscape, and not by the up-piling of extraneous detail, are all ...
— Confessions of a Young Man • George Moore
... House, the most magnificent assembly I ever saw, and such as I think no crowned head in Europe could display, so grand and picturesque. The appearance of the hall was exactly like one of Paul Veronese's pictures, and only wanted some tapestry to be hung over the balustrades. Such prodigious space, so cool, so blazing with light; everybody was comfortable even, and the concert combined the greatest talents in Europe all together—Grisi, Malibran, ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William IV, Vol. III • Charles C. F. Greville
... noble pictures here by Giorgione, and Titian, and Tintoret, and Paul Veronese, and Bonifazio. Look at this Musical Party by Giorgione, this landscape by Titian, this portrait of the vile Duke of Alva by the same great master, the greatest master of all in portraiture. It is the Duke himself, not merely in his ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... Florence with Gypsum and Stagg. The former was a young, industrious fellow, of German descent, who worked hard, but not wisely. He spent half a year in copying a face by Paul Veronese, and the other half in sketching an old convent yard. But he did not visit, and an artist, to get orders and take rank, must be seen as well as be earnest. He need not be hail-fellow, but should keep well in the circle of respectable travellers; ...
— Campaigns of a Non-Combatant, - and His Romaunt Abroad During the War • George Alfred Townsend
... ferons route ensiemble...." I will translate: "I call myself Carlo Veronese—first barytone of the theatre of La Scala, Milan. The signora is my second wife; she is prima donna assoluta of the grand opera, Naples. The little ragazza is my daughter by my first wife. She is the greatest violinist of her age now ...
— The Martian • George Du Maurier
... portrait of "Caesar Borgia;" Correggio's "Danae;" Domenichino's "Cumaean Sibyl" and "Diana;" Peruzzi's "Venus Leaving the Bath;" Van Dyck's "Crucifixion;" Titian's "Venus and Cupid;" and "Annunciation," by Paul Veronese; Vasari's "Lucrezia Borgia;" Botticelli's "Holy Family and Angels;" Van Dyck's "Entombment;" Carlo Dolce's "Mater Dolorosa," and Sassoferrato's "Three Ages of Man" are among the ...
— Italy, the Magic Land • Lilian Whiting
... prove this. It contains more than two thousand pictures already catalogued,—all of them worth a place on the walls. Among these there are ten by Raphael, forty-three by Titian, thirty-four by Tintoret, twenty-five by Paul Veronese. Rubens has the enormous contingent of sixty-four. Of Teniers, whose works are sold for fabulous sums for the square inch, this extraordinary museum possesses no less than sixty finished pictures,—the Louvre considers itself rich with fourteen. So much for a few of the foreigners. Among the ...
— Castilian Days • John Hay
... The painter's eye for color, the sculptor's sense of form, as well as the lover's honeyed tenderness, entered into the success of this charming tenor. His stage pictures looked as if they had stepped out of the canvases of Titian, Tintoretto, and Paul Veronese. In no way was the artistic completeness of his temperament more happily shown than in the harmonious and beautiful figure he presented in his various characters; for there was a touch of poetry and proportion in them far beyond the possibilities of the stage costumer's craft. Other singers had ...
— Great Singers, Second Series - Malibran To Titiens • George T. Ferris
... arranged according to the schools of art of which they are examples. There is no school unrepresented, and as the eye wanders over the thickly-covered wall, it is arrested by sketches from the hands of Raffaelle, Da Vinci, Claude Poussin, Paul Veronese, Salvator Rosa, and the other great men who have made Art immortal. To describe these works would occupy a volume; to study them a life; it is a glorious ...
— The International Monthly, Volume 5, No. 3, March, 1852 • Various
... hearing young ladies say, "He's a man and so, of course, knows nothing about colour," or "Of course a man never looks at clothes." It does not seem to be necessary to argue this point. One has only to remember that Veronese was a man; so was Velasquez. Even Paul Poiret and Leon Bakst belong to the sex of Adam. Nevertheless most Americans still consider it a little effemine, a trifle declasse, for a business man (allowances ...
— The Merry-Go-Round • Carl Van Vechten
... was an era of maritime enterprise; the world was circumnavigated, and new ideas streamed in from each newly-visited region. It was pre-eminently the period of art. Leonardo da Vinci and Raphael had just passed away, but Michael Angelo, Titian, Tintoretto, and Paul Veronese were still living, freeing men's spirits by the productions of their pencil from formal fancies and conventional fetters, and sending them back to the fresh teaching of Nature. The art of printing was giving a new birth to letters, and the reformation ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... century produced the four greatest Painters, that is to say, managers of color, whom the world has seen; namely, Tintoret, Paul Veronese, Titian, and Correggio. I need not say more to justify my calling it the ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... you sent me was very pretty. So you don't like Raphael! Well, I am his inveterate admirer: and say, with as little affectation as I can, that his worst scrap fills my head more than all Rubens and Paul Veronese together—"the mind, the mind, Master Shallow!" You think this cant, I dare say: but I say it truly, indeed. Raphael's are the only pictures that cannot be described: no one can get words to describe their perfection. Next to him, I retreat to the ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... verdict W. J. Linton[49] disagrees, saying, "...Chatto underrates him. I find his works very excellent and effective. The Finding of Moses (2 feet high by 16 inches wide) and Virgin Climbing the Steps of the Temple (after Veronese), and others, are admirable in every respect...." Duplessis[50] attacks the Venetian set heatedly and at length, yet he devotes more space to expounding Jackson's deficiencies than to discussing the work of any other woodcut artist, even Duerer or ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen
... support to the view that the actual cause was something alive, a contagium vivum. It was really a very old view, the germs of which may be found in the Fathers, but which was first clearly expressed—so far as I know—by Fracastorius, the Veronese physician, in the sixteenth century, who spoke of the seeds of contagion passing from one person to another;(12) and he first drew a parallel between the processes of contagion and the fermentation of wine. This was more than one hundred years ...
