"Iago" Quotes from Famous Books
 ... replied the lover, with somewhat affected indifference. "If you wish to play the part of Iago with me, I warn you I am not disposed ...
— Gerfaut, Complete • Charles de Bernard
... out of place. In the scenes with Iago he equaled Salvini, yet did not in any one point surpass him. Nor did he in any way imitate him. The fury of the two Othellos is widely different. Salvini is the fiercer, for Rossi's rage has a background of intensest suffering. One is an enraged tiger, ...
— Lippincott's Magazine of Popular Literature and Science, April, 1876. • Various
... the San Pedro and the Santa Catalina, laid a course for the haven of Sant Iago. They were caught in a severe storm which so greatly frightened the men on the Santa Catalina, "more afraid than was need," remarks Alarcon, that they cast overboard nine pieces of ordnance, two anchors, one cable, and "many other things as needful for the enterprise wherein we went ...
— The Romance of the Colorado River • Frederick S. Dellenbaugh
... ought not to expect it. A man who plays HAMLET as well as he does, can't possibly play MACBETH. As well might we ask TENNYSON to turn Ward politician. We all owe him a debt of gratitude for building MOLLENHAUER so splendid a theatre, and for giving us the best IAGO and the best HAMLET that we have ever seen, or ever shall see. And so, I for one am ready to forget and forgive when be fails as MACBETH, and does not succeed ...
— Punchinello, Vol.1, No. 4, April 23, 1870 • Various
... revealed to him by a rival, who played on this occasion the infamous role of Iago. Campvallon laid aside his starred epaulettes, and in two successive duels, still remembered in Africa, killed on two successive days the guilty one and his betrayer. His wife died shortly after, and he ...
— Monsieur de Camors, Complete • Octave Feuillet
... known to God.' The chance of prize-money was lost, but the political purpose of the expedition could still be completed. The Cape de Verde Islands could not sail away, and a beginning could be made with Sant Iago. Sant Iago was a thriving, well-populated town, and down in Drake's book as specially needing notice, some Plymouth sailors having been recently murdered there. Christopher Carlile, always handy and trustworthy, was put on shore with a thousand men to attack the place on the undefended ...
— English Seamen in the Sixteenth Century - Lectures Delivered at Oxford Easter Terms 1893-4 • James Anthony Froude
... Iago,' I said to myself when I first saw him in 'Othello.' That was at the end of the first act. But he had commanded my attention to his innovations. In the second act I found myself deeply interested in watching and studying the development of his conception. In the third act I was fascinated ...
— The Story of My Life - Recollections and Reflections • Ellen Terry
... by your influence with General Hermona, to obtain protection to a port, that I may proceed to Europe. I do not care whether I go from Saint Domingo, or by Saint Iago, so as to sail from Port Plate. I could find a vessel from either port. You would have no difficulty in persuading General Hermona ...
— The Hour and the Man - An Historical Romance • Harriet Martineau
... vice are exhibited in daily, homespun dress, and stalking abroad through the centuries, the generous and brave nobility of King Lear, Caesar, Othello, and Hamlet, will be seen in marked contrast to Shylock, Brutus, Cassius, Iago, Gloster and Macbeth. His fools and wits were philosophers, while many of his kings, queens, dukes, lords and ladies were ...
— Shakspere, Personal Recollections • John A. Joyce
... Lopez bears a distant resemblance to "honest Iago" in Othello, though Molire has only faintly shadowed forth what Shakespeare has worked out ...
— Don Garcia of Navarre • Moliere
... his own shirt-front! 'And what an actor! A volcano, signori miei, a volcano, un Vesuvio! I had the honour and the happiness of singing with him in the opera dell' illustrissimo maestro Rossini—in Otello! Garcia was Otello,—I was Iago—and when he rendered the phrase':—here Pantaleone threw himself into an attitude and began singing in a hoarse and ...
