"Rubens" Quotes from Famous Books
 ... perfection of Raphael's painting makes it disappointing to an untrained eye; whereas in Paul a few of the greatest elements of Christian character were exhibited with a decisiveness which no one can mistake, just as the most prominent characteristics of the painting of Rubens can be appreciated by ...
— The Life of St. Paul • James Stalker
... us, however, gentle ladies, while we explain to you how we would have you make and wear your hoods; and, to do so the better, examine with us some of those delightful portraits of the time of Rubens and Vandyke, when, among the nobler classes of females, dress had certainly attained a high, if not its highest point of picturesque and elegant effect. Look at some of those admirable Flemish pictures, where you will see many a pretty face ...
— Blackwood's Edinburgh Magazine - Volume 57, No. 352, February 1845 • Various
... second, Rufus or Rubens, i.e. Red, is another well-known figure. Like his father, he at first supported the barons, but soon after the battle of Lewes he took the King's side, and fought for him at Evesham. Again from pique he deserted him, returning to his ...
— Bell's Cathedrals: The Abbey Church of Tewkesbury - with some Account of the Priory Church of Deerhurst Gloucestershire • H. J. L. J. Masse
... among its treasures many of the old masters and-when open for exhibition—a bewildering collection of young nurses. The latter are frequently inaccurate in anatomical details, but in point of brilliancy of color they far outshine the best efforts of RUBENS and TITIAN. The flesh tints produced by many of our Fifth Avenue belles infinitely surpass the obsolete tints upon which the great Venetians used ...
— Punchinello, Vol. II., Issue 31, October 29, 1870 • Various
... in the auto da fe. Heroes? Why unurn the ashes of the half-forgotten dead and pore o'er the musty pages of the past for names to glorify? If you would find heroes grander, martyrs more noble and saints of more sanctity than Rubens ever painted or immortal Homer sang; who, without Achilles' armor, have slain an hundred Hectors; without Samsonian locks have torn the lion; without the sword of Michael have thrown down the gage to all the embattled hosts of hell, seek not in the ...
— Volume 12 of Brann The Iconoclast • William Cowper Brann
... effect of the weathered sandstone figures against the red brick is very pleasing." Here the Emperor's father, Frederick III, was born, lived as Crown Prince, reigned for ninety-nine days, and died. Here, too, are more "apartments of Frederick the Great," with pictures by Rubens, including an "Adoration of the Magi," a good example of Watteau and a portrait of Voltaire drawn by Frederick's own hand. In the north wing are situated the present Emperor's suite of chambers, where distinguished men of ...
— William of Germany • Stanley Shaw
... its inmates. An aquarium, containing goldfishes, stood on a marble centre-table at one end of the apartment, while a magnificent grand piano occupied the other. The floor was covered with a yielding tapestry carpet, and the walls were adorned with paintings from the pencils of Van Dyke, Rubens, Tintoretto, Michael Angelo, and the productions of the more modern Turner, Kensett, Church, and Bierstadt. Although Judge Tompkins had chosen the frontiers of civilization as his home, it was impossible ...
— The Luck of Roaring Camp and Other Tales • Bret Harte
... in 1660 takes knowledge of the white ground for granted. Its technique certainly appears to have been generally well known among artists in the middle of the 17th century. Rubens, in a letter as early as 1622, mentions having received a recipe for a white ground, although he could not remember it.[22] The first technical explanation of the process appeared in Bosse's pioneer treatise ...
— Rembrandt's Etching Technique: An Example • Peter Morse
... elsewhere, that I was not much impressed. There were family portraits and other pictures, and likewise pieces of statuary, along this arched corridor; and it communicated with a chapel with a scriptural altar-piece, copied from Rubens, and a picture of St. Michael and the Dragon, and two, or perhaps three, richly painted windows. Everything here is entirely new and fresh, this part having been repaired, and never yet inhabited by the family. This brand-newness makes it much less effective than if it had been lived in; and I ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... any idle time, sit to Gerbier for your picture, that I may have it well done in time.' After the accession of Charles, it appears that Gerbier was employed in Flanders to negotiate privately a treaty with Spain, in which Rubens was commissioned to act on the part of the Infanta; the business ultimately bringing the great painter to England. In 1628, Gerbier was knighted at Hampton Court, and, according to his own account, was promised ...
— Art in England - Notes and Studies • Dutton Cook
... walked to the Duke of Hamilton's house to view the picture-gallery, chiefly the famous picture of Daniel in the Lions' Den, by Rubens. It is a large building, without grandeur, a heavy, lumpish mass, after the fashion of the Hopetoun H, {45} only five times the size, and with longer legs, which makes it gloomy. We entered the gate, ...
— Recollections of a Tour Made in Scotland A.D. 1803 • Dorothy Wordsworth
... decorated. The state apartments include drawing-rooms, saloons, and the throne-room, which is sixty-four feet in length. The picture-gallery contains a collection of pictures made by George IV., chiefly of the Dutch school; it includes works of Rembrandt, Rubens, Vandyck, Duerer, Cuyp, Ruysdael, ...
— The Strand District - The Fascination of London • Sir Walter Besant
... Chytreus de lit. Europae. Laetus nunc, mox tristis; nunc sperans, paulo post diffidens; patiens hodie, cras ejuians; nunc pallens, rubens, currens, ...
