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Classic   /klˈæsɪk/   Listen
Classic

adjective
1.
Of recognized authority or excellence.  Synonyms: authoritative, classical, definitive.  "Classical methods of navigation"
2.
Of or relating to the most highly developed stage of an earlier civilisation and its culture.  Synonym: classical.
3.
Of or pertaining to or characteristic of the ancient Greek and Roman cultures.  Synonyms: classical, Graeco-Roman, Greco-Roman, Hellenic.



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"Classic" Quotes from Famous Books



... may be the patriotism of this ode, the poetry is not above criticism; but it is classic in comparison with many others. The following stanza and chorus will show the character of one of the most popular street-songs of ...
— The Naval History of the United States - Volume 1 (of 2) • Willis J. Abbot

... beginning to end can say—and this is a notable point which should put him in a favorable light with you, not only bringing him acquittal, but removing from him every kind of misunderstanding—that when he comes to the difficult parts, precisely at the time of degradation, in place of doing as some classic authors have done, (as the Public Attorney knows full well, but whom he forgot when he wrote his address) a few pages of whose writings I have with me here, (not to read to you but for you to run through in Court—and I might ...
— The Public vs. M. Gustave Flaubert • Various

... from the classic stories of Homer have been included in the present collection, having been ruled out by the principle that nothing but complete units must be presented. But every child must be exposed to the charm of the wonderful story-teller ...
— Types of Children's Literature • Edited by Walter Barnes

... loved Paolo, he was so finished in his being, detached, with an almost classic simplicity and gentleness, an eternal kind of sureness. There was also something concluded and ...
— Twilight in Italy • D.H. Lawrence

... Oriental about the court, except the color and the group of the Nations of the East above the Arch of the Rising Sun. The colonnade is Corinthian, all the arches are Roman, the sculpture is classic, the paintings are romantic, mystic,—the Court of the Universe may properly hold all things. It is thus an arena for the expression of universal themes, on which the nations of the East and West look down from ...
— The Jewel City • Ben Macomber

... Z.] in which I was struck with the name of Bertini among the classics, which does not seem to me suitable. As far as I know, Bertini is still living, [He did not die till 1876.] and according to the common idea, to which one must stick fast, only those who are dead can rank as classic and be proclaimed as classic. Thus Schumann, the romanticist, and Beethoven, the glorious, holy, crazy one, have become classics. Should Bertini have already died, I take back my remark, although the popularity of his Studies is not, to me, a satisfactory reason for making ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated

... unsociable. It was not that he studied Greek or Latin; he had a healthy contempt for scholastic triumphs; horse-racing was the real interest of his life. "This is my work," he used to scoff, brandishing The Sportsman in Gordon's face. "I am not going to be a classic scholar, and I sha'n't discover any new element, or such stuff as that. I am going on the turf. ...
— The Loom of Youth • Alec Waugh

... with ammunition for a perfect fusillade of wit. He warned Mr. Shaw that hereafter he might expect Neptune to have a grudge against him for having robbed the sea-god of his beauteous prey. I said I thought most likely it was not Neptune that was robbed but sharks, but sharks not being classic, Mr. Tubbs would have none of them. He said he believed that if Mr. Shaw had not inopportunely arrived, Neptune with his tripod would soon have ...
— Spanish Doubloons • Camilla Kenyon

... as are we at this moment to the birth-place and the tomb of the highest name in the literature of this country, we all feel that we now tread the classic ground of England—ground too rich in unquestionable memories of Shakespeare, to admit of any feeling of jealousy in an attempt to connect his fame by circumstantial evidence with any other locality. ...
— A Walk from London to Fulham • Thomas Crofton Croker

... and graceful female figure, clothed in deep black, seated by the window, with her elbow resting upon the sill and her chin supported on her hand. Her eyes were cast down until her eyelashes lay like inky lines upon her snow-white cheek. Her face, of classic regularity and marble whiteness, bore a ghastly contrast to the long eyelashes, arched eyebrows and silken ringlets black as midnight. She might have been a statue or a picture, so motionless ...
— Capitola's Peril - A Sequel to 'The Hidden Hand' • Mrs. E.D.E.N. Southworth

... infinite pains and labor through tens of thousands of generations. The utmost that we can do with our drugs and remedies is to appeal to and rouse into action the great healing power of nature, the classic "Vis medicatrix Naturae," an incarnation of our past experiences handed down by heredity. Enormously valuable and important as are the services to human welfare, health, and happiness which can be rendered by the destruction of the living external causes of disease ...
— Preventable Diseases • Woods Hutchinson

... may mention it's my sovereign intention To revive the classic memories of Athens at its best, For my company possesses all the necessary dresses, And a course of quiet cramming will supply us with the rest. We've a choir hyporchematic (that is, ballet-operatic) ...
— Songs of a Savoyard • W. S. Gilbert

... houses of pinkish stone (covered with heavy sculpture and breaking out into countless balconies and bay windows), and soon found ourselves in the market-place. And here, indeed, one felt oneself in the Germany of bygone days. Instead of pseudo-classic buildings, heavy with meaningless ornamentation, we found beautiful old timber-framed houses, with deep eaves and wood carvings. On one of ...
— A War-time Journal, Germany 1914 and German Travel Notes • Harriet Julia Jephson

... nearly everywhere. It's one of the most classic wild flowers we know anything about. The ancient Egyptians dried its leaves to give flavor to their salad, and I remember being told at Luxor that the modern Copts and Arabs do the same. You see it's quite a friendly little ...
— The Dust Flower • Basil King

... contrasting the symptoms in a given ease that has not been medicated, with those of a similar case that has been medicated, to know the full value of symptoms under medication, as well as the full value of the symptoms when not under medication. This knowledge I am using in analyzing this medical classic and from my standpoint I can see how very easy it was for the author of the article under consideration to blunder along as he did. The doctor should not feel lonesome, however, for he ...
— Appendicitis: The Etiology, Hygenic and Dietetic Treatment • John H. Tilden, M.D.

... down beside him and entered into earnest conversation, to judge from his gestures, for nothing could be heard where Nigel lay save the monotonous murmur of their voices. The hermit did not move. Except for an occasional inclination of the head he appeared to be a grand classic statue, but it was otherwise with the negro. His position in front of the lamp caused him to look if possible even blacker than ever, and the blackness was so uniform that his entire profile became strongly pronounced, thus rendering ...
— Blown to Bits - The Lonely Man of Rakata, the Malay Archipelago • R.M. Ballantyne

... that of Elizabethan England. Between these peaks lies a broad valley, the bottom of which is formed by the centuries from the fifth to the ninth after Christ. From its culmination in the tragedies of AEschylus, Sophocles, and Euripides, and in the comedies of Aristophanes, the classic drama declined through the brilliantly realistic comedies of Menander to the coldly rhetorical tragedies of the Roman Seneca. The decay of culture, the barbarian invasions, and the attacks of the Christian Church ...
— An Introduction to Shakespeare • H. N. MacCracken

... little of the great world (she had visited Paris only twice and briefly), her mind charmingly developed by conscientious tutors. But at the moment he thought that the compelling power lay in some deep subtlety of eye, her little air of lofty aloofness, her classic small features in a small face, and the top-heavy masses of blue black hair which she carried with a certain naive pride as if it were her only vanity; in her general unlikeness to the gray-eyed fair-haired ...
— The Avalanche • Gertrude Franklin Horn Atherton

