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verb
Dialogue  v. i.  To take part in a dialogue; to dialogize. (R.)






Collaborative International Dictionary of English 0.48








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"Dialogue" Quotes from Famous Books



... parts; instead of stopping, it swelled and engulfed the house. Ah, thank God! that sea of vacant, stiff faces had broken! The house was alive and warm. The players, pausing of necessity, breathed thanksgiving before returning to dialogue which had become suddenly imbued with new ...
— The Education of Eric Lane • Stephen McKenna

... schoolmaster next in honour to that of a clergyman. The clergy formed a species of aristocracy, according to his notions; but no man could commence life under more favourable auspices, than by taking a school. The following dialogue occurred between us, on this subject; and I was so much struck with the novelty of my companion's notions, as to make a note of it, ...
— Satanstoe • James Fenimore Cooper

... denied that appearances were real existences. It was the mission of Zeno to establish the doctrines of his master. But in order to convince his listeners, he was obliged to use a new method of argument. So he carried on his argumentation by question and answer, and was therefore the first who used dialogue, which he called dialectics, as a medium ...
— Beacon Lights of History, Volume I • John Lord

... station platform an hour before. The bows, the hand-shakes, the strained smiles of greeting were all repeated, and two chairs being drawn together to represent a carriage, Miss Peggy seated herself on the nearer of the two, and went through so word- perfect a repetition of the real dialogue as left her hearer speechless with consternation. Eunice heard her own voice bleat forth feeble inanities, saw her lips twist in the characteristic manner which she felt to be so true, listened to Mariquita's gracious responses, and saw, (what she had not seen before), the wide yawns of weariness ...
— More About Peggy • Mrs G. de Horne Vaizey

... seen the cloud on his daughter's face, and had understood the nature of the little dialogue about Dovercourt. And he was aware,—had been aware since they had both come into his house,—that the young wife's manner and tone to her husband was not that of perfect conjugal sympathy. He had already said to himself more than once that ...
— The Prime Minister • Anthony Trollope

... was received with all honour, and accorded an annual pension from the papal treasury his request was refused. He returned to Florence, where he published eight years later a new book on the subject, couched in the form of a dialogue between supporters of the rival systems, the Ptolemaic and the Copernican, in which Simplicissimus, the defender of the old view, was not only routed but covered with ridicule. Such a flagrant violation of his promise could ...
— History of the Catholic Church from the Renaissance to the French • Rev. James MacCaffrey

... these gushes of interest In Florence hurried Cleopatra away from almost every dialogue in which Edith had a share, however trifling! Florence had certainly never undergone so much embracing, and perhaps had never been, unconsciously, so useful ...
— Dombey and Son • Charles Dickens

... struck with his magnanimity, became calm, and commanding the executioner to release the youth, said, "For the present I forbear, and will not kill thee unless thy answers to my further questions shall deserve it." They then entered on the following dialogue; Hyjauje hoping to entrap him ...
— The Arabian Nights Entertainments Complete • Anonymous

... it is right and proper that it should be heard against any man before his reputation can be held fully established. One such advocate in this country has thought to dispose of him by the charge of 'externality.' But the reader who remembers things like the sea-frenzy of Gordon Darnaway, or the dialogue of Markheim with his other self in the house of murder, or the re-baptism of the spirit of Seraphina in the forest dews, or the failure of Herrick to find in the waters of the island lagoon a last release from dishonour, or the death of Goguelat, or the appeal of Kirstie ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson

... that the star of the Diana had said goodbye to certain male acquaintances, and had gone through a complicated dialogue with her maid on the subject of dress-trunks, the clock pointed almost to nine, and a porter rushed us—Marie and myself—into an empty compartment of a composite coach near to the engine. The compartment was first class, but it evidently ...
— The Ghost - A Modern Fantasy • Arnold Bennett

... dialogue was cut short by the wild shout that rose from the crowd, the delusive cry of "A sail, a sail!" and Dunmore rushed with the rest to descry its myth-like form, if possible. It was some moments before hope again died down to a flat ...
— Sea and Shore - A Sequel to "Miriam's Memoirs" • Mrs. Catharine A. Warfield

... apportioned to each individual, it is, of course, an object to the head of a lodge to make the number registered as great as possible. Each one brings his little bundle of sticks, and presents it to the Agent to register. Sometimes a dialogue ...
— Wau-bun - The Early Day in the Northwest • Juliette Augusta Magill Kinzie

... parties, or at least with Prince Henri, who presides in Saxony, and is apt to complain and mourn over the undoable, rather than proceed to do it. The King's Correspondence with Henri, this Winter, is curious enough; like a Dialogue between Hope on its feet, and Despair taking to its bed. "You know there are Two Doctors in MOLIERE," says Friedrich to him once; "a Doctor TANT-MIEUX (So much the Better) and a Doctor TANT-PIS (So much the Worse): these two cannot be expected ...
— History of Friedrich II. of Prussia, Vol. XX. (of XXI.) • Thomas Carlyle

... following imaginary dialogue between Alexander Hamilton and Aaron Burr, which is not based upon any specific incident in American history, may be supposed to have occurred a few months previous to Hamilton's retirement from Washington's Cabinet in 1795 and a few years before the political ingenuities ...
— The Three Taverns • Edwin Arlington Robinson

... why not have a joint meeting of the two societies? The proposition was accepted. The meeting was duly heralded by public announcement, and the room was crowded to suffocation. The Missionary appeared on the platform; he was hailed with enthusiasm. He repeated a dialogue he had heard between two negroes, behind a hedge, on the subject of distribution societies; the approbation was tumultuous. He gave an imitation of the two negroes in broken English; the roof was rent with applause. From that period we date (with one trifling exception) a daily increase in the ...
— Sketches by Boz - illustrative of everyday life and every-day people • Charles Dickens

... warfare as practised in Circassia, Spain, and South Africa; Mazzini's gospel of political assassination; Kossuth's most violent doctrines; the doings of Russian Nihilists; the murder of the Marquis Ito; the dialogue between Arjuna and Krishna in the "Gita," a book that is to Hindus what the "Imitation of Christ" is to emotional Christians—all these are pressed into the service of inflaming impressionable minds. The last instance is ...
— Indian Unrest • Valentine Chirol

