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Haydn   /hˈaɪdən/   Listen
Haydn

noun
1.
Prolific Austrian composer who influenced the classical form of the symphony (1732-1809).  Synonyms: Franz Joseph Haydn, Joseph Haydn.
2.
The music of Haydn.






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"Haydn" Quotes from Famous Books



... possible to the fountainheads of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews

... balance and proportion and symmetry of the whole is far more essential than any poignancy, however great, in the parts. He best appreciates music...who understands it intellectually as well as feels it emotionally;" and again, "We feel in the music of Haydn its lack of emotional depth, and its ...
— The Psychology of Beauty • Ethel D. Puffer

... literature is such a charming distraction! Literary taste thus serves two purposes: as a certificate of correct culture and as a private pastime. A young professor of mathematics, immense at mathematics and games, dangerous at chess, capable of Haydn on the violin, once said to me, after listening to some chat on books, "Yes, I must take up literature." As though saying: "I was rather forgetting literature. However, I've polished off all these other things. I'll have a shy at ...
— LITERARY TASTE • ARNOLD BENNETT

... Haydn was very poor; his father was a coachman and he, friendless and lonely, married a servant girl. He was sent away from home to act as errand boy for a music teacher. He absorbed a great deal of information, but he had a hard life of persecution until he became a barber in Vienna. ...
— Architects of Fate - or, Steps to Success and Power • Orison Swett Marden

... 1793, and stood just north of the Lamb Tavern, and occupied the site of the building for several years known as the Melodeon. In 1835 the tavern was converted into the Lion Theatre, which had a short-lived existence. It was then purchased by the Handel and Haydn Society, and occupied for musical purposes, lectures, and other entertainments. Rev. Theodore Parker began lecturing there soon after the famous South Boston sermon upon the transient ...
— The Bay State Monthly, Volume II. No. 2, November, 1884 • Various

... Everett's "Hallam," "Washington," and "Daniel Webster," President Felton's "Agassiz," Professor Lowell's "Dante," Professor Schaff's "Luther" and "Melancthon," Mr. Seward's "DeWitt Clinton," A. W. Thayer's "Beethoven," "Handel," "Haydn," and "Mozart," Richard Grant White's "Shakespeare," and the articles on "Patrick Henry," "Washington Irving," "Milton," "Southey," "Schiller," "Swift," and many others we might name, are admirable specimens of literary composition. Among ...
— Atlantic Monthly, Vol. XI., April, 1863, No. LXVI. - A Magazine Of Literature, Art, And Politics. • Various

... intellectual wealth of her present stage of development. Consider Germany's contributions to the arts, the poetical achievements of the period of Schiller and Goethe, the music of Handel, Bach, Haydn, Mozart, and Beethoven; the thought systems of Kant, Fichte, Schelling, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various

... in going through some trashy modern Italian music. "Now, my child, you shall hear something worth listening to;" and with a sigh of relief he would turn to some old piece by Mozart or Bach, some minuet of Haydn's, some romance of Beethoven's, which he would play with no great power of execution, indeed, but with a rare sweetness and delicacy of touch and expression, and with an intense absorption in the music, which communicated itself to even so ...
— My Little Lady • Eleanor Frances Poynter

... most satisfactorily equal to this part of the occasion. She recited "Curfew shall not Ring Tonight," and played Haydn's "Gipsy Rondo." Joanna began ...
— Joanna Godden • Sheila Kaye-Smith

... observed, "It makes me sneeze." Beethoven's brusqueness, notorious as it was, did not prevent him from assuring Cherubini that he considered him the greatest composer of the age and that he loved him and honoured him. In 1806 Haydn had just sent out his pathetic "visiting card" announcing that he was past work; Weber was still sowing wild oats, and Schubert was only nine years old. We need not, then, be surprised at Beethoven's judgment. And though we must regret ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 1 - "Chtelet" to "Chicago" • Various

... With the frankness of her race, she admitted that she had arrived in Leipzig, expecting to astonish. In this she had been disappointed; Bendel had treated her like any other of his pupils; she was still playing Haydn and Czerny, and saw endless vistas of similar composers "back of these." Dove laid the whole blame on Bendel's method—which he denounced with eloquence—and strongly advocated her becoming a pupil of ...
— Maurice Guest • Henry Handel Richardson

... organized by Mrs Comelys, whose enterprises were then the height of fashion. In 1775 the concerts became independent of her, and were continued by Abel unsuccessfully for a year after Bach's death in 1782. At them the works of Haydn were first produced in England. After the failure of his concert undertakings Abel still remained in great request as a player on various instruments new and old, but he took to drink and thereby hastened his death. He was a man of striking presence, ...
— Project Gutenberg Encyclopedia