... pleasant voice, was constrained to admit that he could be charming. As for the freckles and "carrot-head," they had been succeeded by a fine if somewhat florid complexion, and the curled thickness of his brilliant crown gave to his head an almost classic beauty. ...
— Contrary Mary • Temple Bailey

... Relation function and transformation as three aspects of one thing. Its study, the common enterprise of science. The static and the dynamic worlds. The problem of time and kindred problems. Importation of time and suppression of time as the classic devices of sciences.—The nature of invariance. The ages-old problem of permanence and change. The quest of what abides in a fluctuant world as the binding thread of human history. The tie of comradeship among the enterprises of human spirit.—The concept of ...
— Manhood of Humanity. • Alfred Korzybski

... of those colonial dames who are popularly supposed to have stayed at home and "tended their knitting" were interested in and enthusiastically conversed about some rather classic authors and rather deep questions. Mrs. Grant has told us of the aunt of General Philip Schuyler, a woman of great force of character and magnetic personality: "She was a great manager of her time and always contrived to create leisure hours for reading; for that ...
— Woman's Life in Colonial Days • Carl Holliday

... call them ephemeral—I feel to devote a memorandum. They are shrewd, good-natur'd, face-to-face speeches, on easy topics not too deep; but they give me some revised ideas of oratory—of a new, opportune theory and practice of that art, quite changed from the classic rules, and adapted to our days, our occasions, to American democracy, and to the swarming populations of the West. I hear them criticised as wanting in dignity, but to me they are just what they should be, considering all the circumstances, who they come from, and who ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman

... creations of American literature." Says a lady: "To me it is the most distinctive piece of work we have had in this country since 'Uncle Tom's Cabin,' and its exquisite finish of style is beyond that classic." "The book is truly an American novel," says the Boston Advertiser. "Ramona is one of the most charming creations of modern fiction," says Charles D. Warner. "The romance of the story is irresistibly fascinating," says ...
— Hetty's Strange History • Helen Jackson

... Parade at Brighton. How we should laugh, to be sure, if we happened to come across Mr. Toots, and smile, too, if we met Feeder, B.A., and give a furtive glance of recognition at Glubb, the discarded charioteer. Then the classic Cornelia Blimber would pass, on her constitutional, and we should quail a little—at least I am certain I should—as she bent upon us her scholastic spectacles; and a glimpse of Dr. Blimber would ...
— Life of Charles Dickens • Frank Marzials

... before you go to church; but once there, make your first sentence resonant and mighty for God. An hour and a half is short time anyhow to get five hundred or five thousand people ready for heaven. It is thought classic and elegant to have a delicate utterance, and that loud tones are vulgar. But we never heard of people being converted by anything they could not hear. It is said that on the Mount of Olives Christ opened His mouth and taught them, by which we conclude He spake out ...
— Around The Tea-Table • T. De Witt Talmage

... here than at home. He is expected to deliver a course of lectures in public, to entertain socially, and to interest himself in local affairs. At Auckland they boasted that on their School Board they had a Senior Classic and a ...
— Six Letters From the Colonies • Robert Seaton

... engineers." We should have scant hope of deciding the dispute by the dicta of the ancients, were these far more copious than we find them to be. Yet reverence for antiquity may justify our quoting one of the classic fathers. Plutarch says, "The Pythagoreans affirme, that the moone appeereth terrestriall, for that she is inhabited round about, like as the earth wherein we are, and peopled as it were with the greatest living creatures, and the fairest plants." Again, ...
— Moon Lore • Timothy Harley

... review of 'Ithaca' and 'Greece', in the 'Monthly Review' for August, 1811, see Appendix III.) In the MS. of 'English Bards, and Scotch Reviewers' (line 1034) he called him "coxcomb Gell;" but, having made his personal acquaintance before the Satire was printed, he changed the epithet to "classic." After seeing the country himself, he again altered ...
— The Works Of Lord Byron, Letters and Journals, Vol. 1 • Lord Byron, Edited by Rowland E. Prothero

... trees, under which small bright Hindoo temples, carefully whitewashed, might be seen in the shade; or bounded by abrupt rocky promontories, surmounted by many-pillared temples in ruins, hanging in the sky. A fine rich sunset gave an exquisite richness and classic magnificence to the scene. Many little boys with rod and line were ensnaring the sweet little singhee, or the golden rohoo or carp—bringing back to my heart the days, when, stealing from school, I was wont ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various

... messengers of Agamemnon. The king stood on one side ready to receive her, and on the other, Achilles, with averted face, in an attitude of deep dejection. The natural centre of the group, however, was the figure of Briseis. The poise of her classic head as she looked back over her shoulder at her beloved hero was full of the tenderest suggestions. She seemed to offer no resistance to the messengers, but her reluctant, lingering steps were more expressive than any violent demonstration. Cranbrook saw all ...
— Ilka on the Hill-Top and Other Stories • Hjalmar Hjorth Boyesen

... work on the Balance of Power, Fragmente aus der neuesten Geschichte des politischen Gleichgevaichtes in Europa, Dresden, 1806, is still, not only from its environment, but from its conviction, the classic on this subject. It gained him the friendship of Metternich, and henceforth he became the constant and often reckless and violent exponent of Austrian principles. But he was sincere. To the charge of being the Aretino of the Holy Alliance, Gentz ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb

... mind's eye,—a fact frequently revealed by the movement of his eyes while reciting,—and attempts to recall each paragraph or statement in its order. In literature he masters his difficulties sentence by sentence, a method most clearly shown in the case of our greatest classic, the Bible, which is almost universally studied and ...
— How To Study and Teaching How To Study • F. M. McMurry

... in the Cabinet.] Vivie gathered from her guide that to-day would be rather a special Derby, because it did not often happen that a King-Emperor was there to see a horse from his own racing stables running in the classic race. ...
— Mrs. Warren's Daughter - A Story of the Woman's Movement • Sir Harry Johnston

... that came with constant discipline of keeping oneself smart, straight, clear-eyed and ever courteous—as a good soldier is. There were several pretty nurses aboard—several who were not!—and for once his classic features found worthy rivals in the less handsome, ...
— Where the Souls of Men are Calling • Credo Harris

... severe political disabilities, had taken up a high literary position in Alexandria, and had forced their opinions into the notice of the Greeks. The glowing earnestness of their philosophy, now put forward in a platonic dress, and heir improved style, approaching even classic elegance, laced their writings on a lofty eminence far above anything which the cold, lifeless grammarians of the museum were then producing. Apion, who went to Rome to plead against Philo, was a native of the Great Oasis, but as he was born of Greek parents, he claimed and received the title ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 11 (of 12) • S. Rappoport

... war, and sometimes being willing to fight wagers of battle, are short-lived as a rule, and assassination is a continual peril, whether by fire at a time of feast, of which there are numerous examples, besides the classic one on which Biarea-mal is founded and the not less famous one of Hamlet's vengeance, or whether by steel, as with Hiartuar, or by trick, as in Wicar's case above cited. The reward for slaying a king is in one case 120 gold lbs.; ...
— The Danish History, Books I-IX • Saxo Grammaticus ("Saxo the Learned")

... Clark Murray has had the rare good fortune of first presenting this singularly vivid book in an English translation as pure and lively as if it were an original, and an original by a classic English writer." ...
— The Busted Ex-Texan and Other Stories • W. H. H. Murray