— The Torrents of Spring • Ivan Turgenev
... Salamanca cathedral) was probably derived from the domical churches of Aquitania and Anjou. Elsewhere the northern Romanesque type prevailed under various modifications, with long nave and transepts, ashort choir, and a complete chevet with apsidal chapels. The church of St. Iago at Compostella (1078) is the finest example of this class. These churches nearly all had groined vaulting over the side-aisles and barrel-vaults over the nave, the constructive system being substantially that of the churches of Auvergne and the Loire Valley (p.165). They differed, however, ...
— A Text-Book of the History of Architecture - Seventh Edition, revised • Alfred D. F. Hamlin
... OTHELLO.—"IAGO tells me you've been flirting with Lieutenant CASSIO. Now that won't do. Remember that under the Fifteenth Amendment I have the right, being a colored man, of doing pretty much as I choose. If this flirtation isn't stopped promptly ...
— Punchinello, Vol. II., No. 39., Saturday, December 24, 1870. • Various
... something with Shakespeare; he had made him possible; he had extracted some "tragedies" from him; Ducis impressed one as being a man who could chisel an Apollo out of Moloch. It was the time when Iago was called Pezare; Horatio, Norceste; and Desdemona, Hedelmone. A charming and very witty woman, the Duchess de Duras, used to say: "Desdemona, what an ugly name! Fie!" Talma, Prince of Denmark, in a tunic of lilac satin trimmed with ...
— The Memoirs of Victor Hugo • Victor Hugo
... Tiburzio (the Pisan, good true fellow, this one), and Domizia the lady—loosen all these on dear foolish (ravishing must his folly be) golden-hearted Luria, all these with their worldly wisdom and Tuscan shrewd ways." Florence, in short, plays collectively somewhat the part of Iago to this second Othello, but of an Iago (need it be said) immeasurably less deeply rooted in malignity than Shakespeare's. It was a source of weakness as well as of strength in Browning as a dramatist that the evil things in men dissolve so readily under his scrutiny ...
— Robert Browning • C. H. Herford
... inclined the same way as the suspected cardinals. The most eminent men of the Italian clergy were steering for Wittenberg, and taking Rome with them. An uncle of the Duke of Alva, the cardinal of Sant Iago, thereupon suggested to Caraffa that the best way to save the Church was to introduce the Spanish Inquisition; and he was seconded by another Spaniard, a Basque of great note in history, of whom there will be more ...
— Lectures on Modern history • Baron John Emerich Edward Dalberg Acton
... very useful lesson to me, so you may take warning by my experience, and, if ever she invites you to ride with her, as she did me, beware! beware! her flashing eyes, her floating hair!—do not accept, or, before accepting, take Iago's advice, and put money in your purse: PUT MONEY IN YOUR PURSE! I'll tell ...
— The Atlantic Monthly, Volume 17, No. 102, April, 1866 • Various
... made love to me as Shakespeare describes him doing it, I'm not sure that I could have resisted him. But the finest of all Shakespeare's men is Othello. That's a real man. Desdemona was a fool. It's not wonderful that Othello didn't see through Iago; but Desdemona ought to have seen through him. The stupidest woman can see through a clever man like him; but, of course, Othello ...
— Orpheus in Mayfair and Other Stories and Sketches • Maurice Baring
... power of good, as if he wished once for all to try the resources of evil at their uttermost, and pass upon it a complete and final condemnation. With this view, he seeks evil in its own haunts. He creates Guido, the subtlest and most powerful compound of vice in our literature—except Iago, perhaps—merely in order that we may see evil at its worst; and he places him in an environment suited to his nature, as if he was carrying ...
— Browning as a Philosophical and Religious Teacher • Henry Jones
... We were becoming too strong. We were disturbing the balance of power. We were demonstrating too plainly the inherent activity and irresistible energy of a purely democratic form of government. Therefore Carthago delenda est. "But yet the pity of it, Iago!" Mark how a Christian nation deals with a Christian ally. Our destruction is to be accomplished, not by open warfare, but by the delusive and dastardly pretence of neutrality. There is to be no diplomatic recognition of an independent Southern Confederacy, but ...
