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Greco   /grˈɛkoʊ/   Listen
Greco

noun
1.
Spanish painter (born in Greece) remembered for his religious works characterized by elongated human forms and dramatic use of color (1541-1614).  Synonyms: Domenikos Theotocopoulos, El Greco.



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"Greco" Quotes from Famous Books



... were chiefly mingled together, and from this amalgamation sprang the system of Neo-Platonism. When the early teachers of Christianity at Alexandria strove to show the harmony of the Gospel with the great principles of the Greco-Jewish philosophy, it underwent new modifications, and the Neo-Platonic school, which sprang up in Alexandria three centuries B.C., was completed in the first and second centuries of the Christian era. The common characteristic ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta

... your modern edition. An entirely proper Greco-Roman academy plaster bust, with a proper nose, and proper mouth, and a round chin, and an expression of the most solemn reverence; always, of course, of a classical description. Very fine, ...
— Val d'Arno • John Ruskin

... by the beach of the Ionian Sea beyond the new town. It is littered with shells and holothurians, with antique tesserae of blue glass and marble fragments, with white mosaic pavements and potteries of every age, from the glossy Greco-Roman ware whose delicately embossed shell devices are emblematic of this sea-girt city, down to the grosser products of yesterday. Of marbles I have found cipollino, pavonazzetto, giallo and rosso antico, but no harder materials such as porphyry or serpentine. This, and ...
— Old Calabria • Norman Douglas

... his return to Madrid, Velazquez came under the influence of El Greco, who had died in 1614, and left some wonderful pictures that may be seen to-day in Toledo. This fact is important, not that the influence resulted in imitation, but because it was distinctly inspiring, and Greco is a painter who is coming ...
— Velazquez • S. L. Bensusan

... Roman Church, as Hobbes pointed out in a very wonderful passage; its humanism and polity became the common property of the European nations of to-day. Gibbon's work should have been called 'The Rise and Progress of Greco-Roman Civilisation.' That is not such a good title, but it would have been more accurate. And if you compare critically the history of any manifestation of the human intellect, religion, literature, painting, architecture, or science, you will find that ...
— Masques & Phases • Robert Ross

... war at Troy with its lays of heroes, and its famous deeds; he celebrates the period portrayed in the Iliad; his field is the Heroic Epos, or the songs of which it is composed. But he cannot sing of the world outside of the Greco-Trojan consciousness, he cannot reach beyond the Olympian order into the new set of deities of Fableland. Ulysses, however, has transcended the Trojan epoch, has, in fact, reacted against Hellenic life ...
— Homer's Odyssey - A Commentary • Denton J. Snider

... chases, which fitly have a vast salon to themselves, not only that the spectator may realize at once the rich variety and abundance of the master, but that such lesser lights as Rubens, Titian, Correggio, Giorgione, Tintoretto, Veronese, Rembrandt, Zurbaran, El Greco, Murillo, may not be needlessly dimmed by his surpassing splendor. I leave to those who know painting from the painter's art to appreciate the technical perfection of Velasquez; I take my stand outside of that, and acclaim its supremacy in virtue of that reality which all Spanish art has ...
— Familiar Spanish Travels • W. D. Howells

... was no revolution. The tradition of art remained comatose. Here and there a genius appeared and wrestled with the coils of convention and created significant form. For instance, the art of Nicolas Poussin, Claude, El Greco, Chardin, Ingres, and Renoir, to name a few, moves us as that of Giotto and Cezanne moves. The bulk, however, of those who flourished between the high Renaissance and the contemporary movement may be divided into two classes, virtuosi and dunces. The clever fellows, the minor masters, who might have ...
— Art • Clive Bell

... ancient Turco-Tartar empire, to which the Romans sent their embassy in the sixth century, extended to the Caspian and towards the Indus. It was in the beginning of the next century that the Romans, that is, the Greco-Romans of Constantinople, found them in the former of these neighbourhoods; and they made the same use of them in the defence of their territory, to which they had put the Goths before the overthrow of the Western Empire. It was a most eventful era at which they addressed themselves to these Turks ...
— Historical Sketches, Volume I (of 3) • John Henry Newman