... the common heart of the world. There are but few works that have obtained a greater degree of popularity, none are more deserving it; and the Publishers cannot therefore refrain from expressing a hope that their efforts in thus giving a faithful transcript of the work,—an acknowledged classic by the European world,—may be, in some degree, instrumental in awakening here, at home, a taste for those higher works of Fancy, which, while they seek to elevate and strengthen the understanding, instruct and purify the heart. It is in this ...
— Paul and Virginia • Bernardin de Saint Pierre

... smiled at me, as much as to say "a faithful Dependent—I overlook his folly;" and then said aloud, "My view is a little classic and thoughtful for them here; but they ...
— Great Expectations • Charles Dickens

... think the Muse will stain Her classic fingers with the dust profane Of Bulls, Decrees and all those thundering scrolls Which took such freedom once with royal souls,[1] When heaven was yet the pope's exclusive trade, And kings were damned as fast as now they're made, No, no—let Duigenan search the papal chair For fragrant treasures ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al

... he. 'Only I thought you disliked her,' he quietly added, curling his classic lip ...
— The Tenant of Wildfell Hall • Anne Bronte

... eye, the daughter of the light; Well pleased to recognise in lowliest shade Some glimmer of its parent beam, and made By daily draughts of brightness, inly bright. The taste severe, yet graceful, trained aright In classic depth and clearness, and repaid By thanks and honour from the wise and staid— By pleasant skill to blame, and yet delight, And high communion with the eloquent throng Of those who purified our speech and song— All these are yours. The same ...
— Andromeda and Other Poems • Charles Kingsley

... subject for which had been given out in advance) were arranged, and we had seated ourselves in a big half-circle on the floor, Carolus would install himself on a tall stool, the one seat the studio boasted, and chat à propos of the works before him on composition, on classic art, on the theories of color and clair-obscur. Brilliant talks, inlaid with much wit and incisive criticism, the memory of which must linger in the minds of all who were fortunate enough to hear them. Nor was it to the studio alone that our master’s interest ...
— The Ways of Men • Eliot Gregory

... Catholic discipline which pales the face of the novice with vigils, seclusion, and fasting, and thus makes room and clears the way for the movements of the spirit, so in these figures every vulgar grace is suppressed. No classic contours, no languishing attitudes, no asking for admiration,—but a severe and chaste restraint, a modest sweetness, a slumbering intellectual atmosphere, a graceful self-possession, eyes so sincere and pure that heaven's light shines through them, and, beyond all, a hovering spiritual ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various

... obtaining her was to murder his rival. The murder was done, and its story is recorded in clumsy bas-relief over Thynne's tomb in Westminster Abbey. Koenigsmark's accomplices were executed, but Koenigsmark got off, and died years later fighting for the Venetians at the siege of classic Argos. The soldier in Virgil falls on a foreign field, and, dying, remembers sweet Argos. The elder Koenigsmark, dying before sweet Argos, ought of right to remember that spot where St. Albans Street joins Pall Mall, and where Thynne was done to death. The Koenigsmarks ...
— A History of the Four Georges, Volume I (of 4) • Justin McCarthy

... became necessary for me to go to the barn, the cattle-pen, the pig-pen and the chicken-house, that I might visualize more clearly the scene of the tragedy. The whole family trooped after us like a classic chorus, but Mr. Clark himself kept the ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker

... enchaining the attention and fascinating the minds of his readers. Two other great writers of prose were Charles Lamb and Walter Savage Landor, each in styles essentially different. Jane Austen, a young English lady, has become a classic in prose, because her work is true and perfect within its own sphere. De Quincey is perhaps the writer of the most ornate and elaborate English prose of this period. Thomas Carlyle, a great Scotsman, with a style of overwhelming power, but of occasional grotesqueness, ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn

... among whom he was brought up would have hailed him as a wizard who spoke the dead tongues; and, granting his legal studies made him familiar with Latin as lawyers use it, he carefully avoided those hurdles of the classic orator, Latin quotations. Nevertheless, we have an exception to what would have pleased Lord Byron—the poet thought we have had enough of the classics. The President, spying Secretary Stanton, of the War Department, inadvertently striking an imposing attitude in the doorway ...
— The Lincoln Story Book • Henry L. Williams

... Doctor. "History repeats itself, the modern based upon the classic. Quite a young Pylades and Orestes. Well, Burr, have you made acquaintance with all ...
— Burr Junior • G. Manville Fenn

... to greet a young lady, tall, strong, and with the beauty of perfect health rather than of classic feature in her face. There was withal a careless disregard of the ...
— Corporal Cameron • Ralph Connor

... pursuit of the sombre goddess of learning to be the most profitable—entirely the most profitable. I myself, though a young man,—being still on the right side of forty,—have reaped the richest harvest from my labours in the classic shades. Twenty years ago, young gentlemen, I, like you, left my ancestral estates to sip at the Pierian spring. In point of fact, I attended the institution founded by Thomas Jefferson, the father of the American democracy—yes, sir." He put his cigar back in his mouth and added, "Yes, sir, ...
— A Certain Rich Man • William Allen White

... disturbed and less formed than prose; Ronsard and his friends had received it from the hands of Marot, quite young, unsophisticated and undecided; they attempted, at the first effort, to raise it to the level of the great classic models of which their minds were full. The attempt was bold, and the Pleiad did not pretend to consult the taste of the vulgar. "The obscurity of Ronsard," says M. Guizot, in his Corneille et son Temps, "is not that of a subtle mind torturing itself to make something out of nothing; it is the ...
— A Popular History of France From The Earliest Times - Volume V. of VI. • Francois Pierre Guillaume Guizot

... Sacramento Union, the organ of the Central Pacific, came out the next morning with glowing accounts of the successful run of the stages over the Emigrant Gap route and ridiculed Mr. Robinson's telegram, ironically comparing it with Caesar's classic message to the Roman ...
— The Lake of the Sky • George Wharton James

... deaf. I was rather embarrassed, but the Queen of Greece came to my rescue. She was beautiful, but much less so than her lovely sister the Princess of Wales. Oh, that adorable and seductive face—with the eyes of a child of the North, and classic features of virginal purity, a long, supple neck that seemed made for queenly bows, a sweet and almost timid smile. The indefinable charm of this Princess made her so radiant that I saw nothing but her, and I went from the box leaving behind me, I fear, ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt

... enthusiasm. The long quarrels of the Italian Republics, after having forced men to display their utmost energy, made them also feel the necessity of a period of repose ennobled and charmed by the occupations of the mind. The study of classic literature supplied the means; they were seized with ardour. Popes, cardinals, princes, nobles, and men of genius gave themselves up to learned researches; they wrote to each other, they travelled to ...
— Memoirs To Illustrate The History Of My Time - Volume 1 • Francois Pierre Guillaume Guizot

... there was another party, who, though locally separated from the main body, occupied a position, the importance of which developed itself in the after-history of the settlement. I refer to the Scotch party, who were located on the Baviaans River, among mountains and glens that have been rendered classic by the poetry of their leader and historic by the gallant deeds and endurance of his compatriots in the after-struggles of the frontier. I need make no particular reference, however, to the early circumstances of that body of men, as in Pringle's ...
— Six Months at the Cape • R.M. Ballantyne

... burst upon me with the fierce exclamation, "I have worn it three times, at the least calculation, And that and most of my dresses are ripped up!" Here I ripped out something, perhaps rather rash, Quite innocent, though; but to use an expression More striking than classic, it "settled my hash," And proved very soon the last act of our session. "Fiddlesticks, is it, sir? I wonder the ceiling Doesn't fall down and crush you—you men have no feeling; You selfish, unnatural, illiberal creatures, Who set yourselves up as patterns ...
— The Wit and Humor of America, Volume VIII (of X) • Various