— The Anatomy of Melancholy • Democritus Junior
... heavy with gold. Moreover, these rooms contained furniture of most skilful design and costly manufacture, and were adorned by the choice works of such masters of their art as Holbein, Bellini, Vansomer, Rubens, and Raphael; and withal enriched with Indian cabinets, such as never were seen in England before, which the queen had ...
— Royalty Restored - or, London under Charles II. • J. Fitzgerald Molloy
... tossing dice for the ownership of the Master's coat. The darkness thickens. Night, blackening night. Hark! The wolves are howling for the corpse of the slain Lord. Then, with more pathos and tenderness than can be seen in Rubens' picture, "Descent from the Cross," in the cathedral at Antwerp, is the dead Christ lowered, and there rises the wailing of crushed motherhood, and with solemn tread the mutilated body is sepulchred. But soon the door of the mausoleum ...
— T. De Witt Talmage - As I Knew Him • T. De Witt Talmage
... are too numerous to be covered in the short time that was at our disposal on this occasion, but we gave some time to the works and shrine of the master Rubens, and the wonderful cathedral spire, and the Hotel de Ville and the Guild Houses and all the rest, not forgetting Quentin Matsys's well. We were, however, a practical party, and the shipping of the great port, the gay cafes, and ...
— The Automobilist Abroad • M. F. (Milburg Francisco) Mansfield
... in Munich, we were never tired of the picture-galleries, the whole school of German and Austrian art being quite to our taste, while if there exists anywhere else a more wonderful collection of original drawings of such masters as Raphael, Durer, Rubens, and Rembrandt which comprise the Albertina in the palace of the Archduke Albert, I do not ...
— Abroad with the Jimmies • Lilian Bell
... Dyck's art naturally classifies the painter's works into four groups, corresponding chronologically to the four successive periods of his life. There was first the short period of his youth in Antwerp, when Rubens was the dominating influence upon his work. The portrait of Van der Geest, in the National Gallery, ...
— Van Dyck - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... Scientific Society and the Pedro Escobedo Medical Society. Of museums and galleries are the Academy of San Carlos, with fine specimens of European and Mexican art, among the former of which are works by Velasquez, Murillo, Ribera, and others attributed to Rubens, Leonardo da Vinci, Van Dyck, &c. The National Museum, which was founded in 1865, is an important and interesting institution, in which are preserved the famous archaeological and ethnological objects and collections illustrative of prehistoric Mexico. It was founded in 1865, and attracts ...
— Mexico • Charles Reginald Enock
... the tangles of Neaera's hair. We have discovered a new principle on which, within narrow bounds, we have constructed Panoramic Dioramas, that show splendid segments of the great circle of the world. We paint all of them ourselves—now a Poussin, now a Thomson, now a Claude, now a Turner, now a Rubens, now a Danby, now a ...
— Recreations of Christopher North, Volume 2 • John Wilson
... winner was being congratulated. She was atrociously stubby and fat. The last one, long and harmoniously, continuously curved from knee to breast, had been an Eve by Cranach; but this, this one was a bad Rubens. ...
— Crome Yellow • Aldous Huxley
... turn for poetry in French painting as comparatively inferior, it will be understood at once, I hope, that I am comparing it with the imaginativeness of the great Italians and Dutchmen, and with Rubens and Holbein and Turner, and not asserting the supremacy in elevated sentiment over Claude and Corot, Chardin, and Cazin, of the Royal Academy, or the New York Society of American Artists. And so far as an absolute rather than a comparative ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... wishing from the bottom of his heart that he were back with the companions of his youth at home in his country house, hunting and drinking at his ease. It is really the study of a man's character. Look at this Rubens beside it, a mere mass of flesh scarcely held together by a spirit, a style that is exuberantly material, all color and no expression. Here you have spirituality on one side and materialism on the other, unconscious, perhaps, but unmistakable. Compare, again, ...
— The Ink-Stain, Complete • Rene Bazin
... garb of the working man was true nobility. I did not need to ask if he was Anton Lang. I had seen his picture and had often been told that his face was the image of His Who died on the Cross. I expected much, but found infinitely more. I felt that life had been breathed into a Rubens masterpiece. No photograph can do him justice, for no lens can catch the wondrous light ...
— The Land of Deepening Shadow - Germany-at-War • D. Thomas Curtin
... gallons of water. We had no time to visit the interior of the castle, but it was interesting to read, in one of his letters, what Dr. Adam Clark saw there in 1797: "I was almost absolutely a prey to astonishment and rapture while I contemplated the painting of the wife of Schneider by Rubens, such a speaking canvas I never beheld." He saw the large Etruscan vases collected by Sir William Hamilton, some bronze cups dug out of the ruins of Herculaneum, and the bed in which Queen Anne slept and which, according to report, ...
— From John O'Groats to Land's End • Robert Naylor and John Naylor
... gallery leading from the family building to the reception-rooms on the first floor of the front house, as well as some fifty others placed about the salons, were the product of the patient researches of three centuries. Among them were choice specimens of Rubens, Ruysdael, Vandyke, Terburg, Gerard Dow, Teniers, Mieris, Paul Potter, Wouvermans, Rembrandt, Hobbema, Cranach, and Holbein. French and Italian pictures were in a minority, but all were ...
— The Alkahest • Honore de Balzac
... perceptible hush in the hum of talk as she made her entry into the drawing-room, ostensibly led by Philip Wayne, but really leading him. As she paused near the door, half timid, half bewildered, looking for her hostess, it did not help her to feel at ease to see Mrs. Endsleigh Jarrott—a Rubens Maria de Medici in white satin and pearls—raise her lorgnette and call on a tall young man who stood beside her to take a look. There was no time to distinguish anything further before Miss Jarrott glided up, with mincing graciousness, to ...