— The Evolution of Modern Medicine • William Osler
... making him a saint before he was canonized. Clad in the silk and velvet of Genoa, the young Englishman went to study geometry at Padua, where twenty years later Galileo would have been his teacher, and Sidney writes to Languet that he was perplexed whether to sit to Paul Veronese or to ...
— Literary and Social Essays • George William Curtis
... sympathetically laid bare the heart's secrets and showed the pathetic helplessness of humanity. Tintoretto communicated his own savage grandeur, his own unrest, to those whom he depicted; Paolo Veronese charmed without arriere-pensee by the intensity of vitality which with perfect simplicity he preserved in his sitters. Yet to Titian must be conceded absolute supremacy in the rendering not only of the outward but of the essential dignity, the refinement ...
— The Later works of Titian • Claude Phillips
... don't remember such a September as this has been for many years past. Misty, gossamered mornings, a day all blue and pale gold, bees in the ivy bloom, sprawling overblown flowers, red apples, purpling vine-clusters, clear evenings: then this smouldering moon to go to bed by! It is all like a great Veronese wall-picture, or the Masque in The Tempest—"Rich scarf to my proud earth!"—and summons from me more adjectives than I have needed this twelvemonth. It is indeed adjectival weather; for Nature is still adding, not discarding ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... dislike. He judged instinctively and passionately, but never vulgarly. At Venice, for a couple of days, he had half a fit of melancholy over the pretended discovery that he had missed his way, and that the only proper vestment of plastic conceptions was the coloring of Titian and Paul Veronese. Then one morning the two young men had themselves rowed out to Torcello, and Roderick lay back for a couple of hours watching a brown-breasted gondolier making superb muscular movements, in high relief, against the sky of the Adriatic, and at the end ...
— Roderick Hudson • Henry James
... "empasto," so much spoken of by connoisseurs, he is an admirer. He directs that the "colours which compose the empasto" should be perfectly well ground, and the ground perfectly smoothed. Yet this was not always the case in the empasto of Paul Veronese, whose empasto was often of a broken and mortary surface; and it would appear, from an examination of such parts of his pictures, as if he had purposely used water with his oil-paint, which would have the effect of slightly separating the particles, and thereby ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... for bad taste in talking over his case with his lawyer in public. He laughed, and assured her that he had never even thought of his suit, but had been discussing one of the pictures on the walls, a fine Veronese—appealing to me if it were not so; but she was not satisfied; she said he should not have encouraged the presumption of that little advocate by presenting ...
— Stray Pearls • Charlotte M. Yonge
... river. [Footnote: The tenor of this note (see lines 2 and 3) seems to me to indicate that this passage was not written in France, but was written from oral information. We have no evidence as to when this note may have been written beyond the circumstance that Fra Giocondo the Veronese Architect left France not before the year 1505. The greater part of the magnificent Chateau of Blois has now disappeared. Whether this note was made for a special purpose is uncertain. The original form and extent of the Chateau is shown in Androvet, Les plus excellents Bastiments ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... impassioned," is a sentence that will scarcely meet with an assenting critic. The wealth and luxury of Venice soon demanded of art, to sacrifice the modesty of nature to ostentation. The principle of Titian was, however, followed by Tintoretto, Bassan, Paul Veronese, and then passed to Velasquez the Spaniard, in Italy. From him "Rubens and Vandyck attempted to transplant it to Flanders, France, and England, with unequal success." The style of Correggio scarcely survived him, for he had more imitators of parts than followers ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... materials out of which habitable worlds are evolved. It is too late now to be sensitive over this unsuccessful attempt as a story and unconscious success as a self-portraiture. The first sketches of Paul Veronese, the first patterns of the Gobelin tapestry, are not to be criticised for the sake of pointing out their inevitable and too manifest imperfections. They are to be carefully studied as the earliest ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... irresolute and undecided tints "art" colours; and, on the other hand, the garishness of our modern exhibitions compared with galleries of old paintings. For Titian's burning scarlet and crimson and palpitating blue; and Veronese's gold and green and white and rose are certainly not "art colours"; and I think we must feel the justice and truth of Ruskin's words spoken ...
— Stained Glass Work - A text-book for students and workers in glass • C. W. Whall
... like birds. And what about? About the blond tint used by Venetian painters! Yes, about the "Venetian blond." That little serpent of a Gelis was telling Jeanne the secret of the dye with which, according to the best authorities, the women of Titian and of Veronese tinted their hair. And Mademoiselle Jeanne was expressing her opinion very prettily about the honey tint and the golden tint. I understood that that scamp of a Vecellio was responsible—that they had been bending over the book together, and that they had been admiring ...