... Coates, in Charleston, he was fitted to enter Charleston College, a plain, narrow-fronted structure with six severely classic columns supporting the facade. It stood on the foundation of the "old brick barracks" held by the Colonial troops through a six-weeks siege by twelve thousand British regulars under ...
— Literary Hearthstones of Dixie • La Salle Corbell Pickett

... Woman stood just within the circle of illumination. So intent was she on the examination and on Kingozi that she seemed utterly unconscious of the men standing over opposite. Her soft silk robe fell about her body in classic folds; the single jewel on its chain fillet blazed on her forehead; her hair fell in its braid to her hips, and her wide, gray-green eyes were fixed on the seated man. A more startlingly exotic figure for the wilds of Central Africa could ...
— The Leopard Woman • Stewart Edward White et al

... dynasties one may invoke the poverty of a language not yet sufficiently mature for the requirements of history; but for the seeming insignificance of the long line of Chous, who lived in the early bloom, if not the rich fruitage, of the classic period, ...
— The Awakening of China • W.A.P. Martin

... Constantinople. The two ladies accordingly embarked on this expedition, and spent three months in Greece, in Turkey, in Egypt. Isabel found much to interest her in these countries, though Madame Merle continued to remark that even among the most classic sites, the scenes most calculated to suggest repose and reflexion, a certain incoherence prevailed in her. Isabel travelled rapidly and recklessly; she was like a thirsty person draining cup after cup. Madame Merle meanwhile, as lady-in-waiting ...
— The Portrait of a Lady - Volume 2 (of 2) • Henry James

... went to Bostock's emporium, at Hanbridge, to buy the cigar-cabinet and a few domestic trifles. Bostock's is a good shop. I do not say that it has the classic and serene dignity of Brunt's, over the way, where one orders one's dining-room suites and one's frocks for the January dances. But it is a good shop, and one of the chief glories of the Paris of the Five Towns. It has frontages in three streets, ...
— The Grim Smile of the Five Towns • Arnold Bennett

... that our author travelled, with candour and dispassionateness, the design would have been noble and useful; he then would have produced authors into light who were before unknown; have recommended sacred poetry, and it would have been extreamly pleasing to have followed Milton over all his classic ground, and seen where the noblest genius of the world thought proper to pluck a flower, and by what art he was able to rear upon the foundation of nature so magnificent, so astonishing a fabric: but in place of that, Mr. Lauder suffers himself to ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Volume II • Theophilus Cibber

... without any of this business of kissing, now. Here's to your health, old man ... Or here is another instance ... I read a certain French classic, describing the thoughts and sensations of a man condemned to capital punishment. He describes it all sonorously, powerfully, brilliantly, but I read and ... well, there is no impression of any sort; neither emotion nor ...
— Yama (The Pit) • Alexandra Kuprin

... classic ground, Maggie, and we will read the 'Lord of the Isles' together this week, ere we put a foot on it," said Mary, who was in a merry mood with life, and all the love ...
— A Daughter of Fife • Amelia Edith Barr

... published his first part of Faust, a book which by its exquisite poetry was to extinguish for all self-respecting Germans Klinger's turgid prose. Borrow, like the translator of Rousseau's Confessions and of many another classic, takes refuge more than once in the asterisk. Klinger's Faustus, with much that was bad and even bestial, has merits. The devil throughout shows his victim a succession of examples of 'man's inhumanity to man.' Borrow's translation ...
— George Borrow and His Circle - Wherein May Be Found Many Hitherto Unpublished Letters Of - Borrow And His Friends • Clement King Shorter

... possible devices I have taken as the framework on which to hang these discussions three familiar divisions of thought and feeling, with their accompanying laws of conduct, and value judgments. They are the humanistic or classic; the naturalistic or primitive; and the religious or transcendent interpretation of the world and life. One sets up a social, one an individual, and one a universal standard. Under the movements which ...
— Preaching and Paganism • Albert Parker Fitch

... many ways to see whether the genius for money and patience (and especially some intellect and intellectuality—sadly lacking in the place referred to) could not in addition be annexed and trained to the hereditary art of commanding and obeying—for both of which the country in question has now a classic reputation But here it is expedient to break off my festal discourse and my sprightly Teutonomania for I have already reached my SERIOUS TOPIC, the "European problem," as I understand it, the rearing of a new ruling ...
— Beyond Good and Evil • Friedrich Nietzsche

... assured, reserves prepared, an obstinate coolness, an imperturbable method, strategy profiting by the ground, tactics balancing battalions, carnage measured by a plumb-line, war regulated watch in hand, nothing left voluntarily to accident, old classic courage and absolute correctness. On the other side we have intuition, divination, military strangeness, superhuman instinct, a flashing glance; something that gazes like the eagle and strikes like lightning, all ...
— The Best of the World's Classics, Restricted to Prose, Vol. VII (of X)—Continental Europe I • Various

... can "Let" the house to another; but he who occupies it cannot say that he "Lets" it. Occasionally are seen on painted signs the words Billiards, Groceries, with an apostrophe before the letter s; and even in classic Cambridge this sign was to be seen at one time, "Students Tickets can be had here," without the apostrophe after the letter s in the word Students. The other day, in Harvard Square, was to be ...
— The Importance of the Proof-reader - A Paper read before the Club of Odd Volumes, in Boston, by John Wilson • John Wilson

... which they wandered, the book of the Mirabilia in their hand, exercised its profound spell upon them. Besides the recollections of antiquity other memories of the deeds of popes and emperors, from the time of Charles the Great, animated this classic theatre of the world in the year 1300. Every mind, alive to the language of history, must have felt deeply the influence of the city at this time, when troops of pilgrims from every country, wandering in this ...
— The Great Events by Famous Historians, Volume VI. • Various

... rooms was once required. The book has become, as it were, a jewel, and is kept in a kind of jewel-case." It is not quantity of pages, nor lofty piles of ordinary binding, nor theological folios and classic quartos, that the modern amateur desires. He is content with but a few books of distinction and elegance, masterpieces of printing and binding, or relics of famous old collectors, of statesmen, philosophers, beautiful dead ladies; or, again, he buys illustrated books, ...
— The Library • Andrew Lang

... "She-Notes"—a skit on "Keynotes" and "Airs Resumptive"—of which the fourth, "To Julia in Shooting-togs (and a Herrickose Vein)" is an admirable specimen of its class. Art and political criticism in verse and prose are employed to illustrate the writer's facility and classic taste. ...
— The History of "Punch" • M. H. Spielmann

... like a diagram of the Labyrinth of Crete, entitled, "A Description of York, its Antiquities and Public Buildings, particularly the Cathedral; compiled with great pains from the most authentic records." Also a small scholastic-looking volume, in a classic vellum binding, and with a frontispiece bringing together at one view the towers and turrets of King's College and the magnificent Cathedral of Ely, though geographically sixteen miles apart, entitled, "The Cambridge Guide: its Colleges, Halls, Libraries, and Museums, with the Ceremonies of the ...
— Redburn. His First Voyage • Herman Melville

... the fifteenth century there was to come a supreme test and temptation. The fall of Constantinople and the release of Greek: the rediscovery of the Classic past: the Press: the new great voyages—India to the East, America to the West—had (in the one lifetime of a man [Footnote: The lifetime of one very great and famous man did cover it. Ferdinand, King ...
— Europe and the Faith - "Sine auctoritate nulla vita" • Hilaire Belloc