— The Wild Olive • Basil King
... reboit, ne sceais que boir soit." The purple fruit hangs ripened from the vines, its crimson juice shines like a jewel in crystal goblets and drips in streams over rosy limbs. The influence of such pictures as these was absorbed by Rubens, but though they hardly surpass him in colour, they are more idyllic and less coarse. The perfect taste of the Renaissance is never shown more victoriously than here, where indulgence ceases to be repulsive, and the actors ...
— The Venetian School of Painting • Evelyn March Phillipps
... ART-UNION gives to its subscribers for the next year a galvanograph of Rubens' Columbus. This is the first time that galvanography has been applied to such a purpose. The plate from which the print is taken has been copied by the galvanoplastic process, so that it can serve for other art-unions also. For 1851 the ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... are others, which no one can condemn; relics sanctified by that admiration of greatness and goodness which is akin to love; such as the copy of Montaigne's Florio, with the name of Shakspeare upon the leaf, written by the poet of all time himself; the chair preserved at Antwerp, in which Rubens sat when he painted the immortal "Descent from the Cross;" or the telescope, preserved in the Museum of Florence, which aided Galileo in his sublime discoveries. Who would not look with veneration upon the undoubted arrow of William ...
— Memoirs of Extraordinary Popular Delusions - Vol. I • Charles Mackay
... but Rubens is more to my taste now," returned Miss Larkins. "He was in the hall yesterday talking with Sir Joshua, who had his inevitable umbrella, like a true Englishman. Just as I came up, the umbrella fell right before ...
— Kitty's Class Day And Other Stories • Louisa M. Alcott
... hastened to offer their services to Father van Bolland in his famous /Acta Sanctorum/. Nor can it be forgotten that it was in these days Catholic Belgium gave to the world the great Flemish school of artists, amongst whom must be reckoned such men as Rubens, ...
— History of the Catholic Church from the Renaissance to the French • Rev. James MacCaffrey
... noble men and beautifully appareled women performed all sorts of allegorical representations, and the colors, groupings, etc., afforded the painter an endless variety of material and suggestion. When Rubens flourished in the Netherlands, a century later, similar conditions accompanied his appearance and the prolific manifestations of his genius. In the same way, music depends upon peculiar conditions of its own. ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... and creative aptitude are shown perceptibly later, on the average about the fourteenth year: Giotto, at ten; Van Dyck, ten; Raphael, eight; Guerchin, eight; Greuze, eight; Michaelangelo, thirteen; Albrecht Duerer, fifteen; Bernini, twelve; Rubens ...
— Essay on the Creative Imagination • Th. Ribot
... one man about the Rubens "Descent from the Cross" still hanging in the cathedral, I suggested that such a place was safe from bombardment. He looked up at the lace-like old tower, whose chimes, jangling down through leaping shafts and jets of Gothic stone, have so long been Antwerp's voice. ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... always has more life than the photographic copy. All reproductions, however, bring the works of world-famous artists within our reach, and enable us to be on intimate terms with the animals of Rosa Bonheur, the peasants of Millet, the portraits of Rembrandt, Rubens, Van Dyck, Sargent, and Gainsborough, the landscapes of Corot, Daubigny, Dupre, and Turner, and the madonnas of Raphael, Botticelli, Bodenhauser, and Correggio. Amateur photography, with its soft pastel effects in black, green, white, red, and gray, is making rapid strides and ...
— The Complete Home • Various
... tell us that the Beautiful is that which is agreeable to the senses of sight and hearing. They would admire, in painting, the delineation of naked flesh, luxuriant as it glows upon the canvas of Vandyke and Rubens; in statuary, they would seek voluptuous and sensual positions; while in music, they would love that which titillates the ear, which lulls them into an indolent yet delicious languor. Such men are the dwellers in the halls of Circean senses; they can appreciate only the ...
— The Continental Monthly, Vol. III, No. V, May, 1863 - Devoted to Literature and National Policy • Various
... this country from France. The earl died here, but his bones were subsequently removed to Hailes Abbey in Gloucestershire. The house contains some fine pictures, including, in addition to works by modern masters, Rubens' "Death of Hippolytus," Luini's "Holy Family" and Titian's "Three Caesars". In the chapel is a fine brass to John Swynstede, Prebendary of Lincoln, 1395. It was brought here ...
— Hertfordshire • Herbert W Tompkins
... I began this little talk—is Richard Strauss retrograding in his art?—may be answered by a curt negative. One broadside doesn't destroy such a record as Richard's. Like that sublime bourgeois Rubens, like that other sublime bourgeois Victor Hugo, like Bernini, to whose rococo marbles the music of Richard II is akin, he has essayed every department of his art. So expressive is he that he could set a mince-pie to music. (Why not, after that omelette in Ariadne?) So powerful is his imagination ...
— Ivory Apes and Peacocks • James Huneker
... string,—the old masters and the Barbizon school of painting. This man had all the ready veneer of the art connoisseur. He used to talk by the hour about the great pictures he had seen, and gave each artist a descriptive niche for what he thought him famous: such as, the expression of Rubens; the grace of Raphael; the purity of Domenichino; the correggiosity of Correggio; the learning of Poussin; the air of Guido; the taste of Coraceis, and the drawing of Michelangelo. This, of course, was all Greek to most of us, but it raised the tone of the smoking-room and ...