— The Crime of Sylvestre Bonnard • Anatole France
... a school for such studies in his house. He retired eventually from public duties, and lived at Villa Ramusia, near Padua. He died in the latter city, 10th July, 1557, but was buried at Venice in the Church of S. Maria dell' Orto. There was a portrait of him by Paul Veronese in the Hall of the Great Council, but it perished in the fire of 1577; and that which is now seen in the Sala dello Scudo is, like the companion portrait of Marco Polo, imaginary. Paolo Ramusio, his son, was the author of the well-known History of the Capture of ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... pounds a year and a piece of land, on which the painter built a house, and painted it within and without—the latter one of the first examples of artistic waste, followed later by Tintoret and Veronese, regardless of the fact that painting could not survive in the ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... spacious apartment. Above the rich and lofty mantelpiece hung one of the last portraits of himself painted by the venerable Titian, and on the dark pannels around were suspended portraits of great men and lovely women by the gifted hands of Giorgione, Paul Veronese, Paris Bordone, and Tintoretto. Regardless, however, of all around him, and almost breathless with eagerness and impatience, the student pursued his object, and with rapid and vigorous strokes had half completed his sketch—totally ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... Terceras and the Canaries"; and he seems to have caught, in those southern seas, no small portion of the qualities which marked the almost contemporary Art of Venice,—the glory and the glow of Veronese, or Titian, or Tintoret, when he most resembles Titian, ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... the Adriatic descend upon eternal perfume and the songs of birds. Symbol of pain or joy there is none, and the august silence is undisturbed by tears. From rotting hangings in Venice rats run, and that idle wave of palace-stairs laps in listless leisure the fallen glories of Veronese. As it is with painters so it is with poets, and wolf cubs tear the pages of the last Divine Comedy in the world. Rome is his great agony, her shameful history falls before his eyes like a painted curtain. All the inner nature of life is revealed to him, and he sees into the ...
— Mike Fletcher - A Novel • George (George Augustus) Moore
... north and north-east we had delightful scenery, the pao d'arco trees in full bloom, of a reddish-purple colour, adding greatly to the vivid colour-scheme of that view, with its cobalt blue of the distant mountains and the Veronese green of the campos in the foreground. Nearly all the ridges we had crossed which extended from north-east to south-west were well rounded—fairly well padded with sediments of earth, sand ...
— Across Unknown South America • Arnold Henry Savage Landor
... for Crivelli's Madonnas, and all of Paul Veronese's work. He was really the most utterly Venetian painter who ever lived. He painted Venice into everything: its motion, its color, its intoxicating fulness are all found in his mythological and banquet scenes. You will find his pictures in the Ducal Palace, in the Academy, and a fine series ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... may be said to have contained the travels and adventures of Charles Magius, a noble Venetian; and this volume, so precious, consisted only of eighteen pages, composed of a series of highly-finished miniature paintings on vellum, some executed by the hand of Paul Veronese. Each page, however, may be said to contain many chapters; for, generally, it is composed of a large centre-piece, surrounded by ten small ones, with many apt inscriptions, allegories, and allusions; the whole exhibiting romantic incidents in the life of this ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... broad middle tone which was divided again into half dark and half light tones, and these, added to the accents of light and dark made five distinct tones. The Venetian painters attracted him most and, he says, speaking of Titian, Paul Veronese and Tintoret, "they appeared to be the first painters who reduced to a system what was before practised without any fixed principle." From these painters he declares Rubens extracted his scheme of composition which was soon understood and ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... human and Parisian nature (always admitting that Samanon was human). In spite of himself, Lucien shuddered at the sight of the dried-up little old creature, whose bones seemed to be cutting a leather skin, spotted with all sorts of little green and yellow patches, like a portrait by Titian or Veronese when you look at it closely. One of Samanon's eyes was fixed and glassy, the other lively and bright; he seemed to keep that dead eye for the bill-discounting part of his profession, and the other for the trade ...
— A Distinguished Provincial at Paris • Honore de Balzac
... to Paul Veronese. This Paul has quite a character of his own—a grand old Venetian, with his head full of stateliness, and court ceremony, and gorgeous conventionality, half Oriental in his passion for gold, and gems, and incense. As a specimen of the subjects in which his soul delights, ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... picture at the Capitol, the "Rape of Europa," by Paul Veronese, that would glow with wonderful brilliancy if it were set in a magnificent frame, and covered with a sunshine of varnish; and it is a kind of picture that would not be desecrated, as some deeper and ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... peaks that waver in the blue behind the mysterious Monna Lisa. But the Faculty of Physicians, which has, I own, the right to be sceptical, does not believe that neuralgia can be healed by the high sun which Titian and Veronese have fixed on the canvas. To me the Faculty prescribes the real sun of nature and of life; and here am I, condemned to learn in suffering all that passes in the mind of a poet of Paris exiled from that blessed place where he finds the Cyclades and the islands blossoming, the vale of Avalon, and ...
— Essays in Little • Andrew Lang
... more than one branch of the painter's art he stood forth supreme and without a rival, in most others he remained second to none, alone in great pictorial decorations of the monumental order yielding the palm to his younger rivals Tintoretto and Paolo Veronese, who showed themselves more practised and more successfully daring ...