... modern music: that after a certain length of time spent in one key the ear wearies, and the modulation to the new key is grateful; but after a time the ear craves for the original key again, so after getting to that, and spending a certain time there, a piece closes with perfectly satisfying effect. Haydn was the first to get that principle in an iron grasp and use it, with numberless other devices, to get unity in variety. Not till nearly a hundred years after Purcell's day did that come to pass; but the music of Purcell and of others in his ...
— Purcell • John F. Runciman

... enjoyment, more sensitive to color and to those effects called "color," by contrast to form, in other arts than that of painting. The art of music is most germane to the Austrian spirit; and we have a ready key to the peculiarities of the Austrian disposition in the difference between Haydn, Mozart, Schubert, and Johann Strauss, on the one hand, and Haendel, Beethoven, Schumann, and Wagner on the other. Moreover, the Austrians are in all respects conservative, in literary taste no less than in politics and religion. The pseudo-classicism of Gottsched maintained its authority ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke

... Reformation. So, too, Cavour's cautious policy paved the way for Garibaldi's brilliant victories. Once again, Leonardo da Vinci is named as the inventor of chiaroscuro, yet he was preceded by Fra Filippo Lippi. And in similar manner, in music, certain men are associated with certain forms. Haydn, for example, is called the father of the quartet; close investigation, however, would show that he was only a link, and certainly not the first one in a long evolution. So, too, with the sonata. The present volume is, however, specially ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock

... Religions, and History of the Jews; Benedict's History of all Religions; Evans's Sketches; Buck's and Henderson's Theological Dictionaries; Eliot's, Allen's, and Blake's Biographical Dictionaries; Davenport; Watson; Grant's Nestorians, Coleman's Christian Antiquities; Ratio Disciplinae; Haydn's Dictionary of Dates, &c. ...
— The Book of Religions • John Hayward

... one of the classics of English song, and the best rendering of the Indian spirit ever condensed into so small a space. She was also a woman of grace and dignity, a power in London drawing-rooms, and Haydn set songs of hers to music. But the reserved Joanna was tempted to no light triumphs. Eight years later was published her first volume of 'Plays on the Passions.' It contained 'Basil,' a tragedy on love; 'The Trial,' ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various

... dozes a good deal, and to a lad, who listens with all his soul, with tears sometimes in his great eyes, with crowding fancies filling his brain and throbbing at his heart, as the artist plies her humble instrument. She plays old music of Handel and Haydn, and the little chamber anon swells into a cathedral, and he who listens beholds altars lighted, priests ministering, fair children swinging censers, great oriel windows gleaming in sunset, and seen through arched columns and avenues of twilight marble. The young fellow who hears her has been often ...
— The Newcomes • William Makepeace Thackeray

... the music of Haydn's Chorus with Soli No. 13[B] in The Creation, and the spirit of the composition is ...
— The Buddha - A Drama in Five Acts and Four Interludes • Paul Carus

... was to follow. On the 3rd day of Nivose (December 24th, 1800), as the First Consul was driving to the opera to hear Haydn's oratorio, "The Creation," his carriage was shaken by a terrific explosion. A bomb had burst between his carriage and that of Josephine, which was following. Neither was injured, though many spectators were killed or wounded. ...
— The Life of Napoleon I (Volumes, 1 and 2) • John Holland Rose

... pieces may be sung before the principal discourse on each word and a Haydn Passion Motet or an appropriate Lenten Hymn, either in English or Latin may be given at ...
— The St. Gregory Hymnal and Catholic Choir Book • Various

... Solomon that he might refresh his memory as to the harmonies of "With thee th' unsheltered moor I'd trace." He often tried to like the music of Bach and Beethoven, but found himself compelled to give them up—they bored him too much. Nor was he more successful with the other great composers; Haydn, for instance, was a sort of Horace, an agreeable, facile man of the world, while Mozart, who must have loved Handel, for he wrote additional accompaniments to the Messiah, failed to move him. It was not that he disputed the greatness of these composers, but he was out of sympathy ...
— Samuel Butler: A Sketch • Henry Festing Jones

... believe of the man and the woman and the husband, it is certain that there was a pretty how-d'ye-do in Zurich. Minna became so jealous that she drove Wagner, usually so tender in his allusions to her, to use the expression of the ungallant Haydn, saying that, "she was making a hell out of the home." Her outbursts of temper were so violent, and her addiction to opium had become so great, that he began to fear for her death by heart disease, and finally for her sanity. He wrote of her ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes

... nearly 300 years. The gown is made of that rich kind of brocade which is popularly said to be able to stand up by itself, and tradition (not very well authenticated) has it that the identically same gown was worn by Richter on his admission as Doctor in 1885, which had been worn by Haydn in the preceding century. The Doctor of Music, however, unlike all other Doctors, ranks after an M.A.; the reason is that musical graduates need not take the ordinary Arts course, but the degrees in Music are open to all who have passed Responsions, ...
— The Oxford Degree Ceremony • Joseph Wells

... When Haydn first conceived that air divine, The voice that thrilled his inward ear was thine. The Lark, that even now to heaven's gate springs, And near the sky her earth-born carol sings, Poured on his ear a higher, purer ...
— Autumn Leaves - Original Pieces in Prose and Verse • Various

... highness does not forget that you promised to go to the concert to-night?" asked Nugent. "Your highness is aware that our friends not only intend to-night to give an ovation to the veteran master of German art, Joseph Haydn, but wish also to profit by the German music to make a political demonstration; and they long for the presence of the imperial court, that the emperor and his brothers may witness the patriotic ...
— Andreas Hofer • Lousia Muhlbach

... they were a grateful people, grateful that the rest of Europe, overlooking their Mongolian origin, has accepted them as equals? The Magyars were so thoroughly persuaded of their own pre-eminence that when the devotees of Haydn founded in his honour a society at Eisenstadt, where he had worked, it was allowed on the condition that the statutes and the name of the society and so forth should be in the Magyar language, although Haydn was a German. Evidently the poor Slovenes of the ...
— The Birth of Yugoslavia, Volume 2 • Henry Baerlein

... than Bach in his married life was Franz Josef Haydn. After a boyhood of poverty and struggles, he obtained a position as Kapellmeister to a Bohemian nobleman, Count Morzin. This post was none too lucrative, however, for it brought the composer only about one hundred dollars a year, ...
— Woman's Work in Music • Arthur Elson

... elopement of an innocent kind, and we get back to reality. The better side of George Sand's Bohemianism revives in Bohemia itself; and she takes Consuelo to the road, where she adopts male dress (a fancy with her creatress likewise), and falls in with no less a person than the composer Haydn in his youth. They meet some Prussian crimps, and escape them by help of a coxcombical but not wholly objectionable Austrian Count Hoditz and the better (Prussian) Trenck. They get to Vienna (meeting La Corilla in an odd but not badly managed maternity-scene half-way) and rejoin old Porpora there. ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury

... conception of perfection is never given the credit for his work, except by a few connoisseurs, many of whom have been through a similarly exacting experience. Months may be spent upon comparatively simple compositions, such as the Haydn Sonatas or the Mozart Sonatas, and the musical public is blind to the additional finish or polish so ...
— Great Pianists on Piano Playing • James Francis Cooke

... his contemporary, having been born the same year, spoke of him with sincere admiration, and called him the giant of music. Haydn wrote: "Whoever understands me knows that I owe much to Sebastian Bach, that I have studied him thoroughly and well, and that I acknowledge him only as my model." Mozart's unceasing research brought to light many of his unpublished manuscripts, and helped Germany to a full appreciation ...
— The Great German Composers • George T. Ferris

... mechanically from Giotto to Titian, that Titian had a greater power of expression than Giotto because he had command of a number of inventions in anatomy and perspective and the like that were unknown to Giotto. So we have histories of the development of the symphony, in which Haydn, Mozart, Beethoven are treated as if they were mechanical inventors each profiting by the discoveries of his predecessors. Beethoven was the greatest of the three because he had the luck to be born last, and Beethoven's earliest symphonies are necessarily better than ...
— Essays on Art • A. Clutton-Brock

... utterance to his opinions of such pedantry. He was not the most tractable of pupils, especially in Vienna, where, although he was highly praised as a player, he took lessons in counterpoint from Albrechtsberger. He did not endure long with Papa Haydn. He detested the study of fugue in particular; the fugue was to him a symbol of narrow coercion which choked all emotion. Mere formal beauty, moreover, was nothing to him. Over and over again he emphasizes soul, feeling, direct and immediate life, as the first necessity of an ...
— Beethoven: the Man and the Artist - As Revealed in his own Words • Ludwig van Beethoven

... pleasure that pervades the corridors of the soul when it is entranced by the whiling witchery that presides over it consequent upon the almost divine productions of Mozart, Haydn, and Handel, whether these are executed by magician concert parts in deep and highly matured melody from artistic modulated intonations of the finely cultured human voice, or played by some fairy-fingered musician upon the trembling strings of the harp ...
— English as She is Wrote - Showing Curious Ways in which the English Language may be - made to Convey Ideas or obscure them. • Anonymous



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