— A Fantasy of Mediterranean Travel • S. G. Bayne
... of their first transgression supporting, by the help of the tree of knowledge and the serpent, a curiously wrought pulpit. The walls are hung with pictures by the Flemish masters, wherever space can be found for them. In the Cathedral, is the Descent from the Cross, by Rubens, which proves, what one might almost doubt who had only seen his pictures in the Louvre, that he was a true artist and a man of genius in the ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... them? Eunice discussed the question with Mellicent in the pause during which they were requested to "look the other way," and had reached the solution of goloshes and ribbon, when "Gloriana, by Rubens!" was introduced ...
— More About Peggy • Mrs G. de Horne Vaizey
... dream,—the dream of all lovers of the beautiful, under whatsoever form it comes; the seraphic beauty that Luini put into his Marriage of the Virgin, that noble fresco at Sarono; the beauty that Rubens grasped in the tumult of his "Battle of the Thermodon"; the beauty that five centuries have elaborated in the cathedrals of Seville and Milan; the beauty of the Saracens at Granada, the beauty of Louis XIV. at Versailles, the beauty ...
— Sons of the Soil • Honore de Balzac
... to laugh. "Why, that's enormous, five or six things of the first importance! But I think I ought to mention to you," he added, "a most barefaced 'Rubens' there in the library." ...
— The Outcry • Henry James
... Golgotha."—"Nature wanted to see how she looked, and she created Goethe."—"Only the man who has known bodily suffering is truly a man; his limbs have their Passion history, they are spiritualized." He calls Rubens "this Flemish Titan, the wings of whose genius were so strong that he soared as high as the sun, in spite of the hundred-weight of Dutch cheeses that hung on his legs." Speaking of Borne's dislike to the calm creations of the true artist, he says, ...
— The Essays of "George Eliot" - Complete • George Eliot
... after her escape from Blois, and that here she and her son Louis were reconciled in the presence of a number of courtiers. This royal peacemaking we have always thought one of the most amusing of Rubens's great canvases at the Louvre, as he very cleverly gives the impression that neither the Queen nor her son is ...
— In Chteau Land • Anne Hollingsworth Wharton
... art, to sacrifice the modesty of nature to ostentation. The principle of Titian was, however, followed by Tintoretto, Bassan, Paul Veronese, and then passed to Velasquez the Spaniard, in Italy. From him "Rubens and Vandyck attempted to transplant it to Flanders, France, and England, with unequal success." The style of Correggio scarcely survived him, for he had more imitators of parts than followers of ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... masters—parents one would say if a man could have more than two—were Fragonard, Boucher, and Watteau. These, two of whom he has surpassed, with Rubens, whom he almost equals, are responsible for most of what is derivative in his art during his first great period (1870-1881). That this should be the period beloved of amateurs does not surprise me. It is ...
— Since Cezanne • Clive Bell
... acquired considerable reputation by his landscapes and sea-pieces. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill. Rubens made use of Breughel's hand in the landscape part of several of his small pictures—such as his "Vertumnus and Pomona," the "Satyr viewing the Sleeping ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... his career, and consequently in his triumphs; and in the course of two years he covered his borders with such marvellous productions as no mortal man, following in the tracks of the Creator, except perhaps Shakespeare and Rubens, have equalled ...
— The Black Tulip • Alexandre Dumas (Pere)
... to have, like that fat Madame Deschars, cascades of flesh a la Rubens! That Adolphe is an awful scoundrel. Oh, I see, he wants to make me an old mother Gigogne, and destroy my powers ...
— Petty Troubles of Married Life, Part First • Honore de Balzac
... other artist in Rome who could paint as well as Mr. Thompson. That portrait of my father, to which reference has been made, which now hangs in my house, looks even better, as a painting, to-day than it did when it was fresh from his easel. Rubens could not have laid on the colors with more solidity and with truer feeling for the hues of life. But the trouble with Thompson was that he had never learned how to draw correctly; and this defect appeared to some extent in his portraits ...
— Hawthorne and His Circle • Julian Hawthorne
... can't imagine how much it costs to get about when one lives so far uptown. That's one reason we are anxious to move. Billy has been looking for a studio for weeks, and, do you know, he has really found one at last. Harry Allen is moving out of the Rubens Building, and we are going to take his studio on the top floor. We're awfully lucky, too, to get it, for it is the ...
— Life and Gabriella - The Story of a Woman's Courage • Ellen Glasgow
... likes and dislikes, his hatred of what he thinks conventional and mechanic, together with his very alert and careful evaluation of what comes home to him as straightforward, whether in Reynolds, or Rubens, or Ruysdael, in Japan, in Paris, or in modern England."—Mr. Pater ...
— Life of Robert Browning • William Sharp
... mean well are always worse than those who don't mean anything; but I can make it up with Hubbard. He looks like Rubens' St. Simeon. I wish he wore the same ...
— The Philistines • Arlo Bates
... the painter's own special field—the symbolised illustration of Holy Writ—he is overwhelmed by Millais with the superb 'Carpenter's Shop.' In Millais, it was well said by Mr. Charles Whibley, 'we were cheated out of a Rubens.' Millais was the strong man, the great oil-painter of the group, as Rossetti was the supreme artist. In Mr. Holman Hunt we lost another Archdeacon Farrar. Then, in the sublimation of uglitude, Madox- Brown, step-father of the Pre-Raphaelites (my information is derived ...