... born at Frome, in England, in 1808, and died in America in 1869, from the result of a railway accident. He entered at Trinity College, Cambridge, and obtained a fellowship there after being fifth classic in 1831. He was therefore a contemporary of Darwin's at the University, though not a "schoolmate," as the "American Entomologist" puts it. He was the author of "A Historical Account of the University ...
— More Letters of Charles Darwin Volume II - Volume II (of II) • Charles Darwin

... second place they did not require the "retirement and leisure necessary for literary work"; they talked about what they knew in the most simple and artless manner; made no preparations beforehand; walked into a class room, and, book in hand, Greek or Roman classic, discoursed to their pupils about the meaning of this or that passage or the rendering of this or that word benefiting the juvenile class with the spontaneous harvest of their cultivated minds, and giving the opinions of others a great deal more freely than ...
— Tacitus and Bracciolini - The Annals Forged in the XVth Century • John Wilson Ross

... ideas and models for their artistic handicraft from the most unlikely sources. A shop-window, full of dusty plaster medallions for mantelpiece decorations, gave them their first notions of classic design. The black Wedgwood ware was to be seen in nearly every house in Uttoxeter, while a few of the more prosperous inhabitants possessed vases and jugs in the pale blue ware, ornamented with graceful figures. These precious specimens the Botham sisters ...
— Little Memoirs of the Nineteenth Century • George Paston

... Souls," all his qualities are developed to the highest degree, though there is less pathos than in some of the short stories. This must forever rank as a Russian classic. The types are as vivid, as faithful, for those who know the Russia of to-day, as when they were first introduced to an enthusiastic Russian ...
— A Survey of Russian Literature, with Selections • Isabel Florence Hapgood

... a generation, the National Championship, bird-dog classic of America, had been run near Breton Junction where, two weeks later, Burton got off the train ...
— Frank of Freedom Hill • Samuel A. Derieux

... no bush, nor good verse a preface; and Sir Francis Doyle's verses run bright and clear, and smack of a classic vintage.... His chief characteristic, as it is his greatest charm, is the simple manliness which gives force to all he writes. It is a characteristic in ...
— MacMillan & Co.'s General Catalogue of Works in the Departments of History, Biography, Travels, and Belles Lettres, December, 1869 • Unknown

... classic wars to which we have referred sprang the great Roman Republic and Empire, and legend runs into authentic and written history. Just so, parva componere magnis, out of the cloud-wrapped conflicts of the five railroads of which ...
— The Crossing • Winston Churchill

... welcome to Matthew was very stately and friendly when we went in and found him and father in their high-back chairs on each side of the table, waging the classic argument that Rufus had reported them to have discontinued at an early hour of the morning. Father was delighted with the package of books that Matthew had brought out with him in his car, because father considered them too valuable to be transported in ...
— The Golden Bird • Maria Thompson Daviess

... organization been less robust, and the tendency to reverie not been matched by lively external perception and plentiful physical activity. As it was, if at one moment she was in a cloud-land of her own, or poring over the stories of the Iliad, the classic mythologies, or Tasso's Gerusalemme, the next would see her scouring the fields with Ursule and Hippolyte, playing practical jokes on the tutor, and extemporizing wild out-of-door games and dances with ...
— Famous Women: George Sand • Bertha Thomas

... stands side by side with a dwarfish, Dutch anachronism, but neither possesses any right of precedence over the other. They are equal in the eyes of the proletary. Classic and nondescript, marble and brick, granite and iron, unite to form the most heterogeneous collection of fashions the earth's surface anywhere exhibits. Even Milton's blind eyes pictured nothing so fantastic as this architectural chaos of Manhattan, so hopeless of ...
— The Onlooker, Volume 1, Part 2 • Various

... that the lion never gives that blood-curdling cry assigned to him. They say he is silent, and that this classic scream is made by a lynx in the mating period. However, popular experience to the contrary seems to be too strong and ...
— Hunting with the Bow and Arrow • Saxton Pope

... of Paganism and Infidelity are classic accusations. The gentle Burne-Jones was stoutly denounced by his enemies as a Pagan Greek. I think he rather gloried in the contumely, but fifty years earlier he might have been visited by a "lettre de cachet," instead of a knighthood; for we can not forget ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard

... introduced Shakespeare in his veritable form on the Italian stage. Up to that time the classic form had been alone considered admissible for tragedy. The first play that I produced was Othello. When in the first scene Brabantio came to the window, the audience began to laugh. 'Is this a tragedy?' they cried—'a man talking out of a window!' ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XVII. No. 101. May, 1876. • Various

... experience. To certain smoke-dried spirits matter and motion and elastic aethers, and the hypothesis of this or that other spectacled professor, tell a speaking story; but for youth and all ductile and congenial minds, Pan is not dead, but of all the classic hierarchy alone survives in triumph; goat-footed, with a gleeful and an angry look, the type of the shaggy world: and in every wood, if you go with a spirit properly prepared, you shall hear the note of ...
— Virginibus Puerisque • Robert Louis Stevenson

... the congregation sat with their backs to the altar. The purpose of this is beyond conjecture. St. Mary's, designed by Street, was erected on the site of the old town church in 1879 as a memorial to Bishop Wilberforce. All Saints' in High Street is a classic building standing on the ground occupied by a very ancient church. Isaac Watts was deacon of Above Bar Chapel, noteworthy for the fact that the immortal hymn "Oh God, our help in ages past" was first sung within its walls from manuscript copies supplied to the ...
— Wanderings in Wessex - An Exploration of the Southern Realm from Itchen to Otter • Edric Holmes

... memory of this conceit is kept alive to this day among the Greek Christians, who still show the sacred stone in the Church of the Holy Sepulchre at Jerusalem. This notion is not confined to Jewry. Classic readers will at once call to mind the appellation Omphalos or navel applied to the temple at Delphi (Pindar, Pyth., iv. 131, vi. 3; Eurip. Ion., 461; AEsch. Choeph., 1034; Eum. ...
— Hebraic Literature; Translations from the Talmud, Midrashim and - Kabbala • Various

... subject, however, I shall forbear to dilate. I will not describe the city of Edinburgh. Every one has been to the city of Edinburgh. Every one has been to Edinburgh—the classic Edina. I will confine myself to the momentous details of my own lamentable adventure. Having, in some measure, satisfied my curiosity in regard to the extent, situation, and general appearance of the ...
— The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe

... face that we love—and we should hardly have discovered them had we begun with the merely cherry-ripe. It is with faces much as it is with books. There is no way of attaining a vital catholic taste in literature so good as to begin by mastering some difficult beautiful classic, by devoting ourselves in the ardent receptive period of youth to one or two masterpieces which will serve as touchstones for us in all our subsequent reading. Some books engage all our faculties for their appreciation, and through the keen attentiveness ...
— Vanishing Roads and Other Essays • Richard Le Gallienne

... the relics of my brother lie, Where nature's flowers shall bloom o'er nature's child, Where ruins stretch, and classic art has piled Her ...
— History of the Ottawa and Chippewa Indians of Michigan • Andrew J. Blackbird

... their faces distinctly in profile. They were of the classic Coptic type which so persistently reproduces the features of the old Egyptians as we see them outlined in the wall-paintings of the temples and the half-mutilated carvings and statues. The window of the study was open, but the door was shut; so was the door of his own room, but for all ...
— The Mummy and Miss Nitocris - A Phantasy of the Fourth Dimension • George Griffith