— The Earlier Work of Titian • Claude Phillips
... it was about three years ago, a picture which well exemplifies this ideal colouring. It was exhibited at the Institution; it was of a female saint to whom the infant Saviour appears, by P. Veronese. The very excellence of the colouring was in its natural unnaturalness; I say natural, because it was perfectly true to the mystic dream, the saintly vision; a more common natural would have ruined it. No one ever, it is true, saw such a sky—but in a gifted ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... is optically possible to be seen, is to be shown in every picture. The eye delightedly dwells upon the brilliant individualities in a "Marriage at Cana," by Veronese, or Titian, to the very texture and colour of the wedding garments, the ring glittering upon the bride's fingers, the metal and fashion of the wine pots; for at such seasons there is leisure and luxury to be ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... 125 feet. Within the porch is a beautiful marble group of the dead Christ, supported by an angel. The pictures inside are exceptionally valuable and beautiful, including paintings by Vandyke, Murillo, Carlo Dolci, Paul Veronese (attributed), and many others. On the opposite side of the street Messrs. Crosse and Blackwell's factory also covers a house owning historical associations. No. 21 was the "White House," and 22, "Falconberg House," in former times. The latter ...
— The Strand District - The Fascination of London • Sir Walter Besant
... other personages are mere occasions for his presence and means of his development. But Polonius is something the same kind of man as old Capulet in "Romeo and Juliet;" and although there were opportunities enough for the noble Veronese father to utter sententiously the knowledge of the world which he had gained by living in it, see how comparatively meagre and superficial his "wise saws" are compared with the counsel that Polonius gives to his son and to his daughter, and to the King and Queen; although Polonius, ...
— The Galaxy - Vol. 23, No. 1 • Various
... could be vulgar and brutal, but they were great gentlemen. They were neither illiterate cads nor meddlesome puritans, nor even saviours of society. Yet, if we are to understand the amazing popularity of Titian's and of Veronese's women, we must take note of their niceness to kiss and obvious willingness to be kissed. That beauty for which can be substituted the word "desirableness," and that insignificant beauty which is the beauty of gems, were in ...
— Art • Clive Bell
... studied sequence of effects ranging from the translucent outline of Capri and the fantastically blue mountains of the coast, to Vesuvius lifting its torch above the plain—this prodigal response to fancy's claims suggested the boundless invention of some great scenic artist, some Olympian Veronese with sea and sky for a palette. And then the city itself, huddled between bay and mountains, and seething and bubbling like a Titan's cauldron! Here was life at its source, not checked, directed, utilised, but gushing ...
— The Valley of Decision • Edith Wharton
... the ducal palace. The council chamber (I thought of Othello as I entered it) is now converted into a library. The walls are decorated with the history of Pope Alexander the Third, and Frederic Barbarossa, painted by the Tintoretti, father and son, Paul Veronese and Palma. Above them, in compartments, hang the portraits of the Doges; among which Marino Faliero is not; but his name only, inscribed on a kind of black pall. The Ganymede is a most exquisite little group, attributed to the age of Praxiteles; ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... She is like a plain girl with beautiful eyes. There is no country like her in the world for colour—so delicately fresh in the rain- washed green of her pasture slopes, so keen the viridian [Footnote: Veronese green] of her turnip-fields when the dew is on the broad, fleshy, crushed leaves, so tender and deep the blue in the hollow places. It was small wonder that Ralph had set down in the note-book in which he sketched for future use all ...
— The Lilac Sunbonnet • S.R. Crockett
... light character, and the emotions intended to be excited of a similar nature, the variety may be carried to a far greater extent than in one of a graver character. In the celebrated Marriage at Cana, by Paul Veronese, we see it carried, perhaps, to its utmost limits; and to such an extent, that an hour's travel will hardly conduct us through all its parts; yet we feel no weariness throughout this journey, nay, we are quite unconscious of ...
— Lectures on Art • Washington Allston
... he made any other attempt, hastened to the relief of Verona; and to counteract his design, Niccolo led his forces to Soave, a castle situated between the Vincentino and the Veronese, and entrenched himself by a ditch that extended from Soave to the marshes of the Adige. The count, finding his passage by the plain cut off, resolved to proceed by the mountains, and thus reach Verona, thinking ...
— History Of Florence And Of The Affairs Of Italy - From The Earliest Times To The Death Of Lorenzo The Magnificent • Niccolo Machiavelli
... between drawing and color, between the dogged attention to detail, the stiff precision of the German masters and the dazzling glow, the joyous exuberance of Italian painters. You have set yourself to imitate Hans Holbein and Titian, Albrecht Durer and Paul Veronese in a single picture. A magnificent ambition truly, but what has come of it? Your work has neither the severe charm of a dry execution nor the magical illusion of Italian chiaroscuro. Titian's rich golden coloring poured into Albrecht Dureras ...
— The Unknown Masterpiece - 1845 • Honore De Balzac
... 307, inclusive (only 14 volumes), there was a set of "Painted Missals and curious manuscripts," which were sold for 724l. Among them, was Mr. John Towneley's matchless missal, decorated by the famous Francesco Veronese—"one of the finest productions of the kind ever imported from Italy:" see no. 296. For an account of the books PRINTED UPON VELLUM in this collection, see PART VI. Let us close this note with the Bibliotheca Boucheriana; of which such ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... filled with almost priceless relics of the olden time. Here are also valuable paintings and other works of art, among them Vandyck's portrait of Charles I. and many masterpieces of Rembrandt, Paul Veronese, Leonardo da Vinci, Rubens, Holbein, and Salvator Rosa. In December, 1871, the great hall and suite of private apartments at Warwick were burnt, but the valuable contents were almost all saved with little injury. The castle was restored by a public subscription. It is built around a ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... Cellini is meditating his Perseus, Ghiberti is carving the Baptistery doors at the same time that Donatello is rearing his marbles on the bridges of the Arno; and whilst the city of the Medici is staking masterpieces against that of Leo X and Julius II, Titian and Paul Veronese are rendering the home of Doges illustrious. Saint Mark's ...
