"Sistine" Quotes from Famous Books
 ... is, and I shall be trying to look what I'm not. As for Garth Dalmain, he has eyes for all of us and a heart for none. His pretty speeches and admiring looks don't mean marriage, because he is a man with an ideal of womanhood and he can't see himself marrying below it. If the Sistine Madonna could step down off those clouds and hand the infant to the young woman on her left, he might marry HER; but even then he would be afraid he might see some one next day who did her hair ...
— The Rosary • Florence L. Barclay
... as you may fancy, and Robert played Shakespeare's favorite air, 'The Light of Love,' and everybody was delighted to meet everybody, and Roman news and Pisan dullness were properly discussed on every side. She saw a good deal of Cobden in Rome, and went with him to the Sistine Chapel. He has no feeling for art, and, being very true and earnest, could only do his best to try to admire Michael Angelo; but here and there, where he understood, the pleasure was expressed with a blunt characteristic ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... 1515, with her workmen at the zenith of their perfection, was given the order to weave the set of the Acts of the Apostles for the Pope to hang in the Sistine Chapel. (Plate facing page 64.) The cartoons were by the great Raphael. Not only did he draw the splendid scenes, but with his exquisite invention elaborated the borders. Thus was set in the midst of the Brussels ateliers a pattern for the new art that was to retire ...
— The Tapestry Book • Helen Churchill Candee
... work of art, the Apollo Belvedere or the Sistine Madonna, when you suddenly come upon it in walking through a gallery, may move you almost or quite to tears. Beautiful music, and not necessarily sad music either, has the same effect. Why this particular emotion should be aroused is certainly an enigma. "Crying because you are so happy" ...
— Psychology - A Study Of Mental Life • Robert S. Woodworth
... modernizations in every degree of earlier works. Under these circumstances it will easily be seen that the task of reconstructing a lost original from extant imitations is a very delicate and perilous one. Who could adequately appreciate the Sistine Madonna, if the inimitable touch of Raphael were known ...
— A History Of Greek Art • F. B. Tarbell
... "Found a Sistine Madonna or a stray Angelo?" David asked. "Or a ghost? What is the matter? Is it another phase ...
— The Crimson Blind • Fred M. White
... adversaries. Spain refused him entrance to the kingdom unaccompanied by his wife; the Pope struck him a heavier blow in diminishing by one-half the income that had hitherto been allowed him from the Papal treasury. But worse than the loss of foreign friends, worse even than the loss of the Sistine subsidy, was the effect which his treatment of his wife produced in the countries which he aspired to rule. His wisest followers wrote to him that he had done more to injure his cause by his conduct to Clementine ...
— A History of the Four Georges, Volume II (of 4) • Justin McCarthy
... the mistress herself, Valentina Mihailovna Sipiagina, put the finishing touch to it, gave it meaning and life. She was a tall woman of about thirty, with dark brown hair, a fresh dark complexion, resembling the Sistine Madonna, with wonderfully deep, velvety eyes. Her pale lips were somewhat too full, her shoulders perhaps too square, her hands rather too large, but, for all that, anyone seeing her as she flitted gracefully ...
— Virgin Soil • Ivan S. Turgenev
... ribbon of water. Here is the place, on this sheet. Over there, are the fir trees. Very soon I heard a rich voice chanting a solemn strain from Palestrinas' Miserere; the very music I had listened to in the Sistine Chapel, a few months before; and peeping from my sheltered nook, I saw a man clad in monkish garb stoop to drink from the spring. He sat a while, with his arms clasped around his knees, and his profile was so perfect I seized my pencil ...
— At the Mercy of Tiberius • August Evans Wilson
... The Sistine Chapel was the most beautiful apartment in the Vatican. Its walls were covered with choicest frescos. Its ceiling, done by the wonder-working hand of Michael Angelo, was a marvel. To add still more to the beauty of this Chapel, Leo ordered Raphael to draw cartoons for ten tapestries ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... beginning of the modern period the older view in its primitive Jewish form was impressed upon Christians by the most mighty genius in art the world has known; for in 1512, after four years of Titanic labour, Michael Angelo uncovered his frescoes within the vault of the Sistine Chapel. ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... works of art were created, assigned the painting and adornment of the Vatican. We will come to him directly. It was for Michelangelo to make the creations of these artists mere colored bubbles and froth, when seen against the immensity and intellectual grandeur of his future masterpieces in the Sistine. But that was afterwards. We are concerned with the Pope for whom these chairs and this bed were made. Yes, a Pope, my friends—no less ...