— Masques & Phases • Robert Ross
... rider with a graceful seat, he liked to be told of it; that he showed letters he ought not to have shown; that he pretended to think worse of Wordsworth than he did; that he knew little of art or music, adored Rossini, and called Rubens a dauber; that, though he wrote Don Juan under gin and water, he had not a strong head, &c., &c. It is true, but not new. But when Hunt proceeds to say that Byron had no sentiment; that La Guiccioli did not really ...
— Byron • John Nichol
... to step from her frame at night, for other mothers were at hand cradling their babes and the sound of her footfalls might have wakened them. But it was hard to stay still and alone in that happy nursery. She could see through an archway to the right a picture Rubens had painted, and it was all aglow with babies like roses clustered at a porch—fat, dimpled babies who rolled and laughed in aerial garlands. It would have been nice to pick one and carry it back with ...
— The Best British Short Stories of 1922 • Various
... Guide-books" in their hands, are looking at the "Descent from the Cross." Of this picture the "Guide-book" gives you orders how to judge. If it is the end of religious painting to express the religious sentiment, a hundred of inferior pictures must rank before Rubens. Who was ever piously affected by any picture of the master? He can depict a livid thief writhing upon the cross, sometimes a blond Magdalen weeping below it; but it is a Magdalen a very short time indeed after her repentance: her yellow brocades and ...
— Little Travels and Roadside Sketches • William Makepeace Thackeray
... were represented by a Raphael Madonna, a Virgin by Leonardo da Vinci, a nymph by Correggio, a woman by Titian, an adoration of the Magi by Veronese, an assumption of the Virgin by Murillo, a Holbein portrait, a monk by Velazquez, a martyr by Ribera, a village fair by Rubens, two Flemish landscapes by Teniers, three little genre paintings by Gerard Dow, Metsu, and Paul Potter, two canvases by Gericault and Prud'hon, plus seascapes by Backhuysen and Vernet. Among the works of modern art were pictures signed by Delacroix, ...
— 20000 Leagues Under the Seas • Jules Verne
... not describe in any detail the end of the slope, from the beginning of the seventeenth to the middle of the nineteenth century. The seventeenth century is rich in individual geniuses; but they are individual. The level of art is very low. The big names of El Greco, Rembrandt, Velasquez, Vermeer, Rubens, Jordaens, Poussin, and Claude, Wren and Bernini (as architects) stand out; had they lived in the eleventh century they might all have been lost in a crowd of anonymous equals. Rembrandt, indeed, perhaps the greatest genius of them all, is a typical ruin of his age. For, except in a few ...
— Art • Clive Bell
... surgeon;" and then, amused by the paradox, John, to whom the chase was evocative of forests, pageantry, spears, would quote some stirring verses of an old ballad, and allude to certain pictures by Rubens, Wouvermans, and Snyders. "Why do you talk in that way?" "Why do you seek to make yourself ridiculous?" ...
— A Mere Accident • George Moore
... This portion of the composition is familiar to all from the disfigured copy engraved by Edelinck. Mariette had already very acutely observed that Edelinck must surely have worked from a Flemish copy of the picture. There is in the Louvre a drawing by Rubens (No. 565) which also represents four horsemen fighting round a standard and which agrees with Edelinck's engraving, but the engraving reverses the drawing. An earlier Flemish drawing, such as may have served as the model for both Rubens ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... beauty to consist in a long, slim, attenuated, almost angular figure; but at the time of the Renaissance the type of the beautiful was very different. Take Rubens, take Titian, take even Raffaelle, and you will see that their women were of robust build. Even their Virgin Marys have a motherly air. To my thinking, moreover, if we reverted to some such natural type of beauty, if women were not encouraged by fashion to compress and attenuate their ...
— Fruitfulness - Fecondite • Emile Zola
... cloak which envelops the kneeling donors. But still more salient is the diamond form given by the descending rows of these worshipping figures, especially against the dark background of the M.'s dress. A second example, without the pyramid backing, is found in Rubens' Rape of the Daughters of Leucippus (88), in the Alte Pinakothek at Munich. Here the diamond shape formed by the horses and struggling figures is most remarkable—an effect of lightness which will be discussed later in ...
— Harvard Psychological Studies, Volume 1 • Various
... turned to foreign taste, even to foreign workmanship, as in the case of the commission to Quellinus, the Flemish sculptor, to execute the sculptures in the town-hall, thus emphasizing their preference for the school of Rubens and Van Dyck above the one of Hals and Rembrandt. This tendency occasioned a preference for foreign theories and forms, and so we see between 1648 and 1660 a town-hall built, ten times bigger than the former one and costing, according to our money, about twenty million guilders, resulting ...
— Rembrandt's Amsterdam • Frits Lugt
... and pretty and good? and what did she do? and what was her name? My thoughts were perpetually running up those six flights and stopping baffled at her close-shut door. I drew ideal portraits of her, and introduced them into all my pictures as pertinaciously as Rubens did his wives, and would often finish out an accidental face in a study of rocks, much to my instructor's surprise and my fellow-students' amusement. It was very remarkable, however, that all these fancy sketches ...
— Atlantic Monthly, Vol. 5, No. 27, January, 1860 • Various
... of Wednesday, the thirteenth of February, the court of Whitehall and all the neighbouring streets were filled with gazers. The magnificent Banqueting House, the masterpiece of Inigo, embellished by masterpieces of Rubens, had been prepared for a great ceremony. The walls were lined by the yeomen of the guard. Near the northern door, on the right hand, a large number of Peers had assembled. On the left were the Commons with their Speaker, attended by ...