— Bohemians of the Latin Quarter • Henry Murger
... permit them to multiply indefinitely, but because the power of multiplying indefinitely was lost when it ceased to be of use.... John Hunter, supported by his experiments on anabiosis, hoped to prolong the life of man indefinitely by alternate freezing and thawing; and the Veronese Colonel Aless. Guaguino made his contemporaries believe that a race of men existed in Russia, of which the individuals died regularly every year on the 27th of November, and returned to life on the 24th of the following ...
— The Belief in Immortality and the Worship of the Dead, Volume I (of 3) • Sir James George Frazer
... "Titian, Veronese, Tintoretto," she said over and over again, as she looked at the pictures which Rafael pointed out to her in the long rooms. "If I find more of their paintings in other cities of Italy, it will seem like ...
— Rafael in Italy - A Geographical Reader • Etta Blaisdell McDonald
... mighty wall of the Alps rose, as if to bar his further progress. But through the great hill-rifts stretched the fair valley of the Adige; and from Verona, city of palaces, to red-walled Trent, the boy and his Veronese escort hurried on along the banks of the swift-flowing river. Midway between the two cities, his escort turned back; and with but a handful of followers the young monarch demanded admittance at the gates of the old Roman town, which, overhung ...
— Historic Boys - Their Endeavours, Their Achievements, and Their Times • Elbridge Streeter Brooks
... far realise the painter's ideal of earth as the portal to heaven. Certain spheres were beyond his ken. The marriage of Cana did not for him flow with the wine of gladness; he had no fellowship with the nuptial banquet as painted by Veronese. His pencil shunned the Song of Miriam and the Dance of the Daughter of Herodias; it could not pass, like the pen of England's epic poet, with a light fantastic touch from "Il Penseroso" to "L'Allegro;" his walk was narrow ...
— Overbeck • J. Beavington Atkinson
... book on art for children (1907). Contains sketches of eighteen Italian painters from Giotto to Paul Veronese, based on Vasari, and attractively written. Sixteen color and eight black and white reproductions. ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... the majesty of the draperies of Paul Veronese; but we are touched with the simplicity of Raphael, ...
— The History of Emily Montague • Frances Brooke
... originally from the Greeks, of whose sculptures the Romans availed themselves to a great degree. On the other hand, this looseness of arrangement, and what may be termed ornamental, not only spread through Germany, but infected the schools of Venice; witness the works of Tintoret and Paul Veronese, in which the expression of the countenance absolutely goes for nothing, and the whole arrangement is drawn out in a picturesque point of view, merely to amuse and gratify ...
— Rembrandt and His Works • John Burnet
... Madrid, and is principally composed of works by the Spanish masters, though also containing many other gems. Here we find forty-four examples of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four from Tintoretto, and many from Andrea del Sarto, Titian, Vandyke, Goya, Ribera, and others of similar artistic fame, in such profusion as to be a constant source of surprise to the stranger. Here one is sure ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... catalogue in hand, among the less important pictures, while Uncle Dan amused himself with some old engravings, and then, having earned their reward, the two girls strolled back to the great saloons, where nothing less splendid than Tintoretto and Veronese makes its appeal to the ...
— A Venetian June • Anna Fuller
... school of Italian art, and exhibits an astonishing variety of forms. Probably it was in the North of Italy that it flourished most. The Paduan School has its fine representation in Mantegna's picture, already referred to; the Brescian, in Moretto's Madonna of S. Clemente; the Veronese, in Girolamo dai Libri's splendid altar piece in San Giorgio Maggiore; the Bergamesque, in Lotto's Madonna of S. Bartolommeo. Above all, it was in Venice, the Queen City of the Adriatic, that the enthroned Madonna reached the greatest popularity: the spirit of the composition ...
— The Madonna in Art • Estelle M. Hurll
... size in statues is necessarily vulgar, does not seem admissible. It would be quite as just to condemn the paintings on a colossal scale in which Tintoretto and Veronese so nobly manifested their exceptional powers. The size of a work of art per se is an indifferent matter. Mere bigness or mere littleness decides nothing. But a colossal work has its conditions of being: it must conform to certain ...
— The Bay State Monthly - Volume 2, Issue 3, December, 1884 • Various
... might be accumulated a thousandfold from the works of Veronese, and of every succeeding painter,—that the fifteenth century had taken away the religious heart ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... several colours—a bright, ringing quality; one soft and veiled. The bright, strident hues of purple and gold in a picture may produce a masterpiece of gorgeous colouring; so, in a different manner, may the harmonious juxtaposition of greys, lilacs and browns on a canvas by Veronese, Rubens, ...
— Style in Singing • W. E. Haslam
... quadrangle of the convent, surrounded by a cloister supported on Ionic pillars, beautifully proportioned. A flight of stairs opens into the court, adorned with balustrades and pedestals, sculptured with elegance truly Grecian. This brought me to the refectory, where the chef-d'oeuvre of Paul Veronese, representing the marriage of Cana in Galilee, was the first object that presented itself. I never beheld so gorgeous a group of wedding garments before; there is every variety of fold and plait that can possibly be imagined. The attitudes and countenances are more uniform, ...
— Dreams, Waking Thoughts, and Incidents • William Beckford
... of pleasure and of suffering. The seasons come and go in glad or saddening pageant, and with winged or leaden feet the years pass by before them. They have their youth and their manhood, they are children, and they grow old. It is always dawn for St. Helena, as Veronese saw her at the window. Through the still morning air the angels bring her the symbol of God's pain. The cool breezes of the morning lift the gilt threads from her brow. On that little hill by the ...