... day I listened to a most amusing dialogue at the Bible lesson between Kermit and Ethel. The subject was Joseph, and just before reading it they had been reading Quentin's book containing the adventures of the Gollywogs. Joseph's conduct in repeating his dream to his brothers, whom it was certain to irritate, had struck both of the children ...
— Letters to His Children • Theodore Roosevelt

... who failed to return the love of Echo, was punished by being made to fall in love with his own image reflected in a fountain: this he could never approach, and he accordingly pined away and was changed into the flower which bears his name. See the dialogue between Mercury and Echo in Cynthia's Revels, i. 1. Grammatically, likest is an adjective qualified adverbially by "(to) thy Narcissus": comp. Il ...
— Milton's Comus • John Milton

... point Sangara advanced to the old King Dhritarashtra to acquaint him with the course things had taken, and among the rest to recite to him a conversation which had taken place between Krishna and Arguna, the Pandavan prince and general. It is this dialogue which constitutes the Holy Song, known as the Bhagavad-Gita, or Krishna Song, the Krishna of this philosophic poem being, of course, the eighth avatara; or incarnation, ...
— The Worlds Greatest Books, Volume XIII. - Religion and Philosophy • Various

... is, of course, reminiscent of Wagner's own poetical manner, and it must be remembered that the whole was written subsequent to Nietzsche's final break with his friend. The dialogue between Zarathustra and the Magician reveals pretty fully what it was that Nietzsche grew to loathe so intensely in Wagner,—viz., his pronounced histrionic tendencies, his dissembling powers, his inordinate ...
— Thus Spake Zarathustra - A Book for All and None • Friedrich Nietzsche

... unless he wished to have him quit Dresden at once.' Herr von Grumkow did his message. The King of Poland laughed heartily at it; went straight to Friedrich Wilhelm, and excused himself. The King of Prussia, however, kept his grim look; so that August ceased joking, and turned the dialogue on some other subject." ...
— History Of Friedrich II. of Prussia, Vol. VI. (of XXI.) • Thomas Carlyle

... will readily enough comprehend, that the Molly Swash was not absolutely standing still while the dialogue related was going on, and the thoughts we have recorded were passing through her master's mind. On the contrary, she was not only in motion, but that motion was gradually increasing, and by the time all was said that has been related, ...
— Jack Tier or The Florida Reef • James Fenimore Cooper

... she is a good girl with a great regard for the feelings of all her friends, even though she expresses this regard a little stiffly. Mr. SHERREN uses his background well, and many of his scenes would be effective if only his characters were debarred from dialogue. It would be, I am sure, beyond Johanna's powers, were she limited to the deaf and dumb alphabet, to convey such a speech as this: "I wish you to consent to your father's suggestions, dear. By doing so you do not injure ...
— Punch, or the London Charivari, Vol. 146, June 24, 1914 • Various

... all these repulsive stories about incestuous unions, proposed but not carried out, was probably a nature myth akin to that alluded to in the passage of the Rigveda containing the dialogue between Yama and Yami—"where she (the night) implores her brother (the day) to make her his wife, and where he declines her offer because, as he says, 'they have called it sin that a brother should marry his sister.'" Max Mueller, ...
— Russian Fairy Tales - A Choice Collection of Muscovite Folk-lore • W. R. S. Ralston

... with only one new point in it, to which, as it has escaped the eye of the English adapter, it would be useless to draw his attention; yet, had he seen it, he might therefrom have developed a really original sequence of perplexing situations. The dialogue is not particularly brilliant; jerky, not crisp. But such is the "go" of the principals, and especially of Mr. HAWTREY, who is the life and soul of the farce, that the laughter ...
— Punch, or the London Charivari, Volume 104, February 4, 1893 • Various

... owned a mustache, and who clamored for a depilatory! This pleasing, refined and frolicsome bit of originality failed to awaken people from their torpor. There was a good deal of talk about pigs and horses, while tea, cucumbers and marmalade graced the dialogue incessantly; but the amazed audience could not indorse this rural festival. Jinny, amid the pigs, horses, tea, cucumbers and marmalade, talked in Mr. Zangwill's best style—a style replete with wordplay ...
— Ainslee's, Vol. 15, No. 6, July 1905 • Various

... during their brief drive to the capital, followed by their long retinue, and by the enthusiastic and vociferating crowd, has not been chronicled. It is also highly probable that the second-rate theatrical dialogue which the Jesuit historian, writing from Spinola's private papers, has preserved for posterity, was rather what seemed to his imagination appropriate for the occasion than a faithful shorthand report of anything really uttered. A few commonplace phrases of welcome, with a remark or two perhaps ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley

... and abrupt dialogue needed no more words. The rest was made out fully by the bright color on each face, the sparkling interest on the bent brow of Dorcas, and the deep, mellow voice, full of tenderness and hope, mixed with stern decision, on the part of ...
— Atlantic Monthly, Vol. XI., February, 1863, No. LXIV. • Various

... the exhibition proceeded, and Leo spoke his piece, and carried through his part in the original dialogue to the entire satisfaction of all interested. The silver pitcher had been presented to the "beloved teacher," and the chairman of the district committee had risen to deliver the medal speech, when the crowd at the doors was opened by the ...
— Make or Break - or, The Rich Man's Daughter • Oliver Optic

... VIII. seems to have led Galileo to expect that there might be some corresponding change in the attitude of the Papal authorities on the great question of the stability of the earth. He accordingly proceeded with the preparation of the chief work of his life, "The Dialogue of the two Systems." It was submitted for inspection by the constituted authorities. The Pope himself thought that, if a few conditions which he laid down were duly complied with, there could be no objection ...
— Great Astronomers • R. S. Ball

... the same, whether the delineation is obtained by engraving or painting. For, as I pointed out to you in my Fifth Lecture, everything is seen by the eye as patches of color, and of color only;—a fact which the Greeks knew well; so that when it becomes a question in the dialogue of Minos, "[Greek: tini onti te opsei horatai ta horomena]," the answer is "[Greek: aisthesei taute te dia ton ophthalmon delouse hemin ta chromata]."—"What kind of power is the sight with which we see things? It is that sense which, through ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin

... kinsmen. In the very middle of these twirled a battered merry-go-round—an island of garish naphtha light in the silver, a jarr of wheeze and squeak in the swishing of trees and river. Up the hill, through the town, in the bar of the ultra-English hotel, proceeded this dialogue. ...
— From Capetown to Ladysmith - An Unfinished Record of the South African War • G. W. Steevens