— Atlantic Monthly, Vol. 12, August, 1863, No. 70 - A Magazine of Literature, Art, and Politics • Various
... is due us, by the bones of Saint Iago," shouted Joe, in a thrill of glad anticipation. "Watch her closely. You saw the brig in Charles Town harbor. Bless God, this may well be Cap'n Stede Bonnet yonder, an' perchance he cruises in search of Blackbeard to square accounts with that vile ...
— Blackbeard: Buccaneer • Ralph D. Paine
... owls, fly-flappers, red ochre, and numerous other minor valuables. These we brought in triumph to the camp. It always distressed me to have to fire at these savages, and it was only when our lives were in most imminent danger that we did so, for, as Iago says, though in the trade of war I have slain men, yet do I hold it very stuff o' the conscience to do no contrived murder. I lack iniquity, sometimes, to do me service. We then went on with our work, though expecting our foes to return, but we were not again molested, as they now probably ...
— Australia Twice Traversed, The Romance of Exploration • Ernest Giles
... CRUIKSHANK has presided over a temperance meeting at Bristol. He maintained in his address that if Shakspeare were alive now, he would be of their society! "In 'Othello,' there was the character of a bad man, one Iago, who, setting himself to work the ruin of another, begins by making him drunk, and when it is first offered to him the answer is, 'Not to-night, good Iago. I have very poor and unhappy brains for drinking. I could well wish courtesy would invent some other custom of entertainment.' They would ...
— The International Magazine, Volume 2, No. 2, January, 1851 • Various
... Saint Iago! thou art some juggling knave—some impish charlatan, who seeks to conceal his imposture in the garb of mystery and terror. Little knowest thou the mettle of a ...
— The Three Brides, Love in a Cottage, and Other Tales • Francis A. Durivage
... this very useful moral, not to make an unequal match; in the second place, we learn not to yield too readily to suspicion. The handkerchief is merely a trick, though a very pretty trick; but there are no other circumstances of reasonable suspicion, except what is related by Iago of Cassio's warm expressions concerning Desdemona in his sleep; and that depended entirely upon the assertion of one man.[121] No, Sir, I think Othello has more moral than ...
— Life Of Johnson, Vol. 3 • Boswell, Edited by Birkbeck Hill
... vitally concerns them, the tensity of the situation will be augmented if the difference between the characters is marked. This expedient is therefore of especial importance in the drama. Othello seems more poignantly emotional in the presence of the coldly intellectual Iago. In "The School for Scandal," Charles and Joseph Surface are much more effective together than either of them would be alone. The wholehearted and happy-go-lucky recklessness of the one sets off the smooth and smug dissimulation of the other; the first gives light to the play, and ...
— A Manual of the Art of Fiction • Clayton Hamilton
... lacerated his hand as he turned round; and yet the lie struck him like a poisoned barbed arrow, and he could not drag himself loose from it. No man could have loved Desdemona better than Othello, and yet, before there was any evidence, did he not say of Iago— ...
— Miriam's Schooling and Other Papers - Gideon; Samuel; Saul; Miriam's Schooling; and Michael Trevanion • Mark Rutherford
... Plan formed within the magic circle of his own inapproachable spirits is very fine; but still it is not tragic—nay scarce obvious enough to be altogether dramatic, if in this word we involve theatre-representation. Iago (so far only analogous to Wallenstein as in him an Impulse is the source of his conduct rather than the motive), always acting is not the object of Interest, [but] derives a constant interest from Othello, ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... importance of this is illustrated by an amusing story of Edmund Kean, who one night played Othello with more than his usual intensity. An admirer who met him in the street next day was loud in his congratulations: "I really thought you would have choked Iago, Mr. Kean—you seemed so tremendously in earnest." "In earnest!" said the tragedian, "I should think so! Hang the fellow, he was trying to keep ...
— The Drama • Henry Irving
... Booth was the delight of the Washington playgoers in the Jackson Administration. His wonderful impersonations of Richard III., Iago, King Lear, Othello, Shylock, and Sir Giles Overreach were as grand as his private life was intemperate and eccentric. He was a short, dumpy man, with features resembling those of the Roman Emperors, before his ...