— Intentions • Oscar Wilde
... so improbable in the story of Romeo and Juliet as to make us doubt the tradition that it is a real fact. "The Veronese," says Lord Byron, in one of his letters from Verona, "are tenacious to a degree of the truth of Juliet's story, insisting on the fact, giving the date 1303, and showing a tomb. It is a plain, open, and partly decayed ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 563, August 25, 1832 • Various
... painters live in their work in a singularly vivid sense. Music and painting are more direct in popular appeal than great poetry. Yet none can ridicule the sentiment which is embodied in the statue of Beethoven at Bonn, or in that of Paolo Veronese at Verona. To accept literally the youthful judgment of Milton and his imitators is to condemn sentiments and practices which are in universal vogue among civilised peoples. It is to deny to the Poets' Corner in Westminster Abbey a ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... Rembrandt, who himself lived in a time of political revolution and of the emergence to power of a burgher class, you will scarce find an unappreciated genius in the whole history of art until the beginning of the nineteenth century. The great masters of the Renaissance, from Giotto to Veronese, were men of their time, sharing and interpreting the ideals of those around them, and were recognized and patronized as such. Rembrandt's greatest contemporary, Rubens, was painter in ordinary to half the courts of Europe, and Velazquez was the friend and ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... of the quality of the servants, which, nevertheless, is the gist of the business. Will you have Paul Veronese to paint your ceiling, or the plumber from over the way? Both will work for the same money; Paul, if anything, a little the cheaper of the two, if you keep him in good humour; only you have to discern him first, which ...
— The Crown of Wild Olive • John Ruskin
... and seventeen feet. It is encircled by a colonnade like that in the middle square, and has nothing remarkable, architecturally, about it. In the public rooms that surround us there are, according to the catalogue, over a thousand pictures. Leonardo da Vinci, Paul Veronese, Titian, Giulio Romano, Murillo and a host of lesser names of the Italian and Spanish schools, with still more of the Flemish, are represented. To most visitors, who may see elsewhere finer works by these masters, the chief ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 17, - No. 97, January, 1876 • Various
... he was scarcely Leonardo's inferior, enabled him to make use of rich and full-bodied colours, which are never gaudy, as sometimes with Bonifazio, or pretty, as with Catena and lesser artists. Nor is he decorative in the way that Veronese excels, or lurid like Tintoretto. Compared with Titian it is as though his colour-chord sounded in seven sharps, whilst the former strikes the key of C natural. A full rich green frequently occurs, as in the Castelfranco "Madonna" and the ...
— Giorgione • Herbert Cook
... romantic. But we are apt to disbelieve in the romance which we hear from those concerned. I cannot disbelieve, since I knew this sad, stern Italian woman. Can you disbelieve, who have seen Titian's, and Tintoretto's, and Paolo Veronese's portraits of Venetian women? You, who have floated about ...
— Gifts of Genius - A Miscellany of Prose and Poetry by American Authors • Various
... their inland altitudes, consume themselves in brilliant but unavailing efforts to expand. Milan engulfs the lesser towns of Lombardy. Verona absorbs Padua and Treviso. Venice extends dominion over the Friuli and the Veronese conquests. Strife and covetousness reign from the Alps to the Ionian Sea. But it is a strife of living energies, the covetousness of impassioned and puissant units. Italy as a whole is almost invisible to the student by reason of the many-sided, combative, self-centered crowd of ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... great arched ceiling, after the narrative manner of Paolo Veronese, lent such vastness to the apartment that moving across it, or sitting in her great overstuffed armchair beside a window, she hardly struck a note. Great wealth lay in canopied silence over that room. A rug out of Persia, so ...
— Every Soul Hath Its Song • Fannie Hurst
... Florence, and observe what has been done for Art in the collections there. Then proceed to Bologna, and study the works of the Caracci; afterwards visit Parma, and examine, attentively, the pictures of Corregio; and then go to Venice and view the productions of Tintoretti, Titian, and Paul Veronese. When you have made this tour, come back to Rome, and paint an historical composition to be exhibited to the Roman public; and the opinion which will then be formed of your talents should determine the line of our profession which you ought to follow." ...
— The Life, Studies, And Works Of Benjamin West, Esq. • John Galt
... sculpture; his figures are seen in strange projection and foreshortening, like figures in a high relief seen from below; despite his mastery of perspective, they seem hewn out of the background; despite the rich colours which he displays in his Veronese altar-piece, they look like painted marbles, with their hard clots of stone-like hair and beard, with their vacant glance and their wonderful draperies, clinging and weighty like the wet draperies of ancient sculpture. They are beautiful petrifactions, or ...
— The Contemporary Review, Volume 36, September 1879 • Various
... hundred and twenty-seven years, ten princes of that illustrious house reigned in Verona. The first six were men of extraordinary talent, and, for the time in which they lived, of extraordinary virtue. They not only enlarged the boundaries of the Veronese, but subjected several distant cities. Albert della Scala added Trent and Riva, Parma and Reggio, Belluno and Vicenza, to his dominions; and Can Grande conquered Padua, Trevigi, Mantua, and Feltre. It is his body that is laid in the ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 399, Supplementary Number • Various
... Bellini, a Virgin of Leonardo, a Bearing of the Cross by Titian, which formerly belonged to the Marquis de Belabre (the one who sustained a siege and had his head cut off under Louis XIII.); a Lazarus of Paul Veronese, a Marriage of the Virgin by the priest Genois, two church paintings by Rubens, and a replica of a picture by Perugino, done either by Perugino himself or by Raphael; and finally, two Correggios and one Andrea ...