... again to the place prepared for bad boys. In the midst of this terrible word-storm, dreading most the impending thrashing, I whimpered that I was only playing because I couldn't help it; didn't know I was doing wrong; wouldn't do it again, and so forth. After this miserable dialogue was about exhausted, father became impatient at my brother for taking so long to find the switch; and so was I, for I wanted to have the thing over and done with. At last, in came David, a picture of ...
— The Story of My Boyhood and Youth • John Muir

... understands this in writing dialogue, and we must take it into account in seeking for naturalness ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein

... of those well-groomed establishments. It came to me, indeed, with a sudden deep sense of understanding, that I should probably find there, as everywhere else, just men and women. And with that I fell into a sort of Socratic dialogue with myself: ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker

... card at every house where he had been entertained; so I made a list of addresses, gave it to my servant with a nicely-calculated batch of cards, and told him to leave them all before dinner. When I came in to dress, this dialogue ensued: "Have you left all those cards?" "Yes, sir." "You left two at each of the houses on your list?" "Oh no, sir. I left one at each house, and all the rest at the Duke of Leinster's." Surely Mrs. Humphry Ward or Mr. H. G. Wells might make something of this bewildering effect produced ...
— Fifteen Chapters of Autobiography • George William Erskine Russell

... Lord Preston, Causton, Ridpath, and Duncan, in the eighteenth century. The belief that what once pleased so widely must still have some charm is my excuse for attempting the present translation. The great work of Boethius, with its alternate prose and verse, skilfully fitted together like dialogue and chorus in a Greek play, is unique in literature, and has a pathetic interest from the time and circumstances of its composition. It ought not to be forgotten. Those who can go to the original will find their ...
— The Consolation of Philosophy • Boethius

... among you whom I now have the pleasure of addressing for the first time and whose only knowledge of my first lecture has been derived from reports will, I hope, not mind being introduced here into the middle of a dialogue which I had begun to recount on the last occasion, and the last points of which I must now recall. The philosopher's young companion was just pleading openly and confidentially with his distinguished ...
— On the Future of our Educational Institutions • Friedrich Nietzsche

... become very venerable, though the more rude of the country-people would persist in calling him "Tumble-Down Dick." In the week of his abdication there was on the London book-stalls a rigmarole poem on the subject, called The World in a Maze, or Oliver's Ghost. It opened with this dialogue between father ...
— The Life of John Milton, Volume 5 (of 7), 1654-1660 • David Masson

... from the speaker. It was intimate discourse, in magnetic touch with every one present, with his special point of impressibility; the sort of speech which, consolidated into literary form as a book, would be a dialogue according to the true Attic genius, full of those diversions, passing irritations, unlooked-for appeals, in which a solicitous missionary finds his largest range of opportunity, and takes even dull wits unaware. In Bruno, that abstract theory of the perpetual motion of the world was a visible ...
— Giordano Bruno • Walter Horatio Pater

... oversee the fall cleaning, and we haven't had one for a good while, so it will take another week. I'm sorry not to be on hand for the toy-shop doings (don't you let them put it off, Betty, or I can never make up my work), but I send a dialogue—no, it's for four persons—on local issues for the Punch and Judy puppets. If they can't read it, tell them to cultivate their imaginations. I'll print the title, 'The Battle of the Classes,' to give ...
— Betty Wales Senior • Margaret Warde

... associated with Lincoln in those early days, describes Abe's modest entry into the future State capital, with all his possessions in a pair of saddle-bags, and calling at the store of Joshua F. Speed, overlooking "the square," in the following dialogue: ...
— The Story of Young Abraham Lincoln • Wayne Whipple

... seemed a little disconcerted by the elderly gentleman's mode of conducting the dialogue; and as for Kit, he looked at him in open-mouthed astonishment: wondering what kind of language he would address to him, if he talked in that free and easy way to a Notary. It was with no harshness, however, though with something of constitutional irritability and haste, ...
— The Old Curiosity Shop • Charles Dickens

... all in the minor key, which might be utilized by advanced peoples; these sons of nature would especially supply material for that recitative which Verdi first made something better than a vehicle for dialogue. Hence the old missioners are divided in opinion; whilst some find the sound of the "little guitar," with strings of palm-thread and played with the thumbs of both hands, "very low, but not ungrateful," others speak of the "hellish harmony" of their neophytes' bands. The instrument ...
— Two Trips to Gorilla Land and the Cataracts of the Congo Volume 2 • Richard F. Burton

... works of Metastasio, a poet and a playwright by the divine right of genius; he refused to read Shakespeare, lest Shakespeare should spoil the perfection of his own conceptions. He slaved for months and years perfecting each of his plays, recasting the action and curtailing the dialogue and polishing the verse; yet the action was always heavy, the dialogue unnatural to the last degree, the verse unpoetical. But all this extraordinary self-sufficiency was not a delusion, all this extraordinary labour was not a waste: Alfieri, who never had a single poetical thought, nor a single ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)

... the wit was very choice or the humour at all remarkable—it would not bear being written down—but it amused us both. "Come, what shall we do to-day?" I can hear him say. "Dr. Waddilove and Mr. Bland might have a walk and discuss the signs of the times?" And then the ridiculous dialogue would begin. ...
— Father Payne • Arthur Christopher Benson

... together dialogue-wise in the piazza of one title-page, complimenting and ducking each to other with their shaven reverences, whether the author, who stands by in perplexity at the foot of his epistle, shall to the press or to the sponge. These are the pretty responsories, ...
— Areopagitica - A Speech For The Liberty Of Unlicensed Printing To The - Parliament Of England • John Milton

... The strange dialogue went on for what might have been an hour. Far ports and foreign streets, full sails and thronged inns, the fountains of paved courts, the market squares of dark and vivid nations, blossomed from the tongue of this chair-bound ...
— While Caroline Was Growing • Josephine Daskam Bacon

... religion. One sees from this why "natural religion, so-called, is not properly a religion. It cuts man off from prayer. It leaves him and God in mutual remoteness, with no intimate commerce, no interior dialogue, no interchange, no action of God in man, no return of man to God. At bottom this pretended religion is only a philosophy. Born at epochs of rationalism, of critical investigations, it never was anything ...
— The Varieties of Religious Experience • William James

... bowed, and by the manner in which they drew their cloaks about them, they made evident their wish to retire. Donna Violetta craved a blessing, and after the usual compliments, and a short dialogue of courtesy, she and her ...
— The Bravo • J. Fenimore Cooper