— The History of England from the Accession of James II. - Volume 2 (of 5) • Thomas Babington Macaulay
... looked sick." Circumstances have repeatedly carried me to Europe, where I am always surprised by the red blood that fills and colors the faces of ladies and peasant girls, reminding one of the canvas of Rubens and Murillo; and am always equally surprised on my return, by crowds of pale, bloodless female faces, that suggest consumption, scrofula, anemia, and neuralgia. To a large extent, our present system of educating girls ...
— Sex in Education - or, A Fair Chance for Girls • Edward H. Clarke
... this picture of Charles I is probably the one Rubens gave to Van Dyck. It is said that Rubens gave it as a present after Van Dyck had painted a portrait of Helena Fourment, the master's second wife, and presented it to him. Van Dyck was twenty-two years younger than Rubens. You will remember that he ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... these and the present fronts are Italian in style and very lordly and imposing. The great hall contains the Vandyck portraits for which Wilton is preeminently famous, but there are other great masters, including Rubens, Titian and del Sarto to be seen by those interested, besides a collection of armour hardly to be surpassed in the country. These treasures are shown at ...
— Wanderings in Wessex - An Exploration of the Southern Realm from Itchen to Otter • Edric Holmes
... most of you seen, probably, that great masterpiece of Rubens which hangs in the gallery of Brussels, that swift and wonderful pageant of horse and rider arrested in its most exquisite and fiery moment when the winds are caught in crimson banner and the air lit by the gleam of armour and the flash of plume. Well, that is joy ...
— Miscellanies • Oscar Wilde
... The Art of the Romans; Chardin; Donatello; Florentine Sculptors of the Renaissance; George Romney; Ghirlandaio; Lawrence; Michelangelo; Raphael; Rembrandt's Etchings; Rubens; Tintoretto; Titian; ...
— More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester
... warm air shot up into his face from the floor. It was this air that was causing movement in the picture, and he looked down. What he discovered broke the spell he was under. About him were the relics of age, of a life long dead. Rubens might have sat in that room, and mourned over his handiwork, lost in a wilderness. The stingy Louis might have recognized in the spindle-legged table a bit of his predecessor's extravagance, which he had sold for ...
— Flower of the North • James Oliver Curwood
... moved with the young ladies through several galleries, now consulting the guidebook, which I carried in my right hand, now pointing with my left to this or that conspicuous example of the genius of a Rubens, a Rembrandt or a Titian, and, I presume, had been thus engaged for the better part of two hours, when a sudden subconscious instinct subtly warned me that I was alone. Astonished, I spun on my heel. My youthful companions were no longer with me. Five ...
— Fibble, D. D. • Irvin Shrewsbury Cobb
... Dorothy's gown in a dazzling sheen of white, and flashed upon her jeweled hands in colored sparks of green and gold and purple and red, and lit up her face and hair with the soft warm tints of a Rubens. Such a picture did the twain combine to make; they looked indeed as if they might have stepped from the canvas of some old master and come for a brief season to taste the joys of flesh and blood ...
— The Ghost of Guir House • Charles Willing Beale
... Virgil"—that he made his first appearance at the Salon in 1822. At a bound he found himself famous. Guerin, who had counselled him against sending his picture to the Salon, grudgingly acknowledged that he was wrong. Gros told him that it was like Rubens, with more correctness of form—Rubens "chastened" was the word. The government bought the picture, paying the artist two hundred and forty ...
— McClure's Magazine, March, 1896, Vol. VI., No. 4. • Various
... front hall. The Prince and Princess of Wales have arrived, and their entrance is a pageant worth seeing. With courtly grace and pretty pomp, the host and hostess usher their royal guests into the great gallery, walled with the canvasses of Rubens, which serves as a dancing-room. Then the fun begins, and the bright hours fly swiftly till one o'clock suggests the tender thought of supper, which is served on gold plate and Sevres china in a garden-tent of ...
— Fifteen Chapters of Autobiography • George William Erskine Russell
... visible and permanent signs are too far behind the fugitive audible ones, which follow so fast one after another, while the faces and figures in a narrative picture, even though they be Titian's, stand still. Who would not prefer one Virgin and Child of Raphael, to all the pictures which Rubens, with his fat, frouzy Dutch Venuses, ever painted? Though Rubens, besides excelling almost every one in his mastery over the mechanical parts of his art, often shows real genius in grouping his figures, the peculiar ...
— English Critical Essays - Nineteenth Century • Various
... woman, and he was therefore much abashed and confused. The only one who remained undisturbed was Mr. Mardale. His mind was never for very long off his wheels, or his works of art. It was the turn of his pictures now. He had picked up a genuine Rubens in Ghent, he declared. It was standing somewhere in the great drawing-room on the carpet against the back of a chair, and Sir Charles must look at it in the morning, if only it could be found. He had clean forgotten all about his daughter it appeared. She, however, ...
— Ensign Knightley and Other Stories • A. E. W. Mason
... way along till he stood in front of a bookmaker with a face cast very much on the lines of a Rubens' cherub; but the cherub-type ended abruptly with the plump frontispiece of "Jakey" Faust, the bookmaker. Lewis knew that. "If there's anythin' doin', I'm up against it here," he muttered to himself. "What's Lauzanne's ...