— Perley's Reminiscences, Vol. 1-2 - of Sixty Years in the National Metropolis • Benjamin Perley Poore
... of Shakespeare are so much the objects of meditation rather than of interest or curiosity as to their actions, that while we are reading any of his great criminal characters,—Macbeth, Richard, even Iago,—we think not so much of the crimes which they commit, as of the ambition, the aspiring spirit, the intellectual activity, which prompts them to overleap those moral fences. Barnwell is a wretched murderer; there is a certain fitness between his neck and the rope; he is ...
— English Critical Essays - Nineteenth Century • Various
... special knowledge of stage-craft. "I know as little about the division of a drama as the spinster about the division of a battle, to use Iago's simile,"[114] he once wrote to a friend. Yet as a critic he had of course some general ideas about the making of plays, without having worked out any subtle theories on the subject. In criticising ...
— Sir Walter Scott as a Critic of Literature • Margaret Ball
... beginning of the act, and were supposed to fall to the floor, completely concealing the bed and its occupant after the murder. The actor had long before become again Shakespeare's Othello. We had seen him tortured, racked, and played upon by the malignant Iago; seen him, while perplexed in the extreme, irascible, choleric, sullen, morose; but now, as with tense nerves we waited for the catastrophe, he was truly formidable. The great tragedy moved on. Desdemona's ...
— Stage Confidences • Clara Morris
... over some amateur theatricals, and she has cut my acquaintance ever since. I always did say that there is nothing like amateur theatricals for bringing out all the worst vices of humanity. If a Shakespearian revival ever reaches the heavenly host, Gabriel and Michael will have to play Othello and Iago turn and turn about, to ...
— The Dominant Strain • Anna Chapin Ray
... of analysis, and sympathy with mental finesse, must also specially adapt this actor to the correct assumption of the character of Iago. Those who have never seen him in it may know by analogy that his merits are not exaggerated. We take it that Iago is a sharply intellectual personage, though his logic, warped by grovelling purpose, becomes sophistry, ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... people none remain so long unchanged as the actors. I can see the same Othello to-day, if I choose, that when I was a boy I saw smothering Mrs. Duff-Desdemona with the pillow, under the instigations of Mr. Cooper-Iago. A few stone heavier than he was then, no doubt, but the same truculent blackamoor that took by the thr-r-r-oat the circumcised dog in Aleppo, and told us about it in the old Boston Theatre. In the course of a fortnight, if I care to cross the water, ...
— The Poet at the Breakfast Table • Oliver Wendell Holmes, Sr.
... own hand; old Montague is a Montague-Ugolino who has devoured his sons; Malcolm is believed to be a mountaineer's child; Lear is borne on the stage, sleeping on a bed of roses, that he may behold a sunrise; Hedelmone (Desdemona) is no longer Othello's wife; Iago disappears; Desdemona's handkerchief is not among the properties; and Juliet's lark is voiceless. Eighteenth-century tragedy is ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... was a reader of much well-meant advice to young men, and I gathered that, whether I should become a Sir Lancelot, a Herr Teufelsdrockh, or an Iago was a matter for my own individual choice. Whether I should go through life gaily or gravely was a question the pros and cons of which I carefully considered. For patterns I turned to books. Byron was then ...
— The Second Thoughts of An Idle Fellow • Jerome K. Jerome
... iron-clad steamers have been followed by the curious spectacle of a French actor teaching an English audience how Shakespeare should be acted. I would give a good deal to see M. Fechter in Hamlet, Othello, or Iago,—the only parts he has yet attempted; the rather, because the low condition of the stage in England, where Mr. Macready and Mr. Charles Kean are called great actors, makes the English newspaper-criticisms of little value. In default of this, I have been reading M. Fechter's acting edition ...