... fusillade, in Sixteen Hundred Thirty-two Galileo put forth his book entitled, "The Dialogue," which was intended to place the ideas ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard

... at the boy in surprise. In the midst of the foregoing dialogue he had suddenly ceased to tempt his fate, and sat down quietly with a hand on each knee and his eyes fixed intently on Flora Macdonald—to the surprise and secret joy of his mother, who, being thus relieved from anxiety on his account, ...
— Freaks on the Fells - Three Months' Rustication • R.M. Ballantyne

... leave to instance in the usual Method of forming a Pastoral. One Shepherd meets another; tells him some body is dead; upon which, they begin the mournful Dialogue, or Elegy. But in such an Elegy, there is but one thing can raise a fine Pleasure; which can be the only solid Reason for the Writers performing such a Work; and that is the raising Pity, without which no End is obtain'd ...
— A Full Enquiry into the Nature of the Pastoral (1717) • Thomas Purney

... house of Maecenas was always open to literary men. The two chief poets of Rome, Publius Virgilius Maro and Quintus Horatius Flaccus, were warm friends of his. Virgil wrote poems on husbandry, and short dialogue poems called eclogues, in one of which he spoke of the time of Augustus in words that would almost serve as a prophecy of the kingdom of Him who was just born at Bethlehem. By desire of Augustus, he also wrote the AEneid, a poem on the war-doings of AEneas and his settlement ...
— Young Folks' History of Rome • Charlotte Mary Yonge

... Hancock, Warren, Livingston, and Joel Barlow, and for poetry by Freneau, Dwight, Barlow, and Livingston again, all kept in countenance by Cicero, Publius Scipio, Shakespeare, and Pope, while a tribute is paid to "Mr. Andrus of Yale College, since deceased," by the insertion of "A Dialogue written in the year 1776." To plump from Joel Barlow at the North Church in Hartford, July 4, 1787, to a portion of Cicero's oration against Verres, probably produced no severe shock, since both orations were intended as exercises in ...
— Noah Webster - American Men of Letters • Horace E. Scudder

... sure hardly any of my readers ever heard of before. The following, which may be read on a tombstone in a country churchyard in Ayrshire, appears to me to be unequalled for irreverence. And let critics observe the skilful introduction of the dialogue form, giving the inscription a ...
— The Recreations of A Country Parson • A. K. H. Boyd

... this dialogue in horror. As they sat grouped about their spoil, in the scanty light afforded by the old man's lamp, he viewed them with a detestation and disgust, which could hardly have been greater, though they had been obscene demons, marketing ...
— A Budget of Christmas Tales by Charles Dickens and Others • Various

... be called respectable, among the mass of American stories. Novels are being sold by the five thousand which have far less ability in characterization or in grouping. The persons remain in one's memory as real individuals, which is saying a good deal; the dialogue, though excessive in quantity, is neither tame nor flippant; and there is an attractive compactness in the plot, which is all comprised within one house in an unknown city. But this plot soon gets beyond the author's grasp, nevertheless; she creates ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various

... given leave of absence the morning after pay day. When his leave expired he didn't appear. He was brought at last before the commandant for sentence, and the following dialogue is recorded: ...
— Toaster's Handbook - Jokes, Stories, and Quotations • Peggy Edmund & Harold W. Williams, compilers

... rain. In the evening Mr. Terry commonly read some scenes from a play, to which Mr. Scott listened with delight, though every word must have been quite familiar to him, as he occasionally took a part in the dialogue impromptu; at other times he recited old and awesome ballads from memory, the very names of which I have forgot. The night preceding our departure had blown a perfect hurricane; we were to leave immediately after breakfast, and while the ...
— Marriage • Susan Edmonstone Ferrier

... During this dialogue the royal brothers had addressed themselves to Lysias with questions as to the marriage of Heracles and Hebe, and all the company were attentive to the Greek as he went on: "This fine work does not represent the marriage properly speaking, but the moment ...
— Uarda • Georg Ebers

... Frenchman has given the idea its full development. Keeping steadily in view the object of his book, which is—first, amusement—secondly, amusement—thirdly, amusement; he adapts his means consistently to his end. Does he want a dialogue?—he writes one: a story?—he invents one: a description?—he takes his hint from nature, and is grateful—the more grateful, because he knows that a hint to the wise is sufficient. It is the description only which the reader will be concerned with; what has he to ...
— Blackwood's Edinburgh Magazine, Vol. 53, No. 331, May, 1843 • Various

... brevity can be, by no means, a master of polished style. May this last acknowledgment appease all those critics whose hair is made to stand on end by my inelegant mode of writing. I will make no further apology for my style. I have often availed myself of the dialogue form, because it was conducive to brevity; not less frequently I have made use of the form of the epistle and of personal discourse, as being more congenial to my individual manner than that of a serious treatise. ...
— Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of - Musical Performances • Friedrich Wieck

... first words he had spoken to her. She never contributed to the dialogue of the dining-room, and he had been too shy to seek her out ...
— The Man with Two Left Feet - and Other Stories • P. G. Wodehouse

... to mention to you that a kind of poem in dialogue (in blank verse), or drama, from which the translation is an extract, begun last summer in Switzerland, is finished; it is in three acts, but of a very wild, ...
— My Recollections of Lord Byron • Teresa Guiccioli

... the presence of Alice he had subject for considerable meditation. "That girl knows something," he said. He walked along thinking over the dialogue, when suddenly his attention was attracted by a struggle. He saw several men slashing at each other with knives, as he recognized by occasional bright steel gleams under the gaslight. He always carried his club with him. He ran forward and, ...
— Oscar the Detective - Or, Dudie Dunne, The Exquisite Detective • Harlan Page Halsey

... according to theology, without knowing her letters. Still there is something to be said in defence of that venerable ancestress. The Veronese lady, Isotta Nogarola, five hundred and thirty-six of whose learned epistles were preserved by De Thou, composed a dialogue on the question, Whether Adam or Eve had committed the greater sin. But Ludovico Domenichi, in his "Dialogue on the Nobleness of Women," maintains that Eve did not sin at all, because she was not even created when Adam was told not to eat the apple. It was "in Adam all died," he shrewdly ...
— Women and the Alphabet • Thomas Wentworth Higginson