... need," pursued La Fosse, who dealt much in mythology and classic lore—"it will need an Adonis in beauty, a Mars in valour, an Apollo in song, and a very Eros in love to accomplish it. And I fear me," he hiccoughed, "that it will go unaccomplished, since the one man in all France on whom we have based ...
— Bardelys the Magnificent • Rafael Sabatini

... growth —some venerable in its appearance, others young and prosperous —all seemed inviting, and seemed to be the very place for learning as well as for genius to spend its research beneath its spreading shades. He entered its classic walls in the usual mode ...
— Innocents abroad • Mark Twain

... thirty guests, and the guests themselves—of both sexes—merry and lighthearted, belong to that special type of humanity which patronises Thomas Cook & Son (Egypt Ltd.). They wear cork helmets, and the classic green spectacles; drink whisky and soda, and eat voraciously sandwiches and other viands out of greasy paper, which now litters the floor. And the women! Heavens! what scarecrows they are! And this kind of thing, so the black-robed Bedouin guards ...
— Egypt (La Mort De Philae) • Pierre Loti

... tall, blond, vigorous barbarians multiplied, seethed, and fretted behind the barrier thus imposed. Tacitus and several other classic authors speak of the remarkable uniformity in their appearance; how they were all tall and handsome, with fierce blue eyes and yellow hair. Humboldt remarks the tendency we all have to see only the single type in a strange foreign people, and to shut our eyes to the differences ...
— Hero Tales and Legends of the Rhine • Lewis Spence

... name, however, may be also traced to a very remote and classic origin, although we are not aware that it has hitherto been condescended on. In ancient Rome was what was called the Ratumena Porta, 'a nomine ejus appellata (says Gessner in his Latin Thesaurus) qui ludiero certamine quadrigis ...
— Notes & Queries, No. 45, Saturday, September 7, 1850 • Various

... recent experience, to prove that Rousseau, my friends the Encyclopeadists, or even the great M. de Voltaire, were really wiser in their generation, truer lovers of the people and safer guides, than St. Benedict—of blessed memory, since patron of learning and incidentally saviour of classic literature—whose pious sons raised this most delectable edifice to God's glory seven hundred years ago?—The tower is considerably later than the transepts and the nave—fifteenth century I take it,—Upon my soul, I am half tempted to renounce my allegiance and to doubt ...
— Deadham Hard • Lucas Malet

... dogs, judiciously imitated and compounded, might go a great way in this invention." The dose, we confess, is pretty potent, and skilfully enough prepared. But what shall we say to the ass of Silenus, who, if we may trust to classic lore, by his own proper sounds, without thanks to cat or screech-owl, dismayed and put to rout a whole army of giants? Here was anti-music with a vengeance,—a whole Pan-Dis-Harmonicon in ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various

... No longer labours merely to produce The pomp of sound or tinkle without use; Where'er it winds, the salutary stream, Sprightly and fresh, enriches every theme, While all the happy man possessed before, The gift of nature, or the classic store, Is made subservient to the grand design For which heaven formed the faculty divine. So, should an idiot, while at large he strays, Find the sweet lyre on which an artist plays, With rash and awkward force ...
— Talkers - With Illustrations • John Bate

... with one accord to the attitude of the amateurs of former days, who paid not the slightest attention to the plot of the piece, provided only that their favourite singers were taking part. Very often in that classic period the performers themselves knew nothing and cared less about the dramatic meaning of the works in which they appeared, and a venerable anecdote is current concerning a certain supper party, the guests at which had all identified themselves with one or other of the principal ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild

... books that stand at the end of this brief list are probably not ones that any teacher would recommend indiscriminately to pupils of the grades. They are the greatest of the classic books in nature literature and, in a way, constitute the goal of ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry

... left-hand bottom corner are angels and inscriptions. "Before man lyfe and death. In all thy workes remebre thy last, and never wilt thou offend." In the top corner on the left is represented the New Jerusalem. The architecture is classic in character. ...
— Bell's Cathedrals: The Cathedral Church of Gloucester [2nd ed.] • H. J. L. J. Masse

... De Banville is best known as a very skillful maker of polished artificial verse. His poetry stands high; but it is the poetry not of nature, but of elegant society. His muse, as Mr. Henley says, is always in evening dress. References to the classic poets are woven into all of his descriptions of nature. He is distinguished, scholarly, full of taste, and brilliant in execution; never failing in propriety, and never reaching inspiration. As an artist in words and cadences he ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner

... of a grammar of similar plan and scope seems fully justified at the present time, as all recent editions of classic texts summarize in introductions the special idioms of grammar and style peculiar to individual authors. This makes it feasible to dispense with the enumeration of many minutiae of usage which would otherwise demand consideration in ...
— New Latin Grammar • Charles E. Bennett

... Chia: "Venerable ancestor," she observed, "Venerable Buddha! how could you ever be aware of the existence of the portentous passage in that Buddhistic classic, 'to the effect that a son of every person, who holds the dignity of prince, duke or high functionary, has no sooner come into the world and reached a certain age than numerous evil spirits at once secretly haunt him, and pinch him, when ...
— Hung Lou Meng, Book II • Cao Xueqin

... AND THE INTRODUCTION OF PRINTING TO ENGLAND, 1476. Malory's book is the first great English classic which was given to the world in print instead of written manuscript; for it was shortly after Malory's death that the printing press was brought to England by William Caxton. The invention of printing, perhaps ...
— A History of English Literature • Robert Huntington Fletcher

... taxi-man, on their return to the Piraus, demanded by signs 7 pounds as his fare, my brother, hot with indignation at such an imposition, summoned up all his memories of the Greek Testament, and addressed the chauffeur as follows: "o taxianthrope, mae geyito!" Stupefied at hearing the classic language of his country, the taxi-man at once became more reasonable in his demands. After this, who will dare to assert that there are no ...
— Here, There And Everywhere • Lord Frederic Hamilton

... the classic has come into its own again! As though recovering from an illness, good taste is again demanding severe beauty of form and line, and banishing everything that is useless or superfluous. During the last twenty years most ...
— Etiquette • Emily Post

... one of the caverns were those marvellous Hindu idols, beautifully carved in bas-relief on panels of stone, each with a projection at the bottom for mounting on a supporting pedestal. They represent the Hindu pantheon, and are classic in style and excellent in execution. They are arranged in a half-circle, and high above is an opening to the sky which allows a long, slanting shaft of light to strike upon their faces. The perfect silence, the clear-cut shaft of light—a beam a hundred feet long—drifting ...
— Through Central Borneo: - An Account of Two Years' Travel in the Land of Head-Hunters - Between the Years 1913 and 1917 • Carl Lumholtz

... interval from the first admission of popular influence, under Solon, to the downfall of the State. Their history furnishes the classic example of the peril of Democracy under conditions singularly favourable. For the Athenians were not only brave and patriotic and capable of generous sacrifice, but they were the most religious of ...
— The History of Freedom • John Emerich Edward Dalberg-Acton

... Englishmen are endowed by the British Constitution with the customary right of taxing themselves internally" would probably have made no great impression on the sophisticated European mind. It was Thomas Jefferson's good fortune, in voicing the prevailing sentiment in America, to give classic expression to those fundamental principles of a political faith which was destined, in the course of a hundred years, to win the allegiance of the greater part of ...
— The Eve of the Revolution - A Chronicle of the Breach with England, Volume 11 In The - Chronicles Of America Series • Carl Becker