— The Grey Room • Eden Phillpotts
... accept the offered citizenship and salary, and stop on at Venice. A Duerer, not only secluded from Luther and his troubling denunciations, but living to see Titian and Giorgione's early masterpieces, perhaps forming friendships with them, and later visiting Rome, standing in the Sistine Chapel, seated in the Stanze between the School of Athens and the Disputa! I at least cannot console myself for these missed opportunities, as so many of his critics and biographers have done, by saying that doubtless had he stayed he would have ...
— Albert Durer • T. Sturge Moore
... of his nature was evident at various great church ceremonies. It has happened to me to see Pius IX celebrate mass, both at the high altar of St. Peter's and in the Sistine Chapel, and to witness the ceremonies of Holy Week and of Easter at the Roman basilicas, and at the time it was hard to conceive anything of the kind more impressive; but I have never seen any ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... although it is true that it was brought to completion by Pietro himself. The same Rocco painted many pictures of Our Lady, and made many portraits, of which there is no need to speak; I will only say that in the Sistine Chapel in Rome he painted portraits of Girolamo Riario and of F. Pietro, Cardinal of San Sisto. Another disciple of Pietro was Montevarchi, who painted many pictures in San Giovanni di Valdarno; more particularly, in the Madonna, the stories of the Miracle ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... embodiment of the highest type of womanhood. In another corner stood a similar reduction of the Flying Mercury. Between the bookcases and over the mantel-piece hung prints;—most noticeable among them, Steinla's engraving of Raphael's Sistine Madonna, and Toschi's reproduction, in lines, of the luminous majesty of Correggio's St. Peter and St. Paul; and these were but specimens of the treasures inclosed in a huge portfolio that stood where the light fell favorably upon ...
— The Atlantic Monthly, Volume 4, No. 24, Oct. 1859 • Various
... Blessed Virgin Mary, the well-known Latin hymn on the Crucifixion, is one of the most familiar numbers in the Roman Missal. It is appointed to be sung at High Mass on the Friday in Passion Week, and also on the third Sunday in September. On Thursday in Holy Week it is also sung in the Sistine Chapel as an Offertorium. The poem was written by the monk Jacobus de Benedictis in the thirteenth century, and is regarded as one of the finest of mediaeval sacred lyrics. Grove says of it: "Several readings ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... gate after our three hours' ramble I consigned Miss St. Clair to some friends who were waiting for her, and stepped into the count's carriage. He seemed to feel bound in honor not to speak of love to Miss St. Clair since the revelation of the Sistine Chapel, but he must have a little solace in talking to me about it. "It would be easy," said he, "if she were not fiancee, but that makes it difficult—very difficult indeed. I am glad it is not going to be for three years: that is a long time, ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... blow of a doubled fist. All English people, I imagine, are influenced in a far greater degree than ourselves by this simple and honest tendency, in cases of disagreement, to batter one another's persons; and whoever has seen a crowd of English ladies (for instance, at the door of the Sistine Chapel, in Holy Week) will be satisfied that their belligerent propensities are kept in abeyance only by a merciless rigor on the part of society. It requires a vast deal of refinement to spiritualize their large ...
— Our Old Home - A Series of English Sketches • Nathaniel Hawthorne
... crowned her ancient nobleness with a becoming hue, as Gard was jogged along in a roundabout way through the city. Here at the left were the august bridges and great park, all famed in Napoleon's battles. Over there were the dowdy royal palaces. There, too, was the house of the sacred Sistine. Her sweet lineaments shone down in almost every ...
— Villa Elsa - A Story of German Family Life • Stuart Henry
... with a kind of sombre triumph. "The Sistine Chapel. I've got a print of it in my room. That's where you saw it." She leaned back against a tree trunk with her knees drawn up to her chin, and blew out clouds of smoke, and looked more than usually grey ...