... of a few moments, do what he would, he resumed the gloomy dialogue in which it was he who spoke and he who listened, saying that which he would have preferred to ignore, and listened to that which he would have preferred not to hear, yielding to that mysterious power which said to him: "Think!" as it said to another condemned ...
— Les Miserables - Complete in Five Volumes • Victor Hugo

... were sung responsively by the choir, but before the end of the tenth century they were put into the mouths of monks or clergy representing the Maries and the angel. By this time the dialogue had been removed to the first services of Easter morning, and had been connected with the ceremonies of the Easter sepulcher. In many churches it was then customary on Good Friday to carry a crucifix to a representation ...
— An Introduction to Shakespeare • H. N. MacCracken

... greatly admired at the rallies and in this speech it was his wont to reach for one of the many flags that always adorned the platform on such occasions, tear it from its hanging and wrapping it proudly about his gaunt figure, recite a dialogue between himself and the angel Gabriel, the burden of which was that so long as John Kollander had that flag about him at the resurrection, no question would be asked at Heaven's gate of one of its defenders. Now the fact was that John Kollander was sent to the war of the rebellion ...
— In the Heart of a Fool • William Allen White

... introduced into tragedy by AEschylus concerned both its form and composition, and its manner of representation. In the former his principal innovation was the introduction of a second actor; whence arose the dialogue, properly so called, and the limitation of the choral parts, which now became subsidiary. His improvements in the manner of representing tragedy consisted in the introduction of painted scenes, drawn according to the rules of perspective. He furnished the actors with ...
— A Smaller History of Greece • William Smith

... translation. He had not arrived at any real mastery of either Greek or Latin, and it seemed to him, reflecting on this process long afterwards, that the system had encouraged in him a naturally faulty and dilettante bent in literature. In reading, for instance, a dialogue of Plato, he had never cared to follow the argument, but only to take pleasure in beautiful, isolated thoughts and images; in reading a play of Sophocles, he had cared little about the character-drawing or the development of the dramatic ...
— Beside Still Waters • Arthur Christopher Benson

... except Landor or Shakespeare himself. When Bacon is introduced, we are assured that the aphorisms introduced are worthy of Bacon himself. What Cicero is made to say is exactly what he would have said, 'if he could;' and the dialogue between Walton, Cotton, and Oldways is, of course, as good as a passage from the 'Complete Angler.' In the same spirit we are told that the dialogues were to be 'one-act dramas;' and we are informed how the great philosophers, statesmen, poets, ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen

... no less remarkable than its precision in the use of language, the work, for the most part, not only reading like the production of a native, but of one familiar with the most intimate resources of idiomatic English. A very few exceptions to this remark in some portions of the dialogue, whose naivete atones for their inaccuracy, only present the general purity of the composition in a more striking light. We sincerely trust that the writer, who has been so happily distinguished in the field of literary research, will ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various

... be quick, mooso me. Hurry up, I say!" [Footnote: This dialogue, including the songs, is from a very curious Passamaquoddy version of the tale, sent to me by Louis Mitchell. As in all such cases, there is far more humor in the Passamaquoddy narratives than in the Micmac ...
— The Algonquin Legends of New England • Charles Godfrey Leland

... were talking, and evidently the matter under discussion was of importance, for they spoke with a kind of dogged deliberation, and the long pauses in the dialogue lent color to the belief that some weighty matter was in debate. The beat of the rain on the balcony and its steady rattle in the spout intervened to dull the sound of voices, but presently one of the speakers, with an ...
— The Port of Missing Men • Meredith Nicholson

... perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form: therefore it is feared that, in them, dialogue has been made use of too frequently for young people not accustomed to ...
— Tales from Shakespeare • Charles Lamb and Mary Lamb

... pantomime to dialogue; and you neglect the pen to study the picture. But then what agility! what dancing! what cross-capers! The difficulty never impairs the grace of the feat. Oh, my dear Cat! you are a ...
— The Mirror of Literature, Amusement, and Instruction, - Vol. 12, Issue 328, August 23, 1828 • Various

... union he is in absolute ignorance.' [Footnote: Address on 'Scientific Materialism.'] This is very different from saying, 'Give me its atoms alone, and I will explain the universe.' Mr. Martineau continues his dialogue with the physicist: '"Good," he says; "take as many atoms as you please. See that they have all that is requisite to Body [a metaphysical B], being homogeneous extended solids." "That is not enough," his physicist replies; "it might do for Democritus and the mathematicians, but I must ...
— Fragments of science, V. 1-2 • John Tyndall

... to follow this dialogue, but all he could make out was that it was about himself, and that he was being as usual exceedingly admired. So he sat and looked as good and innocent and interesting as he knew how. Just then he felt that he would almost rather they ...
— The Talking Horse - And Other Tales • F. Anstey

... then at that time come to him; when on a sudden the room was furnished with all sorts of costly drinking-vessels, and the tables loaded with rich meats, and a most sumptuous entertainment. But the dialogue which is reported to have passed between him and Jupiter surpasses all the fabulous legends that were ever invented. They say that before Mount Aventine was inhabited or enclosed within the walls of the city, two demi-gods, Picus and Faunus, frequented the Springs ...
— Plutarch's Lives • A.H. Clough

... to make this experiment. A few passes threw Mr. Vankirk into the mesmeric sleep. His breathing became immediately more easy, and he seemed to suffer no physical uneasiness. The following conversation then ensued:—V. in the dialogue representing ...
— The Works of Edgar Allan Poe - Volume 2 (of 5) of the Raven Edition • Edgar Allan Poe

... dialogue is clear and sharp to her now, as though it were spoken afresh in her ears. And how has she kept her pledge? She looks back humbly on her life of incessant devotion, on the tie of long dependence which has ...
— Robert Elsmere • Mrs. Humphry Ward

... known because it contains a eulogium of Chaucer, which in his later editions he left out, is in English verse, and was composed at the instance of Richard II. The general argument of this Lover's Confession is a dialogue between the lover and a priest of Venus, who, in the guise of a confessor, applies the breviary of the Church to the confessions of love.[21] The poem is interspersed with introductory ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee

... there was no good in her. Yet it could not be denied that Victoria was amusing, and had a sort of irregular fascination; consequently she was universally tolerated. To see Mrs. Lee thrust down to her own level was an unmixed pleasure to her, and she carefully repeated to Madeleine the choice bits of dialogue which she picked up in ...
— Democracy An American Novel • Henry Adams