... soft, heavy braids of light-brown hair carefully arranged on her fine, shapely head; her forehead is full and broad; her eyes large, dark blue, and pleasantly commanding, but with very gentle and dreamy phases interrupting their placid decision of expression; her features are classic and firm in outline, with pronounced resolution in the close of the full lips, or of hearty merriment in the open laugh, illuminated by a dazzle of well-set teeth; her complexion fresh and pure, and the whole aspect of her face kind, ...
— The Seven Little Sisters Who Live on the Round Ball - That Floats in the Air • Jane Andrews

... walls, in fact, were built from the spoils of once sacred masonry. It is a house of solid if not regular proportions, full of unexpected quaintness; showing a medley of distinct styles, in and out; it has a wide portico in the best approved neo-classic taste, leading to romantic oaken stairs; here wide cheerful rooms and airy corridors, there sombre vaulted basements and ...
— The Light of Scarthey • Egerton Castle

... I looked upon myself with reference to the eyes of others, and I tried to imagine the youthful figure on which I gazed as belonging to another, and not myself. Were the outlines softened by the dark-flowing sable, classic and graceful? Was there beauty in the oval cheek, now wearing the warm bloom of the brunette, or the dark, long-lashed eye, which drooped with the burden of ...
— Ernest Linwood - or, The Inner Life of the Author • Caroline Lee Hentz

... the knowledge that he must, even against his desires, install a new boiler, overwhelmed him to such an extent that he found it impossible to submit silently to the nagging of the navigating officer. One word borrowed another until diplomatic relations were severed and, in the language of the classic, they "mixed it." They were fairly well matched, and, to the credit of Captain Scraggs be it said, whenever he believed himself to have a fighting chance Scraggs would fight and fight well, under the ...
— Captain Scraggs - or, The Green-Pea Pirates • Peter B. Kyne

... capital he was introduced by Lord Scudamore, the English Ambassador at the Court of Versailles, to Hugo Grotius, one of the most distinguished scholars and philosophic thinkers of his age. From Paris Milton journeyed to Nice, where he first beheld the beauty of Italian scenery and the classic shores of the Mediterranean Sea. From Nice he sailed to Genoa and Leghorn, and after a short stay at those places continued his journey to Florence, one of the most interesting and picturesque of Italian cities. Situated in the Valley of the Arno, and encircled by sloping hills covered ...
— The Astronomy of Milton's 'Paradise Lost' • Thomas Orchard

... misunderstanding that I wish principally to speak in this preface. The great edition from which the present translation is taken was the fruit of prolonged study by one of the greatest Aristotelians of the nineteenth century, and is itself a classic among works of scholarship. In the hands of a student who knows even a little Greek, the translation, backed by the commentary, may lead deep into the mind of Aristotle. But when the translation is used, as it doubtless will be, by readers who are quite without the clue provided ...
— The Poetics • Aristotle

... I plucked these elegiac blooms, There where he rests 'mid comrades fit and few, And thence I bring this growth of classic tombs, An offering, friend, to you— You who have loved like me his simple themes, Loved his sincere large accent nobly plain, And loved the land whose mountains and whose streams ...
— The Poems of William Watson • William Watson

... of the dreadful fate of the Moor and his bride; "Such a noble gentleman! Such a sweet lady!" he would repeat, deeply distressed. The man was not artistic-souled; but I am like him. I know the healing anodyne in narrative, the classic consolation which that kind priest mentioned by Renan offered his congregation: "It took place so long ago that perhaps it never took place at all." But on the stage, when Salvini puts his terrible, suffused face out of Desdemona's curtains, ...
— Hortus Vitae - Essays on the Gardening of Life • Violet Paget, AKA Vernon Lee

... services, as, being much sought after by the fashionables, he generally had more work than he could really do; but that, having taken, as he said, a fancy to me, he would certainly turn out a set of garments to enslave the heart. Having said this in the finest classic phraseology, he went out to rejoin the tailor in the passage; nor did I see him any more until the very day of my departure, when, at the English Consul-General's hospitable house, I was waiting for the carriage which would take me ...
— Oriental Encounters - Palestine and Syria, 1894-6 • Marmaduke Pickthall

... nobly, but without avail. The prince had heard rumors about the cooks of Bangletop, and he was wary. Finally the stipulation was accepted by the baron, with what result the reader need hardly be told. The prince stayed two weeks, listened to one sermon in classic university Greek by the youthful Bangletop, was deserted by his ...
— The Water Ghost and Others • John Kendrick Bangs

... of art and letters in the Italian renaissance.[2] Though resembling Athens in many respects, and bearing the same relations to surrounding cities that Athens did to cities in the classic times, her scholars were more modern than those of Greece or Rome, and, indeed, more modern than the scholars who followed after the Florentines, two centuries later. It was an important city, on the Arno, surrounded by hills, a city of flowers, interesting ...
— History of Human Society • Frank W. Blackmar

... of the word in classic Greek, and of the corresponding term in the Hebrew Scriptures, we might assume that "hell" (Hades) only indicates generally the world of spirits, as distinguished from this life in the body; while the expression "being in torment," serves to determine the specific region or condition in that ...
— The Parables of Our Lord • William Arnot

... one's tenderness, however, Jeremy Collier's version deserves respect for its genuine spirit and vigor, the spirit and vigor of the age of Dryden. Jeremy Collier too, like Mr. Long, regarded in Marcus Aurelius the living moralist, and not the dead classic; and his warmth of feeling gave to his style an impetuosity and rhythm which from Mr. Long's style (I do not blame it on that account) are absent. Let us place the two side by side. The impressive opening of Marcus Aurelius's fifth ...
— Selections from the Prose Works of Matthew Arnold • Matthew Arnold

... Pythagoras, in regard to what seemed best worth remembering. Hard and practical as Lacedaemonians might seem, they lived nevertheless very much by imagination; and to train the memory, to preoccupy their minds with the past, as in our own classic or historic culture of youth, was in reality to develope a vigorous imagination. In music (mousike) as they conceived it, there would be no strictly selfish reading, writing or listening; and if there was little a Lacedaemonian ...
— Plato and Platonism • Walter Horatio Pater

... Others flushed themselves with scarlet, that no landscape which they adorned should be without some touch of Turner's favorite tint. Some were blue in every sense of the word, and the heads of all were adorned with classic braids, curls tied Hebe-wise, or ...
— Kitty's Class Day And Other Stories • Louisa M. Alcott

... the role he had so carefully thought out, did not note his unconscious father-in-law's face. He extended both his hands and advanced grandly upon fat, round Peter. "My father!" he exclaimed in his classic German. "Forgive my unseemly haste in plucking without your permission the beautiful flower ...
— The Fortune Hunter • David Graham Phillips

... may in some cases be advantageously carried yet further, by indirectly suggesting some entirely distinct thought in addition to the one expressed. Thus, if we say, "The head of a good classic is as full of ancient myths, as that of a servant-girl of ghost stories"; it is manifest that besides the fact asserted, there is an implied opinion respecting the small value of classical knowledge: and ...
— The Philosophy of Style • Herbert Spencer

... may justify the postponement of vocational instruction to a much later period than would usually be desirable. Thus the fact that two of the most distinguished members of the medical profession graduated as Senior Wrangler and Senior Classic respectively, will not justify the average medical student in waiting until he is twenty-three before commencing his professional training. If it be true that in some quarters "specialised education" has been demanded ...
— Cambridge Essays on Education • Various