— The Celibates - Includes: Pierrette, The Vicar of Tours, and The Two Brothers • Honore de Balzac
... delirium or illusion, no experiences of mere soul while the body and the bodily senses sleep, or wake with convulsed intensity at the prompting of imaginative love; but rather the great primary passions under broad daylight as of the pagan Veronese. This simplification interests us, not merely for the sake of an individual poet—full of charm as he is—but chiefly because it explains through him a transition which, under many forms, is one law of the life of the human spirit, ...
— Aesthetic Poetry • Walter Horatio Pater
... martyrdom and of hell: but he had the higher gift in him, if the flesh had not subdued it. There is one part of this picture which he learned how to do at Venice, the Iris, with the golden hair, in the chariot behind Juno. In her he has put out his full power, under the teaching of Veronese and Titian; and he has all the splendid Northern-Gothic, Reynolds or Gainsborough play of feature with Venetian color. Scarcely anything more beautiful than that head, or more masterly than the composition of it, with the inlaid pattern of Juno's robe below, exists ...
— Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin
... work of Duez, not the demonstration of a theory of treating light and atmosphere. The same may be said of Roll at his best, as in his superb rendering of what may be called the modern painter's conception of the myth of Europa. Compared with Paul Veronese's admirable classic, that violates all the unities (which Veronese, nevertheless, may readily be pardoned by all but literalists and theorists for neglecting), this splendid nude girl in plein air, flecked with splotches of sunlight filtered through ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... involutions of Machiavelli's and Guicciardini's prose Bacon learned their cool and disimpassioned philosophy. From the reading of Politian and Lorenzo dei Medici, from the sight of the Psyche of Raphael, the Europa of Veronese, the Ariadne of Tintoret, men like Greene and Dorset learned that revival of a more luscious and pictorial antique which was brought to perfection in Shakespeare's "Venus and Adonis" and Marlowe's "Sestiad." From the Platonists and Epicureans of Renaissance Italy our greatest dramatists learned ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... panel or laminated copper for such gigantic works?) did Raffaelle bequeath so many legacies of his immortal genius. It is the strength of thy fibres that is the strength of the loaded supper-tables of Paul Veronese; and the velvets, the furs, the satins of Titian and Vandyke, are quilted upon thee. Nor disdainest thou to render to man, who bruises thee to try thy virtue, a thousand humbler services. Thou preservest our horses from flies, our fruit from birds; and ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... benefactor, who desired to be commemorated by a monument in the style of the later Scaliger tomb at Verona, and from the designs of Frauel was erected the hexagonal Gothic pavilion, surmounted by an equestrian statue of the Duke, which is so well known to architects. The Veronese prototype of the monument is a tolerably insecure affair, but the modern imitation is still larger and heavier, and two years after its completion the substructure began to come to pieces. It was then clamped with metal, ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... the language of the country; and Isabella—who with her friends sang boleros and danced the cachuca; with her brother, read Racine and Corneille—was equally happy while she hung enraptured upon the strains of Pergolese's music, or gazed entranced upon the pictures of Correggio and the Veronese. The princess herself was both a painter and musician, and no one, more than she, loved ...
— Joseph II. and His Court • L. Muhlbach
... mention only for its notably negative character. None of the great Venetian painters, Tintoret, Titian, Veronese, Bellini, Giorgione, Bonifazio, ever introduce a ship if they can help it. They delight in ponderous architecture, in grass, flowers, blue mountains, skies, clouds, and gay dresses; nothing comes amiss ...
— The Harbours of England • John Ruskin
... to Caelius, Aufilenus; Lovers each, fair flower either of youths Veronese. One to the brother bends, and one to the sister. A noble Friendship, if e'er was ...
— The Poems and Fragments of Catullus • Catullus
... Italy, being sent on royal embassies to purchase statuary for the Prado Gallery, and incidentally to copy pictures. So there is many a Veronese, Tintoretto and Titian now in the Prado that was ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... Germania in, Its name Benacus, which a thousand rills, Methinks, and more, water between the vale Camonica and Garda and the height Of Apennine remote. There is a spot At midway of that lake, where he who bears Of Trento's flock the past'ral staff, with him Of Brescia, and the Veronese, might each Passing that way his benediction give. A garrison of goodly site and strong Peschiera stands, to awe with front oppos'd The Bergamese and Brescian, whence the shore More slope each way descends. There, whatsoev'er Benacus' bosom holds not, tumbling o'er Down falls, ...
— The Divine Comedy • Dante
... tenderness of the animals, through the placid laws of existence. She was leaving the convent radiant, full of the joy of life, ready for all the happiness, all the charming incidents which her mind had pictured in her idle hours and in the long, quiet nights. She was like a portrait by Veronese with her fair, glossy hair, which seemed to cast a radiance on her skin, a skin with the faintest tinge of pink, softened by a light velvety down which could be perceived when the sun kissed her cheek. Her eyes were an opaque blue, like those of Dutch porcelain figures. She had a tiny ...
— Une Vie, A Piece of String and Other Stories • Guy de Maupassant
... not monopolize the heroes, and they are always essentially the same. When, for instance, I read in a letter of Hubert Languet's to Sidney, "You are not over-cheerful by nature," or when, in another, he speaks of the portrait that Paul Veronese painted of Sidney, and says, "The painter has represented you sad and thoughtful," I can believe that he is speaking of my neighbor. Or when I remember what Sidney wrote to his younger brother,—"Being ...