— The Dark House • I. A. R. Wylie
... could look down into the gray ruins of my heart, you would not reprove me so harshly. My whole being seems in some cold eclipse, and my soul is like the Sistine Chapel in Passion-week, where all is shrouded in shadow, and no sounds are heard ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... the elevated character to Raphael's faces—as in the "Sistine Madonna" and other paintings—is not their drawing, though that is always refined, but the expression of the eyes, which are truly the windows of the soul. It was the same in Hawthorne's face, and may be observed in all good portraits ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... even then it would take him 122-214 days to count the eggs of a single turbot. After that, it would take a chartered accountant at least 122-214 days to check his figures. One can gather from this some idea of the enormous industry of men of science. For myself, I could more easily paint the Sistine Madonna or compose a Tenth Symphony than be content to loose myself into this universe of numbers. Pythagoras, I believe, discovered a sort of philosophy in numbers, but even he ...
— The Pleasures of Ignorance • Robert Lynd
... autotypes are from the ceiling of the Sistine Chapel in Rome, the glory of the world," went on Miss Inches. "And here, Johnnie, is the most precious of all. This I got expressly for you. It is an education to have such a painting as that before your eyes. I rely very much upon ...
— Nine Little Goslings • Susan Coolidge
... responded to measure, there was a slight change in kind or degree, the whole arrangement resembling that of an army in battle array; with its centre, flanks and skirmishers. The balance of equal measures—seen in his "Sistine Madonna," is conspicuous in most ecclesiastical pictures of that period, notably the "Last Supper of Leonardo" in which two groups of three persons each are posed on either side of the ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... went to Paris and entered the atelier of Cogniet, and later did some work under the direction of her countrymen Wickenberg and Wahlbom. She had, at this time, already made herself known through her copies of some of the Italian masters and Murillo. Her copy of the Sistine Madonna was placed by Queen Josephine in the Catholic church at Christiania. After her return from Dresden where she went from Paris, she painted portraits of King Oscar and Queen Josephine. In 1851, having received a government scholarship, she went to Munich, Bologna, and Florence, and ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... tradition, became the exponent of the majesty and splendor of the human body. This final emancipation of art from ecclesiastical trammels culminated in the great age of Italian painting. Gazing at Michael Angelo's prophets in the Sistine Chapel, we are indeed in contact with ideas originally religious. But the treatment of these ideas is purely, broadly human, on a level with that of the sculpture of Pheidias. Titian's Virgin received into Heaven, soaring midway between the archangel who ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... 58 was eventually placed the wonderful piece of embroidery of the "Sistine Madonna," the work of Miss Ripberger, of Berlin. The linen upon which the life-like figures were wrought was probably 6 by 8 feet in size, and in order to reproduce the colors the silk had been matched with the colors in the original ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... of the Sistine Chapel in which, however, may be found figures and forms such as Michel Angelo never drew nor such even as his imperial and suggestive mind ...
— Why I Preach the Second Coming • Isaac Massey Haldeman
... attractiveness in themselves, being often, indeed, the true maturity of certain amiable artistic qualities. And in regard to Greek art at its best—the Parthenon—no less than to the art of the Renaissance at its best— the Sistine Chapel—the more instructive light would be derived rather from what precedes than what follows such central success, from the determination to apprehend the fulfilment of past effort rather than the eve of decline, in the critical, central ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... brothers, who played under the shadow of the old gateway, and was put to do the drudgery of the apprenticeship to art. He had to grind colours for Cosimo—who, as we know, used a great deal of colour, having dazzled the eyes of the Pope with the brilliancy of his blue and gold in the Sistine Chapel some years before—he had to sweep out the studio, no doubt assisted by Mariotto Albertinelli, a boy of his own age, and to run errands, carrying designs for inspection to expectant brides ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)
... worshipped him so that she was sure she could help others to understand him; or what did I think of a "course" on Raphael or Michelangelo—or on the heroines of Shakespeare? There were some fine steel-engravings of Raphael's Madonnas and of the Sistine ceiling in her mother's library, and she had seen Miss Cushman in several Shakespearian roles, so that on these subjects also she felt qualified ...
— The Greater Inclination • Edith Wharton
... been published, were very favourable specimens of the severe ecclesiastical style; one in particular, a ten-part Miserere, composed for Holy Week in 1821 by order of Pope Pius VII., has taken a permanent place in the services of the Sistine chapel during Passion Week. Baini held a higher place, however, as a musical critic and historian than as a composer, and his Life of Palestrina (Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina, 1828) ranks as one of the best works of its class. The phrase ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... between the various cases is, that in some of them a higher type of art is demanded by wealth and skill than in the others. No wonder, therefore, he blossomed out at last into Michael Angelo's frescoes in the Sistine Chapel! ...