... "scanty in depth of water though overflowing with honour," may be considered as the boundary line that divides the city of Naples from its eastern environs, although it is evident that the whole stretch of coast from Posilipo to Torre del Greco is covered with an unbroken line of houses. Past the highly cultivated Paduli, the chief market-gardens on this side of the city, with the town of La Barra on the fertile slopes to our left, we pass by way of San Giovanni ...
— The Naples Riviera • Herbert M. Vaughan

... for Casati, called "el Greco," "by whom every other artist is surpassed in the grace and perfection as well as in the universality of his productions."... "Nay, Michelangelo himself, looking at them one day while Giovanni Vasari was present, remarked that the hour for the death of the art had arrived, ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison

... doorways with their exuberant Gothic rose the second storey of Greco-Romano and almost modern construction, causing Gabriel the same annoyance as would a discordant trumpet interrupting a symphony. Jesus and the twelve apostles, all life size, seated at the table, each under his ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez

... corrivalship[obs3], agonism|, concours[obs3], match, race, horse racing, heat, steeple chase, handicap; regatta; field day; sham fight, Derby day; turf, sporting, bullfight, tauromachy[obs3], gymkhana[obs3]; boat race, torpids[obs3]. wrestling, greco-roman wrestling; pugilism, boxing, fisticuffs, the manly art of self-defense; spar, mill, set-to, round, bout, event, prize fighting; quarterstaff, single stick; gladiatorship[obs3], gymnastics; jiujitsu, jujutsu, ...
— Roget's Thesaurus

... head of Aspasia was instinct with the voluptuousness of intellect. From the eyes, the cheek, the divine lip, one might hive honey. Both the Loves were exquisite: one, that zephyr sentiment which visits all the roses of life; the other, the Amore Greco, may be fitly described in these words of Landor: "There is a gloom in deep love, as in deep water; there is a silence in it which suspends the foot, and the folded arms and the dejected head are the images ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli

... be distasteful to the Greeks, for it would automatically render their tenure of Kavala highly precarious. It is to be hoped, however, that they may be brought to realise that its surrender and the consequent improvement of Greco-Bulgarian relations are in the highest interests of Greece and the whole Hellenic race. Here again, the break-up of the Turkish Empire may enable the Greeks to compensate themselves on the shores of ...
— The War and Democracy • R.W. Seton-Watson, J. Dover Wilson, Alfred E. Zimmern,

... immense formation divided into three well-defined zones, which are superposed, the one upon the other: the Romanesque zone*, the Gothic zone, the zone of the Renaissance, which we would gladly call the Greco-Roman zone. The Roman layer, which is the most ancient and deepest, is occupied by the round arch, which reappears, supported by the Greek column, in the modern and upper layer of the Renaissance. ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo

... a cotton mill, is situated fifteen miles below Calcutta, and a cheerful dwelling-house is attached. From this point up to Calcutta, both banks of the Hoogly are lined with palaces built in the Greco-Italian style, and richly provided with pillars and terraces. We flew too quickly by, unfortunately, to obtain more than a mere passing ...
— A Woman's Journey Round the World • Ida Pfeiffer

... of all the Indo-European races. The SWASTIKA is engraved, not only on the fusaioles, but also on the diadems of the daughters of Priam, on the idols the Trojans worshipped, and on numerous objects from the Lydian and Greco-Roman towns. We meet with the double cross among the prehistoric races of the basin of the Danube, who colonized the shores of the Troad and the north of Italy, and it was introduced with the products of that antique ...
— Manners and Monuments of Prehistoric Peoples • The Marquis de Nadaillac

... it is hard to see how Capri could get along at all if it were not for the extra employment and earnings which are afforded by the coral-fishery off the African coast. Some hundred or two hundred young fellows leave the island every spring to embark at Torre del Greco in a detachment of the great coral fleet which musters at that port, at Genoa, or at Leghorn; and the Sunday before they start—generally one of the last Sundays in January—serves as the Feast of the Coral-Fishers. Long before daybreak the banging of big crackers rouses the island from its slumbers, ...
— Stray Studies from England and Italy • John Richard Green

... left but the large stone church and a few houses. Another river of lava reached the outskirts of Torre del Greco, and a third stopped at the cemetery of Torre Annunziata. Those towns escaped, but thousands of acres of fertile cultivated land, with farm houses and stock, were destroyed. The peninsular railway up the mountain was ruined and the large hotel burned. One writer tells the following tale of ...
— The San Francisco Calamity • Various



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