— Atlantic Monthly, Volume 10, Number 59, September, 1862 • Various
... drew crowded audiences to the theatres, and some of whose gay and spirited verses still live in the memory of hundreds of thousands. From Henry Carey descended that Edmund Kean, who, in our time, transformed himself so marvellously into Shylock, Iago ...
— The History of England from the Accession of James II. - Volume 4 (of 5) • Thomas Babington Macaulay
... language speak all the women who are intended to be poetic: Juliet, Desdemona, Cordelia, Imogen, Marina. In the same way, also, it is Shakespeare alone who speaks for his villains: Richard, Edmund, Iago, Macbeth, expressing for them those vicious feelings which villains never express. Yet more similar are the speeches of the madmen with their horrible words, and those of fools with their mirthless puns. So that in Shakespeare there is no language of living individuals—that ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy
... Dickens booth had several large groupings and tableaux that created a storm of hilarity and amusement. Mrs. Jarley and her famous waxworks, Mrs. Jarley, Mrs. Hodgkins herself, was a sight that would move the latent risibilities of the most morose Iago. It would be impossible for me to give the harangue of that queer old lady, the unction, the comical postures would be lost on paper. She was "sui generis" and must be seen to be appreciated. Her wax figures were original and pertinent hits on the live issues of the ...
— Sixty Years of California Song • Margaret Blake-Alverson
... Spanish horse, which a Norman had brought from Galicia, whither he had gone on a pilgrimage to the shrine of St. Iago. The consecrated standard was borne by his side by one Tonstain, "the White," two barons having declined the dangerous honor. Behind him rode the pride ...
— Historical Tales, Vol. 4 (of 15) - The Romance of Reality • Charles Morris
... trials, and their bitterness soon has an end. Jealousy, like the tooth of the serpent, carries poison in its sting, and long and slow is the healing of its wound. Well knew he this, that master of the human heart: Iago's prayer was not meant ...
— The War Trail - The Hunt of the Wild Horse • Mayne Reid
... Like Iago, he saw the indistinct outline of a glorious and a most malicious plot; it lay crude in his head and heart at present; thus much he saw clearly, that, if he could time Mrs. Vane's arrival so that she should pounce upon the Woffington at her husband's table, he might be present ...
— Peg Woffington • Charles Reade
... Spain with three ships. Again he reached the Santa Cruz Islands, and sailing southward from there he landed in 1606 on a larger island, which he took for the desired Australian continent and called Tierra Australis del Espiritu Santo; the large bay he named San Iago and San Felipe, and his anchorage Vera Cruz. He stayed here some months and founded the city of New Jerusalem at the mouth of the river Jordan in the curve of the bay. Quiros claims to have made a few sailing trips thence, southward along the east coast of the island; if he had pushed ...
— Two Years with the Natives in the Western Pacific • Felix Speiser
... sensibility. The interesting thing to me was to observe the Italian conception of the part—to see how crude it was, how little it expressed the hero's moral side, his depth, his dignity—anything more than his being a creature terrible in mere tantrums. The great point was his seizing Iago's head and whacking it half-a-dozen times on the floor, and then flinging him twenty yards away. It was wonderfully done, but in the doing of it and in the evident relish for it in the house there was I scarce knew what force of easy ...
— Italian Hours • Henry James
... the motives of human actions, it is by no means certain that it would have been a good one. It is extremely improbable that it would have contained half so much able reasoning on the subject as is to be found in the Fable of the Bees. But could Mandeville have created an Iago? Well as he knew how to resolve characters into their elements, would he have been able to combine those elements in such a manner as to make up a man, a ...
— Critical and Historical Essays Volume 1 • Thomas Babington Macaulay
... there conversing in low tones with Venia by the window, while Mr. Turnbull, sitting opposite in an oaken armchair, regarded him with an expression which would have shocked Iago. ...
— Odd Craft, Complete • W.W. Jacobs
... Portuguese whom he found in slavery, and sailed with them for Lisbon, where he hoped to reimburse himself for their ransom. In this he was disappointed, so on he went to Madrid, where he was made very much of and promised the Order of Sant'Iago. In the service now of Spain, he went to Naples in 1607, after a visit to the Emperor at Prague where he was created a Count of the Holy Roman Empire. He seems to have travelled considerably in Southern Italy, and after a brief visit, to obtain money, to Madrid, set out for Sicily ...