— Thoroughbreds • W. A. Fraser
... windows is a bed of Madame Lambard, Madame de Watteville, and Comtesse Riza du Parc; while farther down the garden, sheltered on the north and west by a group of beeches and lilacs, is another large bed, containing Rubens, Madame Joseph Schwartz, and the Hen. Edith Gifford. All these roses are dwarf; I have only two standards in the whole garden, two Madame George Bruants, and they look like broomsticks. How I long for the day when the tea-roses ...
— Elizabeth and her German Garden • "Elizabeth", AKA Marie Annette Beauchamp
... abundantly-produced flowers. There are several distinct varieties as follows:—R. sanguineum flore-pleno (Burning Bush), with perfectly double flowers, which are produced later and last longer than those of the species; R. sanguineum album, with pale pink, or almost white flowers; R. sanguineum atro-rubens, with deeply-coloured flowers; R. sanguineum glutinosum and R. sanguineum grandiflorum, bearing compact clusters of flowers that are rosy-flesh coloured on the outside and ...
— Hardy Ornamental Flowering Trees and Shrubs • A. D. Webster
... immediately fulfil his engagements. The Viceroy being informed of the insult, took up the painter's quarrel in right royal style. He invited the Duke, who affected connoisseurship, to pass judgment on a picture lately painted by Luca for the palace, in imitation of the style of Rubens. The unlucky noble fell into the trap, and pronounced it an undoubted work by the great Fleming. Seeming to assent to this criticism, the Viceroy replied that Giordano was painting a companion to the picture, a piece of information ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner
... zonae; quarum una corusco Semper Sole rubens, et torrida semper ab igni; Quam circum extremae dextra laevaque trahuntur, Caerulea glacie concretae atque imbribus atris. Has inter mediamque, duae mortalibus aegris Munere concessae Divum; et via secta per ambas, Obliquus ...
— The Discovery of America Vol. 1 (of 2) - with some account of Ancient America and the Spanish Conquest • John Fiske
... Bologna; for all those eclectic theories, observe, were based, not upon an endeavour to unite the various characters of nature (which it is possible to do), but the various narrownesses of taste, which it is impossible to do. Rubens is not more vigorous than Titian, but less vigorous; but because he is so narrow-minded as to enjoy vigour only, he refuses to give the other qualities of nature, which would interfere with that vigour and with our perception of it. Again, Rembrandt is not a greater master ...
— The Two Paths • John Ruskin
... Louis XIII., Philip III., and Charles I. of England; the change was all in favour of the beaver; and certainly the hat reached its culminating point of excellence during the reign of our martyr king. Who has studied the splendid portraits of Vandyke, or the heads of Rubens, and has not perceived the uncommon grace given to them by the well-proportioned and not excessive hat? Who does not remember the fine portrait of Rubens himself, with his black Spanish hat turned up in front, the very perfection of that style of head-dress? ...
— Blackwood's Edinburgh Magazine — Volume 57, No. 351, January 1845 • Various
... Novice has executed the only copy from DeHooge's fine picture—A Dutch Family preparing for a Walk; and Messrs. Foster and Earl display considerable talent in their copies from the Landscape and Cattle, by Cuyp. Other admirable works by Guido, Rubens, Bassan, Ruysdael, Vanderneer, and Canaletta, have met with a host of imitators, from whose talents we may anticipate, at no distant period, pictorial excellency of the first order. I should discover a want of gallantry, and, indeed, ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 12, - Issue 345, December 6, 1828 • Various
... feudal building a faint trace of sculpture remains to show what the castle was in the days of its glory. This discordant detail made his eyes, still bright and youthful, all the more remarkable in his tanned face, because it had so long been ruddy with the florid hues of a Rubens; and now a certain discoloration and the deep tension of the wrinkles betrayed the efforts of a passion at odds with natural decay. Hulot was now one of those stalwart ruins in which virile force asserts itself by tufts of hair in the ears and nostrils and on the fingers, as moss grows on the almost ...
— Cousin Betty • Honore de Balzac
... brought two centuries ago from Italy, now stopping before this to tell you that "it is considered a very improportionable Virgin by Parmigianino," and calling you to observe this old statue "of a couching Silenius wrapped in the skin of a Pantheon,"—and then, when the Rubens, and the Claude, and all the other pictures have been seen, her letting you pass, as a great favor, through the library with its well-filled oaken shelves, the gilding worn off the backs of many ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... spectre is Sidonia herself painted as a Sorceress. It must have been added, after a lapse of many years, to the youthful portrait, which belongs, as I have said, to the school of Kranach, whereas the second figure portrays unmistakably the school of Rubens. It is a fearfully characteristic painting, and no imagination could conceive a contrast more shudderingly awful. The Sorceress is arrayed in her death garments—white with black stripes; and round her thin white locks is bound a narrow band ...
— Sidonia The Sorceress V1 • William Mienhold
... She'd make a grand sort of Messalina, without a doubt, a model for a painter, with her frank imperious face, and her splendid voluptuous figure; a Faustina, a Catherine of Russia, an Ann Boleyn—to be fitly painted only by a Rubens or a Gustave Courbet. Yet how I can ever have been such a particular fool as to go and get myself entangled with her I can't imagine. Heredity, heredity; it must run in the family, for certain. There's Ernest has gone and ...
— Philistia • Grant Allen
... to arrive at the celebration of the fte in honour of Rubens. "To commemorate the painter may be all very well," he observes; "but it is not very well to see a large plaster-of-Paris statue erected on a lofty pedestal, and crowned with laurels, while the whole population of the town is called out for fourteen days together, to indulge ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... national costume is dying out. The slop-shop is year by year extending its hideous trade. But the country of Rubens and Rembrandt, of Teniers and Gerard Dow, remains still true to art. The picture post-card does not exaggerate. The men in those wondrous baggy knickerbockers, from the pockets of which you sometimes see a couple of chicken's heads protruding; in gaudy coloured shirts, in worsted ...