— Post-Prandial Philosophy • Grant Allen
... Mr. Severn, and then went homeward by way of Verona, where Ruskin wrote an account of the Cavalli monuments for the Arundel society, and Venice, where he returned to the study of Carpaccio. At Rome he had been once more to the Sistine, and found that on earlier visits the ceiling and the Last Judgment had taken his attention too exclusively. Now that he could look away from Michelangelo he become conscious of the claims of Botticelli's frescoes, which represent, in ...
— The Life of John Ruskin • W. G. Collingwood
... looked. I have said I was transported by that canvas of sea and rocks, and have, therefore, no word left to describe the emotion with which I gazed upon the exquisite, living, palpitating picture beside me. A composite photograph of all the Madonnas ever painted, from the Sistine to Bodenhausen's, could not have been more lovely, more ineffably womanly than that young girl, radiant with the divine glow of artistic delight—at least, that is my opinion, which, by the bye, I should, perhaps, have stated a little more gingerly, inasmuch as you are yourself acquainted ...
— The Darrow Enigma • Melvin L. Severy
... ringing out) was composing himself to listen, Pepe grabbed him with a 'Music's over; andiamo (let's go). Did you hear Mustafa? Bella voce, tra-la-leeeee! Mustafa's a contadino; I know his pa and ma; they changed him when only five years old. Thought he was a Turk, didn't you? He sings in the Sistine chapel. Pretty man, fat; positively not a ...
— The Continental Monthly, Vol. 3, No. 1 January 1863 - Devoted To Literature And National Policy • Various
... the only product of his chisel. What he did later was the fulfillment of the prophecy embodied in the Mask. At the age of eighty, he produced the Descent from the Cross, which glorifies the Duomo in Florence. In between these productions, we find his David, his Moses, the Sistine Ceiling, with many others scarcely less notable. He rose to a higher and higher conception of art as he lived art more and more fully, and his execution kept pace with the expansion of his conception. He gave content to the word both for himself and for the world until now we associate, in our ...
— The Vitalized School • Francis B. Pearson
... surrendered themselves to the compelling qualities of Jazz. Their instinct might be trusted: so, no more classical concerts and music-lessons; no more getting Lycidas by heart; no more Baedeker; no more cricking one's neck in the Sistine Chapel: unless the coloured gentleman who leads the band at the Savoy has a natural leaning towards these things you may depend upon it they are noble, pompous, and fraudulent. And it was delightful, too, ...
— Since Cezanne • Clive Bell
... the work was not ready to be put in its place until February, 1508. This being done, Michael Angelo returned to Florence, where he had much to do; but Julius soon sent for him to go to Rome, and insisted that he should paint the roof of the Sistine Chapel, which occupied him ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... expression. The Western Church soon followed this movement in every detail, and then by slow degrees upon Italian soil began that evolution in artistic conception and artistic technique which was to culminate in the effulgent glory of Raphael's Sistine Madonna. It was the Emperor Justinian's conquest of Italy which "sowed the new art seed in a fertile field," to use Miss Hurl's expression; but inasmuch as artistic endeavor shows that same lack of originality which was characteristic of all other forms ...
— Women of the Romance Countries • John R. Effinger
... Cellini here alludes to the Sistine Chapel and to the Villa Farnesina in Trastevere, built by the Sienese banker, Agostino Chigi. It was here that Raphael painted his Galatea and the whole fable of ...
— The Autobiography of Benvenuto Cellini • Benvenuto Cellini
... was in Rome, he saw in the Sistine chapel the painting of "The Last Judgment," while listening to the wonderful music of "The Miserere," which music is only performed in Holy Week by the Pope's choir, and no one has ever been allowed to have a copy of the music ...
— Ten Boys from History • Kate Dickinson Sweetser
... the Master above, shape us not less than the thoughts that build from within. It seems that not one, but two are working upon the soul's structure. As one day in the presence of his master Michael Angelo pulled down the scaffolding in the Sistine Chapel, and the workmen cleared away the ropes and plaster and litter, and looking up men saw the faces of angels and seraphs, with their lustrous and immortal beauty, so some glad day will that angel named Death pull down life's ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... Caucasian, he departed in the direction of the ape! Here was zoology mutely but eloquently telling us why there had blossomed no Confucius, no Moses, no Napoleon, upon that black stem; why no Iliad, no Parthenon, no Sistine Madonna, had ever risen ...
— Lady Baltimore • Owen Wister |