— Atlantic Monthly, Vol. 8, No. 46, August, 1861 • Various
... sleep, perhaps, in a garret, and dine in a cellar; but no grandee in Europe has such a drawing-room. Kings' houses have, at best, but damask hangings, and gilt cornices. What are these to a wall covered with canvas by Paul Veronese, or a hundred yards of Rubens? Artists from England, who have a national gallery that resembles a moderate-sized gin-shop, who may not copy pictures, except under particular restrictions, and on rare and particular days, ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... Korinth translated, was more horrified than enchained, or rather altogether the first. Wondered how any one could translate it or the Faust, but spoke as knowing the original. Thought little of Murillo as to the mind of painting; said he could not have painted Paul Veronese's 'Marriage of Cana.' Considered that old age in great measure disqualified him by its rigid fixity of habits from judging of the works of young poets—I must say that he was here even over liberal in self-depreciation. He defended the make of the steamboat as more ...
— The Life of William Ewart Gladstone, Vol. 1 (of 3) - 1809-1859 • John Morley
... works on which the highest geniuses of Italy had lavishly diffused their power. Among these relics of an age more happy in this respect than that of which we write, the connoisseur would readily have known the pencils of Titian, Paul Veronese, and Tintoretto—the three great names in which the subjects of St. Mark so justly prided themselves. Among these works of the higher masters were mingled others by the pencils of Bellino, and Montegna, and Palma ...
— The Bravo • J. Fenimore Cooper
... the recent English humorists have patterned after certain famous wits of ours. I do not know that I would have exposed this impostor, even if occasion had offered, for, after all, his fraud was a tribute to our own primacy in clowning, and the Veronese were none the worse for ...
— Henry James, Jr. • William Dean Howells
... possess none of the grace of the ideal woman of the Umbrian school, but they have something of the magnificence of the Imperial City—Juno and Venus are united in them. They would resemble the ideals of Titian and Paul Veronese but for their black hair and dark complexion,—blond and red hair have always ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... (whatever Sir Joshua may say of them), and in which the very management of the gray tones which the President abuses forms the principal excellence and charm. Why, after all, are we not to have our opinion? Sir Joshua is not the Pope. The color of one of those Vandykes is as fine as FINE Paul Veronese, and the ...
— Little Travels and Roadside Sketches • William Makepeace Thackeray
... there are four points chiefly to be remarked. The first, that in the year 1759 the Italian painters were, in our author's opinion, sunk in the very bathos of insipidity. The second, that the Venetian painters, i.e. Titian, Tintoret, and Veronese, are, in our author's opinion, to be classed with the Dutch; that is to say, are painters in a style "in which the slowest intellect is always sure to succeed best." Thirdly, that painting naturally is not ...
— Selections From the Works of John Ruskin • John Ruskin
... Annibale Caracci was so deceived by a book painted upon a table by Jacopo da Ponte, that he stretched out his hand to take it up. Bassano was highly honored by Paul Veronese, who placed his son Carletto under him as a pupil, to receive his general instructions, "and more particularly in regard to that just disposition of lights reflected from one object to another, and in those happy counterpositions, owing to which the depicted ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner
... Greek mythology,—that is all among the Italians. Desiring nothing but beauty of line and color, and expressiveness provided it was beautiful, they sought a subject merely as the raison d'etre of beauty. Raphael could paint the Madonna and Child a score of times, and Veronese his Marriages of Cana, and all of them Magdalenes and St. Sebastians by the dozen, without thinking of finding fresh subjects to excite fresh interest. Nor does this restricted range of subjects imply, under the hand of a master, monotony. There is more unlikeness in Raphael's Madonnas ...
— Lippincott's Magazine, December 1878 • Various
... drawing and color, between the patient phlegm and honest stiffness of the old Dutch masters and the dazzling warmth and abounding joy of the Italians. You have tried to follow, at one and the same time, Hans Holbein and Titian; Albrecht Durier and Paul Veronese. Well, well! it was a glorious ambition, but what is the result? You have neither the stern attraction of severity nor the deceptive magic of the chiaroscuro. See! at this place the rich, clear color of Titian has forced ...
— The Hidden Masterpiece • Honore de Balzac
... at in private European collections and art exhibitions. The various schools of the old masters were represented by a Raphael Madonna, a Virgin by Leonardo da Vinci, a nymph by Correggio, a woman by Titian, an adoration of the Magi by Veronese, an assumption of the Virgin by Murillo, a Holbein portrait, a monk by Velazquez, a martyr by Ribera, a village fair by Rubens, two Flemish landscapes by Teniers, three little genre paintings by Gerard Dow, Metsu, and Paul Potter, two canvases by Gericault and Prud'hon, plus ...
— 20000 Leagues Under the Seas • Jules Verne
... may be seen represented in the paintings of the old masters: Orcagna, Francia, Crivelli, and others, who delighted in the rendering of rich stuffs; later, they abound in the creations of Veronese and Titian. A "favourite Italian vegetable," as Dr. Rock quaintly expresses it, is the artichoke, which, often, set in oval forms, is either outlined or worked solidly in ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... was shining into the lofty window, where Titian seated himself to talk more gaily than before with Paolo Cagliari, Veronese, and other great artists ...
— Uarda • Georg Ebers |