— Idle Ideas in 1905 • Jerome K. Jerome
... artistic cycle and the painter executed it in the noonday splendour of those qualities, the dawn of which glows in Parma at St. Paul's. Correggio is not a mystic, he is a voluptuous naturalist, and from him to the realist Caravaggio, "the grinder of flesh," and the exuberant Rubens, who gave much study to Correggio, the distance is not very great and the decline is fatal. But, in the meantime, where shall we find more grace, or seductiveness—under this conversion complicated ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... me thinking that Mr. Poole's interests in scholarship must have procured for him many acquaintances among Dutch scholars, men with whom he has been in correspondence. You will meet them and hear them pour their vast erudition across dinner-tables. Rubens' great picture, "The Descent from the Cross," is in Antwerp; you will go to see it, and in Munich Mr. Poole will treat you to the works of Wagner and Mozart. You are very happy; everything has gone well with you, and it would ill befit me, who brought so much ...
— The Lake • George Moore
... Leonardo chose an incident from the battle of Anghiari, in which two parties of soldiers fight for a standard. Like Michelangelo's, his cartoon is lost, and has come to us only in sketches, and in a fragment of Rubens. Through the accounts given we may discern some lust of terrible things in it, so that even the horses tore each other with their teeth. And yet one fragment of it, in a drawing of his at Florence, is far different—a waving field of lovely armour, ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... was not yet complete. The versatile operator drew from his bundle some bright-red, yellow ochre, and blue paint, with a piece of charcoal, and set to work on Tony's countenance with all the force of a Van Dyck and the rich colouring of a Rubens. He began with a streak of scarlet from the eyebrows to the end of the nose. Skipping the mouth, he continued the streak from the lower lip down the chin, under which it melted into a tender half-tint made by a smudge of yellow ochre and charcoal. This ...
— The Red Man's Revenge - A Tale of The Red River Flood • R.M. Ballantyne
... REQUEST you will prepare To your own taste the bill of fare; At present, if to judge I'm able, The finest works are of the table. I should prefer the cook just now To Rubens or to ...
— A Poetical Cook-Book • Maria J. Moss
... man in England like Old Man Rubens, or Van Dyke, or those other fellows, I forget their names, who are head and shoulders above everybody else? Sort of Jay ...
— One Day's Courtship - The Heralds Of Fame • Robert Barr
... he had more than a glimpse of the ball-room, which maintained the dignity and the refined beauty of the staircase and the hallways; and only in the insistent audacity and intemperate colouring of some Rubens pictures did he find anything of that inherent tendency to exaggeration and Oriental magnificence behind the really delicate artistic faculties possessed ...
— The Judgment House • Gilbert Parker
... was not sufficiently elevated in his own moral sentiments to elevate the feelings of others: he painted sensuous beauty as it appeared in the models which he used. But he was greatly extolled, and accumulated a great fortune, like Rubens, and lived ostentatiously, as rich and fortunate men ever have lived who do not possess elevation of sentiment. His headquarters were not at Athens, but at Ephesus,—a city which also produced Parrhasins, to whom Zeuxis himself gave the palm, since he deceived the painter by his curtain, ...
— Beacon Lights of History, Volume I • John Lord
... any period did the native Italian masters learn to love ugliness with the devotion that reveals innate grossness. It remained for Duerer, Rembrandt, and Hogarth to elevate the grotesque into the region of high art, for Rubens to achieve the apotheosis of pure animalism, for Teniers to devote distinguished genius to the service ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... sacrifice. It contained an admirable collection of furniture, pictures, wood carvings, and faience. The Baron lived there alone, attended by three old servants. No one ever enters the place. No one had ever beheld the three Rubens that he possessed, his two Watteau, his Jean Goujon pulpit, and the many other treasures that he had acquired by a vast expenditure ...
— The Extraordinary Adventures of Arsene Lupin, Gentleman-Burglar • Maurice Leblanc
... which he printed, the "Flores de L.Anneo Seneca," 1555. His second Mark was first used in the following year, and bears the monogram of Arnaud Nicola. Of each of these examples we give reproductions, as also of the fine example designed for Plantin's successors either by Rubens or by Erasme Quellin, and engraved by Jean Christophe Jegher, 1639, Plantin having died in 1589. The most famous of all Plantin's Marks is of course that with the compass and the motto "Labor et Constantia," which he first used in 1557. Plantin explains ...
— Printers' Marks - A Chapter in the History of Typography • William Roberts
... of the painters number quite as many female as male students, and there are apparently more women than men who copy the pictures in the Louvre. Nothing is more pleasing than to see these gentle creatures, with their easels, sitting before a colossal Rubens or a Madonna of Raphael. No difficulty alarms them, and prudery is not allowed to give a voice in their choice ...
— The International Weekly Miscellany, Vol. 1, No. 7 - Of Literature, Art, and Science, August 12, 1850 • Various
... beholding a spectacle such as this; especially when he added, with glowing eloquence, that it was astonishing how so small an insect, a mere mosquito, should be able to produce an eruption of this magnitude and in colours, moreover, which would have made Titian or Peter Paul Rubens burst with envy. ...
— South Wind • Norman Douglas |