— England of My Heart—Spring • Edward Hutton
... a silly elderly scamp, with all the will to be a villain but not endowed with the brains requisite for that line of life. Thus, the Author, unconsciously, has created him. But Mr. HARE invests this feather-headed scoundrel with Iago-ish and Mephistophelian characteristics, that go very near to make the audience believe that, after all, there is something in the part, and also in the plot. But the part is only a snowman, and melts away under the sunlight of criticism. ...
— Punch, or the London Charivari, Volume 104, January 14, 1893 • Various
... even those that are not friends for ends love not a dearness," and who, "with a great deal of virtue, obtains of himself not to hate men," is a pathetic figure, but he is something more. He is a sermon on human weakness, not drawn as some Iago might have drawn it with exultant mockery, but with the painful unflinching veracity of one who is ashamed of himself and of his kind. When one thinks how often this weakness is spoken of as if it were peculiar to the moneyed class or to the uneducated, and how many people ...
— Microcosmography - or, a Piece of the World Discovered; in Essays and Characters • John Earle
... misbelieving bands, Alla and Mahomet their battle-word, The choice they yield, the Koran or the Sword - See how the Christians rush to arms amain! - In yonder shout the voice of conflict roared, The shadowy hosts are closing on the plain - Now, God and Saint Iago strike, for the ...
— Some Poems by Sir Walter Scott • Sir Walter Scott
... thinks all the world of his wife. She has a lazy time of it, the hired girl doin all the cookin and washin. Desdemony, in fact, don't have to git the water to wash her own hands with. But a low cuss named Iago, who I bleeve wants to git Otheller out of his snug government birth, now goes to work & upsets the Otheller family in the most outrajus stile. Iago falls in with a brainless youth named Roderigo & wins all his money at poker. (Iago allers played foul.) He thus got money enuff to ...
— The Complete Works of Artemus Ward, Part 1 • Charles Farrar Browne
... presentation of this disinterested, this passive evil, because nothing but the conscious is literary. Shakespeare, in his Othello, a drama which has always appeared false and absurd to me, emphasizes the disinterested malice of Iago, imparting to him a character and mode of action which are beyond those of normal men; but then, in order to accredit him to the spectators, he adds also a motive, and represents him as ...
— Youth and Egolatry • Pio Baroja
... errands of the gods. He let the passion or the sentiment do its own work without prop or bolstering. He would have scorned to mountebank it; and betrayed none of that cleverness which is the bane of serious acting. For this reason, his Iago was the only endurable one which I remember to have seen. No spectator from his action could divine more of his artifice than Othello was supposed to do. His confessions in soliloquy alone put you in possession of the mystery. There were no by-intimations ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... to remark on "the uncolloquial vocabulary of the speakers." Iago's vocabulary is ...
— George Borrow - The Man and His Books • Edward Thomas
... to Mr. Abbot, and it was hard to confess this. It soon became apparent to her that he desired her to understand that he deeply loved her, and was deterred only by his poverty from seeking her hand. Then came letters that were constructed with a skill that would have excited the envy of an Iago, hinting at other correspondences on part of Mr. Abbot and of neglects and infidelities that made her proud heart sore. Still there were no direct accusations; but, taken in connection with the long periods of apparent silence on ...
— A War-Time Wooing - A Story • Charles King
... most of the criticisms of Rhymer and Voltaire vanish away. The play of "Hamlet" is opened, without impropriety, by two sentinels; Iago bellows at Brabantio's window, without injury to the scheme of the play, though in terms which a modern audience would not easily endure; the character of Polonius is seasonable and useful; and the Grave-diggers themselves may be heard ...