... this article interesting, although treated briefly and imperfectly. The traveller is unworthy of his privilege, and forgetful of duty if he extracts not from the scenes described some moral lesson or religious truth. The reader has accompanied me in imagination through classic Sicily. He has seen the lonely temple of Segeste, standing among the mountains like a widowed thing, mourning in silence the departed. Where is the multitude that once thronged around its walls? Mount Erix still battles with the clouds, as in the days of Agathocles. He has clambered with me ...
— Knickerbocker, or New-York Monthly Magazine, March 1844 - Volume 23, Number 3 • Various

... though roll'd thy billows fair As e'er roll'd those of classic stream— Though green thy woods, now dark and bare, Bask'd beauteous in the western beam; To mark a scene that childhood loved, The anxious eye was turned in vain; Nor could I find the friend approved, That shared my joy or ...
— My Schools and Schoolmasters - or The Story of my Education. • Hugh Miller

... edition of Paradise Lost in which whole passages were relegated to the margin as the spurious interpolations of an imaginary editor. Such a book is, of course, merely a curiosity connecting two {251} great names. The real beginning in the work of editing Milton as a classic should be edited was made by Thomas Newton, afterwards Bishop of Bristol, who in 1749 brought out an edition of Paradise Lost, "with Notes of Various Authors," and followed it in 1752 with a similar volume including ...
— Milton • John Bailey

... said he, "this little edifice seems to be the work of magic. It is full of suggestiveness, and, in its way, is as good as a cathedral. Ah, it would be just the spot for one to sit in, of a summer afternoon, and tell the children some more of those wild stories from the classic myths!" ...
— Tanglewood Tales • Nathaniel Hawthorne

... the Prix of Rome, had been the defender of traditions, and had evoked, like so many others, the great scenes of history; then, modernizing his tendencies, he had painted living men, but in a way that showed the influence of classic memories. Intelligent, enthusiastic, a worker that clung to his changing dreams, in love with his art, which he knew to perfection, he had acquired, by reason of the delicacy of his mind, remarkable executive ability and great versatility, due in some degree to his ...
— Strong as Death • Guy de Maupassant

... the brig as her anchor was let go, and a tall swarthy man with the unmistakable classic features of a Greek stepped on board. He would have been a strikingly handsome man but for the expression of cunning and cruelty which glittered in ...
— The Pirate Island - A Story of the South Pacific • Harry Collingwood

... sedition, and Dr. Reese would have made himself a voluntary martyr. He took the wiser course of retiring with his family before the storm, and under many privations, continued to preach. In theology, modern philosophy, and all the sciences connected with his profession he was deeply read. For classic literature, which it is so common for the superficial to decry, he was a great advocate, and to evince his sincerity retained his knowledge of the dead languages as long as he lived. In his discourses he was ...
— A Sketch of the Life of Brig. Gen. Francis Marion • William Dobein James

... come over the classic hills of Athens (Athens that had so many hills that she would have been named Rome except for her first land-grant college,) had left, and had come again to stay, and to bring freedom to John Cole ...
— Slave Narratives: A Folk History of Slavery in the United States From Interviews with Former Slaves: Volume IV, Georgia Narratives, Part 1 • Works Projects Administration

... France. Every order of merit was invited there and received courteous welcome. To no circumstance did he so much owe his enduring popularity. By its means he impressed into his service that galaxy of great writers, the first and the last classic authors of France, whose calm and serene lustre will forever illumine the epoch of his existence. It may even be admitted that his share in that lustre was not so accidental and undeserved ...
— The Great Events by Famous Historians, Volume 12 • Editor-In-Chief Rossiter Johnson

... reached home, took out the manuscript. He recognised it as a copy of the letter which he had partly heard at the meeting. He was somewhat astonished to find that it was written by a man of learning, who was evidently familiar with classic authors, but surely never was scholarship pressed into such a service! The confusion of metaphor, the suddenness of transition, the illogical muddles were bad enough, but the chief obstacle to comprehension was that the author's whole scope and purpose, the whole circle of his ideas, were outside ...
— Catharine Furze • Mark Rutherford

... press, no new editions issued, no thought promulgated. Even the stone-carver is not permitted to use his chisel until they have decided how far love or pride may go in commemoration of the dead. They mutilate, with equal sovereignty of will, the printed pages of a classic and the manuscript of an unknown scribbler,—sit in judgment upon Botta and Laplace, as their predecessors sat in judgment upon Guicciardini and Galileo,—and, in the fervor of their undiscriminating zeal, condemn ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various

... a canvas of "High Art" sort they shone, Their owner was cinctured with classic zone, She was spare of flesh, she was big in bone, Oh, what a surprise! A parson, whom everyone owned "a good sort," Had hung them there for the pleasure and sport Of the dreary dwellers in slum and ...
— Punch, Or The London Charivari, Vol. 101. October 3rd, 1891 • Various

... a tender monody on the loss of a friend named King, in the Irish Channel, in that year, and is a classical pastoral, tricked off in Italian garb. What it loses in adherence to classic models and Italian taste, is more than made up by exquisite lines and felicitous phrases. In it he calls fame "that last infirmity of noble mind." Perhaps he has nowhere written ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee

... baptized at Milan by Ambrose. In 391 he became a presbyter, and in 394 bishop of Hippo Regius, a small town in North Africa. He died 430, during the Vandal invasion. Of his works, the Confessions are the most widely known, as they have become a Christian classic of edification of the first rank. They give an account of his early life and conversion, but are more useful as showing his type of piety than as a biography. From them is learned the secret of his influence upon the Western world. The literary activity of Augustine ...
— A Source Book for Ancient Church History • Joseph Cullen Ayer, Jr., Ph.D.

... looking out anxiously for the new quarterly reviews. I wonder whether the Quarterly will contain anything. Is there a prospect of vol. iv.? I really look to passing a day and two half days with you, and to bringing Mrs. Hake to your classic soil some time in August—if we are not inconveniencing you in your charming and snug cottage. I hope Miss Clarke is well. Our united kind regards to you all. George is quite brisk and saucy—Lucy and the infant have not been well. Mrs. Hake has better accounts from Bath. ...
— George Borrow and His Circle - Wherein May Be Found Many Hitherto Unpublished Letters Of - Borrow And His Friends • Clement King Shorter

... gave a peculiar whistle. Thrice had this sounded, when a man came cautiously out of the ravine, or rather out of its mouth. He was tall, slender, yet seemed to possess the bone and muscle of a giant. His eyes were jet black, fierce and flashing, and his face had a stern, almost classic beauty of feature, which would have made him a model in the ancient age of sculpture. He carried a repeating rifle, two revolvers, and a knife in his belt. His dress was buckskin, ...
— Wild Bill's Last Trail • Ned Buntline

... earlier, and Poggio Bracciolini, who ransacked all the cities and convents of Europe for manuscripts, together with the teachers of Greek, who in the first half of the fifteenth century escaped from Constantinople with precious freights of classic literature, are the heroes of this second period. It was an age of accumulation, of uncritical and indiscriminate enthusiasm. Manuscripts were worshiped by these men, just as the reliques of Holy Land had been adored by their great-grandfathers. The eagerness ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds

... capital Grecian. It is true that his singular mind so ordered and disposed his classic lore as to impress it with something of an original and barbarous character—with an almost Gothic quaintness, more properly belonging to a rich native ballad than to the poetry of Hellas. There was a certain impropriety in his knowing so much ...
— Eothen • A. W. Kinglake



Words linked to "Classic" :   creative person, creation, beaux arts, standard, fine arts, nonclassical, Graeco-Roman, artist



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