... Quakerism of his ancestors; for he sometimes used it in his private letters. But since the action of his stories was in nearly all cases laid in a period in which the second person singular had become obsolete in ordinary speech, an unnatural character is given to the dialogue, which removes it still farther from the ...
— James Fenimore Cooper - American Men of Letters • Thomas R. Lounsbury

... be denied. Already in those ages the national character and temperament of French and English differed largely from one another; though the reasons why they so differed, remain a matter of argument. In a dialogue, dated from the middle of the fourteenth century, the French interlocutor attributes this difference to the respective national beverages: "WE are nourished with the pure juice of the grape, while naught but the dregs is sold to the English, who will take anything for liquor that is liquid." ...
— Chaucer • Adolphus William Ward

... repeated aloud in his sleep, a sort of mysterious dialogue, of which he himself supplied both questions ...
— The Wandering Jew, Complete • Eugene Sue

... spent a life of ease, pleasure, and affluence, at least never was long, nor much, exposed to want. He seems to have possessed a sprightly genius, to have had an excellent turn for comedy, and very happy in a courtly dialogue. We have no proof of his being a scholar, and was rather born, than made a poet. He has not escaped the censure of the critics; for his works are so extremely loose and licentious, as to render them dangerous to young, unguarded minds: and on this account our ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. III • Theophilus Cibber

... seemed supremely ennuye during this dialogue, plucked Mr. Love by the sleeve as he rose, and whispered petulantly, "I do not see any one here to suit me, Monsieur ...
— Night and Morning, Volume 3 • Edward Bulwer Lytton

... his heather-bed on the floor, and it was part of his business, as nurse, to keep up a good fire on the hearth: peats, happily, were plentiful. Awake for this cause, he heard in the middle of one night, the following dialogue between the ...
— Sir Gibbie • George MacDonald

... before you take him away, Galloway," said Colwyn, who had been keenly watching the innkeeper's face during the dialogue between him and his accuser. "I want to ...
— The Shrieking Pit • Arthur J. Rees

... habit, and ought to be habitual. There is but one passage of her mere technique in which she fails so to slight it. It is in the long exchange of stove-side talk between Nora and the other woman of "The Doll's House." Signora Duse may have felt some misgivings as to the effect of a dialogue having so little symmetry, such half-hearted feeling, and, in a word, so little visible or audible drama as this. Needless to say, the misgiving is not apparent; what is too apparent is simply the technique. For instance, ...
— The Colour of Life • Alice Meynell

... derive from his ten-years' experience on the stage. Harris added nothing to the plot of The City Bride, although he commendably shifted its emphasis, as his title makes clear, from infidelity to fidelity; but he rewrote the dialogue almost completely, and the new dialogue is remarkable good. The reader will notice that it is, except for the last half of the first act, printed as prose. The quarto of A Cure for a Cuckold, from which ...
— The City Bride (1696) - Or The Merry Cuckold • Joseph Harris

... North the art of mercurial dialogue, which in the South is a natural gift, is only learned under favourable conditions, and is often condemned by those who have it not, as a popinjay's accomplishment. Immediate cordiality to strangers is frowned ...
— Apologia Diffidentis • W. Compton Leith

... all his kindness. He would have the truth about his patients. The nurses found it out; and the shrewder ones never ventured to tell him anything but a straight story. A clinical dialogue between Dr. Jackson and Miss Rebecca Taylor, sometime nurse in the Massachusetts General Hospital, a mistress in her calling, was as good questioning and answering as one would be like to hear outside of ...
— Medical Essays • Oliver Wendell Holmes, Sr.

... lady, drew near, and Mr. Carlisle yielded to her the place he had been occupying. The opportunity for an answer was gone. And though he was often near her during the evening, he did not recur again to the subject, and Eleanor could not. But the little bit of dialogue left her ...
— The Old Helmet, Volume II • Susan Warner

... this a very uninteresting chapter—a mere dialogue over the tea-cups, I take leave to present it to you as quite the most dramatic and most central of our humble tale. The events that lend it this distinguished character were happening hundreds of miles from Radley's room, in places where more powerful people than Penny or Doe ...
— Tell England - A Study in a Generation • Ernest Raymond

... From this little dialogue, it may be imagined that though Mrs Roper was as good as her word, she was not exactly the woman whom Mrs Eames would have wished to select as a protecting angel for her son. But the truth I take to be this, that protecting angels for widows' sons, at forty-eight ...
— The Small House at Allington • Anthony Trollope

... overheard a curious little dialogue. The father of the house, as I had now grown accustomed to call our head, after rising from his seat, stood for a few minutes talking near me, while Yoletta, with her hand on his arm, waited for him to finish. When ...
— A Crystal Age • W. H. Hudson

... is seen daily in the Linden Avenue at Hanover (famed Linden Alley, leading from Town Palace to Country one, a couple of miles long, rather disappointing when one sees it), daily driving or walking towards Herrenhausen, where the Court, where the old Electress is, who will have a touch of dialogue with him to diversify her day. Not very edifying dialogue, we may fear; yet once more, the best that can be had in present circumstances. Here is some lunar reflex of Versailles, which is a polite court; ...
— History Of Friedrich II. of Prussia, Vol. I. (of XXI.) - Frederick The Great—Birth And Parentage.—1712. • Thomas Carlyle

... themselves had searched for in vain. And with a writer so vivid and impressive as Amiel, those varieties of tendency are apt to present themselves as so many contending persons. The perplexed experience gets the apparent clearness, as it gets also the animation, of a long dialogue; only, the disputants never part company, and there is no real conclusion. "This nature," he observes, of one of the many phases of character he has discovered in himself, "is, as it were, only one of the men which exist in me. It is one of my departments. It is not the whole of my territory, ...
— Essays from 'The Guardian' • Walter Horatio Pater

... our dialogue. I asked her if she would be married to me our way. She asked me what way that was; I told her marriage was appointed by God; and here we had a strange talk together, indeed, as ever man and wife ...
— The Further Adventures of Robinson Crusoe • Daniel Defoe

... the end: "The animal expires; man surrenders his soul to the author of the soul." ... "We dream alone, we suffer alone, we die alone, we inhabit the last resting-place alone. But there is nothing to prevent us from opening our solitude to God. And so what was an austere monologue becomes dialogue, reluctance becomes docility, renunciation passes into peace, and the sense of painful defeat is lost in the sense of recovered liberty"—"Tout est bien, mon ...
— Amiel's Journal • Mrs. Humphry Ward

... But since you think the better classes do it—gee! it's getting hard for me to keep up this kind of 'Dolly Dialogue.' What I wanted to do was to request you to give me concisely but fully a sketch of 'Who is Miss Ruth Winslow?' and save me from making any pet particular breaks. And hereafter, I warn you, I'm going to talk like my cousin, ...
— The Trail of the Hawk - A Comedy of the Seriousness of Life • Sinclair Lewis

... end of about three weeks we had got together a concoction that, so far as dialogue and characters were concerned, might be said to be our own. There was good work in it, here and there. Under other conditions I might have been proud of much that I had written. As it was, I experienced only the terror of the thief dodging the constable: ...
— Paul Kelver • Jerome Klapka, AKA Jerome K. Jerome

... the acts. It was not difficult to form out of these dances—in which the aid of speech had doubtless long since been occasionally employed— by means of the introduction of a more organized plot and a regular dialogue little comedies, which were yet essentially distinguished from the earlier comedy and even from the farce by the facts, that the dance and the lasciviousness inseparable from such dancing continued ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen

... little go-cart I am running forth to meet you Martyrs of peace Home The eternal now If I were a man, a young man We must send them out to play Protest Reward This is my task The statue Behold the earth What they saw His last letter A dialogue A wish Justice An old song Oh, poor, sick world Praise day Interlude The land of the gone-away-souls The harp's song The pendulum An old-fashioned type The sword Love and the seasons A naughty little comet The last dance A vagabond mind My flower room My faith ...
— Poems of Optimism • Ella Wheeler Wilcox

... stock; what Greeley said to him and what he said to Greeley,—it was a perfect bit of word-sketching, spontaneous, realistic, homely, unpretentious, irresistibly comic because of the quaintness of the dialogue as reported, and because of the mental image which we formed of this large-headed, round-bellied, precocious youth, who at the age of sixteen was able for three consecutive hours to keep the conversational shuttlecock in the air with no less a person than Horace Greeley. Amid the laughter ...
— The Bibliotaph - and Other People • Leon H. Vincent

... made use of the matter because it was the truth, and for that very reason I am now going to repeat it; also because this transaction as depicted is typical of what usually happens when the Indians try to secure their advances. Furthermore, I give the dialogue in detail, as perchance some reader may feel as Thoreau did, when he said: "It would be some advantage to live a primitive and frontier life, though in the midst of an outward civilization, if only to learn what are the gross necessaries of life and what methods have been taken to obtain them; ...
— The Drama of the Forests - Romance and Adventure • Arthur Heming

... similar to having a fit. Miss Fosdick laughed at this, but she declared that she adored poetry and specified certain poems which were objects of her especial adoration. The conversation thereafter became what Miss Kelsey described as "high brow," and took the form of a dialogue between Miss Fosdick and Albert. It was interrupted by the arrival of the Kelsey limousine, which rolled majestically up to the drug store steps. Jane spied ...
— The Portygee • Joseph Crosby Lincoln

... was a member of the latter, Sir Hercules Robinson was Chairman. Here is a dialogue between the Chairman ...
— Boer Politics • Yves Guyot

... Of this dialogue, which was the vehicle always used to get the prince out of the audience-chamber and into the front hall, undoubtedly the best line was the one given to the blonde—"it is a ...
— Somewhere in France • Richard Harding Davis

... the author omitted his now familiar signature, a sketch of a gadfly with spread wings, the bitter, trenchant style would have left in the minds of most readers no doubt as to his identity. The skit was in the form of a dialogue between Tuscany as the Virgin Mary, and Montanelli as the angel who, bearing the lilies of purity and crowned with the olive branch of peace, was announcing the advent of the Jesuits. The whole thing was full of offensive personal allusions and hints of the most risky nature, ...
— The Gadfly • E. L. Voynich

... for ever gone, Mr. PERCY WHITE'S sense of irony ran away with him. He seemed to have said to himself, "I can write witty dialogue and I have a shrewd eye for foibles, and if you are not satisfied with that you can take it or leave it." I for one took it, but always with a feeling that he was offering me a sparkling wine of a quality not first-rate, whereas with a little more ...
— Punch, or the London Charivari, Vol. 147, December 30, 1914 • Various

... play opens in the dark, and remains for some time brilliantly ambiguous. People, late eighteenth-century people, talk with bewildering abruptness, not less bewildering point; they, their motives, their characters, swim slowly into daylight. Some of the dialogue is, as the writer says of politics, "a game for clever children, women, and fools"; it is a game demanding close attention. A courtly indolence, an intellectual blackguardism, is in the air; people walk, as it seems, aimlessly in and out, and the game goes on; it fills one with excitement, the ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons

... mouth of Columbus, in a dialogue with Ferdinand, who earnestly invites the discoverer to ask of him the wherewithal to prosecute ...
— Christopher Columbus and His Monument Columbia • Various

... seem that also parish priests and archdeacons are more perfect than religious. For Chrysostom says in his Dialogue (De Sacerdot. vi): "Take for example a monk, such as Elias, if I may exaggerate somewhat, he is not to be compared with one who, cast among the people and compelled to carry the sins of many, remains firm and strong." A little further on he says: "If I were given the choice, where would ...
— Summa Theologica, Part II-II (Secunda Secundae) • Thomas Aquinas

... excitement that the age, so interested in such, yet affords, with all its phenomena of clairvoyance and susceptibility of magnetic influences. As to my own mental positron on these subjects, it may be briefly expressed by a dialogue between several persons who honor me with a portion of friendly confidence and criticism, and myself, personified as Free Hope. The others may be styled Old Church, ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli

... A. Gray. I thought of sending the Dialogue to the "Saturday Review" in a week's time or so, as they have lately discussed Design. (113/1. "Discussion between two Readers of Darwin's Treatise on the Origin of Species, upon its Natural Theology" ("Amer. Journ. Sci." Volume XXX, ...
— More Letters of Charles Darwin - Volume I (of II) • Charles Darwin

... channel of creative art; through his art he now speaks only to himself, and no longer to a public or to a people, and strives to lend this intimate conversation all the distinction and other qualities in keeping with such a mighty dialogue. During the preceding period things had been different with his art; then he had concerned himself, too, albeit with refinement and subtlety, with immediate effects: that artistic production was also meant as a question, and it ought to have called forth ...
— Thoughts out of Season (Part One) • Friedrich Nietzsche