— Preface to Shakespeare • Samuel Johnson
... great island of New Zealand be without one mammiferous quadruped except the mouse, and that was probably introduced with the aborigines? Why should not one island (it can be shown, I think, that the mammifers of Mauritius and St Iago have all been introduced) in the open ocean possess a mammiferous quadruped? Let it not be said that quadrupeds cannot live in islands, for we know that cattle, horses and pigs during a long period have run wild in ...
— The Foundations of the Origin of Species - Two Essays written in 1842 and 1844 • Charles Darwin
... the delineation of the character of every individual, in the last six books of the Annals, that the Italian hand of Bracciolini is unmistakably detected, and the Roman hand of Tacitus not at all traceable. Shakespeare makes Iago say of himself: "I am nothing if not critical,"—meaning censorious. Bracciolini might have said the same of himself. He was never so much "at home," (by which I mean that he never seemed to have been so completely "happy"), ...
— Tacitus and Bracciolini - The Annals Forged in the XVth Century • John Wilson Ross
... laws, and even a convicted murderer—not improbably, to a certain extent, reaping the golden fruits of that "bad eminence;" for public performers, as we too often see, who have once lost their "good name," so far from finding themselves, in the words of Iago, "poor indeed," generally discover that they have only become objects of greater interest and attraction. How long he had lived in the enjoyment of this supposed infamy, and all the benefits accruing ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, Number 490, Saturday, May 21, 1831 • Various
... never seen a score of negroes in his life, with the divination of genius, felt the repugnance which a refined woman would feel to accepting one as her husband. The plot of one of his plays turns on it. He makes Iago say ...
— The Physical Life of Woman: - Advice to the Maiden, Wife and Mother • Dr. George H Napheys
... what he says.' I translated for him, in a somewhat milder form, Byron's words, which happened to be fresh in my memory: 'They have been crucifying Othello into an opera; the music good but lugubrious, but, as for the words, all the real scenes with Iago cut out, and the greatest nonsense instead, the handkerchief turned into a billet-doux, and the first singer would not black his face—singing, dresses, and music very good.' The maestro regretted his ignorance ...
— Great Italian and French Composers • George T. Ferris
... day of May, about 11 o'clock in the forenoon, we spoke two British patrol vessels named Iago and Filey. We were then about twenty-two miles west of the Bishop Lighthouse. The patrol vessels asked where we were bound. After informing them we were bound for Rouen, they ordered us to follow them to the Bishop. The Filey took up a position ...
— New York Times Current History; The European War, Vol 2, No. 3, June, 1915 - April-September, 1915 • Various
... themselves. EURIPIDES was accused of atheism when he introduced a denier of the gods on the stage. MILTON has been censured by CLARKE for the impiety of Satan; and an enemy of SHAKSPEARE might have reproached him for his perfect delineation of the accomplished villain Iago, as it was said that Dr. MOORE was hurt in the opinions of some by his odious Zeluco. CREBILLON complains of this:—"They charge me with all the iniquities of Atreus, and they consider me in some places as a wretch with whom it is unfit to associate; as if all ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... is gone to England, as you perhaps know, and perhaps she is now on his (sic) road back. However I shall be quit I hope for a distant bow; for although honest Iago had taken as much care as possible that he should cut my throat, a much better friend took care that he should not; which is the ...
— George Selwyn: His Letters and His Life • E. S. Roscoe and Helen Clergue
... victuals necessary for their intended voyage. During our abode here (viz. the 11 of September) two men came out of Pico which had beene prisoners there: Also at Fayal we set at libertie a prisoner translated from S. Iago who was cousin to a seruant of Don Anthonio king of Portugall in England: These prisoners ...
— The Principal Navigations, Voyages, Traffiques, and Discoveries of The English Nation, v. 7 - England's Naval Exploits Against Spain • Richard Hakluyt
... unfocussed, roving, quasi-introspective vision flashing with panther-like suddenness into a directness that seemed to burn and pierce one like the thrust of a hot stiletto, His face was clean-shaven, save for a mere thumb-mark of black hair directly under the centre of his lower lip. This Iago-like tab and the almost fierce brilliancy of his concentrated gaze gave to his countenance at times a sinister, Machiavellian expression that was irresistible and which, to my thinking, seriously marred an otherwise fine face. Of course due allowance ...
