"White leather" Quotes from Famous Books
 ... the suppressed convents, monasteries, and churches. Buonaparte has lately restored some of their pictures to the churches, but those by Rubens and Raphael are at Paris. In the cabinet of natural history there is the skeleton and the skin of a man who was guillotined, as fine white leather as ever you saw. The preparations for these Ecoles Centrales are all too vast and ostentatious: the people are just beginning to send their children to them. Government finds them too expensive, and their ...
— The Life And Letters Of Maria Edgeworth, Vol. 1 • Maria Edgeworth
... wore a close-fitting yellow jacket, heavily trimmed with black, white and yellow frogs and crossed cords, in the hussar fashion, and finished at the neck in the military manner with a stiff high collar. His legs were encased in tight breeches of white leather, and long polished boots with riding flaps were drawn above the knee. The long straight rapier hung in its gleaming sheath by his side, the colours of the Korps being done in velvet upon the basket-hilt. Over his right shoulder he wore a heavy silk scarf of the three colours, which ...
— Greifenstein • F. Marion Crawford
... from her pocket a narrow strip of white leather to which a handsome silver buckle was attached and placed it ...
— Flood Tide • Sara Ware Bassett
... place here respecting the writing materials of the ancients, and their custom of staining leaves of vellum. Skins of animals were probably one of the most ancient mediums, as being the most durable. There exists in the British Museum a ritual, written on white leather, which dates from about the year 2000 B.C. But the custom of writing on leather is known to have been much older still. The commonest mode of keeping records in Assyria and Babylonia was on prepared bricks, tiles, or cylinders of clay, baked after the inscription had been impressed on ...
— Studies from Court and Cloister • J.M. Stone
... texture that it was thin, soft, and light as silk; a fine white wool sleeveless tunic, the material of which was stiff and almost completely hidden by an elaborately embroidered pattern in heavy gold thread, and which was confined to the waist by a broad white leather belt, also heavily embroidered in gold and fastened by a massive and exquisitely chased gold clasp; with soft, white, gold-embroidered boots on his feet, reaching halfway up to the knee; with the royal borla, or tasselled fringe of scarlet adorned with two ...
— Harry Escombe - A Tale of Adventure in Peru • Harry Collingwood |