... moral cry is too useful with the crowd to lead to the conviction that anything one could say would lead to its disuse. In the dialogue of Lucian's to which we have referred, and after the theist has been refuted by the Atheist, Hermes consoles the chief deity, Zeus, by telling him that even though a few may have been won over by the arguments of the Atheist, the vast majority, "the whole mass of uneducated Greeks and the Barbarians ...
— Theism or Atheism - The Great Alternative • Chapman Cohen

... pursue the fates of this ill-starred evening. In vain did the plot thicken in the scenes that followed, in vain the dialogue wax more passionate and stirring, and the progress of the sentiment point more and more clearly to the arduous development which impended. In vain the action was accelerated, while the acting stood still. From ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various

... character stunts we simply put on caps and coats over our "Fantastik" kit and left the rest to the imagination of the audience who was quick (none quicker) to grasp the implied suggestion. I was "Mr. Lenard Ashwell" in aforementioned bowler, moustache, and coat. We made up the dialogue partly on the basis of the original performance, and added a lot of local colour. I asked the questions, and was of course supposed to ventriloquize the answers, and, thanks to the glassy stare of my doll, her replies almost convinced the audience ...
— Fanny Goes to War • Pat Beauchamp

... the latter part of the dialogue, that he might the more emphatically denounce matrimony; and Scarlett rose from his comfortable chair, and ...
— The Tale of Timber Town • Alfred Grace

... before Mayo, his thoughts busy with his new danger of suffocation, could voice warning or had grasped the full import of the dialogue, the chisel's edge plugged through the planking. Instantly there was a hiss like escaping steam. Mayo yelled an oath and set his hands against the mate, pushing him violently away. The industrious Mr. Speed had been devoting his attention to the planking instead ...
— Blow The Man Down - A Romance Of The Coast - 1916 • Holman Day

... I remember this little dialogue, because I was young and ignorant enough at the time to ask what a German did when she spoilt a pudding, and was promptly informed that in Germany such things could not happen. A cook was not allowed to make puddings unless her mistress stood by and saw that she made them properly; "unless she is ...
— Home Life in Germany • Mrs. Alfred Sidgwick

... instance from Tennyson, who in one of his poems speaks, with very vivid effect, of Mediterranean bays as colored like "the peacock's neck." The color of the bay is at once made present to the reader's mind. But why? A discussion of this question occurs in a dialogue between two of the characters in my novel The Old Order Changes. The poet, urges one of them, might, if describing a peacock, have said with equal effect that the peacock's neck was colored like a Mediterranean bay. How is it that we gain anything by comparing one equally familiar ...
— Memoirs of Life and Literature • W. H. Mallock

... play, forbids the author to appear in the speeches of his characters. My object was to make the reader feel that he was going through a piece of real experience; and nothing could more effectually prevent such an impression than the intrusion of the author's private opinions into the dialogue. Do they imagine at home that I am so inexpert in the theory of drama as not to know this? Of course I know it, and act accordingly. In no other play that I have written is the author so external to the action, so entirely absent from it, as in this ...
— Ghosts • Henrik Ibsen

... very little writing required. Just enough dialogue to keep the thing going. . . . Her ladyship is providing her own riding-habit and those of her attendant ladies, for whom she has chosen six of the most beautiful maidens in the neighbourhood, quite irrespective of class. The dresses are to ...
— Brother Copas • Sir Arthur Thomas Quiller-Couch

... the French language, while Pere Baudry contributed his share of the conversation in a slow patois. As both men spoke at the same time and neither understood two consecutive words the other said, it struck me that the dialogue might prove unproductive of any highly important results this side of Michaelmas; therefore, discovering that the very pedestrian gentleman was making some sort of inquiry concerning Les Trois Pigeons, I came to ...
— The Guest of Quesnay • Booth Tarkington

... Smilk forced him, at the point of a revolver to bind and gag and otherwise maltreat the woman who had befriended him and whose jewels he was preparing to make off with when the police arrived. He carefully avoided any allusion to certain portions of the lengthy and illuminating dialogue that had taken place between him and Smilk; he said nothing of the unexampled behavior of the intruder in telephoning for the police, or the kindness revealed by him in suggesting a means for getting his captor's ...
— Yollop • George Barr McCutcheon

... other words, the verse portion of a Sanskrit drama is not narrative; it is sometimes descriptive, but more commonly lyrical: each stanza sums up the emotional impression which the preceding action or dialogue has made upon one of the actors. Such matter is in English cast into the form of the rhymed stanza; and so, although rhymed verse is very rarely employed in classical Sanskrit, it seems the most appropriate vehicle ...
— The Little Clay Cart - Mrcchakatika • (Attributed To) King Shudraka

... 1008, edited by William L'Isle in 1623); a Latin life of his master AEthelwold7; a pastoral letter for Wulfstan, archbishop of York and bishop of Worcester, in Latin and English; and an English version of Bede's De Temporibus8. The Colloquium9, a Latin dialogue designed to serve his scholars as a manual of Latin conversation, may date from his life at Cernel. It is safe to assume that the original draft of this, afterwards enlarged by his pupil, AElfric Bata, was by AElfric, ...
— Project Gutenberg Encyclopedia

... and twenty years ago, there was no book from which a Parsi of an inquiring mind could gather the principles of his religion. At that time, and, as it would seem, chiefly in order to counteract the influence of Christian missionaries, a small Dialogue was written in Guzerati—a kind of Catechism, giving, in the form of questions and answers, the most important tenets of Parsiism. We shall quote some passages from this Dialogue, as translated by Mr. Dadabhai Naoroji. The subject ...
— Chips From A German Workshop - Volume I - Essays on the Science of Religion • Friedrich Max Mueller

... tend to lower the moral tone and stamina of every reader. It needs genius to import into literature ordinary conversation, petty domestic details, and the commonplace and vulgar phases of life. A report of ordinary talk, which appears as dialogue in domestic novels, may be true to nature; if it is, it is not worth writing or worth reading. I cannot see that it serves any good purpose whatever. Fortunately, we have in our day illustrations of a different treatment of the vulgar. I do not know any more truly realistic ...
— Baddeck and That Sort of Thing • Charles Dudley Warner



Words linked to "Dialogue" :   words, script, negotiation, bargaining, talk, dialog, talks, playscript, speech, discussion, book, talking, literary composition, give-and-take, diplomacy, collective bargaining, diplomatic negotiations



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