— The Darrow Enigma • Melvin L. Severy
... threatened by Escovedo, sounded like a knell to Perez and the princess. Was it a mad defiance, or a profound prescience, of the consequences, which, when Escovedo, stung on one occasion beyond forbearance by the demonstration of iniquity which Othello in his agony demands of Iago, declared loudly his purpose of divulging every thing to the king?—was it, we say, the fury or the shrewdness of despair which then drew from the lady a reply of outrageous and coarse effrontery? The irrecoverable words being spoken, we ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 366, April, 1846 • Various
... The lines of care and age gathered again upon her face. Her eyes gleamed with keen intelligence. She braced herself with the thought of all that might still lie before her. The advice of Iago, strangely sanctified, clamoured in her heart—' Put ...
— Hyacinth - 1906 • George A. Birmingham
... if you should succeed in bringing the Countess back to her duty, I have studied her well'—(he looked at me as Othello must have looked at Iago when Iago first contrived to insinuate a suspicion into the Moor's mind)—'she must never see me again; she must never know that Maurice was your secretary. Never mention my name to her, or all will be undone.... You have got me an appointment ...
— Honorine • Honore de Balzac
... parts without consulting their judgment, and sometimes without any regard to their talents. Thus the man, as well as the player, may condemn what he himself acts; nay, it is common to see vice sit as awkwardly on some men, as the character of Iago would on the honest face ...
— The History of Tom Jones, a foundling • Henry Fielding
... progress which Iago makes in the Moor's conviction, and the circumstances which he employs to inflame him, are so artfully natural, that, though it will perhaps not be said of him as he says of himself, that he is "a man ...
— Life Of Johnson, Vol. 3 • Boswell, Edited by Birkbeck Hill
... leading breeze along the southern coast of Cuba, and as the time seemed favorable, I thought I might as well cut the Gordian knot of dilemma by landing my cargo in a secluded cove that indented the beach about nine miles east of Sant' Iago. If I had been consigned to the spot, I could not have been more fortunate in my reception. Some sixty yards from the landing I found the comfortable home of a ranchero who proffered the hospitality usual in such cases, and devoted a spacious barn to the reception of my slaves while his family ...
— Captain Canot - or, Twenty Years of an African Slaver • Brantz Mayer
... I incline at a scholarly angle. This Cycle may be taken, perhaps, not so much as a living record of human experience as a lofty parable sounding the key-note of all human life. Gill the Grip is the Iago, the Mefistofele, the symbolism of a malevolent destiny. Maxy the Firebug may be the Poet's interpretation of the Social Unrest, of Doubt, of progressive irresponsibility. Would it be going too far, then, to say that Pansy stands to us as the symbol of Pan-girlism - as an almost Anacreontic ...
— The Love Sonnets of a Car Conductor • Wallace Irwin
... want of principle with a false show of greatness of soul; and in that respect he is every way deserving of praise. Twice he has pourtrayed downright villains; and the masterly way in which he has contrived to elude impressions of too painful a nature, may be seen in Iago and Richard the Third. The constant reference to a petty and puny race must cripple the boldness of the poet. Fortunately for his art, Shakespeare lived in an age extremely susceptible of noble and tender impressions, but which had still enough of the firmness inherited ...
— Characters of Shakespeare's Plays • William Hazlitt
... rough detail of Shakspere's 'Othello' is to be found in Cinthio's Collection of Novelle; but let an unprejudiced reader peruse the original, and he will be no more deeply affected by it than by any touching story of treachery, jealousy, and hapless innocence. The wily subtleties of Iago, the soldierly frankness of Cassio, the turbulent and volcanic passions of Othello, the charm of Desdemona, and the whole tissue of vivid incidents which make 'Othello' one of the most tremendous extant tragedies of characters in combat, are Shakspere's, and only Shakspere's. This instance, ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds |
